The Spirit of 1979

I have a soft spot for the anime of 1979. Why? Well, these are my ‘twin’ siblings so to speak as I was born in February of that year. This means as of 2019, we all celebrate a big 40 years of existence on this material plane. 40… people think I am 28 or something when they meet me and perhaps like my brothers and sisters of 1979, we all hold a timeless classic quality. We all still look good for our age and have matured like fine wine. Anyhow, I have not seen every production released that year, but the ones in which I have, well, they all have left an imprint onto me. My favorites include: Aim for the Ace (film version)Anne of Green Gables, the original Mobile Suit GundamRose of VersaillesGalaxy Express 999 (film version) and The Castle of Cagliostro. That’s a fine listing if I do say so myself.

I can also include Space Battleship Yamato: the New Voyage and Taro the Dragon Boy as well since I have seen them, but they did not leave near the impact on me as the titles listed above. Of course I have a wishlist of titles that I have not seen as of this writing. I am in no hurry to find these titles, but I know eventually they will crop up into my view list. The second series of Cyborg 009 and magical girl Hana no Ko Lun Lun/Flower Angel rank on the top of that listing if I can find them in their totalities. And maybe even Yamato ripoff Space Carrier Blue Noah if I so wish. Maybe. I do have the DVD set of Gatchaman Fighter so that will take precedent; I enjoyed the first two series of Gatchaman. Oh yeah I forgot, thanks Anime News Network’s encyclopedia… The Unico pilot movie was in 1979 too. I know I have that one on file.

So a big happy 40th birthday to all of us. May we continue to stay young and inspire generations in the future. KANPAI!

#130 : Chie the Brat

ctb_1If there is one truth of Isao Takahata, is that he is a master storyteller who uses the most basic fundamentals of human relationship dynamics. Takahata’s partner in crime at Studio Ghibli, Hayao Miyazaki, can wow a crowd with his knack for showmanship and feeling. Yet Takahata’s work is more reserved, quieter and yet it has a charm that Miyazaki just can’t touch. In the handful of years before the founding of Studio Ghibli, that being the early 1980s, Takahata would help to create a couple gems that equal, or even at times, surpass, his work at Ghibli. The first of these was the adaptation of the manga Jarinko Chie, translated as Chie the Brat.

ctb_2Now you can say Chie the Brat is a story about everyday life in Osaka. I have come across this idea in many places, but I think this movie can mean something else. This is a story about one character, one girl, and the world she both lives in, but also the world that she has influence over. Often times we may ask ourselves what purpose do we hold in our mundane activities in this world? Many of us are not famous, or even our popular, but still we all have an impact that spreads like a ripple in water from a thrown stone. Our actions and the people we meet all create change in small, yet subtle (or even major) ways that become something greater. So a story about Osaka? Yes, but then again Chie the Brat can be a story about any town, anywhere and anyone. It’s a story about all of us no matter who we are, or where we come from!

ctb_3Let’s meet our protagonist, Chie Takemono. A working class girl, who is quite bright and intelligent, yet schooling takes a back seat as she is more often cooking skewers at her father’s little hole in the wall restaurant. Where is dad, Tetsu? Out gambling from borrowed money from his father and getting into trouble with the local syndicates. Now what about mom, Yoshie? Separated from Tetsu at the moment and occasionally she gets a visit from Chie. True Yoshie loves Tetsu, but Tetsu needs to straighten up a little. A slightly dysfunctional family? Yes, but not a cynical way. Like most relationships it an get difficult, but usually there is a compromise, or maybe perhaps a glue that can hold things together, or make things work. And of course the is Chie’s job. …Hang on a minute I forgot about someone. I can’t leave out Kotetsu. He is the ultimate and coolest character in the whole movie simply because he is a cat. A cool cat, a street fighter who is a sweetheart and Chie’s adopted friend. NOW! the family is complete.

As I mentioned before about how this film is about the influence one of us has on others that surround us, I can’t help but see a Pollyanna quality to the story. Yet Chie is not too overly optimistic, she has a little chip on her shoulder, but that’s what makes her truly… human. She has heart, but a little of an attitude. She may not be the prettiest girl on the block, but she has a beauty that is rare. She may not be perfectly book smart, but she has a strong connection with her gut intuition, which to be honest is more important than knowing outright ‘facts’. It would be interesting to see the story beyond Chie’s years of youth because if she can harness those qualities she could become a very successful adult.

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So yet another gem helmed by the venerable Isao Takahata. This entry covers the film version, but there was also a television series that began the same year of 1981 (in case you need more Chie in your life). I don’t think Takahata was affiliated with the series, but I could be wrong. I had enough of a time getting my hands on this film version and graciously I was happy to get the chance to have the opportunity to watch this one. I rank Chie the Brat highly as one of Takahata’s best films if not his best (depending on my mood and the day of course). If you can find this one I won’t recommend you should watch it… I demand you watch 😉

#129 : Thundercats

I want to look at Thundercats without any nostalgia pretense. No rosy glasses and no holding the show on a pedestal because it was a part of my youth. I will most likely slip up and that is ok, but let’s see what happens. Once upon a time Thundercats was one of those cartoons that was as familiar as breathing. It was popular, major popular. It was one of my favorite shows and an enjoyment each afternoon I got back home from school. Still, can Thundercats still hold up today without any pretense? I have a one word answer, YES!

tcats_1Rankin/Bass was a production studio that defined entertainment for many of us. Many of the classic Christmas specials, movies like The Last Unicorn, The Hobbit and Flight of Dragons and various TV projects hold your definition of how Rankin/Bass has left it’s mark on you. As a six year old in 1985 and interested in sci-fi and adventure I found a little show by the name of Thundercats and this series became my definitive personal definition of Rankin/Bass. I was well aware of many of the previous examples as well, yet Thundercats struck a chord and in a sea of many new and fresh shows during the decade of the 1980s Thundercats is one of a few shows that have had staying power in my life and hopefully yours.

tcats_2So what keeps Thundercats relevant all these years later? The mythology, the world building and the characters. This was an original show, as after all this was an action, sci-fi, fantasy tale where the heroes are cat-like humans. I love CATS! Classic designs and characters. Yet Thundercats is also a great mix of what is already known and an amalgam of the ‘Heroes Journey’. A mix of 80s anime aesthetics, traditional American superhero team sensibilities, Arthurian Legend elements, a Tolkien-esque world of various life forms and terrains and one of the most powerful opening sequences demonstrate the beauty and strength of this show. It’s HUGE! It’s also organic. So why is Thundercats great? Simple. It’s a living and breathing legend that sustains itself.

tcats_3So Thundercats is the perfect cartoon then? Well, not really. It all depends on one’s attitude. Some characters can get annoying, certain plot points can be a bit over the top and with the second season there became way too many characters in my opinion. But again, this is a cartoon, so sit back and relax. One could complain about a number of other things, but a TV show should not be one. Just take what you can from the experience and you will find in the end, it all fits together. Like one big family were everyone has a particular role to play in the grand scheme of things. Plus, as the show progresses we become more aware of the mythology and history of both Thundera and Third Earth.

tcats_4With all the reboots of Thundercats of more recent times, I have not given them much consideration. The original show did it so well and with integrity that I never found a reason to watch an alternative. Thundercats was well written, voice acted brilliantly and animated beautifully. One of the best looking and consistent in regards to all forms of production for the era of the mid 1980s. There are some shows you look back on from when you were young and you can ask yourself what did I see in this? Yet Thundercats has stayed with all of us as it is simply timeless. The setting, music, vernacular, syntax and storylines used are beyond the idea of time. Besides being the great old fashioned painted cel, analog, style of animation, nothing can really paint Thundercats as being ‘old’.

On a final note, Thundercats is a ‘sexy’ show… everybody was ripped, wore skin tight costumes and were just perfect ideals like ancient Greco-Roman statues. This was a ‘kid’s’ show? Then again in the 80s, a lot of shows were ‘sexy’. Look at He-Man and the Masters of the Universe and Jem and the Holograms as examples. Perhaps this is yet another reason why these shows still resonate with our adult eyes, it’s ‘sexy’. … I can’t keep a straight face anymore 🙂

My 12 Favorite Anime Movies from the 1980s

I am usually not one for Top 10 listings to be honest. It’s all subjective and a matter of opinion. Why limit the variety of beautiful things in the world to a select number? Still making a list can be a good exercise and I decided to do this in regards to the animated films Japan created during the 1980s. To be fair, I am going to make two listings here. Why? Many of my favorite choices are a bit on the rare, or esoteric side of the fence and many of the better known, or easier to obtain films deserve a voice as well.

For my favorite listing I will use the following criteria… first, it has to be a film that I genuinely love and am proud to stand up for, anytime and anywhere… second, the movie has to be one that I replay and, or think about often. That’s IT! Keep it simple. For the second listing I will include as many of the films from the 80s that left an impact on me. Now on with the show…

I hope some of these resonate with you and by all means… list your favorites.

 

My 12 Favorites

(in alphabetical order)

ae-ud

Angel’s Egg (1985)
A visual poem that is dark, gothic, symbolic, mysterious and directed Mamoru Oshii. A true piece of fine art that belongs in a museum. To learn more click here.


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Arcadia of My Youth (1982)
Captain Harlock on the big screen well before the CG movie. A tale of stoic heroism, honor and following one’s definition of being free. To learn more click here.


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Chie the Brat (1981)
An endearing tale about a working class girl, her dysfunctional yet lovable family and the town she lives in. Directed by Isao Takahata. To learn more click here.


DiS_3

The Door into Summer (1981)
There is usually one year, or one summer, that defines us in our journey out of childhood and into adulthood. Once beyond that threshold, there is no return. To learn more click here.


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Grey Digital Target (1986)
A story in a dystopian wasteland where in order to survive and thrive, one must earn their way through fighting and war. To learn more click here.


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The Ideon: Be Invoked (1982)
The epic conclusion to the Ideon saga. One of the darkest mecha space opera of all time and a powerfully sublime ending as well. To learn more click here.


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Night on the Galactic Railroad (1985)
Friendship, sacrifice and the beauty of all that is life all wrapped up though a voyage to the stars on a train. To learn more click here.


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Nausicaä of the Valley of the Wind (1984)
The movie that made Hayao Miyazaki a household name about a righteous heroine in a post nuclear world in search of ecological balance. To learn more click here.


DYRL_5

Super Dimension Fortress Macross: Do You Remember Love? (1984)
Space opera, mecha, romance, aliens and remembering love through a lost culture. Take the original Macross series and multiply it by 100! To learn more click here.


TW11_3

They Were 11 (1986)
A defining tale about trust, growing up and identity for a group of students wanting to pass their final exam onboard a spaceship. To learn more click here.


TtT_2

Toward the Terra (1980)
In the future children are born and raised to become perfect citizens. A new race of evolved humanity contradicts this and declare their individuality. To learn more click here.


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Windaria (1986)
A tale of love and war through the eyes of two young couple showing the price of following what one is expected to due over listening to one’s heart. To learn more click here.

 

The Honorable Listing

(in alphabetical order)

Akira (1988)
Barefoot Gen (1983)
Castle in the Sky (1986)
Crusher Joe (1983)
Dirty Pair: Project Eden (1987)
Fist of the North Star (1986)
Gauche the Cellist (1982)
Grave of the Fireflies (1988)
Kiki’s Delivery Service (1989)
Mobile Suit Gundam: Movie Trilogy (1980/1981)
My Neighbor Totoro (1988)
Patlabor: The Movie (1989)
The Professional: Golgo 13 (1983)
Project A-Ko (1986)
Royal Space Force: The Wings of Honnêamise (1987)
Space Adventure Cobra (1982)
Urusei Yatsura 2: Beautiful Dreamer (1984)
Vampire Hunter D (1985)

What’s in a name?

The Classic Anime Museum… how did I come up with this name? It’s simple, generic and totally everything I would have laughed at when I was in college. Why? Because it’s got to be big, bold and really cool… different… and all the other stuff most people say when I hear pitches for graphic design projects. But, Classic Anime Museum is big, bold and really cool… in being small, subtle and not cool. It just is. Just like in Buddhism.

Summer of 2016… I started out with animedyr. This was short for anime: do you remember? which was a title I ran for my first panel discussions years ago. An example being Anime: Do you remember 1986?. Which is a play off of the movie title Macross: Do You Remember Love? But I thought… yeah, kinda… yeah… back to the drawing board. Then came Analog Anime. Not bad, but I was still not feeling it. This calls for a field trip.

Fall of 2017… I had decided to visit a couple art museums here in St. Louis that I had not been to in a while. I missed museum hopping and as I had not been out to visit in a while, I thought, this is a good day to just get out of the house. I walked to the nearest light rail station close to my house as I figured why drive? This was about a mile and change (I do like to walk a bit) and with nice weather I thought, it’s better for my Chuck’s to ride the pavement than my car’s tires. That was step one.

Step two. Ride the rails… weee! Step three. Walk a couple more miles to my destinations. First was Pulitzer Arts Foundation. I love the building, lots of concrete and in my luck I made it to the last day of the current exhibition. I don’t remember the name per se, but I was digging the museum vibe. Next was Contemporary Art Museum St. Louis. Again awesome building with even more concrete. I have fond memories of CAMStL as I interned there for a couple months after I graduated college. Anyway I don’t remember that exhibit either, but walking through the space the three letters of CAM began to turn wheels in my head.

CAM… Contemporary Art Museum… Classic Anime Museum… wow, I like that. From there I looked at logos for CAM and there were a lot of contemporary art museum variants, just insert any city name. So now I knew what to work with. I redesigned the logo with the new name and thought I should have that museum vibe on this site too. So there is a lot of white space too… negative space is the most beautiful thing. Then everything fell into place.

So next time you need to think or get a new idea… go to a museum, or even a park… whatever it may be… and breathe in that beautiful oxygen. And that ladies, gentlemen and everyone else is how The Classic Anime Museum became The Classic Anime Museum.

– Josh

 

#81b : Space Warrior Baldios

For my original entry for Space Warrior Baldios, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Space Warrior Baldios, I have a little more to say…

When I wrote the original entry for Space Warrior Baldios the only materials I had available were the first five episodes of the TV series, via fansub, and the film made from complied material with some revisioning. Then… I come to find out that the TV series would be released here in North America. Now I have an option to see Space Warrior Baldios in it’s entirety. I truly envy those of you who grew up in Europe during my youth, lets say approximately 1984 – 1990 as Baldios was available.

But one thing I have learned, never, but never ever be envious period. If you want something, be it an experience, a product, a relationship, whatever, give it space and focus. In time that something will happen, but don’t get too attached as that will sabotage your journey along the way. Persevering towards something eventually creates the greater payoff. Law of attraction? Wait a minute, this is a posting for my update on Space Warrior Baldios! Very true, let’s talk anime.

baltv_1The class of 1980 for TV mecha entries number about a handful, but I have seen two thus far to this writing. Last time I commented how Space Warrior Baldios and Space Runaway Ideon represented two of the most austere space opera robot shows to grace the small screens. I still agree with this, but after watching Baldios to completion I have to give an edge to Ideon. Baldios has it’s darker moments and elements and has a great twister of an ending, but Ideon went even deeper and I have to bow in respect as I love the dark (classic Yoshiyuki Tomino). But… but, I still I enjoyed Baldios. Ideon may be the more revolutionary show, but Baldios is for me, the evolutionary candidate.

baltv_2Ideon can be likened to the original Mobile Suit Gundam, or Zambot 3 as all three are attributed to Yoshiyuki Tomino. He has a well known style in his classic shows and he made mecha anime into a slowburn auteur exercise. Baldios on the other hand feels like the next step from the overall trend in mecha anime that was growing at the seams in the 1970s. It felt and partially looked like a show from about 1976/1977, but was created in 1980 (which honestly is not that far off). There is an element of innocence and fun that abounds in Baldios. Even the stock sequence for forming the three part Baldios robot harkens more to a 70s combination, GATTAI! Still Baldios has its moments of heaviness and drama as stated before, but the majority in terms of the overall plot of the TV series occurred more so in the beginning and ending of the episode run. Take Cowboy Bebop as a similar example.

baltv_3The in between episodes of Baldios showcase many of the minor plot elements of the characters such as reunions, unrequited loves, power struggles, trust issues and xenophobia as examples. Yet this TV series is sadly incomplete and truncated and in order to have the full story, you must watch the movie as well. Even with cancellation and necessity the one thing I can give respect to Baldios is the fact that the entirety of the story was eventually completed albeit in two forms of media. As classic mecha titles were my initial entry in anime, I am delighted to finally have the complete tale of Baldios under my belt. I shall wear Baldios like a medal with pride! Thank you time for teaching me to patiently wait all of these years to reap the greater reward.

#128 : Glass Mask

gm_1“All the world’s indeed a stage and we are merely players, performers and portrayers”… The world of the acting… the lights, the crowds, the glamour… if ever a profession was and is over idealized in our society, the actor, or actress may be the top candidate. From the earliest days of known history those who have been involved in acting understand the necessity of wearing a proverbial mask, a persona. Certain masks, or persona, are strong and stabile, while others are fragile, like glass. Welcome to a story were we enter into the world of drama, with with heavy doses of melodrama too boot, known simply as Glass Mask.

gm_2Maya Kitayama, our protagonist, has a serious passion for acting and theater. Desperate for getting a ticket to a play in a nice theater, she works hard with her mother in a restaurant and has lofty dreams to be an actress. She is plain (seriously! Maya you are pretty, come on!), working class and outside the inner circles of acting, yet, because this is anime and fiction, she has a guardian angel to save the day… and in black. Chigusa Tsukikage, a once famed retired actress known for her role of the Crimson Goddess, is this angel… in black. Black because of her long black dress, classy like Maetel from Galaxy Express 999, and her long full locks of curly black hair. Her elegance is never questioned even though she is advanced in age, which makes her a true role model to show beauty is ageless.

gm_3Tsukikage-sensai approaches Maya with a proposal to join her theater academy. Maya’s dream has found an outlet, yet there is a price. Tsukikage-sensai is quite strict and tough and her training towards Maya is at the pinnacle of tough love. Like a slap in the face every once in a while! Ouch! Yet Maya perseveres, and much like a coach in a sport, Tsukikage-sensai’s tenderness is shown, internally of course, as Maya’s talents begin to flourish. Speaking of sports, let me add a fill about how Glass Mask could possibly be a sports anime in disguise. The rivalries, training and aspects of competition are both in Glass Mask and sports anime titles. I sometimes thought I was transported back into shows like Aim for the Ace, Hikari no Densetsu, or Touch, but with a quick head shake realized this was Glass Mask. Be it a sport, or theater, you have to say there are more similarities than differences.

gm_4Now for a different topic… let’s discuss nepotism. As Maya moves up through her journey to become an actor she comes into contact with several theater companies and even a minor movie role, she runs into much favoritism and jealousy. She is quite talented, very raw and passionate about the craft. She does not mean to cause any friction so to speak, but she is often noticed for being just too good and instead of being welcomed back, she often times has to move on to another opportunity. So true in real life as certain organizations, groups, friends, etc. that we all have had has at least one time in our lives preferred a safer choice than a newer, fresher alternate. Such is the life of being talented, as it is lonely as well as rewarding. Still, Maya has much support from her friends from Tsukikage-sensai’s academy, a close male friend, who could become a possible love interest, and a mystery man who always seems to send a note with purple roses at the right place and time. Purple Roses?

Sadly Glass Mask is quite short at 23 episodes as it seems there is much more of a story to tell. And with some basic research one finds that the manga spans 49 collected volumes and is still unfinished. The story presented in this television series flowed well and was consistent with interest, yet I still hungered for more. In 2005 an updated series was released, if that floats your fancy. For me though, Glass Mask is a hallmark of classic shojo, which has been a thorn in my side in regards to availability. Not so anymore with a slick Blu Ray release here in North America. To be, or not to be is not the question… the question of the moment is… where can I find purple roses?