Tag! I’m It: My ‘Geeky’ Past

I have been tagged and asked to talk about my geeky past. I prefer the word niche over geek, probably because geek was slightly derogatory term in the past, but whatever… nine things about me. Keep in mind I was born in 1979, so my childhood was the mid to late 80s… late Gen X.

1. What was the first toy that you wanted so bad that you thought that you would die without it?

I was really obsessed with having Voltron when I was very young, but the most important toy was LEGO hand downs. I could build anything I dreamed of, within limitations of the bricks at the time, and I still have a passion for the studded plastic bricks. The original NES was an amazing device at the time too (and even still, minding the fact you have to tinker with it)

2. What was the first time that you realized you were doing something geeky?

I guess when I realized what I love to do, or have interest in did not conform to the standard mainstream?

3. What was the first geeky thing you collected?

Perhaps the Robotech comic books released by Comico. I also collected baseball cards as they were cheap back then. The Robotech comic collection finally reached completion later in life and the baseball cards are mostly gone… shows where I landed on my tastes in general in life?

4. What was the first anime you watched that you knew was anime?

I kind of knew that Robotech featured animation from Japan, perhaps Voltron as well, but maybe it was Akira, Record of Lodoss War or Venus Wars as these were titles my friends had. Even with awkward dubs or adaptations, all the stuff that originated in Japan always had

5. What was the first hobby that you had to explain to your parents?

I have to explain everything to my parents to a certain degree. LOL! The good thing about anime is I got my mom into it via Miyazaki/Ghibli and Osamu Tezuka titles. She loves animation in general so it was an easy fit.

6. How many geeky hobbies do you have, and when did you start them?

Anime, animation and cartoons: since 1984, Video Games: since 1988, Astrology: whole life, yet it has peaked and valleyed over the years, LEGO: as long as I can remember, Gender Bending: since maybe age five to six

7. Why do you find joy in your geeky hobbies?

They are like great friends, or an extension of myself, a way of individual expression

8. When was the first time you realized that you wanted to write about your hobbies?

I guess I always wanted to talk about what I enjoyed, but it wasn’t until 2016 that I launched CAM.

9. If there is one blogger you wish you could have had as a childhood friend, who would it be?

Tough call… I would have loved all of you to hang out with me as a kid, we could have been power in numbers against all the bullies and had fun times at my house watching cartoons and having a snack.

He Ain’t Heavy, He’s My Brother

Call it a theme or not, but often times in anime you have a storyline around a protagonist and their fellow sibling. In the case for this outing, a brother. The relationship becomes an intertwined focus into the overarching plot, a microcosm acting in the greater macrocosm. Fullmetal Alchemist’s Edward and Alphonse are a prototypical example that is well known in the circles of fandom. … or am I out of step because I watch older material? Truth be told I finally saw FMA a good decade after it’s initial release, but that’s besides the point. … Sometimes he may be your friend, your rival, or your karmic destiny. He may be righteous or vile, charming or conniving, more respected or revered… but in the end, he is one’s brother and often times love is what bond’s you together, or like the old Joy Division song once said, Love Will Tear Us Apart.

Here are ten examples of brotherhood from the world of classic anime.


Astro Boy… Astro and Atlas

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Fist of the North Star… Kenshiro and Raoh (and don’t forget Toki!)

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Godmars… Takeru Myojin (Mars) and Marg

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GoLion… Takashi and Ryou Shirogane

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Grave of the Fireflies… Seita and Setsuko

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Mobile Suit Gundam… Sayla Mass and Char Aznable

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Saint Seiya… Shun and Ikki

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Space Battleship Yamato… Susumu and Mamoru Kodai

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Touch… Tatsuya and Kazuya Uesugi

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The Wild Swans… Elisa and her six brothers

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#161 : Nora

Nora_1Why in my right mind did I obsessively want to see this OVA? As a product of 1985, a year I love so much in terms of anime, Nora was on one of my watching bucket lists. Or perhaps it was the design of Nora herself, who is adorable and pretty… I’m jealous of her hair! My hope is that the original manga is way better in terms of story, plot, and even character development because this OVA adaptation of Nora is… eh… bland. Please universe grant me a chance to read a chapter, or two of the manga to prove my hypothesis wrong by stating that Nora is an example of what we refer to as a… Bad Anime! If blonde jokes were true, and of course they are not (Blonde = Genius!), then Nora would be the poster child, or the dictionary definition of that stereotype even though she is not dumb at all. Just very bubbly, goofy and ever popular… but kind of ditzy.

Nora_2Nora Scholar is on her way to a space town, or if this were Gundam, a colony, to take a vacation. I believe it was called Frontier, but please don’t make me rewatch this again to see if that is correct. While on her flight she meets a middle aged bald guy who is a well known professor and they become very good friends… creepy; not so attractive middle aged men and young ladies always screams red flag in my book. Add to that we also gain a third wheel, another old fart who is supposed to be a genius, but is just a cynical drunk. Why not have some handsome young stud of a man accompany Nora? But then again, I think this was a seinen production, so I am sure Nora would be the ideal fantasy girl for older guys who would want to chase someone younger. Sigh! I feel for you Nora.

Nora_3The high IQ drunk invented a computer, Artfiend (nice name?), to take over the functions of the town, or maybe it is the computer that runs the town and it has run amuck… whatever! Bad stuff starts to happen, the gravity stops working as an example because this computer has an issue with the human race. Who can stop this wild menace, but our triple threat of characters with Nora at the helm. She kindly talks to ‘Artie’ and reprograms him much like a mother talks to a child about what is acceptable and unacceptable behavior. Bad Artie, bad! You be nice now, OK! … and that is basically… the story. Stopping a renegade computer from wrecking up the entire place… I dunno… I am sure there are better options with a similar story. I vote for the opening episode of the Dirty Pair “How to Kill a Computer.” Better yet can the WWWA hire Nora and at least salvage something from this OVA? Hence forth we have the Dirty Trio (that sounds totally wrong, lol). Is Nora worth a rewatch? Not this time as I’d rather rewatch Odin first.

#160 : Mobile Police Patlabor (OVA series)

PatOVA_1PATLABOR! Veni Vidi Vici… and then… retirement. Yes there have been reboots of more recent for Patlabor, but in essence like Space Battleship Yamato, or even the Beatles… well maybe the Stone Roses as we are talking the late 1980s here, Patlabor would have it’s time in the sun with the original ‘band line-up‘ in tact for only a minute period of time. A manga, TV series, two films (I am not going to count WXIII as a third) and a follow-up OVA would be born from a little seven episode OVA created by a partnership in 1988. What happens when super talented folks in the anime industry unite for a project? They make a classic. … now then, can we get the old band back together?

patova_2One of the greatest mecha shows that is also a comedy, a drama, a showcase for parody and a cop show all rolled into one nice neat seven episode package. Very tidy and an example of bringing together talented minds to make something original and special. The main creative group behind Patlabor, known as Headgear, consisted of manga artist Masami Yuki, mechanical designer Yutaka Izubuchi, writer Kazunori Itō, character designer Akemi Takada and director Mamoru Oshii. I leave it to you to look up their resumes. The direct to video OVA had proven itself as an affective medium to distribute anime for almost half a decade and the diversity of projects showcased that this was a free for all medium. When Patlabor was released in 1988, it was positioned at a good place and time. Independent and smaller focused projects were abundant and ranged from well done productions to experimental eccentricities to the laughably bad. Yet as fans we love them all! 1988 would kick up the notch with several releases that elevated the OVA into a format that became a viable art form including Patlabor, Gunbuster and the behemoth Legend of the Galactic Heroes.

PatOVA_3Patlabor as a mecha show speaks to those who were fans of giant robot animation as children and still are even as adults… myself included. Watch the opening credits and feel all that enthusiasm from both past and present collide… “nothing’s impossible.” The aspect of going to work and fulfilling a role in society is something many of us understand well and is a main contributor to the storyline of Patlabor. The cast of Special Vehicles Section 2 are not super heroes, nor space pilots, they are your average everyday police officers… who pilot, or work with mechs while solving a case. The whole concept of mecha in Patlabor is perhaps the most extreme portrayal of giant robots as standard everyday equipment. a real “Real Robot”… no pun intended. Yet the mascot like patrol labors, the Ingrams, are not the be all end all of this show.

PatOVA_4The true stars are the cast and what a mixed bag indeed: an aloof, but genius captain; an enthusiastic tomboy who names her Ingram after her dog; a cynical rich kid; a gun crazed lunatic; a nerdy husband, a gentile giant and an American transfer round out the crew of SV2. The dynamics between each personality is what fuels Patlabor. The episodes are a mixed bag of ideas, some of which come out of left field. You get your introductory episode, a bomb defusing episode, a Godzilla inspired episode, a summer camp murder mystery episode and even a two parter that vaguely reminds me of a prototype for the future film Patlabor 2: The Movie. References galore pop up time and again, but in clever and funny ways that makes the comedy of Patlabor pure gold. One example that left me laughing… “What do you think your piloting? Great Mazinger? Dangaioh?”

Who would have thought that this little project would grow into a massive success? And the beauty of it all is that as Patlabor grew it seemed to have gotten better… perhaps because we get hungry for more adventure of the SV2. Traditional mecha anime, piloted robots, by this time had waned in popularity on TV in terms of younger fans except for a few exceptions. All of us seasoned fans, perhaps a little bent on nostalgia, welcomed the initial Patlabor OVA that filled a need to those of us who may have grown and taken on additional roles into society, but are at heart are still enthusiastic fans of animation. We all may have jobs now, even our heroes, but were still at the root of it all the same. Now, time to go to work!

#159 : Odin: Photon Sailer Starlight

Odin_1Oh, Oh, Ohh, Oh Deen!!! Odin: Photon Sailer Starlight, or is it Odin: Starlight Mutiny? May I call you Odin for short? Ever wondered how a laser powered sailing vessel would fair in the vastness of outer space? We all know that old battleships (Space Battleship Yamato) and trains (Galaxy Express 999 and Night on the Galactic Railroad) can tackle the great void of the cosmos, but a ship with sails… is it possible? In anime anything is possible… ANYTHING! Anime and the imagine can be ever expansive, yet it has to finally materialize into some substance to achieve true satisfaction. With Odin, we spend a long time traveling around, but do we ever get anywhere? Not really, but we get to head bang to heavy metal along the way.

Odin_2Many will say from the word go that Odin is a bad anime, a bad movie period. I am not here to judge one way or another, but I will say as a fact that it took me three attempts to get through this movie to finish it the first time eons ago. Why three times? I fell asleep the first two times. Odin, the alternative to melatonin. From past watchings I was under the spell from others who painted this as one of the greatest monstrosities ever created by Japan’s animation history. In many ways there is merit to this hypothesis, yet a recent rewatch has changed my tune slightly. One thing that I kept in mind this time round was to treat Odin as a large scale blockbuster action film with lots of action on a huge scale, but limited in terms of being a blockbuster. Also everything has it’s flaws… focus on what is working.

Odin_3My main issue with Odin is that it is the embodiment of excess gone wrong… ego and arrogance to the Nth degree. A true poster child of 1980s overabundance in one extreme direction. This is a big budget movie with lots of ideas and yet not enough follow through at the end product stage. What may have worked before in another guise and time may not always catch hold with the public at that current moment. Yoshinobu Nishizaki, the producer and anime exec responsible for Space Battleship Yamato, thought otherwise. If resurrecting the sunken battleship Yamato and turning it into a space epic with heroes and glory could yield success, then maybe Nishizaki could do something similar again. By the time of Yamato’s retirement in 1983 with the release of Final Yamato, perhaps the concept of epic space opera romanticism had runs it’s course?

Odin_4The story as a whole makes sense, but it gets scattered easily from the bombast and spectacle. A group of young men board the Starlight to become the main crew and run in abundant enthusiasm accompanied with heavy metal. GO!! Once on the bridge they meet their more mature superiors who want to follow everything by the books because they are after all in charge. A clash of generations? While on their maiden flight they answer an S.O.S., rescue a mysterious girl and discover alien artifacts. They learn of the civilization Odin and somehow the girl has memories of this civilization, even being able to read the language. The old men want to go home, but the boys want to go discover this new find. Enter mutiny and locking up the old men. Now we set sail for Odin, whatever it is. Could they be a mechanical civilization? Why is the Odin race very warlike? The Starlight crew find an Odin outlying base and subsequently attack it. Then the old men die leaving the ship in the boy’s hands. So should the boys go home? No way, they have to go to Odin! The End… or should I say to be continued, yet there is no more story to tell.

If Odin had life as a TV series maybe the story could have worked out. All the possibilities were there: the budget, the voice cast, the art and designs, but sadly they could not fully come to fruition as a whole. You could watch the abridged version at 90 minutes as a substitute, but the longer cut, well over two hours, has the full story; just pace yourself. The greatest reward if you finish the longer cut is a metal ballad music video that runs over the credits… “Searching for Odin my love…”  … Arguably the best part of the movie?

#158 : Crusher Joe (OVA series)

CJOVA_1Joe is back and our favorite Crushers have a couple more stories to tell! Two to be exact: The Ice Prison and The Final Weapon Ash (These titles have a few translated variations). The 1983 Crusher Joe movie was an enjoyable ride of a great time, but this 1989 OVA set may even be better. With shorter run times, fluid animation, great pacing and lots more fun, fun, fun, both episodes (I prefer to call them mini movies) of the Crusher Joe OVA series may be some of the best (if not the best?) sci-fi action anime produced in the decade of the 1980s. While Haruka Takachiho’s other creation, The Dirty Pair, may get more attention, those of us in the know really love Joe.

CJOVA_2The joy of Crusher Joe has always been there are no strings attached. You don’t have to have to learn a lot of back story, or get fully involved into the property. Much like a well made platformer, or an arcade title (in regards to video games), or a classic board game like Monopoly, all you have to do is just play it. This is the process of getting oneself into the game and learn the rules as you go, or as the old saying goes, “it’s easy to pickup, but can take a lifetime to master.” This is true of any craft, or hobby as well and I only point out games because Crusher Joe is all about fun and pure enjoyment. Crusher Joe is often quoted as a prototype, or influence for Cowboy Bebop, so it is easily accessible in terms of hitting a chord towards a common denominator for sci-fi action. While the Crusher Joe movie does this well, the OVA does this even better as it gets you into the mode and feel of what Crusher Joe is all about faster. From my own opinion, watch the OVAs first and then watch the movie.

CJOVA_3Both The Ice Prison and The Final Weapon Ash are stories about rescue operations. I hope Crushers get paid well, because it seems like they always get hired to do the dirtiest of work and it ruins one’s vacations on the shortest of notice. The Ice Prison has Joe, Alfin, Talos and Ricky hired by a corrupt government looking to change the course of an asteroid that has gone into free fall towards their planet. This asteroid also happens to house political prisoners as well who mine it for natural resources. An added bonus for this job is the fact that the Crushers are asked to make an attempt, and I use this word wisely, at rescuing these prisoners. Once the job starts the truth becomes apparent that all is not what it appears to be. Why does the government want to rescue rival political dissidents? My gut senses something is not right here.

CJOVA_4For many fans, including myself, The Final Weapon Ash is the crown jewel of the two episodes if not the cream of the crop for all that is Crusher Joe. An ultimate weapon, the Ash (named because it can turn everything to… ash), is under the care of a female officer who is captured by a rival political faction wanting to harness it’s ultimate power. Hijacking a ship and committing mutiny, the rebel faction with the female officer crash onto a planet known to have a nasty population of killer robots, the Cloakers. Our favorite Crushers are thus hired and brought in to rescue her and return the Ash to safe hands. A twist of irony is that with all the power the Ash has and represents, it is compactly contained into a mere briefcase. Talk about a big punch in a very small package! Do you want a great MacGuffin device story?

Could Crusher Joe represent sci-fi anime from the 1980s as a whole? The movie and this OVA bookend a time for most of us that defined outer space oriented sci-fi and adventure. And why I chose Crusher Joe out of the many options is because it remains in the 1980s since no remakes, or other sequels have been created past these two productions (as of the writing of this entry). Crusher Joe will forever live on as an unspoiled archetype of fun, friends, flying spaceships, having cool hair and rocking colorful jumpsuits… who could as for anything more! One final question will always remain, “Can I get a drink of water?” (watch The Final Weapon Ash to find out)

#157 : A Journey Through Fairyland / Fairy Florence

AJTFL_1May I present the love child between Disney’s Fantasia and the Isao Takahata directed Gauche the Cellist. Classical music framed around animation is nothing new, but how many can fall under the banner of Sanrio? The quintessential company of cute is so much more than Hello Kitty and for a time Sanrio released full length animated features. Released in 1985 A Journey Through Fairyland, originally titled Fairy Florence, would be the final film of the original lineage of Sanrio produced cinema treasures and it would go out in grand style and cement a legacy that is often over looked in anime. Join us as we celebrate a true ‘Waltz of the Flowers’ under this ‘Moonlight Sonata’.

AJTFL_2Our protagonist Michael is an aspiring oboe player and attends a very posh conservatory. Fancy! Music is very much Michael’s passion… yet not his only joy. It seems he also has a way with plants, a true green thumb. Music and botany… an interesting combination, just don’t forget about occasional allergies. This balancing act of interests has Michael in the green house caring for the flora and fauna often, so he is often late for rehearsals and may not be practicing enough to keep up with the rest of the orchestra. His teacher seems to agree and is concerned as the boy has a great talent that may be going to waste. After one particular practice Michael finds an abandoned flower in the campus courtyard and rescues it by taking it back to the nursery. Saving the flower’s life he discovers the flower fairy Florence who invites him on a journey he will never forget.

AJTFL_3As Michael’s quest begins we can start to see the similarities to the two films mentioned previously, Fantasia and Gauche the Cellist. My my, you look so much like your parents! Fantasia’s open visual interpretations are very obvious when Michael begins his quest with Florence. With wild colors, crazy creatures and a little dancing, I think we have ourselves a party! The basic story however is akin to Gauche the Cellist. Hmm, sounds familiar… a musician having trouble playing their instrument and needing some encouragement and support in getting their groove back… sure sounds similar to Gauche the Cellist. Except where is the tanuki this time round, or Indian Tiger Hunting? As for both films influencing A Journey Through Fairyland, I don’t consider it cheating or stealing. Maybe more like ‘borrowing‘ these ideas? “It isn’t stolen, merely rented without the benefit of paperwork.” (Thank you GoShogunThe Time Étranger)

AJTFL_4While light and easy in plot development, A Journey Through Fairyland more than makes up for this in terms of visual presentation. It’s just pretty… no wait… purrty. And with a fine cross section of western compositional classics from Beethoven, Chopin, Schubert and Tchaikovsky (wait a minute… no Satie!) to color one’s ear drums, the pastel visuals become the frosting on the cake for your auditory and ocular pleasures; its easy to get lost in these unfolding visuals. Can one have a visual version of a sweet tooth? Perhaps A Journey Through Fairyland could be considered psychedelic to a certain degree? Or better yet, A Journey Through Fairyland is like being wrapped up a big fluffy oversized warm blanket that makes you feel all safe, warm and super cozy. Very soft, gentle and easy to relax with so just breath in and chill out. A Journey Through Fairyland, a meditative family film. Or, perhaps the anime equivalent to microfiber, or memory foam?

A Journey Through Fairyland is unequivocally true fantasy with no need for boundaries. Limitations… yeah they can be checked in at the door, but they are not allowed in. There is no gravity here to tie down ones’s imagination, or creativity so sit back, get comfy and enjoy the ride. A Journey Through Fairyland is a pure example of what I call an animator’s playhouse where anything goes. This movie helps us remember that there is magic in the world and all around us. See that tree, magic… see that flower, magic… hearing the distant sounds of music, magic… and even watching classic anime… now that’s definitely a special kind of magic, but you already knew that. 🙂