#224 : Lily C.A.T.

Space can be a lonely and dark place. When one is on a long interstellar space flight time can play funny things with it’s crew. Moving at light speeds puts us decades behind our home world, which begs the questions of are we really returning home? Now if that wasn’t bad enough lets add a killer virus invasion on this ship as well. Two strikes for sure, but let’s add a third. Two of the passengers brought on board are not who they say they are and one is a suspected murderer. Did I really sign up for this flight? The saving grace, at least for me, is the fact that we get a cat to join us on this trip. Thankfully this is all fiction… an OVA from 1987… Lily C.A.T.

LilyCAT_1Certain anime titles are painful for me to watch and Lily C.A.T. is one of them. Not because of the subject matter, a dark who done it mystery set aboard an interstellar spaceship, or the occasional depiction of blood, or violence to human characters. Or even the fact that this is an average run of the mill thriller sci-fi OVA that can be lobed in with a slew of other titles that are very similar. As someone who loves cats and has had cats around since my birth watching the few scenes of violence towards, or hearing, the extreme cries coming from the feline character always makes me uneasy. Seeing a cat in pain or suffering in plain bold sight hits too close to home from personal memories that just hurt. No cat should suffer, as well as anything else either.

LilyCAT_2Lily C.A.T. is often compared to the film Alien, but I also see this OVA as a combination of three anime productions as an alternative (this is my theory by the way). I see Lily C.A.T. as a mix of Gall Force: Eternal Story (which is in many ways similar to Alien), They Were 11 and Dallos. The obvious double whammy of a who is the stowaway here (They Were 11) and confronting a killer alien virus, which leaves two people left alive to start over (Gall Force), are obvious if you are familiar with these two films. But Dallos is a little more of an outsider, unless you examine the production credits. Both Dallos and Lily C.A.T. have a similar visual look as they were both made at Studio Pierrot (with differing character designers) and feature the talent of Hisayuki Toriumi, a long time veteran of the anime industry.

LilyCAT_3Toriumi’s approach for a darker and more serious sci-fi is characteristic of the earlier Dallos. But unlike Dallos, Lily C.A.T. does actually have a plot that progresses without plot holes, has an ending that has some sort of resolution and makes… SENSE! Maybe something got lost in the shuffle when production began for Dallos, or perhaps there were plot holes from the start?… hey now this one is about Lily C.A.T. remember?… Toriumi had been around for decades and is in some ways one of anime’s best directors that never gets much attention. Many of the Tatsunoko classics like Gatchaman as an example as well as Area 88, Baoh and a co-director on Mysterious Cities of Gold. Nice resume! And those character designs which are attributed to both Yasuomi Umetsu and Yoshitaka Amano are stellar mixed with the production work of Studio Pierrot.

LilyCAT_4For a thriller that mixes up a lot of ideas, Lily C.A.T. is a damn good action sci-fi drama examining relationships in a time of crisis. Of course I had my difficult moments, but I know this was all a work of fiction and no cats were really harmed in the process. Still… those cat cries are terrifying. This was also one of Streamline Pictures releases way back in the VHS era and the dub is quite good as well. Mike Reynolds as the captain is one of my favorite roles he has ever portrayed. We learn over time the secret of who this Lily C.A.T. really is and this reminds me a little of 2001: A Space Odyssey in terms of the character HAL… even yet more sci-fi influences. I guess there is no harm in mixing up a lot of stuff to come up with something quite entertaining.

#223 : Amon Saga

Can you survive the test to join the army of Valhiss? Do you wish to ride the giant turtle that features a city on top of the shell? … A giant turtle? That’s different. … Welcome to a minor introductory for the fantasy adventure known as Amon Saga, a 1986 OVA that made its way over here in the west on physical media somehow. Interesting choice and not my first pick if I was shopping for releases, but hey a $5 DVD is worth a try at least. I have had enough of all this futuristic sci-fi as of late, I want something more grounded, but mystical as well. Classic sword and sorcery are in order this time!

Amon_1Right off from the start I found something appealing about Amon Saga. Many often label it as a very generic fantasy OVA, maybe more on the lower end of the spectrum, but to be honest from my eye it’s good, but don’t expect a miracle. The production in terms of the visuals are strong and make up for the more run of the mill plot line of personal revenge for the death of a family member. Plus don’t forget to add in saving a princess and fighting fearsome monsters. The characters themselves are fairly average, but this is an action flick after all and could pass as a medieval Fist of the North Star featuring the swords and magic over martial arts. Or maybe this reminds me more of Vampire Hunter D?

Amon_2Picture now a post apocalyptic wasteland and a young man wandering on horseback coming to a cantina for a rest and a drink. His name is Amon and soon he catches the eye of the rough clientele and even befriends one in a bar room brawl. Soon that previously mentioned giant turtle makes its way into town. This is the fortress of Emperor Valhiss and his subordinates announce a call to invite nine men to join the ranks of Valhiss. Amon would qualify, as he should as he is the hero of this tale, for the coveted ninth position. His motives are not completely clear as of yet, but trust me, he has his eyes on revenge. Valhiss murdered Amon’s mother in front of his eyes and this is his reason to join up in the Valhiss army. While making a first attempt to slay Valhiss he would fail, but in turn would meet another alley, a captured princess no less, Princess Lichia. How very cliche.

Amon_3Let’s now look into the character designs as they have a familiar and inviting look to them. This grouping belong to the handiwork of one Yoshitaka Amano. Many of us have seen his designs ranging from the classic Tatsunoko superheroes of the 1970s (Gatchaman and Casshan as examples), the casts of Genesis Climber Mospeada (Robotech: The New Generation), Angel’s Egg, the previously mentioned Vampire Hunter D and even artwork for the Final Fantasy games. He even created a tarot deck that really differs from the usual Ryder Waite designs. With all this in mind I can see him being a good choice for Amon Saga and his artistry more than carries any weaknesses, or cliches, in the production.

Amon_4Amon Saga for me is a good popcorn flick and a decent OVA release. It’s a simple story, runs just over an hour in length and comes across well polished to my eye. This was worth a re-watch as often times I trust the judgment of others as to how I see certain anime releases. I liked Amon Saga, but I didn’t hold it to any high standards. While this is not on the level of say Record of Lodoss War, Amon Saga is a smaller and more compact package that doesn’t go over its head. Swords, magic, princesses, a menacing emperor, a Valley of Gold and a giant turtle, who could ask for anything more?

#56 : Genesis Climber Mospeada

mospeada_1Long ago, and yet supposedly set in the early 21st century, a band of six individuals bonded together out of fate to be a resistance squad to fight against an alien invasion. And what a rag tag group as it shows you never know who your friends will be. But at it’s heart Genesis Climber Mospeada is a mecha show with a unique transforming concept. And like the name of Mospeada being a type of motorcycle, this show has been around with me for a long, long ride. Strap on your helmets, we are about to head out on the open road.

mospeada_2As for the unique concept mentioned earlier, I have always enjoyed the gimmick of the motorcycle becoming wearable mecha armor. IT’S SO TOTALLY COOL! I remember the first time I saw the so-called transformation way back when and I said in awe, “Whoa… that’s different… I LIKE IT!” Of course this may not be the first time it happened in anime, I have no proof of what was first, but the idea would repeat itself in Megazone 23 (another favorite of mine). Of course both of these shows featured the mech designs of Shinji Aramaki, who would later become a director of a couple CGI movie adaptations that fell flat for me.

mospeada_3Our story begins with Stick (I liked the mistranslated Stig as well) Bernard, a young pilot coming from Mars who is part of a military unit intent on reclaiming Earth after the invasion of the Inbit. Tragically after being shot down by the Inbit’s insect like mechs, Stick finds himself alone as the lone survivor of the failed mission. In typical military fashion, he continues on to find the Inbit’s main headquarters of Reflex Point. But along the way he would gain allies: a desert rat scrounger (Ray), a crybaby kid (Mint), a hot shot blonde with skills (Houquet), a cowardly, but dependable mechanic (Jim) and a lounge singer who turns out to be a soldier who uses the singing act as a matter of hiding out from the Inbit (Yellow, the first individual I ever saw who pushed gender stereotypes). These six gain camaraderie by pursuing Stick’s goal of finding Reflex Point and finding others who are willing to fight for the cause.

mospeada_4One aspect that makes this show great is the fact that to me at least it feels like a western. Our cast are like strangers that come into a town every episode and while each episode is it’s own story it builds towards the whole of the totality. It’s one of those solid series that works for me on a personal level and is one of those shows that has three distinct reasons that make it shine. One is that it is a product of that fabled studio known as Tatsunoko, you got to love the tradition (Speed Racer to Gatchaman, to production on Macross and Evangelion). Two, the character designer Yoshitaka Amano. Not the lilting gothic look most of us are used to, but still the same quality. And of course the music is by old Joe… Joe Hisaishi. The soundtrack is more rock and jazz compared to his grand work with Hayao Miyazaki’s films, but still memorable.

mospeada_5Now to compare to Robotech: The New Generation, I actually have a slight favoritism toward the Americanized adaptation (let me explain). Not saying it is better by any means and I am not flying a flag on stating the original is the measuring stick to follow either. Some of the story development I just preferred in the Robotech version and I can point to two direct points. One, Yellow Belmont (Lancer) was voiced by only one person, a male. True he has the dual gender identity, but keep it honest with the singular voice, just slightly changed. Yellow can rock a dress, but he is an androgynous man , ‘The Lonely Solider Boy’ (just better consistenancy). And two, the character and saga of Rainy Boy (Dusty Ayres). His revenge story in Robotech seemed more interesting than just being a mercenary working along with the Inbit to win back his freedom. Definitely one of my favorite anti-hero characters of all time; tragic, yet powerful.

I often think that the initial anime you are exposed to leaves the most indelible marks on you as you progress into fandom. Some you may out grow due to aging or peer pressure, some you may continue to grow into your first experiences and some you end up trying it on again to find it still works the same as before. Mospeada has always been a strong contender in my book and I am sticking with you till the sun sets in the west for the final time. Long may you run Mospeada… long may you run.