Long Title: Do I Have to Do This All Over Again? / Give it a Light Novel Title Challenge!

Now it’s my turn! Even though I’m a little late, I did show up.

Let’s resurrect some titles from the yonder days of Japanese animation awesomeness with short titles and make them really long… really, really, really long… hey the kids will love it! Apparently Japanese light novel series now-a-days have these very long titles that are en vogue and since I am stuck in 1985 I was not aware of this. A quick shout out to Curtis at Iridium Eye Reviews for both nominating and enlightening me about this current trend. I would like to thank the Academy for starters…

… by the way in case you didn’t know I owe my inspiration for my version of the title of this entry via the Monkee’s song, Long Title: Do I Have To Do This All Over Again?, which was featured in their psychedelic film masterpiece Head! (Scene from the film)

Now my challenge is let’s go with really super short titles… meaning anime titles of only one word (and maybe the addition of a number), the better. Five titles as well… hmm? Why not eleven? What do I have in stock already? On yeah… check these out!… and if you want more info, or my opinion on each entry I have a link to a respective review/entry.


Akira (1988)

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Reason number 28 why one should not bully, or make fun of, or disrespect your classmates or peers with anger issues.


Appleseed (1988)

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Don’t you see we live in a glass bubble of pure madness that only appears to be clean, safe and orderly?


Area 88 (1985)

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You know you are in for a bad day when you wake up from a hangover finding out you signed up for a foreign legion air force.


Baoh (1989)

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Ah man, why do I have to have these crazy super powers? And my skin turned all blue too!


Birth (1984)

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There is like a sword, and these weird aliens and this ghost that me and my friends have to deal with while surviving a huge explosion that destroys everything.


Nora (1985)

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If you ever need a hero find a bubbly blonde to talk to a misbehaving computer like it’s a spoiled child.


Scoopers (1987)

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The ultimate crime fighters: a reporter and her android partner, who so happens to be a photographer and bodyguard.


Salamander (1988)

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Wow! Konami spaceship shooters can turn be good source material for interesting, yet short space opera OVAs.


Touch (1985)

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Who ever thought I could have been an ace pitcher and fall in love with my long time crush who happens to be my next door neighbor as well?


To-Y (1987)

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Dude, let’s get this plain and clear, I play music my way and my way only! No selling out!


Windaria (1986)

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Are you willing to sacrifice all your true love and happiness for either duty, or money during this upcoming war?

My Favorite Anime Movies from the 1980s

I am usually not one for Top 10 listings to be honest. It’s all subjective and a matter of opinion. Why limit the variety of beautiful things in the world to a select number? Still making a list can be a good exercise and I decided to do this in regards to the animated films Japan created during the 1980s. To be fair, I am going to make two listings here. Why? Many of my favorite choices are a bit on the rare, or esoteric side of the fence and many of the better known, or easier to obtain films deserve a voice as well.

For my favorite listing I will use the following criteria… first, it has to be a film that I genuinely love and am proud to stand up for, anytime and anywhere… second, the movie has to be one that I replay and, or think about often. That’s IT! Keep it simple. For the second listing I will include as many of the films from the 80s that left an impact on me. Now on with the show…

I hope some of these resonate with you and by all means… list your favorites.

My 12 Favorites

(in alphabetical order)

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Angel’s Egg (1985)
A visual poem that is dark, gothic, symbolic, mysterious and directed Mamoru Oshii. A true piece of fine art that belongs in a museum. To learn more click here.


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Arcadia of My Youth (1982)
Captain Harlock on the big screen well before the CG movie. A tale of stoic heroism, honor and following one’s definition of being free. To learn more click here.


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Chie the Brat (1981)
An endearing tale about a working class girl, her dysfunctional yet lovable family and the town she lives in. Directed by Isao Takahata. To learn more click here.


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The Door into Summer (1981)
There is usually one year, or one summer, that defines us in our journey out of childhood and into adulthood. Once beyond that threshold, there is no return. To learn more click here.


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Grey Digital Target (1986)
A story in a dystopian wasteland where in order to survive and thrive, one must earn their way through fighting and war. To learn more click here.


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The Ideon: Be Invoked (1982)
The epic conclusion to the Ideon saga. One of the darkest mecha space opera of all time and a powerfully sublime ending as well. To learn more click here.


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Night on the Galactic Railroad (1985)
Friendship, sacrifice and the beauty of all that is life all wrapped up though a voyage to the stars on a train. To learn more click here.


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Nausicaä of the Valley of the Wind (1984)
The movie that made Hayao Miyazaki a household name about a righteous heroine in a post nuclear world in search of ecological balance. To learn more click here.


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Super Dimension Fortress Macross: Do You Remember Love? (1984)
Space opera, mecha, romance, aliens and remembering love through a lost culture. Take the original Macross series and multiply it by 100! To learn more click here.


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They Were 11 (1986)
A defining tale about trust, growing up and identity for a group of students wanting to pass their final exam onboard a spaceship. To learn more click here.


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Toward the Terra (1980)
In the future children are born and raised to become perfect citizens. A new race of evolved humanity contradicts this and declare their individuality. To learn more click here.


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Windaria (1986)
A tale of love and war through the eyes of two young couple showing the price of following what one is expected to due over listening to one’s heart. To learn more click here.

The Honorable Listing

(in alphabetical order)

Akira (1988)
Barefoot Gen (1983)
Castle in the Sky (1986)
Crusher Joe (1983)
Dirty Pair: Project Eden (1987)
Fist of the North Star (1986)
Gauche the Cellist (1982)
Grave of the Fireflies (1988)
Kiki’s Delivery Service (1989)
Mobile Suit Gundam: Movie Trilogy (1980/1981)
My Neighbor Totoro (1988)
Patlabor: The Movie (1989)
The Professional: Golgo 13 (1983)
Project A-Ko (1986)
Royal Space Force: The Wings of Honnêamise (1987)
Space Adventure Cobra (1982)
Urusei Yatsura 2: Beautiful Dreamer (1984)
Vampire Hunter D (1985)

#50 : Windaria

Windaria_1When it comes to animated fairy tale or love stories, at least here in the west, Disney seems to have cornered the market. Everything ends happily ever after and no matter what good triumphs over evil. What would Shakespeare or the Ancient Greeks think of this? For every day there is a night. Love stories are as much about the pain and hardships of being authentic towards your true feelings. And in 1986, the year Studio Ghibli debuted Castle in the Sky, another film would show the strife and complexity of love, war and honesty. The beautiful shojo masterpiece known as Windaria.

Windaria_2Ask me what is the best animated film from Japan during the 1980s and I will always pick Windaria. Early Ghibli films are great, Akira was amazing and Macross: Do You Remember Love is my version of the Super Bowl, but Windaria is something special. Something very, very special. A product of my beloved Kaname Production, this 1986 gem is a film that is overlooked to the point of being a crime. I see it as an allegory of not following one’s truest desires or feelings and letting the environment dictate your life. It reminds me of a quote from an obscure movie about the composer Gustav Mahler, “Do things out of love and not duty, Duty destroys, duty always destroys.” And we see this concept through the eyes of two pairs of lovers caught up in a land on the brink of an impending war.

Windaria_3The first set of lovers are the more idealized in the tradition of fairy tale story telling. Princess Ahnas of Itha lives in a seaside paradise. She is carefree and beautiful, but she is also worried. Tensions with the neighboring kingdoms of Paro are begining to escalate. And this becomes a personal issue because she is in love with Jill, the prince of Paro. Neither of our young lovers want to see war and hope to create a bridge of peace, but much like Romeo and Juliet their star crossed love has a difficult road. And when the respective royalty on both sides pass their authoritative powers on, our couple has to decide which decision is of more importance. Is it their love and their hopes for the future, or their duty as members of the royal court to uphold their honors as heads of state?

Windaria_4Complimenting our royal duo is another young couple of more common origins. Izu and Marin are farmers in the neutral territory between Itha and Paro and their lives revolve around selling of their crops. primarily to Itha, and giving respect to their land by praying to the giant tree in their land known as Windaria. The one problem is with Izu, as he desires to be something more than a common farmer. His insecurity and angst shows his feelings that he is not good enough, but for Marin this is not the case. She loves him for who he genuinely is and cares nothing of what others expectations are. Despite this, Izu decides that he must do something to prove he is special and gets involved in the upcoming war. Just how this will this affect his relationship with Marin in the end?

Windaria_5Windaria is a tale of love and responsibility and in many ways is as I have stated above, the inverse of what a traditional Walt Disney film is. Our heroes have to face consequences for their actions and everything does not tie up nicely at the end. It is one of the saddest films I have ever seen, even on a par with Grave of Fireflies, but a little different. Even with all the tragedy, Windaria stands as one of the most beautifully made films in anime and what makes it that way is the gentleness that rides under the current of the madness. What we have is a cautionary tale, much like the true telling of The Little Mermaid, and often times the lessons we learn the hardest often are the ones that eventually make us open our eyes to see the beauty of what you truly have. Never forget the beauty of what you have in front of you and take care of yourself and your environment, because they are interdependent.

I will always hold Windaria high in my regard for the beauty of the story, the music, the haunting yet serene beginning sequence and the tear filled ending. Films like this only come to fruition on rare occasion and their impact is second to none. And lastly, thank you Kaname Production for producing this film. I have always loved the work you all have done and Windaria is a magnun opus you should be most proud of.

afternote: This has been released in the west as an edited film known as Once Upon a Time. I am not here to judge, but from what I have heard and read it is not a genuine retelling. Just be aware in case you come across a copy of this film with an English dub.