#186 : Super Grand Prix

For the time being I have to settle for a substitute. Arrow Emblem: Hawk of the Grand Prix was a 1977 TV series produced by Toei about auto racing and I have interest in seeing this show. One, because it’s an old show… wow didn’t see that one coming as I seem to watch anything made before the millennium. Two, I like auto racing as a subject matter as I used to be a big fan of it. And finally three, it was directed by Rintaro. I like his work. In fact this was his gig before doing the Captain Harlock tv series the next year. Yet sadly nothing exists in English in terms of a subtitled entry as far as I know. This leaves me with a condensed adaptation called Super Grand Prix. Let’s give it a try?

SGP_1Thanks to a bargain bin dvd I can watch Super Grand Prix, though I am sure I have seen it online in places as well. It’s a typical shonen type of story about a young man wanting to become a professional race car driver and the ups and downs through that journey. The renamed protagonist Sean Corrigan is our hero who seems to have the worst luck in getting ahead. Soon enters a masked man… no not Char Aznable, or any other Gundam character that followed that archetype. This mystery man often talks of the great champion Niki Lauda, who by the way was a real F1 champion, three times in fact, who suffered severe burns from a crash in the 1976 German Grand Prix that almost cost his life. Through determination he would return though badly scarred. Could this masked man be Mr. Lauda in disguise?

SGP_2Sean gets hooked up with the right people via this masked man after an initial set back and always through out the story seems to have divine intervention on his side. Of course he still continues to make mistakes, which means in this universe it’s better to mess up than be perfect as long as you have the masked man behind your back. Talk about a guardian angel! Slightly reminiscent of Speed Racer to a certain extent in terms of setting, the look of the show is a typical 1970s/early 80s Toei stock presentation, particularly the characters. Fans of particularly mecha shows during that time will know what I mean.

SGP_3Entertaining in it’s own way with the localized dub and restructuring, I found Sean’s journey in Super Grand Prix very watchable unlike another similar re-edit, Magnos the Robot. It’s a simple cartoon with basic archetypes that does not get pompous like later anime productions that take themselves over seriously; these too have their place as well, but sometimes a simple story is necessary to weed out the cobwebs of expectations. The question of how much of this condensed version was cut from the original forty four  episode is in question until I see the original version, but I know for sure that the journey has only begun in terms of our heroes journey to racing stardom.

#181 : Animal Treasure Island

Oi! There be treasure on that there island me boys and girls. Yah interested in finding it? Yah need a map in order to find it’s whereabouts… are you up for some treasure hunting?  Robert Louis Stevenson’s classic novel Treasure Island is beloved by many. Adventure, pirates, the high seas and lost valuable treasure await you. Except… we are going to throw in a catch of sorts. Let’s make most of the characters anthropomorphized animals and tell this tale in terms of an animated feature film. Classic anime studio Toei would do this in 1971 with the aptly titled Animal Treasure Island. Ahoy we go!

ATI_1Jim Hawkins sits alone with his baby brother (I assume this is his brother?) in their family’s inn dreaming of adventures in the high seas. With a model ship in hand on a lonely night a visitor would arrive that would change his destiny. The hero has been called to action. From this visitor, Jim would be gifted a treasure map by chance that holds the possibility of a great fortune. Time to hire a ship, yet our young man has only a couple pieces of gold for payment. Never fear because kids are often times more resourceful than many of us who call ourselves adults. Jerry rig a barrel with a few contraptions including an engine, sail and a cannon and you get the ideal way to travel on water. Conquest awaits, but also setbacks, untrustworthy folks, and even new friends to aid oneself on this journey.

ATI_2This is a fun movie, at times very silly and slapstick, but far from perfect. Perhaps I am not the target market as this is a film made primarily for young children, but then again, I love many children/family films and stories. Reason… I am a child disguised as a ‘mature’ adult. Shh!, it’s a secret. No that’s not it, perhaps the film is a little long in the tooth? Now this makes sense. At least for me this movie really drags in the middle and while there is a lot of fun action and comedy, it felt like filler. This is an approximately 80 minute film that could have fit more into a 40–45 minute space. My opinion now, you may see different. It starts really great and then I fell into a little boredom that eventually breaks at the end to a surprise ending… be careful when pulling that chain in the cave and make sure to read all the directions.

ATI_3A little trivia for everyone… ever hear of Hayao Miyazaki? He worked on this film, but not in the executive role that he is most famous for; director as an example. These were his salad days where he was making his way through the animation industry and by the early 1970s being put into middle management type roles; key animator as an example. The designs of Jim and Cathy, the two main characters, have part of the Miyazaki flavor in terms of design and many of the action sequences have the fluidity and at times comedy he is known for. That being said, Miyazaki had some say in the making of this film, but was in many ways, ‘working for the boss’.

ATI_4Toei was known for many decades of the company’s history for the creation of big budget animated films for children and families; Japan’s answer for Disney. (what about Warner Brothers?) Animal Treasure Island fits properly into this tradition along with other titles including: The Wonderful World of Puss n’ Boots, The Little Mermaid, Swan Lake and Aladdin and the Wonderful Lamp. Animation no matter what, takes us on trips into worlds that can only be understood by the imagination. While not ‘reality’, and also in my opinion a more average experience of a film, Animal Treasure Island is still a vital part of anime’s history and an important stepping stone for many who worked on this project.

#175 : Adieu Galaxy Express 999

When is a goodbye not a finale? Galaxy Express 999 as an anime franchise was ready by 1981 to give it’s swan song. Yet franchises that are often retired never really sit on their laurels for long. Sci-fi from the past seems to be reinterpreted every generation, or decade like clockwork nowadays. How times have changed, maybe sci-fi and comic heroes are immortal? But let’s look through the lens of 1981 for a moment. Galaxy Express 999 debuted on television in 1978 bringing with it a film adaptation the next year. The TV series was winding down, or perhaps by now completed leaving Tetsuro’s journey with Maetal in full completion. And while that story did complete its sojourn, 1981 would bring a ‘once’ final goodbye to our familiar friends with a second motion picture, Adieu Galaxy Express 999.

AGE999_1A personal story about myself and this film… the first time I watched Adieu Galaxy Express 999 a handful of years ago I was in the middle of my long dating phase with everything Leiji Matsumoto. I watched all that I could featuring his work that I could get my hands on: Captain Harlock (the original 1978 TV series, plus the other variants I could find), The Cockpit, Interstella 5555, Space Battleship Yamato (Series I, II and the five original movies… Series III came later) and of course Galaxy Express 999. Watching a select grouping of the TV episodes and then the first motion picture, I finally moved onto Adieu. Ironically like a teenager dumped on prom night, I was a crying mess during the first 45 minutes of Adieu… why? Well it goes something like this…

AGE999_2Adieu Galaxy Express 999 is a dark film; themes of war and death are all around. So begins our story with Tetsuro allying himself with a band of renegade soldiers desperately trying to survive against an onslaught of mechanical androidic foes. Tetsuro is more or less on his own, until his past calls him back in the form of a pendant. A familiar voice calls out of a tiny speaker telling him to find and board that great legendary locomotive once again, the 999. The voice belongs to the most beautiful woman in all the universe, whose black fur dress, jacket and hat are synonymous with her ankle length blond hair and massive eyelashes. Maetel! She’s still alive? Will she be on the 999 waiting for Tetsuro? With aid from his guerilla friends, Tetsuro makes his way to the station to meet that wondrous train and boards greeting the familiar Conductor as they trek towards an unknown journey. … So where is Maetel?

AGE999_3While sobbing profusely because of Maetel’s absense and Tetsuro with being all alone, eventually our cast lands on La Metal where Tetsuro again has to dodge his away against the machine empire. He meets a friend, Meowdar and hears a rumor that the once defeated machine empire of Queen Promethium never truly ended and that her successor is none other than Maetel herself. Could this be true? In a twist of irony before leaving La Metal who should appear in the smoke and haze of 999’s wake? The lady in black herself, who still is the most elegantly dressed woman in all of anime. Maetel has returned, the tears are now really flowing, but soon dry up in a sense of relief. One can sense hesitation within Maetel and also with Tetsuro as there are too many open ended questions. Let’s add a third wheel into this equation with a man named Faust, who also shares a destiny with Tetsuro and Maetel. So much mystery and far too many secrets… will they all be revealed by the end of the film?

AGE999_4Adieu Galaxy Express 999 is a proper sequel to the first movie, and perhaps the TV series as well, that in many ways just reiterates many of the elements of before as if Galaxy Express 999 proper was just a first act. Again the plot is much darker and deeper than the original story and is amplified with Rintaro’s directorial skills. Yet I wonder if Adieu also acted as a cash in towards Star Wars’ The Empire Strikes Back? If you know the movie, you will definitely see the influence… “I’m your father”. Even so… this is the Galaxy Express 999 universe and more galactic trips on trains are always appreciated! In a way Adieu is not goodbye… more like hello.