#134 : The World of Hans Christian Andersen

WoHCA_1So… can we consider The World of Hans Christian Andersen a biographical film? Perhaps not, but from a fantastical perspective, let’s just say it is. Apparently a young Hans Christian Andersen is a young working class boy whose father is a cobbler, a shoemaker. Hans has a love of storytelling and he has a distant dream of being part of the local theater, a place he likes to frequent from the outskirts. What’s a poor boy to do with a dream with no outlet? Have a visit from that good old guy, the sandman, Uncle Oley. Sure sounds like an odd film? Maybe even silly and cliché? It is, but The World of Hans Christian Andersen is enchanting in it’s own way.

WoHCA_2While this film may not be historically, or factually accurate (most films rarely are, even if they are based on a ‘true’ story), it is without question an inventive use of play and imagination. Could Hans Christian Andersen in his spare time have concocted many of his famous literary works in the prime years of his youth. Maybe? Perhaps? Or maybe not, but what can be true about any author is that one often pulls from direct experience. Many of his known classics like The Red Shoes, Thumbelina (a few anime adaptations are available), The Little Match Girl and The Little Mermaid (giving some love to the 1975 Toei version) amongst others all make some sort of an appearance in the film either as being part of the plot, or having a minor cameo. The World of Hans Christian Andersen is more of a general tribute to the work of Andersen than anything else.

WoHCA_3A product of Toei animation from 1968, The World of Hans Christian Andersen can be seen as an example of Toei’s de rigueur style. Simple, easy to digest and not confrontational. Also, perhaps a little on the cheaper end of the budget scale compared to my next example. In contrast, Isao Takahata’s directorial debut Horus: Prince of the Sun, is a complicated film, darker in tone and progressive in terms of content and ideology. Plus, Horus looks expensive and for its time, a bar raising standard for the future of animation in Japan. The established old guard vs. the rising younger generation. Even with all that was just said, don’t think that The World of Hans Christian Andersen is by any means inferior, it’s just an example of a different approach. Still I can’t deny that it looks rather cheap and goofy, but it still has it’s own way of being… appealing and cute.

WoHCA_4One thing does make me wonder about The World of Hans Christian Andersen… this movie reminds me so much of the so-called holiday cartoon classics (in terms of style mainly) we see here in the west that I often wonder was this perhaps made for the west from the start? From general research, it seems to come back time and again that this hypothesis does not hold up. Still? … There are far more important battles to find instead of worrying about cartoons. Just watch and enjoy them for what they are. The World of Hans Christian Andersen is one of those titles that came my way via an interesting source. Sometimes you find anime on bizarre dollar bin/dollar store shelves and wonder is this stuff truly anime? Then with a little research you find that this is a title that has long since been forgotten. Forgotten until you find it, watch it yourself and then write about it so others know that a movie like this does actually exist.

The wondrous world from the vantage point of youth, or even the innocence of childlike simplicity in one’s supposed adulthood is important to balance and retain in all of our lives. Such knowing that true riches are internal and are within the realms of our imagination. From that fertile ground of a garden known as the mind, the conscious and subconscious fuse together, you can create anything and I mean anything as boundaries do not exist. Such creations can include stories and the art of storytelling itself. This is the world and imagination of The World of Hans Christian Andersen.

#122 : Swan Lake

SW_1I call to court the fact that Disney has too much of a stranglehold on the so called ‘Princess’ genre. Are there any princesses left that don’t belong to Disney? … any hands in the audience? … Oh, Miss Odette from Swan Lake, you are not part of the Disney pantheon, though Barbie has sure used your story and there is that Swan Princess movie too, but we won’t count these for the moment. Many tales of princesses, eh… lets say fairy tales, have been brought to life from the great artists of Japan, many of which came to life in the 1970s and 80s. Swan Lake is one of the many and in 1981 Toei’s adaptation would see a release in theaters.

SW_2Certain anime titles are with us since our beginnings. Swan Lake is one of the many titles that during my childhood in the 1980s became the genesis point for my love for Japanese animation. With TV series such as Voltron and Robotech and Toei’s Little Mermaid on VHS, Swan Lake would make its way into my consciousness via a chance TV broadcast on a Sunday afternoon. As a younger version of myself I recognized the character designs to be similar to many of the titles listed above and without the knowledge of what or where Swan Lake came from, I enjoyed it. Such was the era before the internet and the word anime came into our lexicon… you loved a cartoon because it resonated with you and that was all that we went on back in the day.

SW_3Based on the ballet by Pyotr Ilyich Tchaikovsky, expect to see fine visuals mixed with the classic and powerful, yet refined music of Tchaikovsky. Swan Lake is a love story between two star crossed lovers, a handsome prince and a captive princess who has been enchanted to become a swan by day and a girl by night in the clutches of an evil sorcerer. …and… don’t forget the love story between a pairing of two squirrels as well. And yes those two little ones do play a part into the story beyond just being cute animal characters. This is classic romanticism, yet kind of old hat as it is about a guy rescuing a girl in captive. It’s a time and tested formula, yet it is nice to see the roles reversed. That being said I have nothing against the formula this time round as this story can also hold more esoteric meaning beyond the exoteric surface. Fairy tales and myths are filled with esoteric concepts and add a BIG reason for me to revisit these classic stories again for another frame of reference.

SW_4And what of a supposed ‘Black Swan’? Let’s throw a monkey wrench into this entry. Odette our heroine is so innocent, dressed in white, passive, blonde hair… she is the essence of clarity and purity as a symbolic figure. Hence why Rothbart, the sorcerer, finds her so attractive as she is the total opposite to his dark ways and look. A true essence of polarity. AND… he is one dirty old man for wanting a young trophy wife as a status symbol. Ecchi! A very similar dynamic to Vampire Hunter D with Count Magnus Lee and young Doris. But what of this ‘Black Swan’ mentioned earlier? Rothbart has a daughter at about the same age as Odette, Odile. She may be my favorite character as she is the ‘bad’ girl. Well not bad, just independent, dark and gothic and a little conniving. Her daddy can have Odette, though Odile thinks its odd, but that leaves her to be with that stud of a Prince. It must be his haircut that makes him so popular? Anime and romance… it’s never simple.

True unconditional love and magic under the moonlight mixed with heroic virtue and a classic soundtrack. You know you want to watch? … Swan Lake you were with me since my salad days of youth and you still hold a place in my collection and my present. If Disney ever makes claim to do a version of Swan Lake they are welcome, but I will more than likely stay with my old friend out of respect.

#107 : Cyborg 009 (1966 movie)

Cyborg 009 equals the epitome of ‘Old School’. Or, perhaps that is a mistranslation; I prefer ‘Old is Cool’. Because with age comes wisdom, or so I keep telling myself as I keep adding up solar cycles and still retain the heart and soul of my youth. A product of the 1960s, Cyborg 009 reflects the era with the rise and hope of big technology, growing social equality and Cold War politics. Cyborg 009 represents a story about brand new heroes in a (once long ago) modern age heading towards an uncertain future.

C009_movie_1Many adaptations of this Shotaro Ishinomori manga have see the light of day, but this film from 1966 was the very first time the cyborg soldiers of Professor Gilmore came to life on a screen brought to you by the great old studio, Toei Animation. The story begins simply with a young race car driver, Jo Shimamura, becoming involved in a nasty crash (knife in a tire, yikes!) and is subsequently hauled off in a mysterious ambulance. He soon awakens to find he now has incredible powers, including an ability to run extremely fast, and new clothes as well (I like the new threads man). Jo has had cybornetic enchantments and is now known as Cyborg 009 (you are the star of the show my friend, hooray), a tool for the evil counter organization Black Ghost (great name). 009 also meets eight other cyborgs, his new fellow comrades, who rebel against Black Ghost in the name of justice and freedom. An uprising ensues as the team of nine cyborgs kidnap Professor Gilmore and escape.

C009_movie_2Often Cyborg 009 can be seen as Japan’s version of the X-Men. Yet I see them as one of the great early examples of a sentai squad. Ishinmori should know that concept very well as he is the creator of the Super Sentai live action genre. But then again, I see the cyborgs as a reinvention of family. There is a tight bond between these nine individuals and even though they all come from different countries, ethnicities and backgrounds, they fight together and care for each other. Very forward thinking and yet perfect for the 1960s and even today to show that no matter who you are, or where you are from, we are all brothers and sister of the human race. It’s the formation of the greater family you can build when you embrace diversity and individuality. We all have a role and a part to play to help the greater good, it’s just all of us lack the technological enhancements of our brave nine heroes.

C009_movie_3There are a few oddities I caught from this release compared to the more popular, or better known releases of Cyborg 009. First, 009, is clad in white while the others have their uniforms in purple. All except 003, she gets to be closest to most adaptations with a pinkish shade of the standard red. And red is also the color of her hair, instead of the usual flaxen hue I am used to. Do blondes have more fun? Not this time around, it’s all about the auburn. And for some reason 007 (who is British, love the James Bond in joke) is portrayed as a kid. These characteristics are also carried into the second film, Cyborg 009: Monster Wars (on my radar to find) and the first TV series of 1968.

C009_movie_4Though the art style might be archaic to our more modern eyes and honestly this may not have been the most sophisticated film made at the time, Cyborg 009 makes up for it with pure fun. This feels like a period television series amped up just slightly, including cinemascope widescreen (fancy), that still retains much of the simple limited animation used during the era. Think Astro Boy and Speed Racer as a frame of reference. Yet it is a very attractive movie with bold colors and designs. If you are looking for a basic starter into Cyborg 009, this movie is a great option as it is action packed and about an hour long. Plus you’ll get to experience Cyborg 009 during the time of it’s genesis with all the hope, innocence and at times cheesiness that made the 1960s so great. For without the likes of Cyborg 009Speed Racer, or Astro Boy, we would not have the fruits of all the great animation that we treasure today. Thank you Cyborg 009 and thank you Shotaro Ishinomori.