Dr. Jekyll and Mr. Hyde in the form of a four episode mecha anime… never thought I would say that statement. Here we have an OVA that begins a little weak and then evolves very quickly after the initial introduction into one of the darkest tales of the piloted giant robot genre. In the end who is the hero and who is the villain? Maybe it could be played from either side, or maybe neither side is truly on the side of justice, which brings up another topic, the aspect of self identity. Am I really who I think I am, or am I only the programming of someone else’s will? Wow this sounds deep, so this must have been well loved? By some yes, by others not so much… this was Hades Project Zeorymer.
Let’s now dive into this interesting stew. Mix part Izcer-1 and Dangaioh from director Toshiro Hirano; 80s mecha OVA experience check. Now add in some Silent Möbius from character designer Michitaka Kikuchi (a.k.a. Kia Asamiya); gritty cyberpunk attitude check. Now add this to a previously released mecha manga that was featured in a lolita hentai magazine and was created by the mind responsible for the Guyver (Yoshiki Takaya). What the?! Now how did this all work out as a mainstream OVA release? Easy… no hentai, or lolicon stuff… oh good that was creeping me out. The final product became a possible prototype for what became of mecha anime in the late 1990s. Angst filled, psychological, darker in tone… perhaps Evangelion was not as revolutionary as we are led to believe? After all Evangelion paid homage to the many things from creator Hideaki Anno’s past, including his mental journey states. Now let us return to Zeorymer.
How is it that I am so mixed about Zeorymer? The first episode was a bit of a let down and I was thinking that things were pointing to a plot direction of a mecha of the episode fighting against a wimpy hero. Then things change over the remaining three episodes moving into an extremely darker tone that shapes not only the characters, but the plot as well. We begin with our protagonist who plays the victim card and is taken by strangers to pilot a giant robot that was stolen from a large organization bent on conquering the world. With this renegade machine we find our protagonist change from scared and mild mannered into inhumane and cold. This is like shifting from Gundam’s Amuro Ray, or Evangelion’s Shinji Ikari into the archetype of M.D. Geist at the drop of a pin. Our hero is not a hero, or a victim, but perhaps a villain? Or is he? Several characters in this OVA, including our main character, end up looking inside themselves to realize what they thought they were was nothing more than a manufactured hoax.
Very heavy themes surround Zeorymer, but the shorter episode count format could have been longer in my opinion. The subject matter could have worked very well for a TV series, or at least a longer OVA run to develop the plot even more. We have to accept what is given even though for me this anime had a lot of potential. I am always a sucker for a deep intense story so when it gets good in terms ot being ‘serious’ I want to dive even deeper down and down and down. Even if darker themes are not your cup of tea what cannot be denied is the quality of Zeorymer in terms of presentation. Like many of Hirano’s directorial projects the detail and fluidity are very high in terms of quality. Spare no expenses here, this is a nice looking OVA.
1988 brought many reinventions and presentations in the OVA market. Gunbuster, Patlabor and Dragon’s Heaven all brought a hope of light to the future of mecha anime. But what of the former dramatic titles from the past that filled either epic space opera, or deep sacrificial tones to the story that were on television? This all seemed to be a memory until the appearance of a lone dark figure, Zeorymer, who would appear against the previously mentioned titles as a both a call from the past and a harbinger of the future. Zeorymer may not be too everyone’s taste palette, but it cannot be ignored.
If this is the best I can do for a substitute for Magne Robo Gakeen, I may just stop right here. Magnos the Robot is a condensed localization I found my via a bargain bin DVD, though I am sure it may exist as well online as well as this seems to be a public domain type of thing. I am not going to give up hope in eventually seeing the original and I look forward to the opportunity, but it may end up being on the lower end of my priority list.
The story is very typical mid 1970s super robot anime having a small group of humans fight against an alien invading force to protect the Earth and it’s inhabitance. Super robot mecha was the de facto go to for shonen type stories during these times due to mainly toy promotion and often each series had it’s own schtick. Magnos is piloted by a male and female pair representing polar opposite charges like a magnet. Magnetically both do one of the most bizarre unifying sequences I have ever seen in a mech show, much like aerial summersaults, that bring all the pieces of Magnos together with the precision locking of LEGO bricks. This alone makes the show worth a watch. In fact I could watch the launch and combining sequences on repeat all day.
Can I please say that this is an ugly show? The editing to make this version is very spastic and abrupt shifting from scene to scene with no real direction of where the direction is going except we have another monster of the week to fight in ten more minutes. I am sure the original has a more flushed out story? The designs for the Magnos robot, Magnon and Magneta (two supporting robots piloted by our heroes) are not very aesthetically pleasing either. Compared to period alternatives like Getter Robo, Combattler V, or Voltus V, Magnos, or Gakeen just did not do it for me. And then the invading aliens, very bizarre like left over sea creatures morphed into humanoid form with garishly complimentary color schemes. I often think of Go Nagai villians as being on the bizarre end of the spectrum, but they have some class and style about them. These opinions are mine of course, but all these factors really made it hard to watch.
“Now it’s up to you!” to decide on whether this is worth your time. Another production complied by the same folks as Magnos, Super Grand Prix, was more pleasing to my taste palette, but it may not be the same for all of you. Yet there is a rule of thumb I always go by… better to watch ‘bad’ anime than an average live action production. Even if it is so ‘bad’ I can’t help but take in these little ones as well. All classic anime deserves a home and a chance. I only pray that the original Magne Robo Gakeen, when it does come my way, can fill in the necessary gaps that are missing in Magnos, because I do love the launch and transformation sequences too much to throw off the whole production for an awkward re-edit.
Hold on! Thirty eight episodes and this story I have been watching for some time is not over yet!? … Often times a series has a proper ending, or some kind of closure that can be taken care of in terms of a follow-up movie, or OVA to iron out details that seemed odd or rushed. Yet not for the 1985 mecha series Dancougar. Maybe the show was cancelled, or perhaps there was a need for more creative freedom to allow for the final installment to eventually surface as an episode length OVA? The story is far from over, for we must now tie up all these loose ends from the previous 38 episodes to conclude with Dancougar: Requiem for the Victims.
Save the final boss fights for last and make it really good! The television series had a lot of potential and I tried to be fair towards it in my initial review, but seeing a lot of mecha anime, I felt this has a lot of super robot re-hatching that had been in place since the mid 1970s that by 1985 was a little derivative. The look of the show is very spot on for the period, still I personally recommend other mech titles from 1985 in terms of watching priority: Zeta Gundam and SPT Layzner. Still, Dancougar had an attitude that was appealing, nice character designs and a fine robot that would have made a great toy to promote. Now after 38 episodes of story we find the Cyber Beast Force with two remaining obstacles to complete before a proper ending could be declared. Shinobu, Sara (still has awesome hair!), Ryo and Masato have to take down long time arch rival Death Gaia and Emperor Muge himself to rid the Earth of the tyranny of the Zorbados Empire.
The choice of ending the show as a single shot OVA is an interesting one. Perhaps the creative freedom I mentioned before was a strong reason for this decision. Not being tied to the restrictions, or standards of content for television allowed a greater amount of creativity. Also the possibility of having a higher budget could yield a more polished product… this is a nice looking production. Yet again, this was the mid 1980s and the OVA market was a new and fresh, as well as lucrative market to release animation to the public. You can watch the initial episode run for free, but for the finale, you’ll have to pay for it. For great mecha action, it’s worth the price.
It has been some time since seeing the TV series and watching Requiem for the Victims was a breathe of fresh air that reminded me of what I enjoyed in Dancougar proper beyond any personal issues. Also Requiem for the Victims accomplished what it set out to do, which was finish the Dancougar story in a very dramatic fashion… just who were the real victors in this war? As always in war, both sides lose to a certain degree even if one side declares a triumphant declaration. Ironically though, Requiem for the Victims would would not be the final finish for Dancougar as a franchise; out of endings come new beginnings.