#135 : Crusher Joe (movie)

CJm_1Say Joe, what do you know? … How does it feel to be the literary older sibling of the Dirty Pair? Maybe a little jealous as Kei and Yuri often get a lot of love and fan mail, but some of us out there in old time otaku land remember you too my old friend. Space adventure and science fiction were really hot in the early 1980s and a 1983 film by the name of Crusher Joe set itself perfectly into the zeitgeist of the moment. Let’s step back in time to experience the future, grab some popcorn and cut the lights… we’re watching this movie! 

CJm_2Does Crusher Joe remind you of say, Cowboy Bebop? The character dynamics are there: Young heroic guy, the big tough veteran, the pretty girl and a nerdy kid. What!… no cute Welsh Corgi!? Crusher Joe is sci-fi fun similar to say Star Wars, or maybe Buck Rogers, or perhaps Flash Gordon. What about Space Dandy? Or in contemporary anime terms of about 1983… Space Adventure Cobra meets Gatchaman that looks a lot like the original Mobile Suit Gundam. Oh and one big difference to Cowboy Bebop… no swinging jazz. What!? No flat fifths, or 7th #9 chords interspersed in hand drawn loveliness? Ah shucks! Alas Crusher Joe is sci-fi the way we hoped for the future to be in the 1980s. Lots of warp drives, high collared tailored jumpsuits and dancing at the discotheques. I don’t know about you, but I am still waiting for this dated version of the future to come to fruition. Am I alone on this one?

So what exactly are Crushers anyway? You got a job, any job? You got money? Then a Crusher has got you covered, except keep it clean and legit as this keeps the paperwork easier to file. Joe, Alfin, Talos and Ricky have a new job of transporting a mysterious cargo with no questions asked to a specific destination. Sounds simple enough, but then again be careful what contracts you sign your name on. On a trek through hyperspace a ‘little’ accident occurs with this cargo on board. Ever have a bomb go off in the middle of a warp? Its not very pretty. After coming back to consciousness, Joe and crew quickly evaluate the situation and discover the cargo has gone missing. Ah oh, what else could go wrong? Maybe a run in with the authorities and finding out your cargo was a princess who was cryogenically frozen and now you are charged with kidnapping. Talk about a good time to call a lawyer. Now the question becomes who set up Joe and how do they get this princess back safe and sound?

CJm_3Let me return to the Mobile Suit Gundam reference again… this movie really, really looks like the iconic mecha series in terms of it’s characters. This is NO!! accident. The character designs, script, and storyboards were mainly at the helm of Gundam’s character designer Yoshikazu Yasuhiko. ‘YAS’ even helmed the directors chair. He literally owned this movie, maybe even more so than original creator Haruka Takachiho. Besides the obvious stylings of YAS, Crusher Joe also shares his sense of humor and fun action, which ties back to Takachiho’s source material quite nicely. Add in some mecha designs from a young up and coming Shoji Kawamori, hot off of the original Macross (LOVE!), and the fire power of Studio Sunrise, you have one of the best stand alone sci-fi movies of the decade. In fact Crusher Joe was Sunrise’s first original movie outside of TV show adaptations, in case you wanted to know (it’s common knowledge on the internet?).

CJm_4Once upon a time we had grand and fun swash buckling adventures told through the medium of intergalactic outer space fantasies. True they still exist in some form today, they don’t hold the same romanticism as their analog counterparts of yesteryear… or perhaps I am just being biased. Crusher Joe is a film that defines what made 1980s anime appealing and fun, even into the present. Plus as an added bonus… guess who makes a brief cameo for their first appearance ever in an anime? Kei and Yuri… the Dirty Pair… ah… Lovely Angels 🙂 They always seem to hog the spotlight in some form or another… can you blame them?

#124 : Dirty Pair (TV Series)

dptv_1“Once upon time there were two little girls who went to the World Welfare Works Association academy… And they were each assigned very ‘hazardous’ duties… But I took them away from all that and now they work for me, my name is Gooley.” Hmm… hazardous duties? Have you seen the track record of these two ladies as of late? Mr. Gooley, your two trouble consultations, those Lovely Angels are creating a lot of havoc wherever they go, though they don’t mean to because as the bumper sticker says “S#!t Happens!”. These girls even have a well known nickname and have been featured in many anime back in the day including an awesome TV series with this so-called nickname. And not Gooley’s Angels mind you; more like… Dirty Pair.

dptv_2Kei and Yuri are at it yet again and this time we are in for the long haul. While a majority of the Dirty Pair releases are single release fare (Affair of Nolandia, Project Eden and Flight 005 Conspiracy) we are treated with a multitude of adventures this time around. And yes there was that 10 episode OVA quasi-sequel from 1987, but that to me is supplementary to this TV series from 1985. And what a series from the hands of Sunrise as this could be considered the ‘sister series’ (light pun?) to the other two titles being Mobile Suit Zeta Gundam and Blue Comet SPT Layzner. Three’s a crowd? Not this time. More like Three of a Perfect Pair (any King Crimson fans?). This is because if watching the more serious space operatic mecha of Zeta Gundam and Layzner become a little too much, chill out with the Dirty Pair for a little light hearted fun.

dptv_3Within a space of 24 episodes plus two extra supplements as direct to video OVAs, you get a total of 26 episodes of adventure with Kei and Yuri. The fun nature and space travel of the Dirty Pair TV series can be looked at as a gender inverse to Space Adventure Cobra. Instead of the bumbling Lupin-esque macho Cobra you get two ladies, both of whom are feminine and independent characters. Smart and skillful, but at times a little short on temper, particularly Kei (my favorite of the pairing!), expect something to come out of the blue at any moment. As much as the girls try to help each situation, they are so-called trouble consultants after all, they often create a little more trouble in the process. Still, the comedy and the action that often occurs within each episode becomes golden at proper moments. Who would have thought the original books by Haruka Takachiho would have grown into one of the best franchises of the 1980s?

In all honesty, compared to one-offs like Affair of Nolandia, or Project Eden, I don’t see much replay in the TV series. The TV series is worth a viewing with absolutely no question, but the quick changes of plot from episode to episode may be a little to fast for my taste. Of course it may be different for you and that is ok. Ironic as I usually prefer longer run TV series over movie/OVA adaptations, but with the Dirty Pair it is not the case… it is a case of breaking all the statistical norms… that I do appreciate! And as English is my native tongue, sometimes I do love a dub. The sub track with the Japanese is excellent, but I have a love for the early 90s Streamline dubs of the Dirty Pair, perhaps some of that companies best.

dptv_4“And then they’ll have Fun, Fun, Fun and hope that chief Gooley doesn’t take the Lovely Angel away. And then they’ll have Fun, Fun, Fun…” A variation on a classic Beach Boys song, but it completely rings true to the Dirty Pair. I often look to the TV series as phase two in one’s Dirty Pair journey. Start with one of the single outings mentioned earlier, then move to the TV series… or jump into the TV series if you want to override that prerequisite as there is no law stating ‘One should!’ The only real question is do you want a fun show? If you answer yes, then the Dirty Pair TV series will satisfy.

#114 : Space Runaway Ideon

Space. The universe itself is vast and beyond scope. Space opera as a genre is also larger than life, but often you can hold it in the palm of your hand. Themes and characters are bigger than life, but still relatable on some level. What if space opera could represent something even bigger than just off hand spaceship battles, or fun times trekking through the deep vastness of the beautiful great void. Can space opera encompass the function and consequences of the living universe, call it ‘God’ perhaps, depending on the actions you and your civilization make? After finalizing Mobile Suit Gundam, Yoshiyuki Tomino and Sunrise would gives us an answer in 1980 with Space Runaway Ideon.

Ideon_1Space Runaway Ideon may be the most epic and most importantly, the most sublime sci-fi epic in existence within the realm of Japanese animation. Gundam is one thing, Legend of Galactic Heroes is another, but Ideon is it’s own animal. Ideon ventures into unique territory in terms of emotion, intensity and characterization. Known often as a series where everyone and everything dies (Kill ’em all Tomino!), the true meaning of this series is so much more. The death and sacrifices are all consequences and actions of conflict and hatred. This of course is a product of ignorance and xenophobia to an extreme that once the negativity reaches a certain point, the only option left is total and complete destruction.

Ideon_2Even with all this seriousness one must remember that Space Runaway Ideon is first and foremost a mecha show. And what a giant robot indeed (105 meters/344.5 feet for a height), the Ideon is imposing beyond belief and is one of two mechs that literally scare the $h!& out of me (the other being Giant Robo). This is not so much for the overall size or power, but more so on the presence a mecha exudes. It’s about total respect. All this from what looks like a mix of a Gundam’s GM and Gun Cannon added together on a heavy dose of steroids. Literally… as this is a robot that can split a planet in half. This is power beyond power, almost ‘God’ like, hence why I give the Ideon such respect.

Ideon_3Beyond the drama and the Ideon robot itself, Space Runaway Ideon like many of the best mecha shows is about the relationships of it’s cast. And like many Tomino shows, this cast is large. Our story concerns two factions that make contact on a planet in the Andromeda galaxy. Earth based humans like us have begun colonization on the planet which they call Solo. Beyond the colonization, many of the scientists and researchers have discovered several artifacts from a past civilization including three huge truck like vehicles and a buried spaceship. The second faction known as the Buff Clan (yes that is their name) are on a mission to locate the legendary power of the Ide. They come upon this same planet, which they call Logo Dau and eventually both civilizations meet. In response, both sides start a conflict showing the darkest side of human interaction towards someone or something that is unfamiliar, or different.

Sadly Space Runaway Ideon would be become a victim of cancelization, most likely due to a lack of ratings not unlike the previous year’s Mobile Suit Gundam. This left several holes in the plot and a rushed ending. All the build up of 38 episodes led to an ackward final 39th. Yet the story was not over for in 1982 two movies would be released to finish the story properly. The Ideon: A Contact would act as a review and prequel to the awesome and powerful The Ideon: Be Invoked. I highly recommend both movies if you want to get the whole story of Ideon.

Ideon_4To conclude with Space Runaway Ideon, let us examine a quote by Albert Einstein… “The most important decision we make is whether we believe we live in a friendly or hostile universe.” If that decision in the end is a hostile one, there is nowhere to go except toward ultimate destruction… think about it. This applies not only to anime space opera, but also our lives as well. Similar to, but not the same as Evangelion, Ideon addresses the power of how we sometimes view our environment and ourselves and what happens in regards to how we react toward it. Space Runaway Ideon was and still is a show beyond any experience I have known and I will always count it as one of my all-time favorites.

#97 : Armored Trooper Votoms

Votoms_1Armored Trooper Votoms in a certain frame of reference may be the greatest mecha anime of all time. And I say that again as a certain frame of reference since this may not be everyone’s idea of where mecha shows should tread. Several shows before and since have dived deep into realms of gritty military life and, or psychological science fiction, but nothing equals Votoms in terms of it’s presentation of both. This is a tale about a singular battle scared man coming to terms with his life and humanity in the dire of constant combat, but Votoms is also, perhaps, one of the most underrated love stories as well.

Votoms_2The year of 1983 brought many classic mecha shows to us and in particular the so-called real robot aspect of the genre. Sunrise would produce three gems: Yoshiyuki Tomino’s (Gundam dude) Aura Battler Dunbine, Takeyuki Kanda’s Galactic Drifter Vifam and Ryosuke’s Takahashi’s Armored Trooper Votoms. Mecha shows by this time had grown into a wealth of expression and many of the best had strong leanings towards space opera. Examples such as Star Trek, Star Wars, Yamato and Gundam all left influence on many shows in the early 1980s. These are prime examples of classic heroism and this is definitely not the world Armored Trooper Votoms. Votoms is more akin to the noir drama of Blade Runner, the esoteric sci-fi of 2001: A Space Odyssey and the Vietnam War grit of Apocalypse Now. Votoms is a story of the hunted outcast searching for his purpose, not that of a perfect hero.

Sergeant Chirico Cuvie, a former member of the deadly Red Shoulder brigade, is a man on the run. Despite his stint in Gilgamesh’s Melkian army during the great war of the Astragius galaxy against the Balarant, Chirico finds life on the run just as difficult. During a mysterious last minute final assignment, Chirico becomes aware of a great secret. After interrogation and being left for dead, Chirico runs to find peace and safety. The only problem is everywhere he goes he can’t escape the proverbial battlefield. All Chirico wants to know is what the secret operation he was involved in was all about, who the secret organization behind the operation is, to have both Gilgamesh and Balarant off his back and… most importantly… who this mysterious beautiful woman that is so linked to his destiny is and why is it that he feels so attracted to her (Duh!… she is pretty and loyal to you).

Votoms_3The grit of militarism exudes not just in the story and politics, but also in the designs of the mechs themselves. The AT Scopedog is a timeless design for not being flashy, cool, or futuristic. The Scopedog is a basic run of the mill tank or army Jeep brought into the world of piloted robots. Clunky, functional and a nasty shade of green, the Scopedog is an antithesis to say a Gundam, or Valkyrie fighter (Macross). Ironically, the simple build quality of Scopedogs are fitting within the culture of model building since Chirico himself many times during the show either rebuilds, or modifies, several mechs. Yet there is one characteristic of a Scopedog that is distinctive… those roller skate type feet which allow them to roll on the ground. Of course this helped in production of the animation by keeping the drawing minimal at times, but still… it’s kind of fun!

Votoms_4The structure of the show is in four successive stages, or arcs and each one builds on the previous. The DVDs I have separate neatly into these so called movements: we begin in the streets of Uoodo (very Blade Runner), move into the jungles of Kummen (Apocalypse Now), and finish with the planets Sunsa and Quent (2001). Like an onion you slowly peel away the drama and suspense and end up in a world you never thought was possible when you first started. Uoodo was fun, Kummen was intense, Sunsa is my favorite for how dark and psychological it became and Quent turns everything on it’s head and then some.

Many times I write about anime from memory alone, or after I seeing something ‘new’ to me, I have to speak about it within a quick turnaround. Then there are times when the urge to dive back into the entirety of a show is most necessary. Votoms needed a re-watch and having seeing it with half fresh eyes, I can’t discount this masterpiece. After all… I am comparing this show to two live action movies that I highly respect and love, 2001 and Blade Runner. Perhaps I needed to grow into this show and now was the time to recognize Votoms brilliance.

… this could be Grey Digital Target’s soul brother and I love that movie too.

#70 : Dirty Pair: Project Eden

zIf there is one thing the Dirty Pair, I mean Lovely Angels (sorry girls), do well is that they know how to make a big explosion no matter where they go. I mean it is a part of their reputation after all. But in 1987, after the TV show and a one off OVA, our girls Kei and Yuri would make a BIG comeback. First a couple OVA releases, the first to finish off the TV series and the second a ten episode new series. And then, ladies and gentlemen and everyone in between, our favorite duo would get a moment on the big screen. HOORAY!!! Welcome to the Dirty Pair Movie (Japan’s official name, really?) better known as Dirty Pair: Project Eden.

DP_PE_1Wine, women and song. This is an old saying and yet it perfectly fits the Dirty Pair’s… Ah I mean Lovely Angel’s only theatrical outing. All three of these elements have an important role in this movie. The wine, the minor McGuffin device of sorts between the two male characters (who I will mention later). Is this bottle of Chateau Laffitte 1945 ‘De Gaulle’ really worth all this trouble? Women, well that is our main duo Kei and Yuri, or duh that’s obvious. And song, this film has a great soundtrack. Find the moment where Yuri is dancing and you will see what I mean, because sometimes when the closing track Pas de Deux kicks in, I do similar moves.

DP_PE_2But how should Project Eden begin? What about a time and true standard to emulate?… James Bond of course. Lets have about five to ten minutes to introduce our scene, our characters which leads into a far out title sequence that drops in hints of danger and sex over the text. Now that’s a total homage to the legacy of 007. During the intro we are told about how mankind has invented warps drives and moved all over the expanses of outer space. And the fuel used for these warp drives is a metal called vizorium.

DP_PE_3Now vizorium is rare and sometimes brings in a criminal racket. This is how Kei and Yuri meet up with the thief Carson D. Carson, who is as handsome as he is sly. Unfortunately, Carson evades arrest, but don’t fret, we have not seen the last of him. Moving on, Kei and Yuri investigate a few of the rival vizorium mines that have been recently ransacked. Our Lovely Angels decide afterward to take a break with a nice warm bath and this is where they hilariously meet up with Carson again. The girls with Carson then take on these odd Alien vs. Predator monsters and learn from Carson about the real man behind this whole business of vizorium madness, Dr. Wattsman. Let the fun begin! And why does Wattsman have that previously mentioned bottle of Chateau Laffitte 1945 ‘De Gaulle’ and why does Carson desire is so much?

In terms of the vast amount of Dirty Pair material, Project Eden ranks as a very, very close second to my beloved Affair of Nolandia. I am in no way saying one is superior over the other, it’s just Nolandia’s darker tone just touches me that much more for repeat viewing. Both are solid productions from studio Sunrise and both feature two solid English dubs that provide an alternative to the classic Japanese casting. ADV’s attempt was more accurate in terms of translation, but Streamline’s is solid gold in terms of delivery. I have often praised that the Dirty Pair dubs from Streamline are possibly the best work they ever did and Project Eden’s dub with Lara Cody as Kei, Wendy Lee as Yuri, Kerrigan Mahan as Carson and Steve Kramer as Wattsman is perhaps Streamline’s pièce de résistance. In any case, you have options.

DP_PE_4So Project Eden… it’s the Dirty Pair at their biggest and perhaps, their finest hour. The excitement is great. The explosions are huge. The laughter cannot be contained. Plus, you get three attractive looking people in basically their underwear for a majority of the film. A killer combo. And while this is not the most artsy or serious films of the 1980s, it is without question one of the most fun. Much like Project A-Ko, or Space Adventure Cobra, Project Eden is one of the ultimate popcorn action comedies of the decade… and beyond.

#69 : Dirty Pair (OVA Series)

DPOVA_1Ladies, Gentlemen and everyone in between are you still in search of more of the Dirty Pair (I mean Lovely Angels, sorry ladies)? You have digested the TV series perhaps and maybe even the one off OVA’s (Affair of Nolandia and Flight 007 Conspiracy). And of course you have seen the movie, Project Eden? Now if you have not had your fill and your are feeling like having more you are in luck. If you are the literary type you can read the novels, but there is one more animated adventure besides the reboot: Dirty Pair Flash. How about the short run OVA series sometimes known as Original Dirty Pair, or Dirty Pair 2, or just Dirty Pair (The OVA Series).

DPOVA_2In all honesty this OVA release is just more of the same, not that is a bad thing. If you love the Dirty Pair you get ten more episodes of fun and mayhem. Though I would save these for the very end if you are wanting to digest all of the original adventures of our Lovely Angels. For me personally this is just added filler, not that it’s bad, just average. Though I have to give credit to a couple episodes as stand outs. Those would be the Halloween episode, the episode where Yuri almost gets married (say what!) and the space trucking episode (probably because I get the Deep Purple song Space Truckin’ in my head).

DPOVA_3But if this is your initial entry into the Dirty Pair all is not lost. The Dirty Pair is perhaps one of the most friendly of meta-series or franchises as it allows easy entry with any of the above mentioned options. The reason being of course is the fact that each episode, series, or movie is a stand alone piece in and of themselves. So you can skip around between everything just because the Dirty Pair grants you this power. How very giving indeed. Yet I always wondered, why or how this series came into place. Upon checking Anime News Network’s entry for Dirty Pair OVA, they state that these ten were packaged with the original 26 episodes of the TV series to act as an all-in-one release for Italian broadcast. That may be the case, but I don’t know. I don’t usually ask why certain anime are made as I accept them as they are, but I do scratch my head on this one.

DPOVA_4Also of note is the English dub, which was done at the old ADV studios. It works out well, but… but I am a fan of the Streamline dubs of DP, which only exist for the one-off releases. Just be thankful you have the option for the OVA series as the TV series is only subbed (unless you are a hardcore sub only person). I do like the Japanese cast as well and prefer watching it that way. Also. the music was different between the two tracks which happens occasionally in productions that get released outside of the native homeland. I am not going to judge if ADV came under rights issues and needed to swap, but it is always goofy to swap between the English and Japanese tracks and the music does not match up. First world problems.

I usually write more for these entries, but I think I have had my fill here. I am sure others are big fans of this OVA release, but I have my favorites elsewhere (Nolandia and Project Eden are my go to for a Dirty Pair fix). That being said, it’s worth a watch most definitely, but its not high on my rotation for rewatching.

#68 : Galactic Drifter Vifam

“Wipe away all your tears, together we will conquer fear, come and give us a hand, in search of a new land, I wonder where you are my friend, tell us what is left in the end…”

Vifam_11983 was a grand year for mecha. In particular, let us take a look at what was made at Sunrise. Yoshiyuki Tomino made Aura Battler Dunbine. Ryusuke Takahashi released his crown jewel, Armored Trooper Votoms. And that other guy known as Takeyuki Kanda took an original idea from Tomino based loosely on Jules Verne’s Two Years’ Vacation (a story that influenced Adrift in the Pacific and Infinite Ryvius) and made one of my ALL-TIME favorite shows. The brilliant, fun, and at times adorable Galactic Drifter Vifam or Round Vernian Vifam.

Vifam_2For me Vifam is one of those shows I would recommend in a heart beat, even to those of you who are not into robots at all. Much like My Neighbor Totoro, Vifam touches the joy and innocence of being a kid and growing up, just in a more sci-fi adventure kind of way. This cast of kids is one of the best ensembles ever conceived (my opinion) and they range from the early teens down to almost being out of diapers. That and having Toyoo Ashida as your main character designer only adds to their appeal. The story begins with these 13 kids on board a starship with a group of adults as guardians. Soon the tides will shift when our cast of youngsters have to go it alone. Now if you think this will be like Lord of the Flies, fret not, these kids are responsible and end up working together sharing every emotion from joys to sorrows on a voyage of a lifetime.

Vifam_3Escaping from an alien force and adrift in space trying to return home to find their parents, our cast of young survivors would happen upon and learn how to pilot a few robots known as Round Vernians. One of them, the Vifam, will become the main hero and under the piloting hands of our main hero, Roddy Shuffle, a force to be dealt with. Now if this sounds far fetched… hey, it’s anime. The other element of this show that has to be highlighted is the concept of xenophobia. Katue Pearson, a young girl with the Earth children, looks a little different and it comes to show later that she is one of the alien Astrogaters (odd name?). How will this affect the relationships of our young cast to know one of their own, in a way is not, but at heart is still very much a part of the group?

Does this kind of remind you a little of the original Gundam? Yes? However, Vifam has it’s own elements to be original in it’s own way. Vifam was created at a time when mecha anime was still king of the shonen market and still had great stories to tell. As I said earlier, 1983 was a great year for mecha in the overall, but I have to give all the credit to Sunrise. Before Gundam took over as the flagship brand of Sunrise anime, you had shows like Vifam and many others.

Vifam_4And that robot, that Round Vernian known as Vifam, with that number seven being proudly displayed, is my second all time favorite. The SPT Layzner from it’s own eponymously named show still takes the top spot for me. But the Vifam is a very functional looking piece of machinery, yet has an aesthetic flavor that is inviting. What do you think? And… and as for that epic theme song, that for some reason reminds me of something Pete Townshend of the Who would write, it’s in English! TAO’s Hello Vifam may be the first theme song to be completely recorded in English and if you have sources to back this up I would appreciate it. This would have been ready made to bring over to the West back in the day, all you needed was a dub and like magic… an instant hit for all us kids. Just don’t forget all the toys and merchandise!

Vifam is such a joy and I look forward to when I can get another round of watching this show again. Never underestimate the power that children can accomplish… if only adults could put kids in charge. And if you are still young, or young at heart, don’t surrender anything!

… and for fans of Eureka Seven. Compare Roddy Shuffle and Katue Pearson to the designs of Renton Thurston and Eureka. See any similarities?