#178 : Blue Comet SPT Layzner (OVA Series)

Sunrise and mecha usually equate to the ever present name Gundam. As a studio Sunrise has a long resume of mecha titles. Some have a famous pedigree and many are only known by a select few who yearn to go beyond the bigger names. Blue Comet SPT Layzner is not a new topic here at CAM. I reviewed the TV series here way back when I was getting started and SPT Layzner needs another shout out. Beyond it’s short comings and twist in plot in the middle of the series, I believe this is one of the best mecha titles of the 1980s. Early cancellation would create problems in finishing the story, but a brilliant solution was available for SPT Layzner. The year was 1986 and direct to video releases were a growing market. Blue Comet SPT Layzner would end it’s sojourn as an OVA.

LayzOVA_1I debated if it was worth the time to review this OVA version of the Layzner story as a separate entry from the TV series. So much of what is presented is a condensed retelling of what is familiar if you have seen the previous incarnation. Of the three episodes, the first two: Eiji 1996 and Le Caine 1999, could be skipped as there is really nothing new under this sun. It is the third episode, Seal 2000, where we find missing links to the rushed ending of the former TV series. Interspersed between some familiar scenes of action and drama we find the hidden passages that make this third episode a more concise and well rounded finale. Much like another Sunrise property Ideon, the TV series would be rushed at the end and would have a second chance of telling the true ending in the form of feature films. All is now complete for Layzner, no stone unturned. That being said, while there is a lot of recognizable sameness, this OVA version is in a small way original to the TV series.

LayzOVA_2Episode one tells the story of the first arc, which for my money is one of the greatest mecha story arcs I have ever seen. Too bad it was condensed heavily. The once far future of 1996, which from 1985 eyes was still a possibility, features a group of students that land on Mars. Suddenly there is an attack by unknown mechs (Layzners) featuring one renegade blue robot defending the Earthlings. Piloted by the troubled Eiji Asuka, he eventually becomes an ally to the group of students as the struggle to survive on Mars and eventually find a way back home to Earth.

LayzOVA_3Episode two recalls the second arc, which jumps the shark from space mecha action and turns into dystopian dictatorship in a cross between Blade Runner and Fist of the North Star. We rejoin our cast of heroes three years into the future. Eventually they reunite to combat the established Gradosian empire who invaded the Earth after defeat at the end of the first arc. The signature Blue Layzner also returns along with Eiji as they now continue their rebellion and solve the mystery of the new Maiden of Cuzco. A new nemesis is also introduced, Le Caine, whose ambition for power blinds his judgement. Episode three finalizes the second story arc and can act as a substitute for the final couple episodes of the TV series. Here we learn of the link between the peoples of Earth and Grados, traverse to South America, Nazca, Peru to be precise, to find the great Seal of Grados and enjoy plenty of heavy mecha action. The final showdown between Eiji and Le Caine is the pinnacle of this episode.

LayzOVA_4You can view this OVA as a shorthand version instead of diving completely into the TV series, almost like Cliff Notes. Remember that much of the drama, character development and finer details will be lost if you take the OVA path over the TV series. Blue Comet SPT Layzner is best viewed by watching the TV series first and then following up with this OVA to tie up loose ends. The shorter path sometimes is the more tempting, but often will lead to missed opportunities. … Eiji may you continue to run like Melos on your “Lonely Way”.

#172 : Legendary Armor Samurai Troopers

A dark cloud hovers over Tokyo cutting off power, while the population disappears. Five young men clad in modernized samurai armor, one bringing a giant white tiger, join forces with a teenage girl and a young boy to confront this dark shadow. Oh yes, I forgot to mention there is a traveling monk who wields a staff and is in many ways like a guardian angel to the four boys who seems to show up at just the right time. Together they learn to work together and embody the virtues they stand for: grace, justice, righteousness, trust and wisdom. Welcome to Legendary Armor Samurai Troopers.

ST_1At first I wanted to dismiss Samurai Troopers as a bland Saint Seiya clone, but that was before even trying this delicacy of a show. Samurai Troopers is kind of weird though. I can’t call it a straight forward fighting anime in the style of Shonen Jump. I often equate influences of live action sentai shows, or perhaps Gatchaman and Akira Kurosawa’s Seven Samurai where our five heroes come into town ready to go like in any proper samurai, or western film. There is no real aspect of extended training, or a plethora of story arcs that equate an episode count to well over 100, 200, or more. I also get a mecha vibe as well, since the armors are almost mechanical in nature. Plus the armors combine and this was a product of Sunrise, a studio known for many great mech shows including that little franchise known as Gundam. The transformation sequences make me think of henshin heroes, or even magical girls. The stock sequence of the boys transforming is enough to make any proper magical girl shout out… “hey why can’t we get one that fancy?!” Samurai Troopers just is what it is, an amalgam and a great action show in general.

ST_2As an action show characterization is in the passenger seat to the fun and fighting. The five youths that are the Samurai Troopers are very cliche in a typical sentai squad kind of way with main hero Ryo taking a majority of the screen time. Seiji, Shin, Sho and Toma have minor arcs of an episode or two, but I wish they could have had more presence. Their main adversaries the Dark Warlords are a quartet of typical badies who are quite sour in temperament… except one. Shiten from the beginning showed to be the outsider, a man of some moral character that eventually sees the light for his past actions. Shiten’s place at the end of the first arc and in the entirety of the second was a welcome surprise and solidified him as a personal favorite for me. In the end Samurai Troopers is all about saving the day, but looking ever so fashionable samurai armor… with ever greater transformation sequences.

ST_3Like many shows one can liken it to a ride at an amusement park. The most ideal would be to start at ground level and progressively move up to the finality. Very few anime ever follow this pattern and Samurai Troopers much like a roller coaster starts off building up, waning a little in the middle and then builds ups even more towards the end. Samurai Troopers follows two story arcs in the 39 episode run, though they end up tying together as one. The first arc felt as if it ended quite abruptly and then at the start of the second, at least for me, it took a little effort to get going. Yet after a handful of episodes the story came back to attention. Think of a director in a film calling cut and rethinking what has happened and saying, “hey we could have done this better!” So begins phase two and the true promise of the story of Samurai Troopers would bear fruit.

ST_4Many in the west came to know an alternate release, Ronin Warriors, which besides some name changes and some “totally” 90s slang is very faithful to the original. Impressive, plus the cast was familiar as it was accomplished via the Canadian Ocean Group, a very familiar cast who dubbed many shows in the 90s. Short and sweet, simple and straight forward, adventurous fun with action, this is what Samurai Troopers is all about. I also want to give a quick thanks to Ashley Capes from The Review Heap for requesting Samurai Troopers. Visit his site for other great reviews as well!

#135 : Crusher Joe (movie)

CJm_1Say Joe, what do you know? … How does it feel to be the literary older sibling of the Dirty Pair? Maybe a little jealous as Kei and Yuri often get a lot of love and fan mail, but some of us out there in old time otaku land remember you too my old friend. Space adventure and science fiction were really hot in the early 1980s and a 1983 film by the name of Crusher Joe set itself perfectly into the zeitgeist of the moment. Let’s step back in time to experience the future, grab some popcorn and cut the lights… we’re watching this movie! 

CJm_2Does Crusher Joe remind you of say, Cowboy Bebop? The character dynamics are there: Young heroic guy, the big tough veteran, the pretty girl and a nerdy kid. What!… no cute Welsh Corgi!? Crusher Joe is sci-fi fun similar to say Star Wars, or maybe Buck Rogers, or perhaps Flash Gordon. What about Space Dandy? Or in contemporary anime terms of about 1983… Space Adventure Cobra meets Gatchaman that looks a lot like the original Mobile Suit Gundam. Oh and one big difference to Cowboy Bebop… no swinging jazz. What!? No flat fifths, or 7th #9 chords interspersed in hand drawn loveliness? Ah shucks! Alas Crusher Joe is sci-fi the way we hoped for the future to be in the 1980s. Lots of warp drives, high collared tailored jumpsuits and dancing at the discotheques. I don’t know about you, but I am still waiting for this dated version of the future to come to fruition. Am I alone on this one?

So what exactly are Crushers anyway? You got a job, any job? You got money? Then a Crusher has got you covered, except keep it clean and legit as this keeps the paperwork easier to file. Joe, Alfin, Talos and Ricky have a new job of transporting a mysterious cargo with no questions asked to a specific destination. Sounds simple enough, but then again be careful what contracts you sign your name on. On a trek through hyperspace a ‘little’ accident occurs with this cargo on board. Ever have a bomb go off in the middle of a warp? Its not very pretty. After coming back to consciousness, Joe and crew quickly evaluate the situation and discover the cargo has gone missing. Ah oh, what else could go wrong? Maybe a run in with the authorities and finding out your cargo was a princess who was cryogenically frozen and now you are charged with kidnapping. Talk about a good time to call a lawyer. Now the question becomes who set up Joe and how do they get this princess back safe and sound?

CJm_3Let me return to the Mobile Suit Gundam reference again… this movie really, really looks like the iconic mecha series in terms of it’s characters. This is NO!! accident. The character designs, script, and storyboards were mainly at the helm of Gundam’s character designer Yoshikazu Yasuhiko. ‘YAS’ even helmed the directors chair. He literally owned this movie, maybe even more so than original creator Haruka Takachiho. Besides the obvious stylings of YAS, Crusher Joe also shares his sense of humor and fun action, which ties back to Takachiho’s source material quite nicely. Add in some mecha designs from a young up and coming Shoji Kawamori, hot off of the original Macross (LOVE!), and the fire power of Studio Sunrise, you have one of the best stand alone sci-fi movies of the decade. In fact Crusher Joe was Sunrise’s first original movie outside of TV show adaptations, in case you wanted to know (it’s common knowledge on the internet?).

CJm_4Once upon a time we had grand and fun swash buckling adventures told through the medium of intergalactic outer space fantasies. True they still exist in some form today, they don’t hold the same romanticism as their analog counterparts of yesteryear… or perhaps I am just being biased. Crusher Joe is a film that defines what made 1980s anime appealing and fun, even into the present. Plus as an added bonus… guess who makes a brief cameo for their first appearance ever in an anime? Kei and Yuri… the Dirty Pair… ah… Lovely Angels 🙂 They always seem to hog the spotlight in some form or another… can you blame them?

#124 : Dirty Pair (TV Series)

dptv_1“Once upon time there were two little girls who went to the World Welfare Works Association academy… And they were each assigned very ‘hazardous’ duties… But I took them away from all that and now they work for me, my name is Gooley.” Hmm… hazardous duties? Have you seen the track record of these two ladies as of late? Mr. Gooley, your two trouble consultations, those Lovely Angels are creating a lot of havoc wherever they go, though they don’t mean to because as the bumper sticker says “S#!t Happens!”. These girls even have a well known nickname and have been featured in many anime back in the day including an awesome TV series with this so-called nickname. And not Gooley’s Angels mind you; more like… Dirty Pair.

dptv_2Kei and Yuri are at it yet again and this time we are in for the long haul. While a majority of the Dirty Pair releases are single release fare (Affair of Nolandia, Project Eden and Flight 005 Conspiracy) we are treated with a multitude of adventures this time around. And yes there was that 10 episode OVA quasi-sequel from 1987, but that to me is supplementary to this TV series from 1985. And what a series from the hands of Sunrise as this could be considered the ‘sister series’ (light pun?) to the other two titles being Mobile Suit Zeta Gundam and Blue Comet SPT Layzner. Three’s a crowd? Not this time. More like Three of a Perfect Pair (any King Crimson fans?). This is because if watching the more serious space operatic mecha of Zeta Gundam and Layzner become a little too much, chill out with the Dirty Pair for a little light hearted fun.

dptv_3Within a space of 24 episodes plus two extra supplements as direct to video OVAs, you get a total of 26 episodes of adventure with Kei and Yuri. The fun nature and space travel of the Dirty Pair TV series can be looked at as a gender inverse to Space Adventure Cobra. Instead of the bumbling Lupin-esque macho Cobra you get two ladies, both of whom are feminine and independent characters. Smart and skillful, but at times a little short on temper, particularly Kei (my favorite of the pairing!), expect something to come out of the blue at any moment. As much as the girls try to help each situation, they are so-called trouble consultants after all, they often create a little more trouble in the process. Still, the comedy and the action that often occurs within each episode becomes golden at proper moments. Who would have thought the original books by Haruka Takachiho would have grown into one of the best franchises of the 1980s?

In all honesty, compared to one-offs like Affair of Nolandia, or Project Eden, I don’t see much replay in the TV series. The TV series is worth a viewing with absolutely no question, but the quick changes of plot from episode to episode may be a little to fast for my taste. Of course it may be different for you and that is ok. Ironic as I usually prefer longer run TV series over movie/OVA adaptations, but with the Dirty Pair it is not the case… it is a case of breaking all the statistical norms… that I do appreciate! And as English is my native tongue, sometimes I do love a dub. The sub track with the Japanese is excellent, but I have a love for the early 90s Streamline dubs of the Dirty Pair, perhaps some of that companies best.

dptv_4“And then they’ll have Fun, Fun, Fun and hope that chief Gooley doesn’t take the Lovely Angel away. And then they’ll have Fun, Fun, Fun…” A variation on a classic Beach Boys song, but it completely rings true to the Dirty Pair. I often look to the TV series as phase two in one’s Dirty Pair journey. Start with one of the single outings mentioned earlier, then move to the TV series… or jump into the TV series if you want to override that prerequisite as there is no law stating ‘One should!’ The only real question is do you want a fun show? If you answer yes, then the Dirty Pair TV series will satisfy.

#114 : Space Runaway Ideon

Space. The universe itself is vast and beyond scope. Space opera as a genre is also larger than life, but often you can hold it in the palm of your hand. Themes and characters are bigger than life, but still relatable on some level. What if space opera could represent something even bigger than just off hand spaceship battles, or fun times trekking through the deep vastness of the beautiful great void. Can space opera encompass the function and consequences of the living universe, call it ‘God’ perhaps, depending on the actions you and your civilization make? After finalizing Mobile Suit Gundam, Yoshiyuki Tomino and Sunrise would gives us an answer in 1980 with Space Runaway Ideon.

Ideon_1Space Runaway Ideon may be the most epic and most importantly, the most sublime sci-fi epic in existence within the realm of Japanese animation. Gundam is one thing, Legend of Galactic Heroes is another, but Ideon is it’s own animal. Ideon ventures into unique territory in terms of emotion, intensity and characterization. Known often as a series where everyone and everything dies (Kill ’em all Tomino!), the true meaning of this series is so much more. The death and sacrifices are all consequences and actions of conflict and hatred. This of course is a product of ignorance and xenophobia to an extreme that once the negativity reaches a certain point, the only option left is total and complete destruction.

Ideon_2Even with all this seriousness one must remember that Space Runaway Ideon is first and foremost a mecha show. And what a giant robot indeed (105 meters/344.5 feet for a height), the Ideon is imposing beyond belief and is one of two mechs that literally scare the $h!& out of me (the other being Giant Robo). This is not so much for the overall size or power, but more so on the presence a mecha exudes. It’s about total respect. All this from what looks like a mix of a Gundam’s GM and Gun Cannon added together on a heavy dose of steroids. Literally… as this is a robot that can split a planet in half. This is power beyond power, almost ‘God’ like, hence why I give the Ideon such respect.

Ideon_3Beyond the drama and the Ideon robot itself, Space Runaway Ideon like many of the best mecha shows is about the relationships of it’s cast. And like many Tomino shows, this cast is large. Our story concerns two factions that make contact on a planet in the Andromeda galaxy. Earth based humans like us have begun colonization on the planet which they call Solo. Beyond the colonization, many of the scientists and researchers have discovered several artifacts from a past civilization including three huge truck like vehicles and a buried spaceship. The second faction known as the Buff Clan (yes that is their name) are on a mission to locate the legendary power of the Ide. They come upon this same planet, which they call Logo Dau and eventually both civilizations meet. In response, both sides start a conflict showing the darkest side of human interaction towards someone or something that is unfamiliar, or different.

Sadly Space Runaway Ideon would be become a victim of cancelization, most likely due to a lack of ratings not unlike the previous year’s Mobile Suit Gundam. This left several holes in the plot and a rushed ending. All the build up of 38 episodes led to an ackward final 39th. Yet the story was not over for in 1982 two movies would be released to finish the story properly. The Ideon: A Contact would act as a review and prequel to the awesome and powerful The Ideon: Be Invoked. I highly recommend both movies if you want to get the whole story of Ideon.

Ideon_4To conclude with Space Runaway Ideon, let us examine a quote by Albert Einstein… “The most important decision we make is whether we believe we live in a friendly or hostile universe.” If that decision in the end is a hostile one, there is nowhere to go except toward ultimate destruction… think about it. This applies not only to anime space opera, but also our lives as well. Similar to, but not the same as Evangelion, Ideon addresses the power of how we sometimes view our environment and ourselves and what happens in regards to how we react toward it. Space Runaway Ideon was and still is a show beyond any experience I have known and I will always count it as one of my all-time favorites.

#97 : Armored Trooper Votoms

Votoms_1Armored Trooper Votoms in a certain frame of reference may be the greatest mecha anime of all time. And I say that again as a certain frame of reference since this may not be everyone’s idea of where mecha shows should tread. Several shows before and since have dived deep into realms of gritty military life and, or psychological science fiction, but nothing equals Votoms in terms of it’s presentation of both. This is a tale about a singular battle scared man coming to terms with his life and humanity in the dire of constant combat, but Votoms is also, perhaps, one of the most underrated love stories as well.

Votoms_2The year of 1983 brought many classic mecha shows to us and in particular the so-called real robot aspect of the genre. Sunrise would produce three gems: Yoshiyuki Tomino’s (Gundam dude) Aura Battler Dunbine, Takeyuki Kanda’s Galactic Drifter Vifam and Ryosuke’s Takahashi’s Armored Trooper Votoms. Mecha shows by this time had grown into a wealth of expression and many of the best had strong leanings towards space opera. Examples such as Star Trek, Star Wars, Yamato and Gundam all left influence on many shows in the early 1980s. These are prime examples of classic heroism and this is definitely not the world Armored Trooper Votoms. Votoms is more akin to the noir drama of Blade Runner, the esoteric sci-fi of 2001: A Space Odyssey and the Vietnam War grit of Apocalypse Now. Votoms is a story of the hunted outcast searching for his purpose, not that of a perfect hero.

Sergeant Chirico Cuvie, a former member of the deadly Red Shoulder brigade, is a man on the run. Despite his stint in Gilgamesh’s Melkian army during the great war of the Astragius galaxy against the Balarant, Chirico finds life on the run just as difficult. During a mysterious last minute final assignment, Chirico becomes aware of a great secret. After interrogation and being left for dead, Chirico runs to find peace and safety. The only problem is everywhere he goes he can’t escape the proverbial battlefield. All Chirico wants to know is what the secret operation he was involved in was all about, who the secret organization behind the operation is, to have both Gilgamesh and Balarant off his back and… most importantly… who this mysterious beautiful woman that is so linked to his destiny is and why is it that he feels so attracted to her (Duh!… she is pretty and loyal to you).

Votoms_3The grit of militarism exudes not just in the story and politics, but also in the designs of the mechs themselves. The AT Scopedog is a timeless design for not being flashy, cool, or futuristic. The Scopedog is a basic run of the mill tank or army Jeep brought into the world of piloted robots. Clunky, functional and a nasty shade of green, the Scopedog is an antithesis to say a Gundam, or Valkyrie fighter (Macross). Ironically, the simple build quality of Scopedogs are fitting within the culture of model building since Chirico himself many times during the show either rebuilds, or modifies, several mechs. Yet there is one characteristic of a Scopedog that is distinctive… those roller skate type feet which allow them to roll on the ground. Of course this helped in production of the animation by keeping the drawing minimal at times, but still… it’s kind of fun!

Votoms_4The structure of the show is in four successive stages, or arcs and each one builds on the previous. The DVDs I have separate neatly into these so called movements: we begin in the streets of Uoodo (very Blade Runner), move into the jungles of Kummen (Apocalypse Now), and finish with the planets Sunsa and Quent (2001). Like an onion you slowly peel away the drama and suspense and end up in a world you never thought was possible when you first started. Uoodo was fun, Kummen was intense, Sunsa is my favorite for how dark and psychological it became and Quent turns everything on it’s head and then some.

Many times I write about anime from memory alone, or after I seeing something ‘new’ to me, I have to speak about it within a quick turnaround. Then there are times when the urge to dive back into the entirety of a show is most necessary. Votoms needed a re-watch and having seeing it with half fresh eyes, I can’t discount this masterpiece. After all… I am comparing this show to two live action movies that I highly respect and love, 2001 and Blade Runner. Perhaps I needed to grow into this show and now was the time to recognize Votoms brilliance.

… this could be Grey Digital Target’s soul brother and I love that movie too.

#70 : Dirty Pair: Project Eden

zIf there is one thing the Dirty Pair, I mean Lovely Angels (sorry girls), do well is that they know how to make a big explosion no matter where they go. I mean it is a part of their reputation after all. But in 1987, after the TV show and a one off OVA, our girls Kei and Yuri would make a BIG comeback. First a couple OVA releases, the first to finish off the TV series and the second a ten episode new series. And then, ladies and gentlemen and everyone in between, our favorite duo would get a moment on the big screen. HOORAY!!! Welcome to the Dirty Pair Movie (Japan’s official name, really?) better known as Dirty Pair: Project Eden.

DP_PE_1Wine, women and song. This is an old saying and yet it perfectly fits the Dirty Pair’s… Ah I mean Lovely Angel’s only theatrical outing. All three of these elements have an important role in this movie. The wine, the minor McGuffin device of sorts between the two male characters (who I will mention later). Is this bottle of Chateau Laffitte 1945 ‘De Gaulle’ really worth all this trouble? Women, well that is our main duo Kei and Yuri, or duh that’s obvious. And song, this film has a great soundtrack. Find the moment where Yuri is dancing and you will see what I mean, because sometimes when the closing track Pas de Deux kicks in, I do similar moves.

DP_PE_2But how should Project Eden begin? What about a time and true standard to emulate?… James Bond of course. Lets have about five to ten minutes to introduce our scene, our characters which leads into a far out title sequence that drops in hints of danger and sex over the text. Now that’s a total homage to the legacy of 007. During the intro we are told about how mankind has invented warps drives and moved all over the expanses of outer space. And the fuel used for these warp drives is a metal called vizorium.

DP_PE_3Now vizorium is rare and sometimes brings in a criminal racket. This is how Kei and Yuri meet up with the thief Carson D. Carson, who is as handsome as he is sly. Unfortunately, Carson evades arrest, but don’t fret, we have not seen the last of him. Moving on, Kei and Yuri investigate a few of the rival vizorium mines that have been recently ransacked. Our Lovely Angels decide afterward to take a break with a nice warm bath and this is where they hilariously meet up with Carson again. The girls with Carson then take on these odd Alien vs. Predator monsters and learn from Carson about the real man behind this whole business of vizorium madness, Dr. Wattsman. Let the fun begin! And why does Wattsman have that previously mentioned bottle of Chateau Laffitte 1945 ‘De Gaulle’ and why does Carson desire is so much?

In terms of the vast amount of Dirty Pair material, Project Eden ranks as a very, very close second to my beloved Affair of Nolandia. I am in no way saying one is superior over the other, it’s just Nolandia’s darker tone just touches me that much more for repeat viewing. Both are solid productions from studio Sunrise and both feature two solid English dubs that provide an alternative to the classic Japanese casting. ADV’s attempt was more accurate in terms of translation, but Streamline’s is solid gold in terms of delivery. I have often praised that the Dirty Pair dubs from Streamline are possibly the best work they ever did and Project Eden’s dub with Lara Cody as Kei, Wendy Lee as Yuri, Kerrigan Mahan as Carson and Steve Kramer as Wattsman is perhaps Streamline’s pièce de résistance. In any case, you have options.

DP_PE_4So Project Eden… it’s the Dirty Pair at their biggest and perhaps, their finest hour. The excitement is great. The explosions are huge. The laughter cannot be contained. Plus, you get three attractive looking people in basically their underwear for a majority of the film. A killer combo. And while this is not the most artsy or serious films of the 1980s, it is without question one of the most fun. Much like Project A-Ko, or Space Adventure Cobra, Project Eden is one of the ultimate popcorn action comedies of the decade… and beyond.