#222 : Super Dimension Fortress Macross: Flashback 2012

“1,2,3,4. 1,2,3,4. 1,2,3,4… Ah 1! 2!” I love, love, love the original Macross. This was a cornerstone series, via Robotech and eventually the original, that I can say without question was the most important influence for my entire interest and fandom for Japanese animation. Macross was a series that defined anime in the 1980s, redefined the mecha genre in many ways and gave us a sci-fi epic that was an original to itself. All wrapped around one of the best love triangle’s in anime history and a lot of music as well. But what happened to our illustrious cast of heroes? The answer would be given in an OVA release, Super Dimension Fortress Macross: Flashback 2012.

MF2012_1Many examples of complied music video styled OVAs exist in plenty during the 1980s that were offshoots from original television productions. Obvious examples include Creamy Mami’s Lovely Serenade and Curtain Call and Mospeada’s Love Live Alive. Each example would follow this idea, or direction in their own way. Macross would be an obvious candidate for this listing as well as this show made the pop idol in anime a standard character stereotype. The song book of Lynn Minmei is synonymous to the backbone of Macross as a show. She was a pioneer in every respect, so where is her representation. Come 1987, the fifth anniversary of Macross’ debut on television, we would get that very answer.

MF2012_2Flashback 2012 in all respects is the final part in the original Macross trilogy of releases that tell the story of the SDF Macross’ fight against the invading Zentaedi. This is the swan song for the triptych of the Macross main cast, Hikaru Ichijo, Miss Hayase and Lynn Minmei. All in all the final wrap up and conclusion for Macross’ signature love triangle dynamic. This was to be the end… and yet sequels and spin-offs would follow much later, but in the classical sense of the original, this was it. 1982 brought Macross to TV, 1984 would bring the Do You Remember Love? blockbuster film and finally in 1987 Flashback 2012. And as a fan I am really disappointed in Flashback 2012. Why?… well… maybe I had my expectations set really high.

MF2012_3The TV Series was a well done affair most of the time, the movie is too me, basically perfect in terms of visual expression and Flashback 2012 brings some new footage of Minmei, Hikaru and Misa including a full animated version of the song Tenshi no Eno Gu (Angel’s Paints) split in half for some reason. We get to see the new Macross life off for outer space with Misa as captain. Hikaru is still a fighter jock, a pilot’s pilot and Minmei’s career seems to be doing quite well. All three meet up again, but this is all for new material, not very much I must say. So what fills the majority of the half hour running time? Compiled footage from the TV Series and the movie over Minmei’s hit songs. Not a bad idea, but the editing and addition of early computer effects make the whole production kind of awkward. This may have been state of the art at the time, but it sometimes ends up looking a little funky around the edges.

Again as a fan I expected something a little more higher echelon in terms of a grand finale. But in the end all we have is Flashback 2012, which does in fact close the original Macross storyline and gives us a tribute of sorts to the music of Lynn Minmei. … If only I was in charge, things would have been different… if only…

#221 : Starcom: The U.S. Space Force

“All Starmax and Star Wolves… Scramble!” It must be Saturday morning in 1987 and excitement is in the air from that opening statement. Do you remember Starcom: The U.S. Space Force? Oh yes, now this is what I call science fiction of the upcoming future, that may perhaps be the now(?)… how can this present day be the future promised? Part of me really wants to be a space cowboy still and yet the best I can ever get to that reality of riding in a spaceship are relegated to shows like Starcom. Yippee-ki-yay buckaroos and strap on your helmets because I’m off to the stars for this one!

Starcom_1Starcom represented one of the best toy ideas from the 1980s, regardless of gender stereotyping. While it did not have the big budget punch of say The Transformers, Cabbage Patch Kids, or LEGO, Starcom did have a certain niche that makes it still today a cult favorite. Space exploration, day to day general working equipment and also military combat all wrapped up in an almost Star Trek like future, or maybe more like Legend of the Galactic Heroes? Such a great toy line, one that I often held to what the future could become, and one that I did not have… which is ok. Motorized in strategic places and including magnets in others (including the figures’ feet!), Starcom had a lot of play value… plus no need for batteries!?!. Amazing. The only time I remember playing with these toys was at a house that belonged to a related cousin of my dad. I got along well with the two sons and on the floor was a ton of Starcom. The image is a little fuzzy, but that memory I vaguely remember was a good one.

Starcom_2Now then this is not a site about toys, what about the cartoon? As a show Starcom: The US Space Force is an interesting bird. 13 episodes in total it was a great installment for the Saturday morning lineup of the time and stood out in many ways. A large cast of characters, a broad outlook for space travel and exploration and an exciting atmosphere for what could be our future (I am still waiting!), Starcom has so much to offer. That and this is one of the best looking shows of the era and to no surprise it was animated in Japan. By TMS (Tokyo Movie Shinsha) no less, can you see the great line work, color, lighting and events fluid movement in various camera angles? A gorgeous show… that in some ways is kind of limiting as well.

Starcom_3Now this is a personal opinion, but I think Starcom didn’t live up to it’s full potential as a cartoon. True there were only 13 episodes made, and we can take that into account, but I feel so much more could have been flushed out. The two factions of Starcom and the Shadow Force of Emperor Dark (nice hair man) never get into any real political struggles. True this was a toy show and the point was to show off all those awesome spacecrafts flying around, but really no stories depicting the a large scale drama of the two sides. The majority of the show highlights the ‘Big 3’ of Colonel’s Derringer, Griffin and Corbin (Dash, Slim and Crowbar), the three commanders of the three branches of Starcom, with only minor appearances from other Starcom members. Hey guys, share the spotlight a little… please? And then there’s the background music, which is awesome, but some of it sounds familiar to another DiC produced show. Is it me, or did DiC borrow some of the soundtrack from Jayce and the Wheeled Warriors? It was good once, so why not recycle it? I mean who would know? … besides hard corps Jayce nerds (LIKE ME!)

Starcom_4Please don’t think I am trashing Starcom as a show. Despite these flaws that are more personal than anything, this show is really top notch. Visually, as I said before, it’s one of the best looking shows of the era. The writing is clever, with comedic puns that never grow old (I have a bad feeling about this!) and on the other end of the spectrum a touch of sophisticated nuance. This is classic hard sci-fi, more in line with original Gundam, with plot lines that seemed a little more mature than the usual stop the bad guys narrative. Nantucket Sleighride, Caverns of Mars and Hot Enough For You? are three great episodes that really showed the bigger potential of the Starcom universe. I still wonder when we will have the chance to live and work in space just like in Starcom? As an idealist I still believe it can happen in my lifetime!

… now I have heard that the Shadow Force logo is reminiscent of Legend of Zelda’s Triforce, but I think it looks just like LEGO’s logo for the first iteration of Blacktron, except swapping yellow for red?

#220 : Harmagedon

“That’s great it starts with an earthquake, birds and snakes, and aeroplanes… Lenny Bruce is not afraid”… ? … hold on a minute, is this like the end of the world as we know it, the end times, the apocalypse? Kind of and do I feel fine?… I don’t think so if that’s the case and yet from all endings throughout time they are also become new beginnings. Combine the ultimate disaster scenario with an invading evil presence from the far side of the universe and what do you get?, BIG trouble. In the year of 1983 I could sum this up with the title of a movie that was a box office hit in Japan. Let me guess is it Total Armageddon? Nope, more like Harmagedon.

Harma_1aHeroes unite! The evil Genma has made his way through the universe, bringing terror and destruction to every world he touches. Not bad for a large cloud like red skull? He is now set on Earth to claim as his own except he runs into a little problem. He has to face a squad of people who hail from all around the world, from different backgrounds, nationalities and races who happen to have psionic powers… almost sounds like a variation of Cyborg 009 in a way. And it should as the original source material, and title of the film, was known as Genma Taisen (The Great Battle, or War of Genma) a cooperative effort between Kazumasa Hirai and Shotaro Ishinomori (009’s creator). Genma Taisen even had it’s origins in the 1960s too! The first half of Harmagedon, and it’s a long half, showcases only a trio of our heroic cast: a psychic princess from Transylvania (really!), a resurrected robot warrior and our main protagonist, a young Japanese man named, Jo, who is having a very bad day. First he finds out he is not on the baseball team, then he gets dumped by his girlfriend and finally he ends up being chased by some strange robot in an alley that keeps shooting at him. Talk about a rough day!

Harma_2Another take on ‘Heroes unite!’ as we now look at another group of people, those who were responsible for the making of this mammoth of a film. First is Haruki Kadakawa who is not a name I often equate with anime often, except when I see his name plastered at the beginning of any opening credit sequence with that beautiful phoenix like logo. He was the executive producer and a high roller at that who made it loud and clear that he was the one funding this project! Let us next move to the powerhouse studio known as Madhouse and one of it’s best directors, the amazing Rintaro. Love him or hate him, his work is monumentally visual which sometimes looses a little depth in terms of story, or character. Next in line is our character designer who was a young manga artist that would get his first shot in the anime world. He would become ultra famous for a movie from 1988 known as Akira, but in 1983 he was just plain and simple Katsuhiro Otomo. And finally we need some music, so who could fill this roll? We need someone big, bombastic and different! How about Keith Emerson? Whoa really like from Emerson, Lake, Palmer? The guy who brought a massive Moog synthesizer on tour and had a reputation for stabbing knives into Hammond organs, amongst other things. Yeah we’ll take him! “Welcome back my friends to the show that never ends…”

Harma_3Many often poo poo Harmagedon as a film, particularly here in the west. In Japan it was a huge blockbuster at the theaters and popular. Did you see the reference in Project A-Ko for instance? We of course did not have much exposure to the original Genma Taisen sources that had been around for decades in Japan. That and the over emphasis of action and the visuals make Harmagedon a feast for the eyes, but awkward in terms of plot. You really have to know and have a passion for Genma Taisen to really love it, or just see Harmagedon as an example of an arthouse action film. And anyway, aren’t many blockbuster action films just visual spectacle. Yes, but not on the level of artistic beauty that Harmagedon exudes. Plus the emphasis of more realistic designs for both Tokyo and Otomo’s characters, as well as Rintaro’s touch, gives Harmagedon an edgy look that was not seen often in anime at that time. Don’t quote me on that, I heard this from many sources and they are so right!

Harma_4Several themes are brought to the surface, but one that draws a good amount of attention is some very open racism, which eventually resolves itself from understanding and compassion. Compassion is a great word to use I would say as an overall theme of this movie as we as humans need to respect the diversity of who we are and take care of this beautiful green world we live on which is not separate from us, but is a part of us. Our protagonist Jo also has his own feelings to resolve, all stemming from anger towards himself, the death of loved ones and even getting dumped and feeling not up to playing for the high school baseball team. Transforming anger into compassion, hate into love and believing in yourself is for me the major theme of Harmagedon. I understand this very well as this is a core issue I have been dealing with personally. And as of this writing in 2020, who can not say there is a lot of anger and frustration in our collective world? Jo would rise above his hate and is it me, or does this film also remind you in a way to Otomo’s Akira? In that movie we see the destructive power of personal hatred affecting each and every one of us. Both films end in total destruction and yet in both films there is a glimmer of hope that we can start again because being with people you love and that in turn believe in you, no matter the circumstances, can show a way toward one’s next season in life.

… I apologize as this one went a little longer than normal, but then again this movie’s running time feels like it runs longer than normal… maybe it was destined to be this way?