#108 : They Were 11

TW11_1Now for that age old question… what do you want to be when you grow up? The more appropriate version I would say is… when you mature what identity, or role, will you tie your life towards. For a group of young students in a far off sci-fi future these questions amongst many others will be answered as they learn to live with each other and understand what is important and true for themselves. In 1986, these students were the focus of a feature film by the name of They Were 11.

TW11_2Imagine having to pass a final exam as if your life was on the line, literally! Groupings of ten students have to board spaceships and survive on what is available and solve any problems without guidance. If you need to call for help, even just once, you have to forfeit the idea of graduation. As the story begins we have an immediate problem. This group of ten students we will be with during the story numbers one more. We have eleven students instead of ten, which means one of them is either a stow a way, an imposter and maybe even a threat. Who can it be? Everyone seems to be a suspect, yet all of them have legitimate reasons for being part of this final test. As the story unfolds, the drama grows as problems and issues ensue and trust becomes difficult between these eleven as one of them seems to intuitively understand the ship and certain circumstances better than the rest of the group. This would be enough for any other tale, but They Were 11 has even more to tell.

TW11_3The eleven students all come from different backgrounds. Many of them come from royalty, or well to do families and are in school to essentially follow their family’s traditions. These students are locked into their own paradigms and don’t have much choice for their lives. Tada, one of our main protagonists, is an exception as he is a highly gifted young man from a modest background and is making his way based on his talents instead of his lineage. Add to this, Tada begins to awaken to esper and psychic abilities, plus repressed memories from his childhood, that makes him quite suspect to the others. Frol, our other primary protagonist, is a young feminine androgyne who desperately wants to fit in and be one of the boys due to male privilege and freedom. Frol’s questioning of gender is the other major focus of They Were 11 as Frol comes to terms with the fact that in heart, soul and body a woman she is meant to be. A relationship soon develops between both Tada and Frol as they both share each other’s company, ideas and struggles.

TW11_4So many times space opera is a showdown of spaceships, laser beams, battle tactics and macho bravado, or perhaps, stern military seriousness. Many examples can follow these traits and do it successfully, but They Were 11 goes against this trend. Instead we have a story about relationship, characterization, love and sacrifice set in a future outer space environment. Sounds more like a shojo type of story than the usual shonen/seinen and by jove it is; one of my all time favorite’s of the designation. Instead of the bombast of say a full symphony orchestra, we have a string quartet. And though the size is smaller in scale, the power behind the meaning being expressed may be a little more intense. This is space opera treated as traditional drama for the stage; They Were 11 is dramatic theater, a play, set to animation.

They Were 11 tackles many difficult issues and does it all with grace and dignity. The original manga was the creation of one the best from the Year 24 Group, Moto Hagio, a woman who I have heard was the female equivalent to the great Osamu Tezuka. They Were 11 is a story that represents themes of self discovery and aspiring not to become someone, but to embrace an inner truth in ourselves that only we know to be correct. In a year that saw the release of Studio Ghibli’s first film Castle in the Sky and one of my all time favorite’s Windaria, They Were 11 represents a true dark horse that deserves more attention and recognition; an awesome and inspiring movie.

#107 : Cyborg 009 (1966 movie)

Cyborg 009 equals the epitome of ‘Old School’. Or, perhaps that is a mistranslation; I prefer ‘Old is Cool’. Because with age comes wisdom, or so I keep telling myself as I keep adding up solar cycles and still retain the heart and soul of my youth. A product of the 1960s, Cyborg 009 reflects the era with the rise and hope of big technology, growing social equality and Cold War politics. Cyborg 009 represents a story about brand new heroes in a (once long ago) modern age heading towards an uncertain future.

C009_movie_1Many adaptations of this Shotaro Ishinomori manga have see the light of day, but this film from 1966 was the very first time the cyborg soldiers of Professor Gilmore came to life on a screen brought to you by the great old studio, Toei Animation. The story begins simply with a young race car driver, Jo Shimamura, becoming involved in a nasty crash (knife in a tire, yikes!) and is subsequently hauled off in a mysterious ambulance. He soon awakens to find he now has incredible powers, including an ability to run extremely fast, and new clothes as well (I like the new threads man). Jo has had cybornetic enchantments and is now known as Cyborg 009 (you are the star of the show my friend, hooray), a tool for the evil counter organization Black Ghost (great name). 009 also meets eight other cyborgs, his new fellow comrades, who rebel against Black Ghost in the name of justice and freedom. An uprising ensues as the team of nine cyborgs kidnap Professor Gilmore and escape.

C009_movie_2Often Cyborg 009 can be seen as Japan’s version of the X-Men. Yet I see them as one of the great early examples of a sentai squad. Ishinmori should know that concept very well as he is the creator of the Super Sentai live action genre. But then again, I see the cyborgs as a reinvention of family. There is a tight bond between these nine individuals and even though they all come from different countries, ethnicities and backgrounds, they fight together and care for each other. Very forward thinking and yet perfect for the 1960s and even today to show that no matter who you are, or where you are from, we are all brothers and sister of the human race. It’s the formation of the greater family you can build when you embrace diversity and individuality. We all have a role and a part to play to help the greater good, it’s just all of us lack the technological enhancements of our brave nine heroes.

C009_movie_3There are a few oddities I caught from this release compared to the more popular, or better known releases of Cyborg 009. First, 009, is clad in white while the others have their uniforms in purple. All except 003, she gets to be closest to most adaptations with a pinkish shade of the standard red. And red is also the color of her hair, instead of the usual flaxen hue I am used to. Do blondes have more fun? Not this time around, it’s all about the auburn. And for some reason 007 (who is British, love the James Bond in joke) is portrayed as a kid. These characteristics are also carried into the second film, Cyborg 009: Monster Wars (on my radar to find) and the first TV series of 1968.

C009_movie_4Though the art style might be archaic to our more modern eyes and honestly this may not have been the most sophisticated film made at the time, Cyborg 009 makes up for it with pure fun. This feels like a period television series amped up just slightly, including cinemascope widescreen (fancy), that still retains much of the simple limited animation used during the era. Think Astro Boy and Speed Racer as a frame of reference. Yet it is a very attractive movie with bold colors and designs. If you are looking for a basic starter into Cyborg 009, this movie is a great option as it is action packed and about an hour long. Plus you’ll get to experience Cyborg 009 during the time of it’s genesis with all the hope, innocence and at times cheesiness that made the 1960s so great. For without the likes of Cyborg 009Speed Racer, or Astro Boy, we would not have the fruits of all the great animation that we treasure today. Thank you Cyborg 009 and thank you Shotaro Ishinomori.

#106 : Jayce and the Wheeled Warriors

JWW_1Cue that magnificent rocking intro one more time… also turn up the volume and get ready to PARTY! Animated cartoons based on original toy lines were a plenty during the 1980s and sometimes those shows had more notoriety than the toys themselves. The Wheeled Warriors toy line by Mattel had really fun dynamics by changing out parts and included little pilots. But… no real story or backdrop was included as all these pilots were just generic as the sea is wet. How does one create a show from generic characters alone? You drop that concept in favor for something else, THATS HOW! Lets join the Lightning League, our hero Jayce and one of my favorite shows for both nostalgia and current viewing pleasure… OMG it’s time to share my fandom for Jayce and the Wheeled Warriors.

JWW_2How ironic that the love of this show came from repeated viewing of only one episode I had taped off of TV way back when (who still has their VCR recording skills?). YES, only one episode of Jayce lit a fire in me and made me a fan. That episode by the way was #15, Bloodstone. I hoped beyond hope that someday I would see the show in it’s entirety. Then came various DVD releases, first a disc with four episodes, then a single release with the first half of the show and then finally… all 65 over two sets. So my wish came true, but how did the selling point of a singular half hour turn out over the long haul of episode watching? Quite well, but like many shows in this caliber it just meanders around and does not finalize into a big ending. Even the five episode ‘Liberty Stone’ saga is kind of piecemeal. Yet I love riding around the universe with this show and certain episodes do rise to the top as great sci-fi adventures and stories to be enjoyed. And after seeing certain earlier DiC properties that came out before Jayce, I began to understand that this show was more that just a happy accident.

JWW_3I often wonder how the origins of the characters came to be in Jayce and the Wheeled Warriors? After years of watching loads of pop culture you could say, yeah this show was totally ripping off Star Wars. Perhaps, but I think there is another theory and it all stems from the original creation staff at DiC. This show took the Mattel toy line and added elements from two of their earlier shows, Ulysses 31 and Mysterious Cities of Gold (my theory). Jayce could be a hybrid of Ulysses and Esteban in the form of a young man of about 17, Oon is Nono, Flora is a mix of Yumi and Zia (and could be an awesome magical girl possibility). Herc is Mendoza painted to look like Han Solo and Gillian is the grandfather you wish you had mixed with Obiwan Kenobi and Merlin. And then there is Brock… a giant fish… that sounds like a dog’s squeeky toy or a chirping bird… I love the imagination of cartoons. But that is your basic hero cast, a great way to recycle old ideas with a fresh concept. As for the baddies, most are just for show and the filling of space, but Saw Boss… that is one powerful and scary voice, that is so professional as well?

LWW_4If you are a true hard corps 80s cartoon nut, you appreciate this show and even know that it existed in the first place. Having a great group of actors, several writers including sci-fi legend J. Michael Straczynski and a classic Shuki Levy soundtrack (one of his best from my ears) adds to the credibility of this show. Jayce is one of the prime examples of 80s cartoons that look close enough to native Japanese product, while being a total western creation. I miss the days that Japanese studios did the animation for shows in the west and as an example watch the opening sequence again, it so could pass as an ‘anime’ opening. Do you agree? Yet why I truly love this show is because it is one of my cartoon versions of comfort food and in particular when I am needing a friend or a pick me up when I am under the weather, I always return to Jayce and the Wheeled Warriors. It’s that simple… “Keep on Rollin’”.

#102 : Armored Trooper Votoms: The Last Red Shoulder

VtLRS_1Do you want a proper story about revenge? How about a sequel that is more like a crucial missing chapter? Do you enjoy Armored Trooper Votoms? I hope you answered yes to all three of these questions because Armored Trooper Votoms: The Last Red Shoulder is perhaps one of the best examples of the early use for the OVA market to add depth to an already strong property. Prepare to strap into the Scopedog once again for yet another mission and this time, it gets personal.

VtLRS_2Chirico Cuvie may be the most fascinating character is mecha history. He is not heroic, hot blooded, or even a rookie to being in a mech. He is a stoic, slow burning and taciturn battle scared veteran. In more direct terms, he is one of the deadliest of the deadly, one of the Melkian army’s most feared killing machines, a Red Shoulder. Yet, Chirico and a handful of other cynical grunts are seen as undesirable for their acts of showing defiance towards the established military they are a part of. Biting the hand that feeds you! Years later and having survived the atrocities of the Hundred Years War of the Astragius Galaxy these four men reunite for a solitary cause, to go after the man who made them into Red Shoulders and then left them for dead. Their target is General Yoran Pailsen. After escaping a secret mission, torture and interegation and then the troubles of Uoodo City, Chirico joins these other three men and begin to plan. But can these four independent dissidents work well together?

VtLRS_3While Chirico may be the star of the show, he only represents half of this OVA. The second half belonging to his future adversary, the troubled and mysterious Ypsilon. We see his birth so to speak as he opens his eyes for the first time in an almost Garden of Eden like setting with the other so-called Perfect Soldier of the Votoms universe, Proto One, or in the eyes and heart of Chirico, Fyana. She mentors the naive young man before the influence of the training and brainwashing he receives from the secret society that Chirico is so interested to find out about. Watching this OVA gives a little perspective towards the humanity that was once in Ypsilon. It just goes to show that villains are just like the rest of us, just a little more perverted (hey not in that way kids) from internal or external circumstances.

VtLRS_4The beauty of this OVA is the fact that is acts like the lost 53rd episode of the TV series. Or, perhaps it should be episode 13 part 2 as this story sandwiches nicely between the first two arcs of the TV series: Uoodo City and the Kummen Jungle Wars respectively. No matter how this OVA is defined, The Last Red Shoulder is required viewing in the Votoms universe ONLY… if you complete the original TV series first. The plot and characters will make perfect sense as we see elements from the later parts of the TV series make small, but vital entrances. The production of a few more model kits may have paved the way to help finance The Last Red Shoulder, but the real substance so to speak is the revenge story and the new characters that we get to invite into our space for the time of about an hour. But as you near the end of this OVA you may crave some action and you shall be rewarded. The only question is who will make it out alive?

The rich palette of seriousness and gritty texture is what makes Votoms a special mecha property. Armored Trooper Votoms: The Last Red Shoulder smells of oil, blood and sweat, feels like bullet scared metal and looks of the dull nasty green of army surplus. War is hell and it can drive a man (or woman) to insanity, or leave personal traumas that need serious time to heal. Armored Trooper Votoms: The Last Red Shoulder brings you back into this dark world of dramatic hell that surrounds the politics and drama of the Astragius Galaxy and it does it so oh so excellently. Highly, highly recommended.

#101 : Ulysses 31

U31_1Ancient Greek mythology is awesome! Don’t you agree? Such a wonderful storehouse of great storytelling and wisdom from a bygone era. We can take these myths on the exoteric level as historic documentation to the richness of Hellenic culture and esoterically as metaphors for you, the world we live in and greater spiritual envelope of our whole universe. Film and animation have had many adaptations from Jason and the Argonauts to Clash of the Titans. Japan has animated many examples as well with Saint Seiya and Arion coming to mind. But!… there is yet another example, a collaboration between the French company DiC and an old favorite here, TMS (Tokyo Movie Shinsa), that actually adapts the old myths into a 31st century universe instead of borrowing elements like the other two mentioned before. Have you seen Ulysses 31?

U31_2Hey look, it’s Space Jesus! I have heard that before in regards to our hero who does have an uncanny resemblance to the Christian icon. Yet alas, this is Ulysses my friends, the guy just has really awesome hair and that beard. He is readying his crew to return to Earth aboard the spaceship (that looks like a giant eye?), the Odyssey (well named). But first, we need to celebrate the birthday of his son Telemachus as the young boy is given a robot companion, Nono. You have to have that lovable, but kind of annoying robot character. Reminds me of Oon from Jayce and the Wheeled Warriors. Soon Ulysses and his companions set off when all of a sudden Telemachus becomes kidnapped. And like an awesome dad, Ulysses sets course to save his son.

U31_3Telemachus awakes to meet two Zatrians, Yumi and her older brother Numinor, to learn that they are to be sacrificed to the Cyclops to keep the priests vision intact. Far fetched, but amazing and those priests are scary too! Ulysses soon find the children and destroys the Cyclops and in typical fashion, Ulysses has to deal with that time old issue, Karma. This act angers the gods and now Ulysses has to find his own way back to Earth, via the Kingdom of Hades. That and all his companions, plus Numinor, fall into a sleep state and will awaken once he gets beyond the Kingdom of Hades. This leaves Ulysses to work with his son Telemachus, Yumi, Nono and the Odyssey’s onboard computer, Shirka. So begins the ‘Odyssey!’ Homer would be so proud.

U31_4A strength of this show is the fact that you can casually watch any episode in any order, except episodes one and 26 as these are the bookends for the series. Hooray this show has a solid openner and a satisfying closing episode! …No loose ends here… Take Ulysses 31 in any order you like, kind of like the old Choose Your Own Adventure book series. If you are aware of many of the tales of Ancient Greek myth you will be pleased to see the variety that have been chosen. We see interpretations of Oedipus’ trial with the Sphynix, the punishment of Sisyphus, Thesseus and the Minotaur, the enchantment of Circe and many more. The most surprising episode has our heroes going back to Ancient Greece itself where they meet their legendary counterparts.

In case you are a fan of The Mysterious Cities of Gold, both dubs feature the same cast. I have never seen the original Japanese dub, but if you have give me an update; same with the French dub as well. The show looks very much the era it was made, 1981. You might say it looks very Star Wars, but I want to think it looks more like the era’s Flash Gordon since this had a European influence, though it is not campy. Sci-fi had a certain flavor from the late 70s/early 80s that cannot be recreated. The technology may not have been up to far of today and the costuming at times can be a little goofy. Yet you get a lot of heart, which is what makes the era’s sci-fi and mecha so desirable (at least for me). Ulysses 31 is a solid show where heart and soul reigns supreme. May your journey to find the Kingdom of Hades be immortal and full of discovery.

#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂

 

#99 : The Guyver: Out of Control

GOoC_1Do you know The Guyver? Sure you may be aware of the epic 12-episode OVA that was released from 1989, or that more recent version of 2005, or the manga, or even those very interesting (often characterized as bad) live acton B-movies. But there is another Guyver, a simpler Guyver, a one and done OVA kind of Guyver. It dates from 1986 and it is so rad and tubular (sorry I am going back to my 80s slang days), so ‘out of control’ (it’s in the name of the title after all) and kind of forgotten as well that I wonder if this is a legitimate entry for all that is The Guyver? Of course it is! This may be a dust gathering artifact from the golden age of the genesis of 80s OVAs, but it still counts! This was and is and always shall be The Guyver: Out of Control.

GOoC_2To date, this is the only Guyver that I have seen. I want to change this, not that I was impressed beyond belief with Guyver, but I feel it is worthy to see a more flushed out version of this story. The Guyver: Out of Control is just under an hour and it works very well as a one stop shop for an all out action extravaganza. Similar to Baoh, except our hero was not a test subject run amuck. Sho Fukamachi, our hero, after seeing an explosion from a battle in the distance comes into contact with an odd circular metallic object that he has to pick up and hold. After all being an average high school student, this is different and kind of cool… you got to pick it up… and then you pay the price.

This disc like object ends up turning Sho into one of the most streamlined, and perhaps very dangerous looking, superhero/fighter by having all these coils wrap around him. Ewww… just like tentacles, what the…? This is not weird fetish porn! This is proper action anime here! … At least Sho was not stripped of his clothes. Oh and look, now those guys from the previous battle from afar become the focus of Sho and steal his girlfriend. Bad idea! Now Sho has to fight up against the so called Chronos Corporation and yet another Guyver unit, who started out life as a beautiful redhead and in the process rescue his beloved lady. It’s so cheesy, but you got to love it anyway.

GOoC_3The irony of The Guyver: Out of Control is due to the fact that ‘don’t let the cover determine how you read the book.’ Case in point, the character designs of Toyoo Ashida with their large round eyes (isn’t that what everyone says about anime anyway?) don’t really show just how… violent… this OVA is. But then again, Ashida directed the Fist of the North Star and Vampire Hunter D movies (Hiroshi Watanabe directed this one), so perhaps these designs were a good choice? But seeing the promo materials makes me think initially of Minky Momo or Vifam (both in Ashida’s portfolio) and that this will be kind of a cute production. No Luck Chuck! This is like Fist of the North Star, Vampire Hunter D, or even… M.D. Geist (Eee!) type of violence. Wait a minute… I just mentioned Fist of the North Star and Vampire Hunter D twice (actually three!) … ok, then these character designs are fitting. Maybe? I like them anyway! Next paragraph…

GOoC_4Do you remember a time when anime was promoted as violent, mature and all that jazz? Yeah, those VHS days of the 90s only pigeonholed anime as a singular focused medium, kind of like Seattle music and Grunge. Of course we know much better now as to the variety of what there is in anime. And thank goodness, except The Guyver: Out of Control is actually a decent story, has a plot and some moral sense. It’s not mindless action and violence without a purpose.

… by the way, and this is a quote from the story, Guyver means out of control. … so then this title is simply doubling itself? Maybe it should have been called Guyver-squared?