#138 : Gall Force: Eternal Story

What ever happened to our old friend Gall Force? Debuting in 1986 with a feature film that spun off into a pairing of direct single release OVA sequels and then a couple more larger arc OVA series, Gall Force seemed to become a major player in anime. Then quiet arose over the landscape and Gall Force faded away into the sunset. It’s time to come out of retirement ladies, we miss you! To get a foot hold and get reacquainted with this series as a whole we have to start from the very beginning. Let us return once again to the maiden voyage to the 9th star system with Gall Force: Eternal Story.

GFES_1All is war in the galaxy. It has been for a long, long, long time. Two factions fight it out to the death with their huge armadas of spaceships that fire laser beams that take up half the real estate of your viewing screen. This is the story of the Solenoids vs. the Paranoids. Wound coil magnets vs. people who are extremely afraid, or perhaps Black Sabbath fans? … “Finished with my woman ’cause she couldn’t help me with my mind, People think I’m insane because I am frowning all the time” … Not exactly, but seriously, where do you kids come up with this stuff? No, this is more like… the battle of the sexes… in DEEP SPACE! The Paranoids (ugly parasitic monstrosities of aliens), being the masculine and the Solenoids (a race of women that look very ‘familiar’?), the feminine.

GFES_2Gall Force: Eternal Story is not my favorite anime of all time by a long shot, but it is one I enjoy watching for the fun of it. This was one of those titles that was part of the steady diet of titles that solidified my love for Japanese animation. It’s a sci-fi homage of everything we loved about space and adventuring through the galaxies all thrown into one. This is a film that borrows much from earlier titles in anime, but also live action references such as: Star Wars, Alien, 2001 and Star Trek. It’s a film that defines all that is generic and cheesy, but pulls it off so well that it’s classic. Even the English dub gives the movie so much character. Gall Force: Eternal Story is a film where everything falls apart in order to give birth to something new and fresh. One trial after another hits our heroines and slowly one by one they eventually bite the dust. And yet would you believe that this movie does ends on a happier note?

GFES_3Our protagonists are a group of seven Solenoid soldiers whose mission is to pilot their vessel, the Star Leaf, to the 9th system to defend a new world for colonization from the Paranoids, Chaos. Along the journey Eluza, Rabby, Lufy (my fav!), Catty, Pony, Patty, and Rumy run into several obstacles including repairing a part of the ship to activate the warp drive (which also meant a scary trek into the belly of space), a battle with the Paranoids, fighting a stow away monster and eventually… childbirth! An interesting voyage isn’t it? I mentioned earlier how the girls all look very ‘familiar’, this is due to the fact that they were designed by Kenichi Sonoda. These seven girls all prototypical examples of his character stylings, which were also featured in Wanna-Be’s and Bubblegum Crisis, both being early work Sonoda did at AIC along with the Gall Force series.

GFES_4I have a weird theory about Gall Force: Eternal Story… maybe it’s… maybe it’s… our true origin story? This will make sense when you see the film in whole and make it all the way to the end. To put this into perspective, a child is born from the mating of the Paranoids and the Solenoids and that child along with one of the girls are the sole survivors to start a whole new evolution. A whole new race, a new beginning. Kind of like Adam and Eve? Maybe Gall Force: Eternal Story is the opening parts of Genesis from the Bible? … In the beginning there was void and war and laser blasts covered the deep of space. And then God spoke and said, “Cut out the fighting kids and have a baby instead!” … I dunno, it makes sense to me, what do you think?

#135 : Crusher Joe (movie)

CJm_1Say Joe, what do you know? … How does it feel to be the literary older sibling of the Dirty Pair? Maybe a little jealous as Kei and Yuri often get a lot of love and fan mail, but some of us out there in old time otaku land remember you too my old friend. Space adventure and science fiction were really hot in the early 1980s and a 1983 film by the name of Crusher Joe set itself perfectly into the zeitgeist of the moment. Let’s step back in time to experience the future, grab some popcorn and cut the lights… we’re watching this movie! 

CJm_2Does Crusher Joe remind you of say, Cowboy Bebop? The character dynamics are there: Young heroic guy, the big tough veteran, the pretty girl and a nerdy kid. What!… no cute Welsh Corgi!? Crusher Joe is sci-fi fun similar to say Star Wars, or maybe Buck Rogers, or perhaps Flash Gordon. What about Space Dandy? Or in contemporary anime terms of about 1983… Space Adventure Cobra meets Gatchaman that looks a lot like the original Mobile Suit Gundam. Oh and one big difference to Cowboy Bebop… no swinging jazz. What!? No flat fifths, or 7th #9 chords interspersed in hand drawn loveliness? Ah shucks! Alas Crusher Joe is sci-fi the way we hoped for the future to be in the 1980s. Lots of warp drives, high collared tailored jumpsuits and dancing at the discotheques. I don’t know about you, but I am still waiting for this dated version of the future to come to fruition. Am I alone on this one?

So what exactly are Crushers anyway? You got a job, any job? You got money? Then a Crusher has got you covered, except keep it clean and legit as this keeps the paperwork easier to file. Joe, Alfin, Talos and Ricky have a new job of transporting a mysterious cargo with no questions asked to a specific destination. Sounds simple enough, but then again be careful what contracts you sign your name on. On a trek through hyperspace a ‘little’ accident occurs with this cargo on board. Ever have a bomb go off in the middle of a warp? Its not very pretty. After coming back to consciousness, Joe and crew quickly evaluate the situation and discover the cargo has gone missing. Ah oh, what else could go wrong? Maybe a run in with the authorities and finding out your cargo was a princess who was cryogenically frozen and now you are charged with kidnapping. Talk about a good time to call a lawyer. Now the question becomes who set up Joe and how do they get this princess back safe and sound?

CJm_3Let me return to the Mobile Suit Gundam reference again… this movie really, really looks like the iconic mecha series in terms of it’s characters. This is NO!! accident. The character designs, script, and storyboards were mainly at the helm of Gundam’s character designer Yoshikazu Yasuhiko. ‘YAS’ even helmed the directors chair. He literally owned this movie, maybe even more so than original creator Haruka Takachiho. Besides the obvious stylings of YAS, Crusher Joe also shares his sense of humor and fun action, which ties back to Takachiho’s source material quite nicely. Add in some mecha designs from a young up and coming Shoji Kawamori, hot off of the original Macross (LOVE!), and the fire power of Studio Sunrise, you have one of the best stand alone sci-fi movies of the decade. In fact Crusher Joe was Sunrise’s first original movie outside of TV show adaptations, in case you wanted to know (it’s common knowledge on the internet?).

CJm_4Once upon a time we had grand and fun swash buckling adventures told through the medium of intergalactic outer space fantasies. True they still exist in some form today, they don’t hold the same romanticism as their analog counterparts of yesteryear… or perhaps I am just being biased. Crusher Joe is a film that defines what made 1980s anime appealing and fun, even into the present. Plus as an added bonus… guess who makes a brief cameo for their first appearance ever in an anime? Kei and Yuri… the Dirty Pair… ah… Lovely Angels 🙂 They always seem to hog the spotlight in some form or another… can you blame them?

#10b : GoShogun: The Time Étranger

For my original entry for GoShogun: The Time Étranger, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, GoShogun: The Time Étranger, I have a little more to say…

GTE2_1OMG! How I love this OVA, movie, story, mythos, whatever you want to call this anime. I can’t help but have bias as GoShogun: The Time Étranger means oh so much to me. Seriously!, I cry almost every time at the beginning when Remy is alone in the desert, wonders where everyone is and fires the pistol into the air. And then the five boys come out of the shadows and tell her to stay close as they are on their usual journey, which has reason, or destination except the fact that they should all stay together like a family. It does it to me every single time. In fact I feel a little teary eyed right now. What a way to start an anime! 

GTE2_2I suppose I have a bit of a thing for GoShogun? Well before I got a chance to see the TV series, I had this little gem of an oddity on my shelf and just from that alone I became obsessed with anything GoShogun. One case in point, the first Roman Album art book that I ever bought was for GoShogun: The Time Étranger. I love art books and Roman Album books are my favorite prized possessions to show off my fandom. Two, I have one of those Banpresto keychains on my backpack from the Super Robot Heroine Series with guess who? Remy Shimada of course! And in my bedroom I have an awesome framed poster of Remy and Bundle. I am kind of a fan? Yeah… kind of. The cherry that finished off the sundae though was finally seeing the original Sengoku Majin GoShogun tv series. I loved it, but GoShogun: The Time Étranger is still something I still treasure even more.

GTE2_3In truth I have to thank an old episode of Anime News Network’s podcast for finding GoShogun: The Time Étranger. An episode about top 10 lists for the 1980s and it was Justin Sevakis’ choosing of GoShogun: The Time Étranger that made me prick up my ears. I had to find a copy as soon as possible as the synopsis he gave was inviting and the comparisons to the filmic styles of Ingmar Bergman and Federico Fellini really gave me a buzz. Thankfully in my area of the world we did have a DVD release at the time, so that became a no-brainer of a purchase. After one watch I liked it. After two viewings, I loved it. Then came three… and then it became muscle memory for both memorizing lines and pure connection. Can an anime become a good friend? I certainly think so.

GTE2_4GoShogun: The Time Étranger has action, suspense, surrealism and great drama with a cast that I fell in love with immediately. Funny how a group of people resonate with you so quickly. I put it down to fate; we were destined to meet each other! Many key cast members were absent from the OVA that were cornerstone to the TV series: Kenta Sanada, Sabarath, OVA, NeoNeros and even the GoShogun robot (unless you count the cameo as a mirror decoration in Remy’s car). Yet  the big six remain: Shingo, Killy, Bundle, Kernagul, Cuttnal and of course Madame Remy. OK, why all the attention on Remy? Am I playing favorites here? (yeah kinda, lol) GoShogun: The Time Étranger is wholly her movie, her story, her great homage that looks back at several key areas during her life where she had to face death head on and with sheer willpower and love, survives each time. A true passion to live life to the fullest. A ray of hope in a time of need and a message to never forget. This is why GoShogun: The Time Étranger is not just another anime in my collection, but is truly an honest friend.

…and also, Bundle delivers one of the best classic lines that I often throw out even though no one has a clue what it is as GoShogun: The Time Étranger is not a mainstream piece of entertainment. In regards to a motorcycle he ends up ‘borrowing’ and riding on, “It isn’t stolen, merely rented without the benefit of paperwork.” GREAT!

#131 : Gatchaman II

G2_1They’re back! My favorite sentai squad quintet of bird themed costumed, thigh high boot wearing superheroes… ee… maybe ninjas is more appropriate. Does it matter how you classify Earth’s ultimate answer to fighting the evil menace known as Galactor? As if 100+ episodes of action and adventure were not enough it seems our band of heroes get to strap on the capes yet again for another 52 episodes. Way to go! Sometimes one, or sometimes five, Science Ninja Team welcome to your sequel, Science Ninja Team Gatchaman II. Bird!… GO!!

G2_2Now here is something for you to ponder. This series is set two years later from the original Gatchaman show, which was how long series one lasted, yet it previewed on screen six years after the initial release of Gatchaman (1972 vs. 1978). Hmm? Oh well better late than never? But a sequel, really? I mean the original show ended with a number of cliffhangers: the fall of Berg Katse and even the death of the beloved tough guy, Joe the Condor being the biggest two. Where do we go from here? Well Joe makes a comeback for a start. WHAT… HOW!? Thanks to a new character by the name of Dr. Raphael, Joe is now a cyborg. Kinda like Casshan… good job Tatsunoko Studio to tie in themes from your other shows. Plus, the Gatchaman crew have new weapons (I miss the old ones!), new mechs to pilot and an all new God Phoenix with a R2D2-type robot (or maybe 7 Zark 7?), plus a new assistant in the name of Dr. Pandora. And lets not forget we need another non-binary type villain of questionable gender to accompany Leader X… enter Gel Sadra.

G2_3So with all these new changes, does anything stay the same from before? Well, Dr. Nambu still has that wicked mustache, the minion troops of Galactor still have those nasty green uniforms and Leader X still has that awesome voice, mesmerizing and menacing. Thankfully the feel of the show is very similar to the original as it was produced by the same studio, used the same voice cast and was produced in the 1970s (get funky!). So it’s just a complete carbon copy? Well… not really, but in many ways, yes. It’s been a while since I have seen series I, but wasn’t there more plot that resound around a lot of kaiju type mecha and using the Firebird Technique in the God Phoenix. HI NO TORI!!! And what about a lot of the techniques where they join together that look totally ridiculous, but we love it all because we wish we could do that. Maybe the memory is a little fuzzy… hazy more like it. But one thing I can say for sure, there was hardly any calling out of Bird GO!!! to allow the transformation process into the awesome costumes.

G2_4Yet the Science Ninja team are still the same characterizations. Ken is still honorable and cool headed, Joe is still a tough and vulnerable (yet now a cyborg… fancy!), Jun is still adorable and strong, Jinpei is still a goof ball kid (yet his voice has dropped… puberty) and Ryu is still the token big guy and perfect in his own way. The stock and trade quintet sentai squad that is the definition of sentai squads. Now drawn in a little more of a slightly more sophisticated style. The line work and designs are still the same, but comparing 1972 to 1978 shows more fluidity. A great example of my theory of anime of the 1970s, which shows the evolution from the archaic 1960s into the classical 1980s. Now remember it is only a theory and my opinion, it is ok if you disagree. So which do I prefer? Both! TV animation from the early 70s (think Ashita no Joe, Cutie Honey, Aim for the Ace) and late 70s (Rose of Versailles, Mobile Suit Gundam, Space Pirate Catain Harlock) are BOTH welcome in my house.

Gatchaman II… fun show. A great compliment to the original, but I kind of favor the original by a hair… I mean hey, it’s a classic. One thing that did get me about Gatchaman II, which was a huge surprise, was how poignant the ending was and in one case brings a tear to your eye. Such is the magic of well done anime. Now… onto Gatchaman F, or it it Gatchaman Fighter? Whenever it doubt between a choice to two, have BOTH!

#129 : Thundercats

I want to look at Thundercats without any nostalgia pretense. No rosy glasses and no holding the show on a pedestal because it was a part of my youth. I will most likely slip up and that is ok, but let’s see what happens. Once upon a time Thundercats was one of those cartoons that was as familiar as breathing. It was popular, major popular. It was one of my favorite shows and an enjoyment each afternoon I got back home from school. Still, can Thundercats still hold up today without any pretense? I have a one word answer, YES!

tcats_1Rankin/Bass was a production studio that defined entertainment for many of us. Many of the classic Christmas specials, movies like The Last Unicorn, The Hobbit and Flight of Dragons and various TV projects hold your definition of how Rankin/Bass has left it’s mark on you. As a six year old in 1985 and interested in sci-fi and adventure I found a little show by the name of Thundercats and this series became my definitive personal definition of Rankin/Bass. I was well aware of many of the previous examples as well, yet Thundercats struck a chord and in a sea of many new and fresh shows during the decade of the 1980s Thundercats is one of a few shows that have had staying power in my life and hopefully yours.

tcats_2So what keeps Thundercats relevant all these years later? The mythology, the world building and the characters. This was an original show, as after all this was an action, sci-fi, fantasy tale where the heroes are cat-like humans. I love CATS! Classic designs and characters. Yet Thundercats is also a great mix of what is already known and an amalgam of the ‘Heroes Journey’. A mix of 80s anime aesthetics, traditional American superhero team sensibilities, Arthurian Legend elements, a Tolkien-esque world of various life forms and terrains and one of the most powerful opening sequences demonstrate the beauty and strength of this show. It’s HUGE! It’s also organic. So why is Thundercats great? Simple. It’s a living and breathing legend that sustains itself.

tcats_3So Thundercats is the perfect cartoon then? Well, not really. It all depends on one’s attitude. Some characters can get annoying, certain plot points can be a bit over the top and with the second season there became way too many characters in my opinion. But again, this is a cartoon, so sit back and relax. One could complain about a number of other things, but a TV show should not be one. Just take what you can from the experience and you will find in the end, it all fits together. Like one big family were everyone has a particular role to play in the grand scheme of things. Plus, as the show progresses we become more aware of the mythology and history of both Thundera and Third Earth.

tcats_4With all the reboots of Thundercats of more recent times, I have not given them much consideration. The original show did it so well and with integrity that I never found a reason to watch an alternative. Thundercats was well written, voice acted brilliantly and animated beautifully. One of the best looking and consistent in regards to all forms of production for the era of the mid 1980s. There are some shows you look back on from when you were young and you can ask yourself what did I see in this? Yet Thundercats has stayed with all of us as it is simply timeless. The setting, music, vernacular, syntax and storylines used are beyond the idea of time. Besides being the great old fashioned painted cel, analog, style of animation, nothing can really paint Thundercats as being ‘old’.

On a final note, Thundercats is a ‘sexy’ show… everybody was ripped, wore skin tight costumes and were just perfect ideals like ancient Greco-Roman statues. This was a ‘kid’s’ show? Then again in the 80s, a lot of shows were ‘sexy’. Look at He-Man and the Masters of the Universe and Jem and the Holograms as examples. Perhaps this is yet another reason why these shows still resonate with our adult eyes, it’s ‘sexy’. … I can’t keep a straight face anymore 🙂

#81b : Space Warrior Baldios

For my original entry for Space Warrior Baldios, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Space Warrior Baldios, I have a little more to say…

When I wrote the original entry for Space Warrior Baldios the only materials I had available were the first five episodes of the TV series, via fansub, and the film made from complied material with some revisioning. Then… I come to find out that the TV series would be released here in North America. Now I have an option to see Space Warrior Baldios in it’s entirety. I truly envy those of you who grew up in Europe during my youth, lets say approximately 1984 – 1990 as Baldios was available.

But one thing I have learned, never, but never ever be envious period. If you want something, be it an experience, a product, a relationship, whatever, give it space and focus. In time that something will happen, but don’t get too attached as that will sabotage your journey along the way. Persevering towards something eventually creates the greater payoff. Law of attraction? Wait a minute, this is a posting for my update on Space Warrior Baldios! Very true, let’s talk anime.

baltv_1The class of 1980 for TV mecha entries number about a handful, but I have seen two thus far to this writing. Last time I commented how Space Warrior Baldios and Space Runaway Ideon represented two of the most austere space opera robot shows to grace the small screens. I still agree with this, but after watching Baldios to completion I have to give an edge to Ideon. Baldios has it’s darker moments and elements and has a great twister of an ending, but Ideon went even deeper and I have to bow in respect as I love the dark (classic Yoshiyuki Tomino). But… but, I still I enjoyed Baldios. Ideon may be the more revolutionary show, but Baldios is for me, the evolutionary candidate.

baltv_2Ideon can be likened to the original Mobile Suit Gundam, or Zambot 3 as all three are attributed to Yoshiyuki Tomino. He has a well known style in his classic shows and he made mecha anime into a slowburn auteur exercise. Baldios on the other hand feels like the next step from the overall trend in mecha anime that was growing at the seams in the 1970s. It felt and partially looked like a show from about 1976/1977, but was created in 1980 (which honestly is not that far off). There is an element of innocence and fun that abounds in Baldios. Even the stock sequence for forming the three part Baldios robot harkens more to a 70s combination, GATTAI! Still Baldios has its moments of heaviness and drama as stated before, but the majority in terms of the overall plot of the TV series occurred more so in the beginning and ending of the episode run. Take Cowboy Bebop as a similar example.

baltv_3The in between episodes of Baldios showcase many of the minor plot elements of the characters such as reunions, unrequited loves, power struggles, trust issues and xenophobia as examples. Yet this TV series is sadly incomplete and truncated and in order to have the full story, you must watch the movie as well. Even with cancellation and necessity the one thing I can give respect to Baldios is the fact that the entirety of the story was eventually completed albeit in two forms of media. As classic mecha titles were my initial entry in anime, I am delighted to finally have the complete tale of Baldios under my belt. I shall wear Baldios like a medal with pride! Thank you time for teaching me to patiently wait all of these years to reap the greater reward.

#1b : Megazone 23 (part 1)

For my original entry for Megazone 23 (part 1), click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, the first part of Megazone 23, I have a little more to say…

m231_1This is like going all the way back to the beginning. Starting from scratch, the second time around. If you have been through this site before, I hope you have dug down enough to find the very first entry, Megazone 23 (part 1). If you are new here, then you found a great starting point. I have had for some time thought about revisiting this awesome OVA from 1985, but I like to keep only one entry per show, movie, or OVA. Know you know what this means… time to change some rules!

m231_2Have I changed my opinions much on this first Megazone 23 entry from last time. Not really. I still love it, I still hold it highly in my anime watching experience and it is an all in one package for what did get me into anime in the first place and what mostly keeps me digging up more classics. It has that certain something, perhaps its just love and devotion, I can’t say for sure. And if I could put the feeling into words, I would more than likely miss the point. The character designs from Toshihiro Hirano and Haruhiko Mikimoto may be the closest thing to words to express my feelings for Megazone 23. Such a good looking cast from two of my favorite artists.

m231_3Now, have you seen The Matrix? Do you make references, or hear them often from others, regarding society and the The Matrix? Now watch Megazone 23 and tell me if you can spot the similarities? Megazone 23 came out a good decade and change before The Matrix and in my opinion totally surpasses the live action trilogy. We have the story about a hero who finds that reality is in control of a computer program and basically reality is someone else’s fantasy and creation. And our hero finds out he is only a mere pawn in the big game and decides to rebel. Except in Megazone 23 you also have motorcycle styled mecha, a lone wolf antihero, brighter colors, a refreshing soundtrack, Flashdance styled dancing (with leg warmers) and it’s Japanese in origin. “Yeah Doc, all the best stuff is made in Japan.”  (Back to the Future strikes again) The next time someone mentions The Matrix just remember to recommend Megazone 23, or even better… shout out BAHAMUT 6!

Still I regard Megazone 23 the spiritual successor to my beloved Macross. I said it last time and I will say it again, Megazone 23 may not be Macross in name or story, but the main members who created both productions left a certain patina. Kind of like a band releasing two awesome albums in succession. I mentioned Hirano and Mikimoto earlier and there are other key figures, but the biggest was director Noboru Ishiguro. Such a professional, a gentleman and a renaissance man all rolled into one. Hayao Miyazaki, Yoshiyuki Tomino, Tomoharu Katsumata, Osamu Dezaki, Rintaro, Isao Takahata are all great directors and I love them dearly, but Ishiguro-sensei, if it was not for your work I may never have fallen in love with anime. Arigatou gozaimasu.

Bar none this is a title I still watch on a consistent basis. Repeatability is a major factor to anything great in media as there is always something new and still yet familiar to emjoy. The only question remains, ADV dub, Streamline dub, or the original Japanese track. All three have equal merit in their own way. Or, I can be adventurous and watch Robotech: The Movie. Wikipedia or Google that one if that is a title that does not ring a bell.

… and don’t forget you see a cameo of Lupin and Gigen (Lupin III) as… cops… ironic!