#27b : The Rose of Versailles

For my original entry for The Rose of Versailles, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, The Rose of Versailles, I have a little more to say…

2019 Original Entry

Sometimes I wonder if I will ever re-watch certain shows that sit on my shelf or on a hard drive ever again? About a month or so ago I have given one particular show a second go and by the title of the entry it is of course The Rose of Versailles. It seemed like the right time. I didn’t question it, or wonder why. I just needed The Rose of Versailles. After a tough winter with nasty snows, isolation, some setbacks and a gnawing, or itch that chronically comes and goes, the The Rose of Versailles became a sea of calm and a vision of reassurance to say… hey, everything is will be ok. … OK time to get personal.

RoV1The Rose of Versailles has high regard for being a standard of anime excellence. Shojo perfection? Though I feel the show goes beyond the general demographic designation… as most anime does in any case. And with the show turning 40 this year of 2019, it still looks and presents flawlessly; a gorgeous visual masterpiece! The first half directed by Tadao Nagahama is bright and sparkly reflecting naive youth with the second half under the helm of Osamu Dezaki (GENIUS!) is gritty and intense showing the politics of revolutionary France. Beautiful and timeless, this is a show I am honored to share as a virtual twin (both RoV and I joined the world in 1979).

RoV2So what of the personal? The Rose of Versailles’ main protagonist. Oscar Francois de Jarjayes. is one of two women in anime that I whole heartedly admire; the other being Remy Shimada from GoShogun. Blonde, graceful, intelligent and independent speak to both ladies, but Oscar has something else, a particular fragility. Her sense of duty as a noble, a military commander and her enforced gender classification. Raised as a ‘boy’ and expected to follow into her father’s footsteps, much dysphoria abounds in the beautiful Oscar. This expectation of a gender role, to be a ‘man’ in public, tugs at the truth in her heart that she is a woman. Yet also the role of being a noble who has lived in luxury and comfort and seeing first hand the life outside the gilded cage. Being rich and powerful in a position of authority is not all that it is cracked up to be and the same goes for being a ‘man’ as well. To quote Alan Watts, “don’t envy rich people, it’s a great mistake. Don’t envy anyone.”

Personally I understand both of Oscar’s dilemma’s. I am not ‘rich’ in the way we often think with lots of money, fancy car and house, etc. I am comfortable, yes, as I live in the U.S. and have a ‘job’, but I have great health, my mind and intuitive senses. No amount of money can put a price on those three. Living in the affluent west and seeing much of the flash from TV screens, luxury items and being in stores with a glut of stuff… ok most of it can be classified as crap that is constantly being barraged through every sense imaginable. I must question, is this all life is? Is this to be my life? Living in a gilded cage of constant consumption where we are taught there is never enough and you have to bleed yourself dry in order to fit in? Like Oscar, I see the ‘nobility’ of our backgrounds as not real and limiting. Monarchy or capitalist state… looks about the same to me? We just need more corsets and petticoats instead of suits and wingtips. The other dilemma of playing the role of ‘being a man‘, what is that really? Only a facade?

RoV3In terms of the winter of discontent from 2018/2019, I had The Rose of Versailles as a catalyst to pull me out of my depression. Watching this time round made personal issues come into a better perspective; including waking up occasionally in pools of tears. Beyond these personal points, it is a show about love, politics, desires and revolutionary France with occasional sparkly eyes. God I love shojo anime! The Rose of Versailles, a bonfide masterpiece, oh how I love you.  I hope for this show, or any particular anime that you watch, you somehow take something of it with you to heart. Because sometimes a show is more a mirror of your inner psyche than just ephemeral entertainment. Think about that one!

2020 Addendum

A few things to add…

  1. I consider this a blessing that something odd and bizarre happened with the other entry as this allows me to proofread again…
  2. The tides of revolution that were prevalent in late 18th century France would seem a scary place to be… and yet in 2020, it is kind of at our front doors. If only open dialogue and discussion were the norm. Yet the tides of time of  current events seem to favor a showcasing of ignorance and arrogant soap boxing. I hope justice is not blind in terms of karma.
  3. I will admit early on I removed many references I had at the time in my 2019 writing that I was dealing with some gender dysphoria. This is not something I need to hide from, but as a private individual in a more conservative area, it is something that I feel I have to be discreet about.
  4. 2020… could this be the fall of the decadent West, the gilded cage, that I eluded to earlier? Or perhaps, an evolution towards true freedom?

Special : Lady Oscar

How often do we see live action adaptations of the anime we love? Of more recent there have been many a handful from the studios of Hollywood and depending on your fandom, you see these movies in whatever light you hold to the original. Some like to see anime turned into “real” people and some don’t… again depending on your fandom. Yet how interesting would it be to see a live action re-interpretation of a beloved classic during that anime’s original run when it was current in the zeitgeist. Enter 1979… the year Riyoko Ikeda’s manga of Rose of Versailles would become a full blown animated television series and… and, a live action motion picture by the name of Lady Oscar.

LO_1Twice I have talked about The Rose of Versailles here at CAM (original entry, updated entry), so I will not delve very deep into the story. Without question one of the landmark anime of the 1970s, The Rose of Versailles is for me and many others a personal favorite. A story of passion, duty, humanity, freedom, love and gender identity all wrapped up under the guise of late 18th century France, the time of the French Revolution. A radical time and a dangerous one at that, a powder keg of the clash between old and new. I love The Rose of Versailles and respect Oscar François de Jarjayes as one of my favorite characters of all time. When I learned there was a live action film adaptation, I was keenly interested.

LO_2Financed by Japan and directed by famed French director Jacques Demy, ironically the film’s native dub would be in English. Interesting and convenient for those of us who speak English as our native tongue, but perhaps French may have been more appropriate? English of course allows for more international distribution as I am sure this film was made more for an overseas audience than just Japan alone, my hypothesis. And how does it fair as a film? It’s good, slightly above average, but nothing like the tv series. Accept no substitute when comparing 40 half hours of content to only two hours. Anime is often more colorful and The Rose of Versailles does show itself with many grand colors, but it is never off the wall. Lady Oscar is more muted, which makes sense as this is not animation. Props for the costume designs though!

LO_3Besides the original TV series of The Rose of Versailles, I also think of another contemporary film to Lady Oscar, which told a story in a similar time frame of the late 18th century, Stanley Kubrick’s Barry Lyndon. Honestly I kept thinking why couldn’t Lady Oscar look and feel more like Barry Lyndon? I am sure Lady Oscar’s budget was nothing close to Barry Lyndon’s. Stanley Kubrick’s style for lighting, intensity and photography are also his own, a true auteur, and I am sure Jacques Demy had to play the part of following the boss’ orders to the best of what he was given. My ideal vision for a filmed version of The Rose of Versailles would be more Barry Lyndon than Lady Oscar, but I have to accept what is. Instead of a grand cinematic experience, Lady Oscar feels more like a TV special, but it does a good job with what it had to do. I can’t be judgmental, or hard on the things in life I cannot control.

LO_4Lady Oscar is not a bad film, or a great film, it is just a good movie to enjoy and try out at your own leisure. While live action adaptations are often tempting, they never seem to hold a candle to the original TV series, or even the manga if that is your preference. Lady Oscar is a good supplementary entry on your watch list, but should never be a full blown substitute to the grandeur of the original The Rose of Versailles TV series. Yet it is a treat that this film was even made, but when it comes to live action adaptations, I prefer to keep them as their original form. Let cartoons, be cartoons and anime, anime (which to me is saying the same thing twice,) because it is perhaps one of the best story telling mediums ever created.

The Spirit of 1979

I have a soft spot for the anime of 1979. Why? Well, these are my ‘twin’ siblings so to speak. This means as of 2019, we all celebrate a big 40 years of existence on this material plane. 40… people think I am 28 or something when they meet me and perhaps like my brothers and sisters of 1979, we all hold a timeless classic quality. We all still look good for our age and have matured like fine wine. Anyhow, I have not seen every production released that year, but the ones in which I have, well, they all have left an imprint onto me. My favorites include: Aim for the Ace (film version)Anne of Green Gables, the original Mobile Suit GundamRose of VersaillesGalaxy Express 999 (film version) and The Castle of Cagliostro. That’s a fine listing if I do say so myself.

I can also include Space Battleship Yamato: the New Voyage and Taro the Dragon Boy as well since I have seen them, but they did not leave near the impact on me as the titles listed above. Of course I have a wishlist of titles that I have not seen as of this writing. I am in no hurry to find these titles, but I know eventually they will crop up into my view list. The second series of Cyborg 009 and magical girl Hana no Ko Lun Lun/Flower Angel rank on the top of that listing if I can find them in their totalities. And maybe even Yamato ripoff Space Carrier Blue Noah if I so wish. Maybe. I do have the DVD set of Gatchaman Fighter so that will take precedent; I enjoyed the first two series of Gatchaman. Oh yeah I forgot, thanks Anime News Network’s encyclopedia… The Unico pilot movie was in 1979 too. I know I have that one on file.

So a big happy 40th birthday to all of us. May we continue to stay young and inspire generations in the future. KANPAI!