#208 : Super Dimension Century Orguss

The opening theme says it all, “Where are you going, when are you coming home?” … Atomic, biological and chemical weapons are all heavy duty in terms of destructive power… but this pales in comparison to dimensional weaponry. For a young and carefree pilot who ends up completing the arming sequence for a space time oscillation bomb, the consequences of dimensional weaponry would alter not only his life, but affect the entire structure of the Earth itself. Anything was up for grabs for this stranger in a strange land, yet how much of a sacrifice must he yield himself towards in order to return the world to equilibrium. It all began in the future of 2062, but we remember this tale from a mecha anime from 1983… Super Dimension Century Orguss.

Orguss_1Following up the success of 1982’s Super Dimension Fortress Macross, Big West advertising and Studio Nue would strike out again the following year with Orguss. Retaining much of the staff from the previous year including director Noburo Ishiguro, character designer Haruhiko Mikimoto and music composer Kentaro Haneda to name a few, Orguss would despite similarities adapt to change. Shoji Kawamori did not stay and the services of Tatsunoko, who did the heavy lifting of animating Macross, would be supplanted by Tokyo Movie Shinsha. Thus we have a slightly different product. As a Macross fan I am often jealous of Orguss as TMS in general always has a certain patina that cries quality in terms of line work and color palette. Orguss is for that time (and even now!) an attractive looking show, but what about the bigger issue? What of the story and the characters?

Orguss_2Speaking of characters, let’s start with our protagonist Kei Katsuragi. Fighter pilot, happy go lucky and the biggest ladies man I have ever seen, Kei is a complete 180 from Macross’ Hikaru Ichijo. He eyes all those who are cute to his ocular perceptions, but in the end he is ever faithful to the ones he is truly in love with. The series begins with him in an intimate moment with his girlfriend at the time, quite bold, which is interrupted by her father barging in with a shotgun. Not many times I have seen that to open a piloted robot show. And like Lupin III, he escaped unscathed to be picked up by his best friend and fellow pilot Olson (or is it Orson?). Together they are part of a mission to use the previously mentioned space time oscillation bomb in order to get rid of a space elevator. The mission goes awry, but Kei feels it is only right that the mission

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 100Arriving in a parallel alternative Earth, which at the time he does not know, Kei is thrust 20 years into the future into a world born of his consequences. Here he meets friendly nomadic traders known as the Emaan, who oddly have tentacle like antennae coming out of the back of their heads, the aggressive Chiram, a militaristic society and Jabbi (I’ll let you figure out who he is!). All parties involved have interest in capturing, or obtaining Kei… why? Because he is the chosen one, or in more precise language the singularity (or, differentiated idioblast… what did you call me?) This makes him quite valuable on the market. So what are the issues that the Earth is facing in Orguss? First it is suffering from excessive heating, global warming to the extreme. And second, the mixing of races and landscapes on Earth are appearing from different dimensions due to the explosion of the previously mentioned space time oscillation bomb. Space and time are unstable and guess who is the one who can right these events? A little hint, he’s a womanizer fighter jock who happens to be named Kei! Now I know that name from somewhere? (sarcasm)

Orguss_4Oh Kei, look what you have done! Orguss is an interesting show in that we have a character that has to come to terms with fixing past issues that resonate with the present. Call it karma, fate, or what have you, Orguss is a show that strikes a chord as a mech show for a more mature audience looking for an alternative to the usual space opera of the time. Like Macross, we again have transforming mechs and a heavy romantic subplot which makes Orguss ever more enjoyable. Just be ready for the final climactic moment, as the scene appears to be very open ended, but from my eye brought in an element of the tragic, which really left me surprised… and a little teary eyed.

#197 : Outlanders

Magical girlfriends, early harem influences and half naked alien ladies always fall for nerdy Earth boys who dont have many social skills and often get labeled as losers Now that is a different opening statement. Sandwiched between Urusei Yatsura and Tenchi Muyo was a one off OVA that still has its cult following even to this day and can be an easy recommend to otaku types who are into more contemporary titles as a buffer to get into older, classic titles… respect your elders please! Now then, let’s have a little fun this time round with the outlandish Outlanders.

Outlanders_1The super cynical side of myself kept telling me not to like Outlanders. Why in my right mind should I care, let alone watch an OVA which is basically about a hopeless geeky virgin guy who ends up with a bikini clad alien princess from another galaxy who for some bizarre reason falls in love with him? Really now, Urusei Yatsura was one thing to consider, but this premise again? This is space opera after all, it should be totally serious and filled with battle tactics, not his kind of silliness and pathetic romance! Then the inner voice inside me goes, “ya know, you love Maris the Chojo!” Well yeah, there is that And it says again, “you LOVE Dirty Pair too!” Oh all right then! I do love  fun antics in outer space featuring women who wear close to nothing, hello Barbarella. So step one has been reached, remove my cynical snobby side.

Outlanders_2Step two and this one is so obvious. Outlanders has such a beautiful presentation. On par with cinema quality detail and fluidity, Outlanders is a poster child of why fans of 80s OVAs hold them in such high regard. Well some of them. This is a well done production and showcased material many of us in the west were hungry for, but had no idea that this could exist until Outlanders showed up in our faces. Please give us more sci-fi please… an alternative to what we have known already… yeah now that’s what we are talking about. Back to the artwork, each frame is lovingly drafted showing a passion from the artists of Tatsunoko and AIC. And as to which studio did the heavy lifting of drawing I leave that to the historians as I am just in awe over the visuals. Add to this the pacing and a solid story that never leaves one bored either… this may be one of the best 80s OVA ever made from a technical level. What do you think?

Outlanders_3Do alpha males always triumph in the world as successful?… not this time around. Certain alien princesses like Miss Kahm from Outlanders prefer a more beta type like Tetsuya as a perfect specimen for manhood. Don’t ask me why. Only in anime can someone so unassuming become so epically heroic… sniff… it gives us all hope doesn’t it. After all that could me, or you. … Outlanders an example of insane comedy of star crossed love affairs, alien invasion, fun action, treking through outer space and how could I forget catgirls and dogmen… furry love. A coming of age story like no other. A rare flash in the pan. This may sound real cheesy, but Outlanders is so out of this world. Yeah that’s the best I could come up with. 😉

#195 : Bride of Deimos

Shojo + horror, or occult subject matter = yes indeed in my book. Be it CLAMP’s early work like Tokyo Babylon, or X, or 80s titles that range from the comedic, Tokimeki Tonight, or the dramatic, Vampire Princess Miyu, I enjoyed them all. Add to that the skills of Studio Madhouse and the director Rintaro with his use of color and imagery and I become even more tempted. Lastly, discovering a previously unknown one off OVA is always welcome. Three strikes and I am not far from out, but totality in… or perhaps I should say win. Let me introduce you to The Bride of Deimos.

BoD_1The underworld… a beautiful woman hangs while she slowly rots away tied to what appears to be a binding of thorns. Reminds me of the opening of The Rose of Versailles where Oscar was bound up just the same, though not in the manner of being crucified. Calling out to her lover Deimos, Venus desperately requires a new body to sustain her immortality. The ever androgynous bishonen figure of Deimos knows all to well this process as he has been through this many times before. And like any hunter, he works on his next prey, a high school girl named Minako Ifu, who is the physical reincarnation of Venus. Minako meanwhile has a friend who is currently into botany and both have an interest in the orchids at a local convention. Her friend soon visits one of the contestants homes who bloomed a very beautiful blue orchid to find out how they grow such beautiful flowers. Ever worried, Minako treks towards this home to find out what secrets are being kept all to the chagrin of Deimos.

BoD_2Reminiscent of the myth of Persephone where a young maiden is dragged down by the prince of darkness and the underworld, Hades, Bride of Deimos is filled with Greco-Roman re-interpreted myth. Deimos himself was the god of dread, a brother of Phobos, fear. Sounds very uplifting? This relationship of tempting the innocent girl to go down the darker path is often seen in many cultures, but Persephone‘s is the most familiar from my experience. Outwitting the Devil, temptation, or even death is very much true in Ingmar Bergman’s The Seventh Seal, where a knight is in constant struggle to stay one step ahead of Death himself by playing against the black angel in a game of chess. Minako is always outwitting Deimos, refusing his charms and even advice when he means well to keep her safe. Much like a guardian angel, Deimos is always on watch towards Minako and will save her every time she is in danger.

BoD_3Rintaros work always seems to bring controversy. He often puts so much effort into the visual storytelling that the plot often gets lost. In the bold colors, drastic lighting and occasional psychedelic madness that he is known for, Rintaro creates a mood that is often times closer to fine art than entertainment. His style is an acquired taste and works well with my palette, but I know others often mock his work. Something looked just right the moment I started Bride of Deimos and finding his name along with Studio Madhouse definitely rung out many ah-ha moments. Of course this was why this was an attractive anime for me! Added to the darker occult subject matter made this an even more tempting found prize. So many wonders and interesting material from the shojo end of the spectrum exist in plenty that I never knew before.

Even though many times we fear the dark, or the darker aspects of life, it is from those moments we start anew. Like a new moon in the middle of the night, light will return again for both the moons phase and the sky. Deimos may symbolize dread, but there is always a flip side to the so called negative we often label on quick judgement. Take a walk on the wild side if you will because every one deep down loves a bad boy who has a good heart. Could you be the next Bride of Deimos?