#178 : Blue Comet SPT Layzner (OVA Series)

Sunrise and mecha usually equate to the ever present name Gundam. As a studio Sunrise has a long resume of mecha titles. Some have a famous pedigree and many are only known by a select few who yearn to go beyond the bigger names. Blue Comet SPT Layzner is not a new topic here at CAM. I reviewed the TV series here way back when I was getting started and SPT Layzner needs another shout out. Beyond it’s short comings and twist in plot in the middle of the series, I believe this is one of the best mecha titles of the 1980s. Early cancellation would create problems in finishing the story, but a brilliant solution was available for SPT Layzner. The year was 1986 and direct to video releases were a growing market. Blue Comet SPT Layzner would end it’s sojourn as an OVA.

LayzOVA_1I debated if it was worth the time to review this OVA version of the Layzner story as a separate entry from the TV series. So much of what is presented is a condensed retelling of what is familiar if you have seen the previous incarnation. Of the three episodes, the first two: Eiji 1996 and Le Caine 1999, could be skipped as there is really nothing new under this sun. It is the third episode, Seal 2000, where we find missing links to the rushed ending of the former TV series. Interspersed between some familiar scenes of action and drama we find the hidden passages that make this third episode a more concise and well rounded finale. Much like another Sunrise property Ideon, the TV series would be rushed at the end and would have a second chance of telling the true ending in the form of feature films. All is now complete for Layzner, no stone unturned. That being said, while there is a lot of recognizable sameness, this OVA version is in a small way original to the TV series.

LayzOVA_2Episode one tells the story of the first arc, which for my money is one of the greatest mecha story arcs I have ever seen. Too bad it was condensed heavily. The once far future of 1996, which from 1985 eyes was still a possibility, features a group of students that land on Mars. Suddenly there is an attack by unknown mechs (Layzners) featuring one renegade blue robot defending the Earthlings. Piloted by the troubled Eiji Asuka, he eventually becomes an ally to the group of students as the struggle to survive on Mars and eventually find a way back home to Earth.

LayzOVA_3Episode two recalls the second arc, which jumps the shark from space mecha action and turns into dystopian dictatorship in a cross between Blade Runner and Fist of the North Star. We rejoin our cast of heroes three years into the future. Eventually they reunite to combat the established Gradosian empire who invaded the Earth after defeat at the end of the first arc. The signature Blue Layzner also returns along with Eiji as they now continue their rebellion and solve the mystery of the new Maiden of Cuzco. A new nemesis is also introduced, Le Caine, whose ambition for power blinds his judgement. Episode three finalizes the second story arc and can act as a substitute for the final couple episodes of the TV series. Here we learn of the link between the peoples of Earth and Grados, traverse to South America, Nazca, Peru to be precise, to find the great Seal of Grados and enjoy plenty of heavy mecha action. The final showdown between Eiji and Le Caine is the pinnacle of this episode.

LayzOVA_4You can view this OVA as a shorthand version instead of diving completely into the TV series, almost like Cliff Notes. Remember that much of the drama, character development and finer details will be lost if you take the OVA path over the TV series. Blue Comet SPT Layzner is best viewed by watching the TV series first and then following up with this OVA to tie up loose ends. The shorter path sometimes is the more tempting, but often will lead to missed opportunities. … Eiji may you continue to run like Melos on your “Lonely Way”.

Special : Streets of Fire

Hold on… have I seen this movie before? Of course I have, it’s Streets of Fire and there’s my DVD copy over there on that shelf. Yet this is not what I am asking initially. So many scenes, moments and characters all seem very familiar, yet I am not talking about Streets of Fire the movie. In the 1980s, within the framework of Japanese animation, Streets of Fire, like many other cultural emblems of the era, would find it’s way into many productions as either parody, reference, or even a total recreation of the story itself. This cult film dismissed by the mainstream would find an unexpected audience outside its native land to become an aesthetic icon that colored many anime of the mid to late 1980s.

SOF_1Truth be told I doubt I would ever watched Streets of Fire if I didn’t keep bumping into it time after time while watching classic anime. And as this is a site dedicated to anime I am not going to review this movie too much in detail. It’s labeled as a “Rock and Roll Fable”, a musical of sorts and in my eye borrows heavily from the 1950s. That is if society was a post apocalypse set in the 1980s where everything around you is from the decade of Eisenhower. And much like a western, this is a tough time where street gangs hold power that even the cops can’t deny. Streets of Fire is the prototypical story of the kidnapped princess who can only be saved by an outsider who is brave enough to stand up against this menace.

The influence of Streets of Fire can be seen in many anime from the 1980s. I can identify three that I have some first hand knowledge of, but if you have others to contribute please do. Now let us examine our three examples: Megazone 23 (Part 1), Bubblegum Crisis and Zillion: Burning Night

SOF_M23Megazone 23’s reference to Streets of Fire is an obvious one, yet it does not quote scenes from Streets of Fire at all. Early on in the OVA when protagonist Shogo Yahagi meets up with a group of friends, they go to the cinema to watch a movie. Guess which movie? It’s even labeled on the outside marquee. The scene is short and is part of a longer sequence displaying the quartet’s night out on the town. Still, Streets of Fire is ever present and must have been a favorite film at the time of production for certain crew members. This inclusion helps to solidify the time period of Tokyo for Megazone 23 , the mid-1980s, which according to the vocalic Eve Tokimatsuri, was the most peaceful time in history. Really?

SOF_BGCNext we move to Bubblegum Crisis , which by and large has a majority of influence from Blade Runner in terms of setting, story and renegade androids. Yet Streets of Fire will show its influence as well. The opening scene where we see crowds pour into a nightclub to see the band Priss and the Replicants (very Blade Runner) play has Streets of Fire written all over it. This mirror’s Streets of Fire opening where we see the concert of returning local star Ellen Aim. Even the songs from both productions have the same tempo and attitude. Take your pick which is the better song as both are great: Bubblegum Crisis’ “Konya wa Hurricane” vs. Streets of Fire’s “Going Nowhere Fast“. Priss even wears an outfit in red and black, just like Ellen Aim!

SOF_ZillionThe most unapologetic anime to cover Streets of Fire is the follow up OVA from the television series Zillion, Zillion: Burning Night. An almost complete remake from the ground up, the Burning Night OVA screams Streets of Fire more than both the original TV series, or even the Sega Master System games. Shot for shot, the plot is nearly identical from the opening concert, to the abduction of the damsel and then the subsequent rescue. Of course the story varies just slightly as we have to accommodate the cast of Zillion, including turning the alien Nohza into human characters. I had seen Burning Night prior to Streets of Fire and this was were I kept saying to myself, “Wait a minute, haven’t I seen this before.”

Three examples and possibly more as well show that a movie from another time and another place can have an impact on the animation we love. Streets of Fire is more than a cult movie, it is a close distant cousin to Japanese animation. Such is the joy of pop culture… wash, rinse, repeat and copy what works for you.

#25j : Robot Carnival : Closing

This is one of nine entries that take an in depth look into each of the segments of the 1987 anime compilation Robot Carnival. For the original entry, click here.

RCj_1The time has come as the show is over and as much as the anime Robot Carnival has to come to an end, the behemoth vehicle of destructive entertainment, Robot Carnival, also has to find a place to retire. The second bookend to the Robot Carnival anthology begins with the ever awesome machine giving everything it has to climb a sand dune with all it’s shear power. In the process of straining the engines beyond their limits, the once mighty Robot Carnival destroys itself in a blaze of glory. The end, peace in the land at last as the mighty beast has fallen… yet it’s not quite over. Katsuhiro Otomo still has a little more to tell, but first the credits so everyone can get their name in lights.

Now for the encore… with the destruction of Robot Carnival there is much in the way of debris. Some of it is quite appealing like a shining gem in the dirt, so thinks a traveling nomad who picks up a metallic sphere to give to his children. Once home they all stare in amazement at this ball as it opens to reveal a beautiful doll of a dancing ballerina. Hold on, have we seen this before? BOOM! Yup, that’s what I thought. Until next time… “That’s all folks!”