#167 : Robotech

In the year 1985, inside a basic home in a small town of the Midwestern U.S., a single television show that aired the afternoons I got home from school would alter the course of my personal history… as an anime fan to be precise. I remember very well the time was 4:00 pm and the channel on the television would land on the number 11 and for a half hour from Monday to Friday, it would be time to watch this odd show in the mix of a ton of other possibilities called Robotech.

RT_1Now I will be the first to admit that Robotech is not quote unquote official anime, it is in my own phrasing ‘adapted anime’. Eventually many of us who grew up with this show, would progress on to see and experience the original three series that made up Robotech (Macross, Southern Cross and Mospeada), but I have not forgotten my roots. While Robotech is often poo poo-ed in some fan circles, and I can agree with all the DVD releases being a bit excessive and Harmony Gold being very stubborn, but let’s look at this show for what it was for me as a kid, a mere budding anime fan. This was my gateway drug, a very powerful one at that for my generation. Terms like anime and otaku and large scale franchises like Studio Ghibli, Pokemon and Shonen Jump were unknowns for a little kid growing up in the mid-1980s in the Midwest of the U.S. This was most likely true for you as well if you are of a similar age as myself. This was the wild west of late Generation X where we didn’t have all the fancy terminology, conventions, or even the internet. All we had was a gut sense reaction saying… you know… I really like something about THIS show.

RT_2Often times anime that is broadcast here in the west, particularly the U.S., is often reinterpreted, adapted, or perhaps censored to a certain degree. Free speech?! Robotech changed names to more Anglican terminology, or got close in translation, or just left some of them alone, took out Japanese references like text, etc., totally changed the meaning of protoculture, shoe horned three unrelated series into a single timeline and added a fresh soundtrack. … Might I say, what a fine soundtrack it still is! … And the final product, which if you take into consideration had a short time of assemblage and production, is quite well done for the time. Carl Macek, the main producer behind the show, should be given a medal for what he did to put together Robotech. He had a job to do and did the best he could. If anyone ever bad mouth’s Carl’s work on Robotech, at Streamline Pictures, or his later works, I will ask the question, what would you do if you had these tasks?

RT_3Now let’s consider what Robotech did right, or left in tact so to speak. The concepts of interracial relationships, a transgender, or gender non-conforming character and even characters showing a side of doubt, depression, or anxiety were not seen much in terms of general television in 1980s. Yet, a “kids” show had it all and opened up a world of a more diverse human experience. Characters did not go to a hospital planet when they become mortally wounded, they died! And in terms of dialogue, Robotech never talked down to you with immature of more childish language to appeal as safe to the public. It was an anomily, lightning in a bottle and even though Robotech is far from perfect (and I ask you just what is perfect?), it is at least genuine in terms of expressing a total array of human emotion and experience through the lens of sci-fi fantasy.

As an impressionable youth in the aftermath of the original Star Wars run, barraged by other cartoons and comic book super heroes, Robotech, amongst other anime at the time would become my go to for fantasy, adventure and defining a personal sense of mythology. I owe my love of anime to Robotech and I often find it ironic that even though I see Robotech as a large epic, it is unknown to many younger, or newer fans of anime. Some older fans dismiss it, some are stuck on it as the only “anime” they know and others like myself, see it as a first step into a world of wonder that continues to grow each and every day.

… and yes, I prefer the unmastered original version 🙂

For reviews on the original anime that made up Robotech:

Super Dimension Fortress Macross
Super Dimension Calvary Southern Cross
Genesis Climber Mospeada

Special : Watership Down

WD_1This is the real real world… this is nature interpreted through an artist’s particular vision and, or vernacular. A veritable John Constable, or even at times a J.M.W. Turner landscape coming to life with all the lush blues, greens and browns that echoes a quiet summer’s day with a punch of yellow and orange. An organic world of basic survival, gut instinct and presence within the moment. Except our vantage point of view is not from our familiar human senses, but from those of the animals of the wild we commonly call rabbits. This is the epic of the heroes journey set in an honest portrayal, a grand adaptation of the original source material (how often does that happen?) and a story that will last for thousands of years. This is the original animated version of Richard Adams’ Watership Down.

I am totally, totally breaking the rules with this entry. Watership Down has absolutely nothing to do with Japan in either the source material, or the production. It is British in origin, British in terms of production and vocal casting and American with director Martin Rosen. The adaptation of Richard Adams’ novel technically should not be here… yet I MUST include Watership Down on this website. I love this film and draw so much inspiration from it. It may be perhaps my all time favorite animated creation. So much so that in one of my classes in college, I used Watership Down as visual material for one of my best design projects of my academic career. Watership Down is not just any other movie, it is my personal spiritual myth, my Holy Book.

WD_2Watership Down begins with a core element that is something we must all face, that of the unexplained. Fiver’s sixth sense of impending danger and Hazel’s trust in him to go on a great journey to find a safe land, paradise, Arcadia (Captain Harlock reference) is not of the rational. I often think sometimes animals in the wild have an intelligence that a portion of humanity has lost. A true deep connection to the universe that does not question the motives behind signs, or feelings. Call it whatever you wish, but to our lapine friends they put their trust to Lord Frith. For it was Lord Frith who bestowed the gifts of swiftness and cunning to El-ahrairah, the original chief of the rabbit race. With cunning, quick decision making, or trickery and a fast stride a rabbit can and does survive. Yet often we humans lose this ability to see and feel our true essence because of the conformity structures we try to belong to. When one “Let’s go and let’s God” (God as your personal definition) we become closer to those of the wild and in essence our truest selves.

WD_3Hazel is not the only one to believe Fiver’s calling. A group of deserters join including a former Owsla (Army) officer, Bigwig, to find this special land of safety. They must traverse unknown terrain, encounter obstacles and at times lose a comrade. They must learn just who to trust and keep faith that their journey is true even when deviation becomes tempting. With a gorgeous film score, exceptional voice acting (I became a fan of John Hurt immediately) and the natural style of the artwork, both characters and backgrounds, I often feel that I am outside in the world of nature and with our little friends on their quest. Sometimes fiction looks more real than fact? Watership Down is a masterpiece that took itself seriously and is a true labor of love. This movie can’t hide from the apparent details.

WD_4Animation and in particular the traditional painted cel has always been a source of joy and a personal sanctuary for me. Watership Down is a testament to this style. After the movie, I felt obliged to buy and read the book which I have gone threw a handful of times. Either medium provides the depth and assurance I sometimes need to know that I am one with this universe and that the cycles that we all live through are worth the ups and downs. Many talk about the so called violence in this film, but they are missing the true core. This is an honest and mature look at our lives and not some flashy over dramatization to appeal to a low common denominator. To Richard Adams, Martin Rosen, Angela Morley, the cast and production crew I heartedly thank you for giving all of us such a beautiful epic.

#27b : The Rose of Versailles

For my original entry for The Rose of Versailles, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, The Rose of Versailles, I have a little more to say…

RoV1Sometimes I wonder if I will ever rewatch certain shows that sit on my shelf or on a hard drive ever again? About a month or so ago I have given one particular show a second go and by the title of the entry it is of course The Rose of Versailles. It seemed like the right time. I didn’t question it, or wonder why. I just needed The Rose of Versailles. After a tough winter with nasty snows, isolation, some setbacks and a gnawing, or itch that chronically comes and goes, the The Rose of Versailles became a sea of calm and a vision of reassurance to say… hey, everything is will be ok. … OK time to get personal.

The Rose of Versailles has high regard for being a standard of … anime excellence. Shojo perfection. Though I feel the show goes beyond the general demographic, as most anime does in any case. And with the show turning 40 this year of 2019, it still looks and presents flawlessly. What a gorgeous masterpiece of visuality. The first half directed by Tadao Nagahama is bright and sparkly reflecting naive youth and the second half of Osamu Dezaki (GENIUS!) is gritty and intense showing the politics of revolutionary France. Beautiful and timeless, a show I am honored to share as a virtual twin (both RoV and I joined the world in 1979).

RoV2So what of the personal? The Rose of Versailles’ main protagonist. Oscar Francois de Jarjayes. is one of two women in anime that I whole heartedly admire; the other being Remy Shimada from GoShogun. Blonde, graceful, intelligent and independent speak to both ladies, but Oscar has something else, a particular fragility. Her sense of duty as a noble, a military commander and her enforced gender classification. Raised as a ‘boy’ and expected to follow into her father’s footsteps, much dysphoria abounds in the beautiful Oscar. This expectation of a gender role, to be a ‘man’ in public, tugs at the truth in her heart that she is a woman. Yet also the role of being a noble who has lived in luxury and comfort and seeing first hand the life outside the gilded cage. Being rich and powerful in a position of authority is not all that it is cracked up to be and the same goes for being a ‘man’ as well. To quote Alan Watts, “don’t envy rich people, it’s a great mistake. Don’t envy anyone.”

Personally I understand both of Oscar’s dilemma’s. I am not ‘rich’ in the way we often think with lots of money, fancy car and house, etc. I am comfortable, yes, as I live in the U.S. and have a ‘job’, but I have great health, my mind and intuitive senses. No amount of money can put a price on those three. Living in the affluent west and seeing much of the flash from TV screens, luxury items and being in stores with a glut of stuff… ok most of it can be classified as crap… that is constantly being barraged through every sense imaginable I question, is this all life is? Is this to be my life? Living in a gilded cage of constant consumption where we are taught there is never enough and you have to bleed yourself dry in order to fit in? Like Oscar, I see the ‘nobility’ of our backgrounds as not real and limiting. Monarchy or capitalist state… looks about the same to me? We just need more corsets and petticoats instead of suits and wingtips.

RoV3And of course there is the concept of gender… and dysphoria… and the combination of the two that Oscar deals with and even I as well when I look in the mirror, sigh. Such questioning and re-questioning of why, how, but what if? I was assigned male at birth, was a decent kid, lived life as a ‘man’ and yeah… all these years the signs were always there. I have always had a side of my closet with all my nicer clothes and some wigs and shoes and more shoes and even more shoes and makeup and accessories and… oh girl, you are so trans, or very gender fluid at least. This is not something new for me to say to myself, but it is something that is becoming harder to hold in and it is something I do not have to have any shame or guilt over. Of course the real test came from watching the first episode of Wandering Son (see I watch titles outside of the 20th century). I was a crying mess through out the whole thing because so much of it rang… personally… true. … My highlight of Oscar’s journey was when she wore that gown to the ball, had her hair all put up and had that mug of her’s painted. I sense a little jealousy on my end… guilty.

In terms of the winter of discontent from 2018/2019, I had The Rose of Versailles as a catalyst to pull me out of my depression. Watching this time round made personal issues come into a better perspective; as well as waking up occasionally in pools of tears. This of course was my reaction to The Rose of Versailles. Beyond these personal points, it is a show about love, politics, desires and revolutionary France with occasional sparkly eyes. God I love shojo anime! It’s a masterpiece and I hope for this show, or any particular anime that you watch, that you take something of it with you to heart. Because sometimes a show is more a mirror of your inner psyche than just ephemeral entertainment. Think about that one!

#81b : Space Warrior Baldios

For my original entry for Space Warrior Baldios, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Space Warrior Baldios, I have a little more to say…

When I wrote the original entry for Space Warrior Baldios the only materials I had available were the first five episodes of the TV series, via fansub, and the film made from complied material with some revisioning. Then… I come to find out that the TV series would be released here in North America. Now I have an option to see Space Warrior Baldios in it’s entirety. I truly envy those of you who grew up in Europe during my youth, lets say approximately 1984 – 1990 as Baldios was available.

But one thing I have learned, never, but never ever be envious period. If you want something, be it an experience, a product, a relationship, whatever, give it space and focus. In time that something will happen, but don’t get too attached as that will sabotage your journey along the way. Persevering towards something eventually creates the greater payoff. Law of attraction? Wait a minute, this is a posting for my update on Space Warrior Baldios! Very true, let’s talk anime.

baltv_1The class of 1980 for TV mecha entries number about a handful, but I have seen two thus far to this writing. Last time I commented how Space Warrior Baldios and Space Runaway Ideon represented two of the most austere space opera robot shows to grace the small screens. I still agree with this, but after watching Baldios to completion I have to give an edge to Ideon. Baldios has it’s darker moments and elements and has a great twister of an ending, but Ideon went even deeper and I have to bow in respect as I love the dark (classic Yoshiyuki Tomino). But… but, I still I enjoyed Baldios. Ideon may be the more revolutionary show, but Baldios is for me, the evolutionary candidate.

baltv_2Ideon can be likened to the original Mobile Suit Gundam, or Zambot 3 as all three are attributed to Yoshiyuki Tomino. He has a well known style in his classic shows and he made mecha anime into a slowburn auteur exercise. Baldios on the other hand feels like the next step from the overall trend in mecha anime that was growing at the seams in the 1970s. It felt and partially looked like a show from about 1976/1977, but was created in 1980 (which honestly is not that far off). There is an element of innocence and fun that abounds in Baldios. Even the stock sequence for forming the three part Baldios robot harkens more to a 70s combination, GATTAI! Still Baldios has its moments of heaviness and drama as stated before, but the majority in terms of the overall plot of the TV series occurred more so in the beginning and ending of the episode run. Take Cowboy Bebop as a similar example.

baltv_3The in between episodes of Baldios showcase many of the minor plot elements of the characters such as reunions, unrequited loves, power struggles, trust issues and xenophobia as examples. Yet this TV series is sadly incomplete and truncated and in order to have the full story, you must watch the movie as well. Even with cancellation and necessity the one thing I can give respect to Baldios is the fact that the entirety of the story was eventually completed albeit in two forms of media. As classic mecha titles were my initial entry in anime, I am delighted to finally have the complete tale of Baldios under my belt. I shall wear Baldios like a medal with pride! Thank you time for teaching me to patiently wait all of these years to reap the greater reward.

#121 : Appleseed

Appleseed_1AppleseedGhost in the Shell’s often over shadowed older sibling. What comes to mind when I think of Appleseed? A nice, simple and powerful title for sure… iconic. There was all that CG material made a few years ago that I found to be dull yet flashy and fancy, but still… dull (very boring, my opinion). Thankfully I was aware that the tree that sprouted all those CG apples bore fruit a couple decades earlier in a shorter and much more analog version created for direct to video. Appleseed beyond the original manga, and those CG projects (nails on a chalkboard), is for me an OVA from 1988 that beyond the action had a theme that made me think and is the reason I come back one more time, every time.

Appleseed_2Is it me, or does this OVA smell a lot like Blade Runner (as well as concepts from ancient Greek mythology)? Many a cyber punk story often quoted Blade Runner since that movie set a standard that still holds up today. Still… Appleseed really borrows a lot from the 1982 film: the setting although it seems to have more sunlight, a particular character’s name and the idea of cybernetic technology in co-existence with mankind. We have a tale of a dystopian utopia, our possible future, or perhaps an allegory on our current circumstances. A perfect, clean environment that still has problems and issues because with all the polish and brightness, the polarity of darker forces must exist to ensure balance… all told with a lot of firepower and action. Masamune Shirow how do you do what you do so well?

Appleseed_3Olympus, the setting of Appleseed, is a great example of the utopian safety bubble showing signs of cracking and discontent. An ideal world where only good and cleanliness exist is in truth ‘unnatural’, night must follow day and winter always comes after a summer. And as much as you grip for control and authority, there will always be elements that stand to defy the status quo that slip through the veritable cracks. This is after all, a post war environment, as outside the city limits of Olympus is a perpetual no-man’s land, a literal hell. Here many humans exist on the edge of survival. If they are ‘lucky’ they get rescued and with help and rehabilitation are brought into Olympian society to exist with the main biodroid population. Biodroids are manufactured to be human in appearance and fit into the regime of the Olympian landscape. Many of these rescued humans fit into this paradigm with no issue, while others perceive and/or even fight back against what they see as a cage, or perhaps, a prison.

Appleseed_4Three of these rescued humans play the biggest roles in this drama. Our protagonists Deunan Knute and Briareos Hecatonchires (who looks more robotic than human?) work for the state as police officers, SWAT to be specific, which allows them to use their guerrilla combat skills that kept them alive in the hinterlands outside of Olympus. They have conformed for the most part into the society of Olympus. These two are perhaps an early attempt for the likes of Major Kusanagi and Batou of Ghost in the Shell… maybe? The third member is also a fellow police man, one Calon Mautholos, who unlike Deunan and Briareos, see a different reality due to the depression and eventual suicide of his wife. She saw Olympus as a cage and this leads Calon to align himself with more shady characters. Such as the terrorist A. J. Sebastian (hmm… Blade Runner again?) who believes that the society and government of Olympus is controlling and corrupting the human population and distancing themselves from their more primal behaviors. Calon joins forces with Sebastian and tries to stay one step ahead of the dynamic duo of Deunan and Briareos, who are after Sebastian when he escaped from an earlier raid.

Appleseed questions reality and duty towards a state or cause almost to the same degree as say Patlabor 2: The Movie. Though not as sophisticated as Patlabor, Appleseed does a great service for a simple one off OVA. And even though this has one of the most extreme cases of adulting up an English dub, you can always watch the original Japanese, which features some well known classic cast members. With all the love, popularity and hype for Ghost in the Shell, I seem to resonate and return to Appleseed more often. How about you?

#114 : Space Runaway Ideon

Space. The universe itself is vast and beyond scope. Space opera as a genre is also larger than life, but often you can hold it in the palm of your hand. Themes and characters are bigger than life, but still relatable on some level. What if space opera could represent something even bigger than just off hand spaceship battles, or fun times trekking through the deep vastness of the beautiful great void. Can space opera encompass the function and consequences of the living universe, call it ‘God’ perhaps, depending on the actions you and your civilization make? After finalizing Mobile Suit Gundam, Yoshiyuki Tomino and Sunrise would gives us an answer in 1980 with Space Runaway Ideon.

Ideon_1Space Runaway Ideon may be the most epic and most importantly, the most sublime sci-fi epic in existence within the realm of Japanese animation. Gundam is one thing, Legend of Galactic Heroes is another, but Ideon is it’s own animal. Ideon ventures into unique territory in terms of emotion, intensity and characterization. Known often as a series where everyone and everything dies (Kill ’em all Tomino!), the true meaning of this series is so much more. The death and sacrifices are all consequences and actions of conflict and hatred. This of course is a product of ignorance and xenophobia to an extreme that once the negativity reaches a certain point, the only option left is total and complete destruction.

Ideon_2Even with all this seriousness one must remember that Space Runaway Ideon is first and foremost a mecha show. And what a giant robot indeed (105 meters/344.5 feet for a height), the Ideon is imposing beyond belief and is one of two mechs that literally scare the $h!& out of me (the other being Giant Robo). This is not so much for the overall size or power, but more so on the presence a mecha exudes. It’s about total respect. All this from what looks like a mix of a Gundam’s GM and Gun Cannon added together on a heavy dose of steroids. Literally… as this is a robot that can split a planet in half. This is power beyond power, almost ‘God’ like, hence why I give the Ideon such respect.

Ideon_3Beyond the drama and the Ideon robot itself, Space Runaway Ideon like many of the best mecha shows is about the relationships of it’s cast. And like many Tomino shows, this cast is large. Our story concerns two factions that make contact on a planet in the Andromeda galaxy. Earth based humans like us have begun colonization on the planet which they call Solo. Beyond the colonization, many of the scientists and researchers have discovered several artifacts from a past civilization including three huge truck like vehicles and a buried spaceship. The second faction known as the Buff Clan (yes that is their name) are on a mission to locate the legendary power of the Ide. They come upon this same planet, which they call Logo Dau and eventually both civilizations meet. In response, both sides start a conflict showing the darkest side of human interaction towards someone or something that is unfamiliar, or different.

Sadly Space Runaway Ideon would be become a victim of cancelization, most likely due to a lack of ratings not unlike the previous year’s Mobile Suit Gundam. This left several holes in the plot and a rushed ending. All the build up of 38 episodes led to an ackward final 39th. Yet the story was not over for in 1982 two movies would be released to finish the story properly. The Ideon: A Contact would act as a review and prequel to the awesome and powerful The Ideon: Be Invoked. I highly recommend both movies if you want to get the whole story of Ideon.

Ideon_4To conclude with Space Runaway Ideon, let us examine a quote by Albert Einstein… “The most important decision we make is whether we believe we live in a friendly or hostile universe.” If that decision in the end is a hostile one, there is nowhere to go except toward ultimate destruction… think about it. This applies not only to anime space opera, but also our lives as well. Similar to, but not the same as Evangelion, Ideon addresses the power of how we sometimes view our environment and ourselves and what happens in regards to how we react toward it. Space Runaway Ideon was and still is a show beyond any experience I have known and I will always count it as one of my all-time favorites.

#102 : Armored Trooper Votoms: The Last Red Shoulder

VtLRS_1Do you want a proper story about revenge? How about a sequel that is more like a crucial missing chapter? Do you enjoy Armored Trooper Votoms? I hope you answered yes to all three of these questions because Armored Trooper Votoms: The Last Red Shoulder is perhaps one of the best examples of the early use for the OVA market to add depth to an already strong property. Prepare to strap into the Scopedog once again for yet another mission and this time, it gets personal.

VtLRS_2Chirico Cuvie may be the most fascinating character is mecha history. He is not heroic, hot blooded, or even a rookie to being in a mech. He is a stoic, slow burning and taciturn battle scared veteran. In more direct terms, he is one of the deadliest of the deadly, one of the Melkian army’s most feared killing machines, a Red Shoulder. Yet, Chirico and a handful of other cynical grunts are seen as undesirable for their acts of showing defiance towards the established military they are a part of. Biting the hand that feeds you! Years later and having survived the atrocities of the Hundred Years War of the Astragius Galaxy these four men reunite for a solitary cause, to go after the man who made them into Red Shoulders and then left them for dead. Their target is General Yoran Pailsen. After escaping a secret mission, torture and interegation and then the troubles of Uoodo City, Chirico joins these other three men and begin to plan. But can these four independent dissidents work well together?

VtLRS_3While Chirico may be the star of the show, he only represents half of this OVA. The second half belonging to his future adversary, the troubled and mysterious Ypsilon. We see his birth so to speak as he opens his eyes for the first time in an almost Garden of Eden like setting with the other so-called Perfect Soldier of the Votoms universe, Proto One, or in the eyes and heart of Chirico, Fyana. She mentors the naive young man before the influence of the training and brainwashing he receives from the secret society that Chirico is so interested to find out about. Watching this OVA gives a little perspective towards the humanity that was once in Ypsilon. It just goes to show that villains are just like the rest of us, just a little more perverted (hey not in that way kids) from internal or external circumstances.

VtLRS_4The beauty of this OVA is the fact that is acts like the lost 53rd episode of the TV series. Or, perhaps it should be episode 13 part 2 as this story sandwiches nicely between the first two arcs of the TV series: Uoodo City and the Kummen Jungle Wars respectively. No matter how this OVA is defined, The Last Red Shoulder is required viewing in the Votoms universe ONLY… if you complete the original TV series first. The plot and characters will make perfect sense as we see elements from the later parts of the TV series make small, but vital entrances. The production of a few more model kits may have paved the way to help finance The Last Red Shoulder, but the real substance so to speak is the revenge story and the new characters that we get to invite into our space for the time of about an hour. But as you near the end of this OVA you may crave some action and you shall be rewarded. The only question is who will make it out alive?

The rich palette of seriousness and gritty texture is what makes Votoms a special mecha property. Armored Trooper Votoms: The Last Red Shoulder smells of oil, blood and sweat, feels like bullet scared metal and looks of the dull nasty green of army surplus. War is hell and it can drive a man (or woman) to insanity, or leave personal traumas that need serious time to heal. Armored Trooper Votoms: The Last Red Shoulder brings you back into this dark world of dramatic hell that surrounds the politics and drama of the Astragius Galaxy and it does it so oh so excellently. Highly, highly recommended.