#208 : Super Dimension Century Orguss

The opening theme says it all, “Where are you going, when are you coming home?” … Atomic, biological and chemical weapons are all heavy duty in terms of destructive power… but this pales in comparison to dimensional weaponry. For a young and carefree pilot who ends up completing the arming sequence for a space time oscillation bomb, the consequences of dimensional weaponry would alter not only his life, but affect the entire structure of the Earth itself. Anything was up for grabs for this stranger in a strange land, yet how much of a sacrifice must he yield himself towards in order to return the world to equilibrium. It all began in the future of 2062, but we remember this tale from a mecha anime from 1983… Super Dimension Century Orguss.

Orguss_1Following up the success of 1982’s Super Dimension Fortress Macross, Big West advertising and Studio Nue would strike out again the following year with Orguss. Retaining much of the staff from the previous year including director Noburo Ishiguro, character designer Haruhiko Mikimoto and music composer Kentaro Haneda to name a few, Orguss would despite similarities adapt to change. Shoji Kawamori did not stay and the services of Tatsunoko, who did the heavy lifting of animating Macross, would be supplanted by Tokyo Movie Shinsha. Thus we have a slightly different product. As a Macross fan I am often jealous of Orguss as TMS in general always has a certain patina that cries quality in terms of line work and color palette. Orguss is for that time (and even now!) an attractive looking show, but what about the bigger issue? What of the story and the characters?

Orguss_2Speaking of characters, let’s start with our protagonist Kei Katsuragi. Fighter pilot, happy go lucky and the biggest ladies man I have ever seen, Kei is a complete 180 from Macross’ Hikaru Ichijo. He eyes all those who are cute to his ocular perceptions, but in the end he is ever faithful to the ones he is truly in love with. The series begins with him in an intimate moment with his girlfriend at the time, quite bold, which is interrupted by her father barging in with a shotgun. Not many times I have seen that to open a piloted robot show. And like Lupin III, he escaped unscathed to be picked up by his best friend and fellow pilot Olson (or is it Orson?). Together they are part of a mission to use the previously mentioned space time oscillation bomb in order to get rid of a space elevator. The mission goes awry, but Kei feels it is only right that the mission

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 100Arriving in a parallel alternative Earth, which at the time he does not know, Kei is thrust 20 years into the future into a world born of his consequences. Here he meets friendly nomadic traders known as the Emaan, who oddly have tentacle like antennae coming out of the back of their heads, the aggressive Chiram, a militaristic society and Jabbi (I’ll let you figure out who he is!). All parties involved have interest in capturing, or obtaining Kei… why? Because he is the chosen one, or in more precise language the singularity (or, differentiated idioblast… what did you call me?) This makes him quite valuable on the market. So what are the issues that the Earth is facing in Orguss? First it is suffering from excessive heating, global warming to the extreme. And second, the mixing of races and landscapes on Earth are appearing from different dimensions due to the explosion of the previously mentioned space time oscillation bomb. Space and time are unstable and guess who is the one who can right these events? A little hint, he’s a womanizer fighter jock who happens to be named Kei! Now I know that name from somewhere? (sarcasm)

Orguss_4Oh Kei, look what you have done! Orguss is an interesting show in that we have a character that has to come to terms with fixing past issues that resonate with the present. Call it karma, fate, or what have you, Orguss is a show that strikes a chord as a mech show for a more mature audience looking for an alternative to the usual space opera of the time. Like Macross, we again have transforming mechs and a heavy romantic subplot which makes Orguss ever more enjoyable. Just be ready for the final climactic moment, as the scene appears to be very open ended, but from my eye brought in an element of the tragic, which really left me surprised… and a little teary eyed.

1984… 35 Years (and counting) of Love / A Film Trifecta

1984… ‘Anime’s Golden Summer of Love’. And let me say first and foremost, that this statement is my personal opinion. I am of course paying homage to the famed ‘Summer of Love’ from 1967 that was the high point of the hippie counterculture. An idealistic paradise of sex, drugs and rock n’ roll during an era of intensity and danger. The anime version that I am putting a label on is nothing like 1967, but was a year of ‘Love’ in more ways than one. I was a five year old living in the U.S. during 1984, so I don’t have first hand knowledge of what actually happened in Japan. What I do know is that 1984 could be a serious contender for being a tipping point year in anime. And this is was all down to three beautiful and classic films.

The stars must have been aligned a certain way for a year that featured the directing talents of Noboru Ishiguro with Shoji Kawamori, Mamoru Oshii and Hayao Miyazaki. Three plus one geniuses in terms of animation, story telling and visual presentation. A couple dozen productions made their way into theaters in 1984, but the three movies that these gentlemen directed perhaps… stole the show. One was a reimagining of a popular romantic mecha science fiction TV series, one was a sequel to a film that was part of a long running screwball comedy and the third was an adaptation to an original manga that rocketed it’s creator into superstardom. Funnily enough, only one of the films was released in the summer time, but we are taking this as a collective metaphor.

Let’s start in February of 1984, February 11 to be exact. Oh wow, personal bias… that’s my birthday. This was the release date of Mamoru Oshii’s entry, Urusei Yatsura 2: Beautiful Dreamer. Urusei Yatsura was Rumiko Takahashi’s first huge success and with the successful TV series and manga, films began to follow. The second is the topic of this discussion and it would be the first time that Mamoru Oshii would show his more signature approach to crafting a movie. While Urusei Yatsura was known for high school slapstick silliness, Beautiful Dreamer would show something else. Oshii’s use of the surreal, odd angles, subtlety, lighting and the sublime would be interjected into the project creating something different from the usual Urusei Yatsura fare. These approaches would eventually become his calling cards, but they began to show there potentialities with Beautiful Dreamer.

March 11, 1984. A popular manga from an anime veteran would see release into theaters. This was the work of the now famous Hayao Miyazaki and Nausicaä of the Valley of the Wind would be his second time behind the directors chair for a film. Miyazaki’s tale of a young heroine passionate for making the world a beautiful and peaceful place struck a chord with audiences and in a BIG way. Nausicaä’s messages of environmentalism and compassion took sci-fi and fantasy down to earth literally. In an era of far out grand space epics, we are thrust to return to our immediate surroundings and confront the issues plaguing in front of us: reconnecting with and preserving nature, witnessing the corruption of power and greed and standing up for what is true and moral that is within our hearts. The film’s success would give us one of Miyazaki’s most beloved characters with Nausicaä, who would become a benchmark for many of his later creations. Miyazaki’s success and growing popularity from Nausicaä would lead him with his partner in crime, Isao Takahata, to found their famed Studio Ghibli.

We now come to summer, July in fact. Debuting on July 7 would be our final film, The Super Dimension Fortress Macross: Do You Remember Love… say that three times fast. Macross was a huge hit on TV for being an amalgam of everything otaku related at the time. Mixing aliens, space opera and mecha with tenderness, romance and beautiful character designs (hooray for Haruhiko Mikimoto!), Macross would reach a large fan base and encapsulated the height of passionate sci-fi idealism of the era. A reinterpreted film would show it’s hand in 1984 bringing the characters back to life yet again after the now defunct TV series left the air. This would be an alternate retelling and helming the directors chairs would be two men, series director and long time industry veteran Noboru Ishiguro and mecha designer/sci-fi fan Shoji Kawamori. Together they resurrected the giant Macross ship for another voyage that left fans, including me, jaw dropped and spellbound.

Of course 1984 was so much more than these three films and in the future I will include a more in depth focus for the year as a whole, but these three movies are something special. This ‘Summer of Love’ came to me because of the fact for the title of the Macross film; an exercise of putting two and two together. But pondering on this title I thought ‘Love’ could stand for a labor of love. All three of these films were created during the analog era of painted cel animation, “Look mom no hands computers.” All three of these films are a testament to the sweat and effort during that era as these productions were well crafted, painstakingly detailed and hold up in terms of quality today. These are three films that I love (one more than the other two because I am an uber fan of Macross) and treasure and I hope that you do as well.

#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂