#183 : Megazone 23 Part II: Please Give Me Your Secret

“Whatever happened to my rock n’ roll?” … Now the title says so and this plot says so, but this certainly don’t look like, or feel exactly like the Megazone 23 I remember? After the runaway success of the 1985 original in terms of sales, ¥1.7 billion ($21.3 million) from 216,000 copies sold in Japan, it became a no brainer that a sequel would be a viable option for 1986. If you thought the exploits of Shogo Yahagi and the Proto Garland as well as the songs of Eve Tokimatsuri were complete… think again. While this could been an attempt at a cash grab, the final product says otherwise. Megazone 23 Part II: Please Give Me Your Secret may be a sequel, but it has a message and heart at it’s core.

MZ23p2_1Shaken up I was initially with this sequel compared to the original OVA in terms of presentation and even the story. Gone are the familiar character designs of Toshihiro Hirano with that slick fashion magazine look and enter a more punk esthetic mixed with the detail of Yasuomi Umetsu’s handy work. Familiar faces like Shogo, Yui and B.D. have all changed, becoming unrecognizable, but Eve still retains her style with slight updates from the original design by Haruhiko Mikimoto. For a while I played the polarity fence of favoring the first part over this second part. Over time I have come to enjoy both installments, recognizing them as great anime titles on their own, but I will always have a deep place in my heart for Megazone 23 (Part 1). Now on with the show…

MZ23p2_2Months have passed in Tokyo since we last left Shogo Yahagi’s ‘final’ encounter with B.D. Shogo is on the run and has aligned himself with a bike gang of street punks known as the Trash. The war in space is still on with Megazone 23 going against a strange enemy that uses tentacle like weapons that drill through anything, including human flesh (not for the faint of heart). All the while to the general public it is business as usual, though there is some war that is still talked about on the news; bliss in ignorance. B.D. is still trying to crack the main computer controlling Megazone 23 and the EVE program from that mainframe continues to call out with, “Operator 7G please respond!” Operator 7G of course is Shogo and he continues finding Eve on various media streams calling out to him. The time has come to answer this call, but first… Shogo has to get the Proto Garland back! And this is only the beginning of this story.

MZ23p2_3Megazone 23 Part II has the familiar mecha action from the first installment, but with a new director Ichiro Itano. Itano was known primarily for his animation kills with action sequences that have lots of firepower and intricate motion. This is on full display during the heat of action. Yet this is so much more than an all out action fest. The moments of character interaction particularly with Shogo and his friends are where we get the real message of Megazone 23 Part II. A message of anti-authority distrust and attitude towards corrupt adults only bent on power and narcissism are of no concern to Shogo and the Trash. Though they may be street punks, they do have a sense of honor and respect for the simple pleasures of life and friendship. So ‘stick it to the man’… literally. … And as a side bonus, we even get another love scene for those of you who like hot romance… very steamy!

MZ23p2_4I still feel that the original version stands on it’s own as a total package even with an ending that was open ended, yet satisfyingly complete. I feel this second installment gives an alternate future of what could have happened to Shogo, but maybe not the definitive. The beauty of Megazone 23 Part II is the fact that we do get a silver lining at the end. After all the insanity, the violence and the hardship, we get a breathe of fresh air, some peace. Much like life when coming out of hardship, the moment you take a look at what’s in front of you and smile in content you realize it was all worth it. Megazone 23 Part II, in the end you are worth it… no grudges anymore.

… Hey! Side note… did you spot the references to the ThunderCats and SilverHawks?

#1b : Megazone 23 (part 1)

For my original entry for Megazone 23 (part 1), click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, the first part of Megazone 23, I have a little more to say…

m231_1This is like going all the way back to the beginning. Starting from scratch, the second time around. If you have been through this site before, I hope you have dug down enough to find the very first entry, Megazone 23 (part 1). If you are new here, then you found a great starting point. I have had for some time thought about revisiting this awesome OVA from 1985, but I like to keep only one entry per show, movie, or OVA. Know you know what this means… time to change some rules!

m231_2Have I changed my opinions much on this first Megazone 23 entry from last time. Not really. I still love it, I still hold it highly in my anime watching experience and it is an all in one package for what did get me into anime in the first place and what mostly keeps me digging up more classics. It has that certain something, perhaps its just love and devotion, I can’t say for sure. And if I could put the feeling into words, I would more than likely miss the point. The character designs from Toshihiro Hirano and Haruhiko Mikimoto may be the closest thing to words to express my feelings for Megazone 23. Such a good looking cast from two of my favorite artists.

m231_3Now, have you seen The Matrix? Do you make references, or hear them often from others, regarding society and the The Matrix? Now watch Megazone 23 and tell me if you can spot the similarities? Megazone 23 came out a good decade and change before The Matrix and in my opinion totally surpasses the live action trilogy. We have the story about a hero who finds that reality is in control of a computer program and basically reality is someone else’s fantasy and creation. And our hero finds out he is only a mere pawn in the big game and decides to rebel. Except in Megazone 23 you also have motorcycle styled mecha, a lone wolf antihero, brighter colors, a refreshing soundtrack, Flashdance styled dancing (with leg warmers) and it’s Japanese in origin. “Yeah Doc, all the best stuff is made in Japan.”  (Back to the Future strikes again) The next time someone mentions The Matrix just remember to recommend Megazone 23, or even better… shout out BAHAMUT 6!

Still I regard Megazone 23 the spiritual successor to my beloved Macross. I said it last time and I will say it again, Megazone 23 may not be Macross in name or story, but the main members who created both productions left a certain patina. Kind of like a band releasing two awesome albums in succession. I mentioned Hirano and Mikimoto earlier and there are other key figures, but the biggest was director Noboru Ishiguro. Such a professional, a gentleman and a renaissance man all rolled into one. Hayao Miyazaki, Yoshiyuki Tomino, Tomoharu Katsumata, Osamu Dezaki, Rintaro, Isao Takahata are all great directors and I love them dearly, but Ishiguro-sensei, if it was not for your work I may never have fallen in love with anime. Arigatou gozaimasu.

Bar none this is a title I still watch on a consistent basis. Repeatability is a major factor to anything great in media as there is always something new and still yet familiar to emjoy. The only question remains, ADV dub, Streamline dub, or the original Japanese track. All three have equal merit in their own way. Or, I can be adventurous and watch Robotech: The Movie. Wikipedia or Google that one if that is a title that does not ring a bell.

… and don’t forget you see a cameo of Lupin and Gigen (Lupin III) as… cops… ironic!

#61 : Baribari Densetsu

Man (or woman) and a machine working together is a beautiful thing. Not a computer, or an iPhone, but a machine that allows a human being to move at speeds beyond the capability of one’s legs. Moving at high speeds in a vehicle on a race track animated by the animation studios I love most… WE HAVE A WINNER! From a lover of finely crafted machines I present, Baribari Densetsu, translated as the Legend of Rolling Wheels, or Motorcycle Legend. And, this is way more than a story for just speed geeks. I promise.

BBD_1Our hero, Gun Koma, loves riding on his motorcycle, especially going downhill and trying to beat this rival of his who seems to have more skill than himself. Of course they both do this on public roads which makes it totally illegal and dangerous. Now what does this remind me of… Initial D maybe? …Well, well… turns out the original manga was done by the same guy, Shuichi Shigeno. How about that? Needless to say there is a heavy rivalry between Gun and the skilled Hideyoshi Hijiri (probably because he is shorter and smaller?), but there is another rider who one day showed the both of them up; their high school classmate; miss cute tomboy herself… Miyuki Ichinose, or just Mi.

BBD_2Yup, you two boys were schooled by a girl, TAKE THAT! There is good reason for this as she is the daughter of Ichinose Racing Team’s president, so racing would only come naturally presumably. Thankfully she is a generous one as she sees talent in both boys and asks if they would be interested in entering a four hour race at Suzuka racing circuit, but… Gun and Hideyoshi will have to run as a two-man team and get along. And while this race will become the big focus of the story, we have to remember that all our characters are still high school students. And as high school students the usual riffraff of trouble making bullies and romantic infatuations make appearances. Even hot headed and tough Gun has a girl crushing on him really, really bad.

BBD_3When we do get to the big race at the awesome Suzuka circuit we see how Gun and Hideyoshi grow from arch rivals into almost blood brothers. It is idealistic that they do it at one of the world’s best circuits. Seriously, watch any F1 race that was staged there or find a driving game with it included. Suzuka is demanding and fun. As for the racing animation I want to get back to Initial D for a second. One thing that Baribari does that Initial D did not, which maybe because it was the times or whatever, was show all the action as hand drawn instead of the PS2 looking CGI action. The movement is organic and smooth and all the bikes look like they are a part of the actual production instead of oddly placed.

And yet, after this big endurance race, we still have even more story to tell as Baribari Densetsu ends with a tragedy that borderlines on the unfair. Just as so much promise for the future was within sight, it all changes in the blink of an eye. Do I know any anime that features a motorcycle that does not end a little bit on the tragic side? Megazone 23, Venus Wars and Bobby’s Girl come to mind, but it goes to show that one must always be careful when taking responsibility of a two wheeled machine.

BBD_4Baribari Densetsu, for me, is a gift from the heavens. From early childhood I have always enjoyed motor racing. Not for the adrenaline thrill, but for the elegant dance of man (or woman) and a machine on a track. It takes great skill to guide either car or motorcycle at racing speeds and for that I have great respect for those who do it well. Even though I don’t follow the professional circuits anymore, I still yearn for that love only this time within another love of mine, that being anime. Classic anime’s default answer of course is Speed Racer. Then there is the rallying OVA Goddamn (which is ok) and the F1 series I would die to see, F. Is there anything else besides going to Future GPX Cyber Formula (just not interested). Then fate landed this motorcycle racing short into my lap. Thank you.

If only I had a TurboGrapx-16/PC-Engine as they had a Baribari Densetsu game. Oh well, there is always my trusted SEGA Genesis and Super Hang-On 🙂