1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

#80 : Little Princess Sara

I like a story that represent the cycles of how we live our lives. After all, business marketing and historians may disagree on this stating everything is always up and up. Life and nature, my friends move in a circle. We reach peaks of success that must in turn draw itself back into the darkness and end up going into the so-called ‘Hero’s Journey’. The changing of the seasons and even your life as an individual all go through this process every day and year like clock work. It is never linear in fashion and neither is a great story. And I know such a story from 1985, Nippon Animation’s Little Princess Sara.

Sara_1I have become a fan of the World Masterpiece Theatre series over these last couple of years. These are stories familiar to many of us in the west, which instead of the heavy lines of a printed text we get an animated version in full color… “come with me, and you’ll be, in a world of pure imagination”… I couldn’t help but include that line (Willy Wonka forever!). And we must all begin somewhere and for me, World Masterpiece Theatre would begin with the 1985 entry, Little Princess Sara. Having never read Frances Hodgson Burnett’s original writing and only knowing a sparse amount of detail, I was essentially going into this one blind. And in many ways, that is an advantage. Well, at least in my mind it is. No expectations are the best expectations.

Sara_2Sara Crewe is a very fortunate young lady. She has a supportive family even though her mother had passed on some time ago. Her father, who is quite the successful businessman, is loving and a source of stability for young Sara. She has almost everything she could ever ask for and in turn is not spoiled and honors what she has. Being as she is to become a proper lady of her generation (we are talking late 1800s Europe here), she is sent to be educated at a prep school in England, while her father will return to their home to continue his business in the British colony in India. She is soon brought to the attention of Miss Minchin, the headmistress of the seminary she will be attending.

Sara_3Settling in with her treasured doll and an assortment of new friends, classmates Ermengarde and Lottie, and allies such as Peter the stable boy and Becky the maid, Sara begins to enjoy her time at the seminary. Until… fate had to reigns it’s hand to announce that Sara’s father had passed away without any known inheritance. Sara’s identity switches from student to servant in order to stay at the seminary. And this brings a smile to those who didn’t like her in the first place. Such an example is Lavinia, who in the tradition of Mean Girls, could be the spitting image of Regina George. She is such a snot-nose and of course has a couple cronies that agree with every little conniving idea she musters up in that twisted brain. But what of who is in charge, Miss Minchin? Does she give any grace to our downtrodden Sara? Hardly, after all ‘Minch’ rhymes with bitch so you can see where this is leading towards.

Sara_4Can Sara once again rise? Return to a state of glory and humanity? The answer is yes, but the heartache she endures makes this one tragic tale with a very happy ending. Passing through the dark night of the soul is always a painful period for anyone, but handling it with grace and dignity will always lead to a finality of compassion. Much like a typical soap opera, the emotions and circumstances are heightened for dramatic purpose, but they show the difficulty she must endure to in turn, wait for the proper season to rise again. Have some tissues ready at certain moments. I may have gone through a box, or am I just exaggerating for dramatic purpose? I leave that up to your opinion of the story.

Thank you Little Princess Sara. You gave me my initial sojourn into the World Masterpiece Theatre and for that I am grateful. I have seen a handful of the collection and I have many more to open up to. And since most of these are subtitled, that count’s as reading material, right? Even though the printed copy is no where near the front of my face? Maybe? Nothing wrong with text, but I do like all the animated pictures! 🙂