#25j : Robot Carnival : Closing

This is one of nine entries that take an in depth look into each of the segments of the 1987 anime compilation Robot Carnival. For the original entry, click here.

RCj_1The time has come as the show is over and as much as the anime Robot Carnival has to come to an end, the behemoth vehicle of destructive entertainment, Robot Carnival, also has to find a place to retire. The second bookend to the Robot Carnival anthology begins with the ever awesome machine giving everything it has to climb a sand dune with all it’s shear power. In the process of straining the engines beyond their limits, the once mighty Robot Carnival destroys itself in a blaze of glory. The end, peace in the land at last as the mighty beast has fallen… yet it’s not quite over. Katsuhiro Otomo still has a little more to tell, but first the credits so everyone can get their name in lights.

Now for the encore… with the destruction of Robot Carnival there is much in the way of debris. Some of it is quite appealing like a shining gem in the dirt, so thinks a traveling nomad who picks up a metallic sphere to give to his children. Once home they all stare in amazement at this ball as it opens to reveal a beautiful doll of a dancing ballerina. Hold on, have we seen this before? BOOM! Yup, that’s what I thought. Until next time… “That’s all folks!”

Robot Carnival entry index:

    1. Opening
    2. Franken’s Gears
    3. Deprive
    4. Presence
    5. Starlight Angel
    6. Cloud
    7. Strange Tales of Meiji Machine Culture: Westerner’s Invasion
    8. Chicken Man and Red Neck
    9. Ending

#25b : Robot Carnival : Opening

This is one of nine entries that take an in depth look into each of the segments of the 1987 anime compilation Robot Carnival. For the original entry, click here.

A poster fragment has blown onto my legs, so I had to give it a look. Robot Carnival coming soon… let’s read this again… Robot Carnival coming… Uh oh! Better tell mom, dad, the rest of town. HEY EVERYONE! (run run run run and add some generic cartoony sounds) Hey everyone look, LOOK! The Robot Carnival is coming. All the adults look and grumble, hmm hmm… and then a rumble from the ground begins to get stronger and stronger. Oh oh! Better run a hide in the houses.

RCb_1Can mass destruction be comedic? Kind of a sick twisted sense of humor, but what do you expect from the guy who created Akira (Katsuhiro Otomo)? What if a Looney Tunes cartoon, perhaps one with the Tasmanian Devil, is turned up to a point beyond insanity? Welcome to the opening section of Robot Carnival. In the case of the intro, a massive vehicle treads over the land spreading music, happiness and folly that is mixed with ruinous damage. Look fireworks, eh more like missiles. And over there floating doll like ballerinas… more like bombs. Better to be safe and hide because in all likelihood I bet the population of the town that Robot Carnival is “visiting” has been here before. Could this have been a great entertainment spectacle from the past that has over time broken down and become a little corrupt? Could this have been created by some mad scientist or ego maniac? Who can say because the five minutes is up and we have to move along.

On with the show!…

Robot Carnival entry index:

    1. Opening
    2. Franken’s Gears
    3. Deprive
    4. Presence
    5. Starlight Angel
    6. Cloud
    7. Strange Tales of Meiji Machine Culture: Westerner’s Invasion
    8. Chicken Man and Red Neck
    9. Ending

#58 : Akira

Akira_1You my friend are like Bob Dylan. You are the spokesman (or perhaps spokes-anime?) of your generation. And such a fitting title to boot. Akira. It’s short, sweet, bold and makes you wonder what the movie is about? And for several years, if not a couple decades and change, I still ask myself this same question. And from all the viewings I have come to my own meaning since I am not all that familiar with the original manga. In any case, Akira stands as one of the quintessential definitions of what anime can become… huge, epic, thought provoking and awesome red motorcycles. For many otaku of a certain generation here in the west, it stands as one of the first anime that either: a) made us anime fans or b) solidified our love of Japanese animation to a level we had no idea that could be reached or even existed.

Akira_2Epic, sublime and down right dangerous… this is the world of Neo-Tokyo in the aftermath of a devastating war. Politicians and the military try to fight for power to control the masses and yet let the society kind of deteriorate at the process while they greedily grab cash and power at any quick moment. Remember the scene where the counsel member who tried to escape with his briefcase of money only to die in an alley from a heart attack? And it is in and on these streets that have gone to waste we find our main characters. They are street punks, juvenile delinquents, who ride motorcycles and fight rival gangs. And two of them will be our heroes so to speak. A small, quiet, insecure yet angry young man named Tetsuo and a cocky self assured leader who has quite possibly one of the most iconic motorcycles to appear on any screen, Kaneda.

Akira_3Eventually these boys will come into contact with the military authorities and their lives will be changed forever. Either through contact with what looks like old children who have esper type abilities or perhaps awakening a power within himself (could it be possible to awake this in all of us?), Tetsuo begins his journey of becoming a power beyond control as he is carried off to be examined. The struggle begins now as Tetsuo, who only wants to be left alone, is constantly being controlled. And much like school shootings of recent history in our ‘real world’, Tetsuo is a textbook example of allowing a potentially good kid go bad. He is to blame for the eventual destruction he lays out on the city, but that blame belongs to us as well as we let potential young people rot away into self pity and depression. His responsibility is ours and ours is his.

Akira_4My view of Akira is that no matter the environment or circumstances, we are the creators or destroyers of our world be it within the confines of the body or what we perceive to be the outside world. The more we try to control the outside environment, others around us or use the gifts given to us to harm or disconnect us from the natural surroundings, we are doomed to failure. But from failure and destruction much like a phoenix, there is great potential to start again. All endings are beginnings and likewise all beginnings are endings (the constant cycle of life and time). It is how we adapt to these changes that will show the results.

Go big, or go home. Such is much of the work of original creator Katsuhiro Otomo, as all hell will break loose and get out of control if we allow the weeds to permeate the garden so to speak. Akira is also a hallmark of the quality of one of the best studios in Japan, TMS (Tokyo Movie Shinsa). You can see this as an action film, a fluid piece of animation, or an allegory to what potential we have in all of us. I cannot deny the awesome power of what Akira is for me as a fan; it is required viewing to truly appreciate the power of what anime truly can express. No matter what, I will always cheer GO! GO! Akira! 

…Now I need to find a dealership that has Kaneda’s bike. Any idea what make or model it is?