#144 : Bubblegum Crisis

BGC_1The year of 2032… Mega Tokyo… hey what happened to regular Tokyo?… all hell has broken loose with these so called Boomers trashing the place. These androids are even too much for the illustrious AD Police, even with all their firepower and sophisticated technology. I demand to see how much of the tax revenue is being spent for this organization. We must therefore have a need for a third party to aid in this scenario. Welcome to the ’Hurricane’ world of the Knight Sabers. A world where a quartet of armored young women are the best answer for peace and justice. A world known simply as Bubblegum Crisis.

So Bubblegum Crisis… it’s like Blade Runner with both the action intensity and sexiness turned way up high. Plus, get extra hairspray as this is the 80s; tease that hair kidos! I guess if one is to make their own anime homage to a Blade Runner-like universe, one must do it very LOUD! Make is sexy! Drop all that film noir moodiness and introspection and let the action tell the story. And for good measure why not add in a little bit of The Terminator, Batman and Streets of Fire for good measure. Plus why not also spice things up with a little sentai squad action, wearable mechanical armor and good looking characters via Kenichi Sonoda. Hmm, explosions and attractive people with a dash of cyberpunk for good measure, now I see why this OVA gained some notoriety. For a time Bubblegum Crisis defined what anime was for many fans, but as we all know, anime is so much more than just well animated hi-octane action stories.

BGC_2OK just who are these Knight Sabers exactly? A lingerie store owner, a motorcycle obsessed rock singer, an aerobics instructor and a junior member of the AD Police make up our heroic quartet. Interesting… just shows you don’t really know people that well outside the office. While their day jobs are quite ordinary, the Knight Sabers crime fighting skills are anything but. With the aid of skin tight wearable armor that aids in performance, these girls can kick some serious butt. Seriously! Kind of like Saint Seiya with super high end technology that has a more fetish like approach that could rival the robot designs from say The Humanoid? With high heels too! Gatchaman may have thigh high boots, but the Knight Sabers have stilettos. And it is these spike heeled suits that do the best damage against the Genom Corporation’s never ending renegade Boomer population. The AD Police try their best, but they often have a better role as spectators. The fighting style that the Knight Sabers employs reminds me a lot of Casshan… come to think of it he had a streamlined body suit too. Holy cow, where are all these references to other anime coming from?

BGC_3Bubblegum Crisis is perhaps the biggest creation of the studio AIC. Built on the bedrock of Megazone 23 and two other Sonoda designed entries, Wannabies and Gall Force, Bubblegum Crisis is AIC at it’s height. Perhaps these three previous entries led the way like stepping stones towards Bubblegum Crisis? Who can say, but everything was right and in place to bring the Knight Sabers to the OVA market, which by 1987 was really in high gear. Bubblegum Crisis is in many ways an original creation that is an homage to so many pop culture references. Fans of sci-fi and anime making their own anime their way.

BGC_4I know Bubblegum Crisis is beloved by many established fans and everyday is introduced to new ones via whatever method you choose to watch. I will say I like it, but I don’t get all the hype. Maybe because this was one of the best options back in the day as it was easy to come by and it spoke towards certain demographics. I will admit it’s a classic, animated very well (almost seems like each episode is a mini movie; late 80s OVA quality!) and a nice example of cyberpunk as a genre. As a piece of action entertainment Bubblegum Crisis is stellar, but for me at least it starts to wear down particularly in the later episodes. Still, it is fun and has a rockin’ soundtrack, can’t complain about that!

#142 : Metal Skin Panic MADOX-01

M01_1If one is a fan of mecha, machinery, or action with the inclusion of a machine of some sort, then Metal Skin Panic MADOX-01 would be considered as close to porn for fans. Watch the opening scene with all the mechanics and electronics… it’s total mecha hentai, second to perhaps the credits of Patlabor 2. Only a mechanical designer would have created something like this OVA and in the case of MADOX-01 that is the truth. The name of Shinji Aramaki is all over the place… director, story creation and mechanical designer. I bet he was the caterer too? … Funny thing about MADOX-01, it reminds me of another OVA, I wonder what it could be? Though it’s not exactly the same it does remind me of… umm? Hmm? Let me think on this one…

M01_2The year, 1987. The place, Japan. The man,  Shinji Aramaki. The rise of the OVA format gave opportunities for many younger and/or junior rank members of the anime industry to take on the big role of directing a project. Names like Ichiro Itano, Koichi Ohata and Toshihiro Hirano went from special effects artists, mechanical designers, or character designers and moved into the realm of the director’s chair. Aramaki’s portfolio was filled with many mechanical designs ranging from anime including: Genesis Climber Mospeada, Megazone 23 (wait a minute!… oh never mind) and Bubblegum Crisis and western based shows like Pole Position, M.A.S.K. and even the original Transformers. Quite a nice lineup there so yes, he can draw machines very well… very well, but what about directing? I suppose its true to stick with your strengths and that is what Aramaki did with MADOX-01. A mechanical designer directing an anime all about mecha… what a surprise.

M01_3The Japanese government has a new fancy weapon, wearable armor in fact. Codenamed the MADOX-01 it showcases quite the firepower and agility. It’s pilot even defeats an old stalwart in more traditional equipment, much to his chagrin. Yeah old man, you lost to a girl! I always thought women were better mecha pilots anyway! 🙂 Later the machine needs to be transported to a new location and somehow becomes lost after an accident (shakes head). Can’t the government afford a decent security transport? Almost like in Black Magic M-66… keep track of your toys kids! Then this fancy device ends up in the hands of some nerdy engineering student who seems to understand how it works (hello Amuro Ray?) and then becomes connected with it literally. Now Mr. Smarty Student has to evade the feds, including that angry guy from before who wants revenge so bad for being beaten before (chuckles). Again a little like Megazone 23 with Shogo with the Garland and being chased by the military and gaining a rival with B.D. …

M01_4… Ah ha, it was Megazone 23 after all? Though I am stretching it a little, there are similarities if you take both OVAs from a certain point of view. Both stories want our protagonists to get back to their respective girlfriends at the end, but they have a minor issue of being wanted, as well as chased, from a larger authority. MADOX-01 is a far simpler story and is more based around the action than the unfolding mystery and drama of Megazone 23 (first installment to be specific). MADOX-01 is fun and has some unique character designs as well , but it is really a one and done sort of viewing. If you love mecha and action you will more than likely rewatch, while if you are more into shojo, or romance, I doubt you would consider it in the first place. I would highly recommend Megazone 23 in either case, just because it is a personal favorite and a far more superior production (my opinion). Either way they are both products of action powerhouse studio AIC!

By the way, in case you are interested in what came of Aramaki-san he continued on as a director years later. Remember the CGI movies of Appleseed and Space Pirate Captain Harlock? He was behind the chair on those films and they really left me flat… I couldn’t do fifteen minutes of either one. MADOX-01 is thankfully watchable, short and old style cel drawn too… mmm, I love the smell of analog in the morning.

#141 : The Dagger of Kamui

You love ninja and samurai stories, I love ninja and samurai stories… we all love a good ninja or samurai story. Here in the west we have the epics of ancient Europe and the American western to delight our tastes in mythology, but for some of us there is a draw from an alternate source, the native myths of the East. Anime’s representation of a skilled man (or woman) is numerous: Naruto, Rurouni Kenshin and Ninja Scroll just to name a few. But what if we can marry the samurai genre with the western genre into a film? Yup, that’s been done before… ever heard of 1985’s The Dagger of Kamui?

DoK_1Even if one is not much into action, ninja skills, or sword mastery, The Dagger of Kamui can still be a worthy watch; even if only just once! The Dagger of Kamui equates the definition of the big epic expensive action film, with an art house twist. Big… no no no… more like say, HUGE! Take a break my friends because this is one of those long journeys that spans Japan, Russia and then the wild west of America. Now that is quite a tour! You even get to meet historic figures like Geronimo and Mark Twain too. What?! And this is still considered a ninja, or samurai film? Or perhaps the ultimate shonen fighter? That may be stretching it, but does it matter? Nah, not at all. Just remember, to tell a large epic journey will take some time and this film is long, two plus hours long. And no intermission either (except the pause button, shh! it’s a secret), so be prepared.

DoK_2The Dagger of Kamui is a great example of ‘the hero’s journey’. The Hero with a Thousand Faces has now reached 1,001; a quick nod to you Joseph Campbell! Our hero is Jiro who is in no better terms, a bastard. He is an illegitimate child adopted into a loving family and also an individual whose heritage is partly Ainu, the native culture of Japan that was once frowned upon. Needless to say the kid is not well liked, or respected for no fault of his own except the ignorance of those around him. These elements don’t help when Jiro returns home to find his mother and sister murdered. Take a guess who gets the blame with no due process? With a dagger in hand that will unlock many clues of his origins and destiny, Jiro goes on the run to at first find the murderer of his family and then… well, that’s the beauty of being on a quest… it’s open to discovery beyond imagination.

DoK_3The story may be huge, the music is funky, with electric guitar and traditional Japanese drumming, but the visuals are a sight to behold. This is one gorgeous movie. Backgrounds are lush. Motion is fluid. Colors are bold. The fight scenes are like expressionist paintings that have come to life that could easily pass as a psychedelic experience. No surprise really as this was made at Madhouse, a studio which seems to have two quality settings in the visual department… amazing and fantastic. That and with a director like Rintaro, the ocular experience triples if not quadruples with his use of editing, color and dynamics. Let me go back to the fight scenes again. They are not like the usual brawl. Think more in terms of a well choreographed dance in a lucid dream you can only have at midnight where all around is magic and wonder to behold and see. Conflict becomes poetic art; danger becomes beautiful.

DoK_480s anime cinema has many standout choices. Many originate from well known directors, franchises, or are just at the right place at the right time. The Dagger of Kamui can fall into line with say the Fist of the North Star film for being a big action epic where our hero has to face up against a his major arch rival in the end, but The Dagger of Kamui is a completely different beast altogether. Some action films are just that, an action film. But there are those action films that are blessed to have been created by an auteur studio and an auteur director as well. There is something special about these movies, even though they can be a little long winded. The Dagger of Kamui is one wild ride!

#140 : The Wild Swans

WS_1I love the work of Hans Christian Andersen. His stories are often dark in tone, filled with allegory and meaning and are considered essential myths that we continue to have a need for… even in today’s climate. Yet some stories pass by us unnoticed until just the right time. Until a week ago I had never heard of the Wild Swans, but when I found that this story was adapted into a feature film created by Toei I had to see it immediately. I must also state that there is also another story collected by the Brothers Grimm that is very similar and from general reading it seems their tale, The Six Swans, has more the influence on this movie. I had only one thing to say… Hi, can I be your friend? And as usual, seems always the case with anime, we got along splendidly. Let me tell you about our date together!

WS_2Much like another story many of us know very well by Andersen, The Little Mermaid, there is much that is similar, yet also different. Both stories were animated by Toei in the mid 1970s, The Little Mermaid in 1975 and The Wild Swans in 1977, and share the basic style and form of the era. Both stories deal with prolonged sacrifice and hardship in the form of being away from loved ones and not being able to communicate vocally. In the case of The Little Mermaid, Marina could not speak due to giving up her voice, and tail as well, to be amongst the human world and be with her prince. As for the Wild Swans, our protagonist Elisa does not loose her voice at all. She takes a personal vow of complete silence as part of her cross to bear. Though she can speak, she promises not to.

The story begins on a happy note as we meet a lost man on horseback in a forest. He is greeted by a witch who promises him a way back home if he can grant a wish for her daughter. The attractive young lady asks to become his betrothed as she has learned that his wife has passed recently. He accepts and returns to tell his children the good news. Wow, saying yes to a woman you just met without even a date or anything? Some men are quite desperate! And you know, “some beautiful roses have wicked thorns.” But I digress, he uses a magical ball of yarn to open the location where his children are to give the news of their new mother. Everyone is happy, except that conniving woman. She is jealous of the children (what a surprise!) and plans a trap by stealing the ball of yarn and meeting the children herself.

WS_3Upon their meeting miss jealous pants bestows gifts, which the six boys accept without hesitation. These garments that are given turn them into swans and when the seventh child, a daughter, Elisa arrives she sees the damage that has occurred and stands against the evil woman. Yet all is not lost, at night time the boys return to human form and comfort Elisa. Hmm, sounds like Swan Lake? Then, much like swans born naturally, they migrate away when the proper season beckons. During this time Elisa learns she can make six garments out of nettles that will return her brothers to their natural human state. The only reservations are that she cannot show any disdain, or complaint during the process and that she has a limited amount of time. Because of this she shuts herself off from the rest of the world and vows a life of silence. Now we know why Elisa losses her ability to communicate.

WS_4For an emotionally riveting plot that seems to point towards total tragedy, The Wild Swans does end up having an optimistic outcome. This was a surprise for me and even though I was ready for an all out cry fest ready to see something sad, I still had a little tear in my eye for witnessing a happy ending. A true tale of love and sacrifice that I can put on par with Night on the Galactic Railroad, The Wild Swans shows that a dedication to love will pay off with rewards unimaginable. And if this movie borrows from either Hans Christian Andersen, or the Brothers Grimm, or both at the same time, it does not matter. It’s a beautiful piece of storytelling and that is all one needs in a great anime.

#139 : The Wonderful World of Puss ’n Boots

WWoPnP_1Once upon a time there was this very cool cat who had a killer pair of boots and a very fashionable hat. He met a young man stuck in a muck and brilliantly the cat thought of a way to change his luck. A prince you shall be, to impress a princess from yonder away though there is a another suitor who is big, strong and the token bad guy… this just is not our lucky day. Never fear, rescue her you shall with our friends the mice, while I dodge a helpless trio devoted to capturing me as I feed you great advice. Sounds like a tale so classic filled with adventure and folly that it can only be The Wonderful World of Puss ’n Boots, I am feeling oh so jolly!

WWoPnP_2Let’s first talk about mascots in anime. They number in plenty from Pikachu (Pokémon) to Totoro (Studio Ghibli) to Mokona (CLAMP) and even Astro Boy (Osamu Tezuka or just anime in general). But what of one of the oldest studios in Japan that has entertained generations going back to the 1950s, Toei? That smiling cat in the hat… just who is that? And no this is not some Dr. Seuss riddle? … oh how I love me some green eggs and ham … That fine feline is none other than Pero (why not Pierrot?). Pero? Yeah Pero from the 1969 classic The Wonderful World of Puss ’n Boots. A fairly popular film in it’s day, it eventually led to two sequels in fact. But I hypothesis the popularity also because why would a studio choose a character to be a mascot, if not a veritable logo, from a film that did not reach a certain level of recognition? The Wonderful World of Puss ’n Boots is a film that defines Toei’s classic cinematic style.

WWoPnP_3Puss ’n Boots is light hearted, witty and fun for the whole family. Though to be fair the film was geared towards children, as is most animation, you can’t say it does not have humor and sophistication to draw in adult fans as well. After all many of us anime or animation fans are just ‘kids’ disguised as ‘adults’ 🙂 … I know I am! Often when one thinks of these early anime titles from what we term as the modern era, mostly the 1960s to be precise, we often equate Disney’s influence as they were the biggest animation standard during the day. But I want to include Warner Brothers for this movie. I have no idea if this was an influence, but the humor, action and even the artwork reminds me of Chuck Jones masterpieces like What’s Opera, Doc? and The Scarlet PumpernickelTouché; great ideas from animation can be borrowed from anywhere! We artists are not creators, we be pirates, argh, lol.

WWoPnP_4Speaking of borrowing, when reading the back of the DVD case I noticed that Puss ’n Boots’ director also directed the film Swan Lake. Hey!, I know that movie and come to think of it. the dynamics and even the character designs for Pierre, Rose and Lucifer (PnB) are very similar to those of Siegfried, Odette and Rothbart (SW). Even the climatic battle scenes at the evil castles are even similar. Not a bad nod, or reference to previous anime! Especially when you worked on both. 😉 And some of these scenes are so well animated that I thought, hey this part reminds me of say The Castle of Cagliostro? And maybe Future Boy Conan as well? Again the action scenes at the castle and the design of Princess Rose (the essence is all in her face) looks oh so Hayao Miyazaki. Well I don’t know what parts, or sections he worked on but yes, Miyazaki did work as a key animator on this movie. A portrait of an artist as a young man…

The 1960s would be the decade when Japan’s animation industry became a big business, serious in approach and growing ever professionally. The Wonderful World of Puss ’n Boots stems from the tail end of that decade and it’s influence would continue into the next decade and beyond. Some of Toei’s early films look cheap or grow dull quickly, but examples like Puss ’n Boots and even Horus: Prince of the Sun set standards that we need to honor today. Oh great Puss ’n Boots I bow before thee, bless u all your great legacy evermore.

#138 : Gall Force: Eternal Story

What ever happened to our old friend Gall Force? Debuting in 1986 with a feature film that spun off into a pairing of direct single release OVA sequels and then a couple more larger arc OVA series, Gall Force seemed to become a major player in anime. Then quiet arose over the landscape and Gall Force faded away into the sunset. It’s time to come out of retirement ladies, we miss you! To get a foot hold and get reacquainted with this series as a whole we have to start from the very beginning. Let us return once again to the maiden voyage to the 9th star system with Gall Force: Eternal Story.

GFES_1All is war in the galaxy. It has been for a long, long, long time. Two factions fight it out to the death with their huge armadas of spaceships that fire laser beams that take up half the real estate of your viewing screen. This is the story of the Solenoids vs. the Paranoids. Wound coil magnets vs. people who are extremely afraid, or perhaps Black Sabbath fans? … “Finished with my woman ’cause she couldn’t help me with my mind, People think I’m insane because I am frowning all the time” … Not exactly, but seriously, where do you kids come up with this stuff? No, this is more like… the battle of the sexes… in DEEP SPACE! The Paranoids (ugly parasitic monstrosities of aliens), being the masculine and the Solenoids (a race of women that look very ‘familiar’?), the feminine.

GFES_2Gall Force: Eternal Story is not my favorite anime of all time by a long shot, but it is one I enjoy watching for the fun of it. This was one of those titles that was part of the steady diet of titles that solidified my love for Japanese animation. It’s a sci-fi homage of everything we loved about space and adventuring through the galaxies all thrown into one. This is a film that borrows much from earlier titles in anime, but also live action references such as: Star Wars, Alien, 2001 and Star Trek. It’s a film that defines all that is generic and cheesy, but pulls it off so well that it’s classic. Even the English dub gives the movie so much character. Gall Force: Eternal Story is a film where everything falls apart in order to give birth to something new and fresh. One trial after another hits our heroines and slowly one by one they eventually bite the dust. And yet would you believe that this movie does ends on a happier note?

GFES_3Our protagonists are a group of seven Solenoid soldiers whose mission is to pilot their vessel, the Star Leaf, to the 9th system to defend a new world for colonization from the Paranoids, Chaos. Along the journey Eluza, Rabby, Lufy (my fav!), Catty, Pony, Patty, and Rumy run into several obstacles including repairing a part of the ship to activate the warp drive (which also meant a scary trek into the belly of space), a battle with the Paranoids, fighting a stow away monster and eventually… childbirth! An interesting voyage isn’t it? I mentioned earlier how the girls all look very ‘familiar’, this is due to the fact that they were designed by Kenichi Sonoda. These seven girls all prototypical examples of his character stylings, which were also featured in Wanna-Be’s and Bubblegum Crisis, both being early work Sonoda did at AIC along with the Gall Force series.

GFES_4I have a weird theory about Gall Force: Eternal Story… maybe it’s… maybe it’s… our true origin story? This will make sense when you see the film in whole and make it all the way to the end. To put this into perspective, a child is born from the mating of the Paranoids and the Solenoids and that child along with one of the girls are the sole survivors to start a whole new evolution. A whole new race, a new beginning. Kind of like Adam and Eve? Maybe Gall Force: Eternal Story is the opening parts of Genesis from the Bible? … In the beginning there was void and war and laser blasts covered the deep of space. And then God spoke and said, “Cut out the fighting kids and have a baby instead!” … I dunno, it makes sense to me, what do you think?

#137 : The Chocolate Panic Picture Show

CPPS_1“Let’s do the time warp agai…” Oh wait!… wrong Picture Show. This is The Chocolate Panic Picture Show. The… what? I often like to search the dusty bins of odd ball OVA titles from the 1980s and I like goofy animator playhouse styled productions that are more valuable as strict visual art than the usual story based spectacle. And what we have here is a title that fits into both categories nicely, but I really have no clue what I just watched. For some, this would be a detriment, for me it’s makes me resort to my inner five year old… Again! Play it again! Play it again!!!

CPPS_2According to research The Chocolate Panic Picture Show was based on a manga based on the old film the Gods Must Be Crazy. AT the time of writing I have yet to see it in full and am only familiar with  clips and remembering the old VHS cover; very funny from what I have seen. From my eye I see similarities to a personal favorite, Birth in terms style. Character designs, spastic comedy, fluid motion and at times flat backgrounds. Then two and two come together under the name of artist and animator Yoshinori Kanada, who was instrumental to both projects. Also one cannot discount the name of Gainax. Apparently The Chocolate Panic Picture Show was Gainax’s first professional production. Hmm? I always thought it was Royal Space Force: The Wings of Honnêamise? I stand corrected.

Now according to the entry on My Anime List, which is a direct quote from McCarthy & Clements The Anime Encyclopedia, this is what the say about The Chocolate Panic Picture Show

“Jaw-droppingly racist musical in which grossly caricatured Africans Manbo, Chinbo, and Chonbo causes chaos in civilisation despite the efforts of their pretty tour guide/bedmate to tame their zany, grass-skirted cannibal ways.”

CPPS_3Racist? Maybe, but I didn’t see that way. Cannibal ways? I saw no cannibalism. And the three main characters have names? There is a hint of that at the end with the final song going over the credits, but who knew. … Unless I am missing something from the manga, all I got out of this half hour was surreal imagery on the par with being a close shave towards hard corps psychedelia. Funky music, bright colors and no concept of gravity, or any other law of physics are what you have to work with here. Now I know I see things differently than others some of the time, but The Chocolate Panic Picture Show from where I stand is nothing like the above quote. Of course until one sees this OVA in it’s entirety how will you know what it is? Maybe like reality, The Chocolate Panic Picture Show is what you perceive out of it. Nothing is mutually exclusive.

So in the end I don’t know just what The Chocolate Panic Picture Show means. Perhaps it just is what it is and that is all it needs to be. For me it’s like a rollercoaster ride into the bizarre and sublime, beyond verbal explanation and great to watch. Or, just listen to the music and DANCE! That’s all the explaining I need 🙂