#171 : Scoopers

Wow the title alone is enough of a grabber… just what in the world is Scoopers? An anime about a young couple who run an ice cream shop?… no. Maybe an anime about a  pet scooping service that goes around to the parks when your dog leaves a souvenir?… no. Wow you got me… maybe Scoopers is about journalists in a sci-fi, slightly cyberpunk universe, trying to catch the next big ‘scoop’ on guy who has been blowing up satellites and space shuttles? No way, that sounds to good to be true and yet… it so is. OK, we have the basics out of the way, lets throw that tape (or digital file) into the old dusty VCR ( or whatever your media player of choice is) and hit play!

Scoopers1A supposed Mr. X and his organization are the responsible party for the havoc of blowing up these satellites and space shuttles. Who can stop this dastardly foe but for two… reporters? Enter Yoko and Beat (BEATO!) who work for for the organization Private Eyes. “Private eyes are watching you. They see your every move.” Yoko is a strong and determined lead and Beat is a combination of things. He is a Yoko’s partner, a photographer, Yoko’s body guard and would you believe it… he’s an android too! He gains super powers when Yoko pulls out her compact and hits a couple of buttons, almost like a remote control. Talk about killer makeup! Together they track down the hide out of Mr. X at the amusement park of Techno Land, but what lays in store for them is more than any roller coaster ride.

Scoopers2Scoopers is one of those 80s OVAs you find at the very bottom of the undiscovered bin of lost oddities. It resembles a lot of retro action properties of the time, City Hunter, Space Adventure Cobra, Dirty Pair and Lupin III in terms of style, color and attitude. It just lacks staying power and being a one off OVA may be part of the issue. The concept of guerilla journalists who are more like crime fighters is a fun concept and the sci-fi high technology is a nice touch. Nothing like the element of fantasy of what we thought the future might be like from the perspective of the 1980s. And speaking of hi-tech, check out those computer graphics interspersed with the cel drawn animation. For the time that was high end stuff, but it is kind of laughable now.

Scoopers3Can I return back to Lupin III? It seems that Scoopers and Lupin III have something in common; are kind of related… perhaps siblings? When watching the credits one name jumped out at me and made me go, oh wow! Does the name, or I should say pen name of Monkey Punch ring a bell for any of you? He is the original creator of everyone’s jacket wearing thief, Lupin III and he also is responsible for Scoopers as well. Nice to see some of his other work. The character designs and some of the behaviors favor a Lupin style with Beat being similar to Lupin and Yoko being an alternate to Fujiko. Wait!… Monkey Punch, why not have a crossover of Lupin with Scoopers?

Scoopers4Scoopers is a lot of fun and finding off the wall, weird, bizarre, or out of this world older anime is the joy of combing through the lost archives of what Japan released way back yonder. This is what being a classic anime fan is all about because just when you think you have seen everything, something else shows up and say, “Um, you missed one!” I  am glad Scoopers founds it’s way into my viewing experience, although the ending… yeah we need to talk about that… kind of a let down and makes you want, or hope there is a second installment in some form. And yet in the end, we have to make due with what see, which is an aircraft flying off into the distance carrying an escaped Mr. X. What’s his final fate, will he get to some sort of trial? Will justice prevail? And will the story and photos from Yoko and Beat make the top headline? Your guess is as good as mine.

I want to give a special thanks to Kingmenu Subs for their work on Scoopers. Thank you and keep up the good work!

#170 : Phoenix 2772: Love’s Cosmozone / Space Firebird 2772

1980… the height of the space opera boom of the late 1970s and early 1980s would enter a new decade. Yamato, Gundam and Galaxy Express 999 would come before and now a familiar name would throw his hat into the ring. Enter the ‘God of Manga’, Osamu Tezuka, and his first presentation of his grand myth, The Phoenix, in a full animated production. A live action film with animated segments would tell a historical account from one of the chapters of The Phoenix in 1978, but this film would be an alternate retelling of the space related chapters and 100% pure anime. Tezuka’s Phoenix anime re-workings are some of the most special anime ever made (personal opinion), but how does Phoenix 2772: Love’s Cosmozone fare?

SF_1In the far future, the Earth is in dire trouble. Over polluted, lacking resources and at the point of social collapse we find our beautiful planet at both a major crisis and a crossroads. We begin our filmic journey by following our hero, Godo, as a a test tube baby and witness his process of growing up in isolation. Eventually he is joined by a robot companion, Olga, who helps to raise him. These beginning sequences remind me of silent films, or perhaps the opening of 2001: A Space Odyssey, with dialogue being nonexistent and fluid motion being the only storyteller… as well as the background music. Once Godo reaches full maturity, his place is to become a pilot, but this is short lived since he shows a trait of humanity by not wanting to kill innocent life. Also he has eyes on a girl who is set to wed one of the powerful elite… another no-no. This gets him into serious trouble, which leads to a prison sentence where he meets a stock in trade Tezuka archetype, the large nosed man older man and a fellow who happens to be none other than Blackjack.

SF_2Godo still believes in his mission despite the setbacks, which I have yet to devulge. That is to capture the Phoenix from which the blood can be used to give life back to the dying Earth. Eventually with the help of friends Godo escapes and sets off to find this mysterious bird. When Godo eventually comes into contact with the mythic bird of fire the true essence of the story begins to speak as Godo  learns what all protagonists in any of The Phoenix stories, that life is more precious than anything else and the love between souls is far stronger than any want or need in the name of ignorance, or power. Sacrifice and karma must be weighed in order to achieve a true sense of enlightenment and fulfillment.

SF_3The space opera sci-fi of Phoenix 2772 is well animated, as expected from the likes of Tezuka, who was Chief Director of the project… The BIG Boss! He incorporated techniques seen in his more experimental projects, which makes Phoenix 2772 unique looking amongst the other films of the time, Toward the Terra as an example. Also Tezuka’s character designs harken back to a previous era, though with updated fashion and hairstyles. All in all, a true blockbuster of a film, yet, I have to scratch my head on this portion of the Phoenix mythology. Phoenix 2772 is kind of awkward. A few of the animation sequences take on an almost comedic or fluid quality and a couple of the animal/alien characters seem to be added in for comic relief and juvenile appeal. Mixed with the epic story of finding the Phoenix and understanding true love, Phoenix 2772 can feel a little schizophrenic.

SF_4Phoenix 2772 may be the weakest entry in all of the Phoenix anime I have seen, but it is far from bad, or even average. It has it’s quirks and for some of you it may not be much of a problem, but I hold The Phoenix name very high. The trilogy from later in the decade (Karma, Yamato and Space) is some of the best anime from the 1980s (again my opinion) and I would recommend these first. Even so, at the heart of Phoenix 2772 is a tale of sacrifice, redemption and emotional drama, all qualities that make Tezuka’s Phoenix entries special. This in it’s self makes Phoenix 2772 qualify as a close second to the trilogy and a unique entry into the beginning of the decade of the 1980s.

#169 : Dream Dimension Hunter Fandora

“QUESTION!” Time to dive really deep into this pile of forgotten anime titles. Let’s investigate the bottom of this bin and find something special. Ah ha ha, nice choice. Have you ever heard of an OVA trilogy by the name of Dream Dimension Hunter Fandora? “QUESTION!” What happens when you combine a pretty heroine packing a sword and a shield, a goofy transforming sidekick, a handsome, yet cruel villain, space travel, fantasy and a pair magical jewels? You get the plot for the beginnings of an often under appreciated mid-1980s OVA series. OK, I think we have the makings for a good story here… time to watch. Popcorn please!

DDHF_1Let’s meet our beautiful heroine Miss Fandora (Fandora-sama), who so happens to be a bounty hunter by trade. She treks all over the galaxy with her partner Que, who happens to be a shapeshifter. And she always, seems to be short on money after each job. So far this sounds similar to Rumiko Takahashi’s Maris: The Chojo? Now’s the time to diverge. Part of her uniform is the red Jewel of Lupia, which is a prominent part of her crown like headdress. Did she borrow her fashion sense from She-Ra: Princess of Power? Drawing power from this jewel, and using it for the plight of what is good, she takes down each successive criminal using a sword and shield. Also the rays from the jewel bother Que in that he seems to sprout a tail that is quite reptilian. Dear sir, is your true identity that of a a dragon!? After the opening we find she has the eye on a very prized, yet elusive criminal, one Yogu-sogos. His bounty is the highest in the universe, yet his location and even his identity remain a mystery.

DDHF_2Based on a concept by Go Nagai, Dream Dimension Hunter Fandora would bear fruit under the production and vision of a little studio by the name of Kaname Production. Kaname is a studio that I love… love!, more like obsessed?… and many of their works are featured here, so why not add one more! Dream Dimension Hunter Fandora would be the second warrior maiden heroine brought to us from Kaname in 1985, the other being the Leda: The Fantastic Adventure of Yohko. Both have their character and are similar, but they are also very different in terms of story… and budget. Fandora could pass as the budget version of Yohko as Yohko’s OVA looks very cinematic and lush, while Fandora’s OVA could pass more for television standards. Yet this is not a fair comparison, that’s like comparing an apple with an pomegranate. Both offer nutrition and taste delicious, but one is more expensive in terms of cost. Yet, both can satisfy in their own way!

DDHF_3Each successive episode lays the groundwork for the last. The first episode can stand alone as a single entry and I wonder if that was the case in terms of production? We learn the basics of our characters, find out who Yogu-sogos is and end on a cliff hanger. The second episode brings in more character development with the introduction of a tragic couple’s ill fated relationship and a young boy by the name of Sohto/Soto. And yet even more action with Yogu-sogos and this one also ends on a cliff hanger. The third episode shows the resurrection of Fandora and introduces much of her secret back story, and Que’s as well, which leads to the climatic ending! And sorry, no cliffhanger this time round. The pacing is well done and each successful episode builds from the last, showing Fandora, Que and Yogu-sogos as a well rounded trio for our main cast by the end.

DDHF_4Truth be told, this was one Kaname Production title that I had on the back burner for some time and much like anything from that studio, I really like it. Though Dream Dimension Hunter Fandora does not hold a candle to Kaname’s masterpiece, Windaria, it is still a fun action cartoon with a strong protagonist that has those signature eyes associated with Kaname’s female characters. The only thing I scratch my head about is why is it called Dream Dimension Hunter Fandora? Fandora is the heroine, a hunter is her job and dimensions are what she and Que warp through to catch crooks… where is the dream part?

#168 : Dream Hunter Rem

The world of dreams is a mysterious one. Often times we live out our greatest fantasies, or anxieties, in the dead of night when the subconscious is open to play. It is in particular that nightmares come into question for this entry as we explore an anime where our heroine works within this world of dreams. A variant of the magical girl, Dream Hunter Rem is a cult classic OVA series that beyond the cute clothing, can be quite intense and dramatic… horror and suspense at it’s best. So, what did you dream of last night? I had a vision to tell you all about Miss Rem’s stories.

DHR_1The usual case of an anime property that keeps ongoing with sequels is that it starts off really strong and them fades off, or the quality of consistency remains equal through out and when you are finished you feel a sense of satisfaction. Dream Hunter Rem is the opposite to both of these statements. This is a series that started out fair, decent if you may, and as each successful OVA was released the stakes, quality and storytelling would grow in leaps and bounds to the point that by the end of the third and final OVA I was sad to see it go. Who would have thought a half hour hentai stripped down from it’s more pornographic roots and re-released with a filler episode in a more mainstream and general style would spawn two sequels and leave behind legacy… albeit in the ranks of cult stature.

DHR_2Rem Ayanokōji has it all… an adorable cat (Alpha), a cute dog (Beta), a Colt 44 Magnum (is this a real gun?), a Honda City Turbo and a detective agency… not bad for a junior high aged girl. Oh and I forgot, teal green hair! Rem’s business is based off her gift of diving into other’s dreams and subsequently relieving evil thoughts and spirits that can possess us and give us trouble. A true exorcist who knows her trade. When all else fails call Rem! This gift robs her of having her own dreams and one of her goals is to get them back. She usually sleeps near a client, or even sometimes in the same bed. While in her dream dive when she encounters any foes that become problematic, Rem can transform into a bikini like costume and with sword in hand kick some butt! Reminiscent of another 1985 magical girl, Yohko from Leda: Fantastic Adventure of Yohko. Even her cat and doggie can transform too into more fearsome examples of their breeds to help out when she is in a pinch. Wait a minute, what happened to the gun? I guess the silver bullets she uses can only go so far.

DHR_3Several characters aid in support of Rem through out the three episodes including two men who act like her unofficial partners. This includes Detective Sakaki, a surrogate father figure, and a mysterious monk, Enkō. Enkō, much like a guardian angel, protects Rem similar to the dynamics of Miyu and Larva in Vampire Princess Miyu. Their destinies are intertwined and by the third episode, which in my opinion is the great work of the episodic trilogy, we learn that they have shared many a past lives as dedicated lovers. Soulmates never die?  A common feature to all three episodes are Rem’s classroom intermissions. Need a mid-episode break? These segments introduce you to the science behind dreams and how the brain functions during our times of rest. How often do you find OVAs that are covertly educational? … if even for only five minutes.

DHR_4Always remember to never fear because Rem can protect you at night my friends. Nightmares beware and evil spirits run and hide… I know a dream hunter who will aid me in case I get an itch of fright. Sleep soundly, sleep tight and awake tomorrow to see the bright sunny light. A simple poem I dedicate to our beloved Rem, who forever will be our guardian of the nocturnal, have a good night and Amen … “Stars shining bright above you, Night breezes seem to whisper “I love you”, Birds singing in the sycamore tree, Dream a little dream of me.”

#166 : Stop!! Hibari-kun!

Be on the lookout for white alligators! … In essence Stop!! Hibari-kun! is like many screwball high school romance, or family comedies that can be easily overlooked. And with it being a Shonen Jump property, I am sure Stop!! Hibari-kun! goes more with High School Kimengumi in the overlooked pile being it is a sibling to more popular heavy weights like Dragon Ball, or more fitting Kimagure Orange Road (romcom over action). Gender identity, yakuzas, family and comedic sequences that stretch the boundaries of believed reality and science are what makes this 1983 TV series a laugh out loud insane asylum, though there is one joke I don’t see as all that funny, but I take it in stride.

SHk_1Every show of this category has it’s niche that defines the comical plot and undertones that define other characters actions. Stop!! Hibari-kun’s! has two with the first being that Hibari is an early example of an openly honest transgender character in anime. Through she is often referred to as he, or a crossdresser, or sometimes… a… ‘pervert’? For real? Men who decide to wear women’s clothes, women who like to be more masculine, or those beautiful souls who identify as trans are not perverts! Hibari as a strong willed character defends her identity with ease because she knows she is awesome at everything… literally, she is a prodigy at almost anything! Yet as someone who grew up not as confident, and also identifies somewhere different on the gender spectrum, ‘pervert’ was a word I often associated with myself for years and even decades out of shame and guilt. Times and attitudes may be changing, but sometimes personally, we all have to catch up to ourselves to a certain degree.

SHk_2The running joke of the cute ‘girl’ is really a ‘boy’… transwoman!… creates havoc on Stop!! Hibari-kun’s! other main protagonist Kosaku Sakamoto. After his mothers death he comes under the care of the Obari family, who happen to be yakuza, yet another layer to add to the plotline. Kosaku notices that old man Obari has only daughters and eyes onto Hibari… and then the secret gets out and this creates tension within Kosaku. Wow, she is adorable, but she is… this can’t be right… oh Kosaku… you know you want her! All the other boys at school are jealous that she likes you, but they see her as any other cis-girl. As even the opening credits says, color TVs have many shades of color and the same thing applies to boys and girls. If only Stop!! Hibari-kun! came out more recently instead of 1983, Kosaku may be more open to a relationship outside the cis-normative binary.

SHk_3Beyond the upsetting of traditional gender roles and stereotyping, the majority of Stop!! Hibari-kun! is the loaded with stock and trade high school, family and yes even yakuza antics that can ring true no matter the show… you have to laugh because this show is very funny. This of course includes the entire cast, which by show’s end must contain the entire population of the world of Stop!! Hibari-kun. The comedy, action and even certain characters go into levels of campiness and surreal insanity that kept me wanting each successive episode. What will happen next time?, top that?, or boundaries?… limits?… let‘s break them up! This is the advantage of using animation as a medium for comedy as why be subtle when anything, and I mean anything can be possible. Yet the most poignant moment of the show was Hibari meeting someone else who is also transgender, using the term newhalf. It gave her a sense of grounding and me as well that despite all the silliness, white alligators and insanity, we can also have a sparse moment that recognizes we are not alone even if we feel a little different.

SHk_4My biggest complaint beyond the use of the word ‘pervert’ was that Stop!! Hibari-kun ran far too short in the episode count. Just 35? I was getting warmed up, but alas certain show runs are often limited; I am fortunate we got we have that is available. This was a welcome entry both as a comedy and also as a show depicting someone who is transgender. I often wonder what happened to Hibari? Did she fully transition, or does she live fluidly, or something else? Maybe the manga has more to say on this… it often does usually. Don’t Stop! Hibari-kun!

Side note… the actors who played Kosaku and Hibari… Tohru Furuya and Satomi Majima respectively are husband and wife!

The Shonen Jump Revolution of 1986

A couple years ago I gave a panel with this very title, and I am trademarking it (LOL). I thought to myself why not include a paired down version here at CAM. 1986 was a landmark year for the shonen fighting genre and while it was not invented in that particular year, it without question rose to an elite status that garners even today a place at the top of the popularity polls in terms of genre. Three titles would cement this stature and rocket Shonen Jump from one of Japan’s top manga publishers into a brand that for many define what anime means for them.

The original panel covered a cross section of Shonen Jump material from the 1980s as padding to surround the eclipse point of 1986. I had to fill an hour and this also showed that Shonen Jump is far more than fighting anime alone. Titles as diverse as Baoh, Captain Tsubasa, Cat’s Eye, Dr. Slump, Kimagure Orange Road and more would be included bringing curiosity, laughter and smiles to the approximate crowd of 25 in the room. But the main focus of anticipation would be the holy trinity of 1986 and when I got to that particular year all ear perked up. Luckily for your I left hints in the header image… spoiler alert!

First on our list is a film… an adaptation of a 1984 TV series that is often considered the “Father of the Shonen Fighter.” Who’s your daddy? … Kenshiro … Good answer! Fist of the North StarHokuto no Ken… the ultimate struggle of good vs. evil, power vs. restraint and ying and yang with enough muscle and martial arts to satisfy a healthy diet of action. (For more indepth analysis click here.)

Next comes my unabashed favorite… very heavy bias, but I will spare the details on that. Any other Saint Seiya fans out there? A show based loosely on Greek Mythological themes with aspects of astrological significations, no wonder I am in love with this show. I was heard a description of Saint Seiya that went like this… “It’s like pretty boys in armor fighting while galaxies explode in the background.” Yeah, I can vouch for that. (For more indepth analysis click here.)

And the finale, one of the most popular anime titles of all time that still continues today. The original Dragon Ball, long before Z, is perhaps the prototypical, most influential Shonen Jump fighting series of all time. As a loose adaptation of the traditional Chinese story of The Journey to the West, Dragon Ball would add Akira Toriyama’s humor to create an unexpected ‘Heroes Journey’ narrative that stretched the bounds of adventure, comedy and one’s imagination. (For more indepth analysis click here.)

This of course is a theory, my own personal opinion, and if your view varies that is ok, but one cannot deny that 1986 can be considered an important step in the evolution of the shonen fighting genre’s popularity. For many years mecha was the king of hill in terms of shonen adventures, unchallenged and towering in strength. Then came 1986. Ask a majority of casual, hardcore, or even non-fans of anime about our love of Japanese cartoons and Shonen Jump anime adaptations often comes up in conversation. Shonen Jump anime is as much part of the zeitgeist of the landscape as much as Studio Ghibli, Pokemon, or whatever else is in fashion at the time. And it is to Fist of the North Star, Saint Seiya and Dragon Ball that we have to thank for not so much laying the ground work, but solidifying the foundation.

#165 : Wicked City

Our world is not what it seems. Beneath the surface of the apparent calm and modernity of our lives resides a more primal force. Do things go bump in the night where a shadow world coexists in parallel with our modern civilization? Indeed it does. While there are peace treaties between both the light and dark worlds, there are rogues who disturb this peace and give a bad name to the darker side of existence. Enter the Black Guard, a secret organization of humans who fight these monster terrorists of the shadow realms. For one Black Guardsman, our protagonist Taki Renzaburō, an assignment with a brand new partner to escort and guard an emissary to an upcoming peace negotiation would change his life forever.

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Wicked City, while loaded with eroticism and violence, is very tasteful and exudes style. As a Madhouse production we see a heavy emphasis on great line work, color, mood and lighting. Adding in the directorial style and character designs of action superstar Yoshiaki Kawajiri (Ninja Scroll, Vampire Hunter D: Bloodlust) we gain more to the overall package. While still an action film, Wicked City is so much more, like fine jazz with monsters and the supernatural, occasional nudity/sexual action and Kawajiri’s signature element of cool. If a B grade action movie, a horror film, and a passionate late night romance flick got married under the umbrella of animation we would get Wicked City. And the product would become a first class production… a sum of separates becoming greater than the whole, but still at heart a B-movie.

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Now with all the film-noir esthetic and the action you may think you have the entire plot and structure of this movie. Not quite. One might miss a very important element to Wicked City, though it’s hard not to. This is a genuine love story. A true romance based on bringing together two people destined for each other, yet from completely different backgrounds. “Two different fates, my love paramour, ooze out and away…” (any Cocteau Twins fans?). The bringing together of protagonist Taki with his new partner Maki (how cute, it rhymes) destines many great things for the future of both humanity and the dark world. Ironic that the match maker is an emissary for the human world, Taki and Maki’s assignment, who is one dirty old man who makes Dragon Ball’s Roshi seem tame in comparison. Oh Giuseppe Mayart, you’re such a character. Being part of the Black Guard may not pay much and includes a lot of risk, but you can meet your special someone if you take the right assignment. How’s that for job security?

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While the original Japanese track is quite good, I have a strong love for the English dub. As one of Streamline pictures best recordings in my opinion, Wicked City would be naked without the voice work Greg Snegoff’s adaptation of Taki. Do you remember Golgo 13 in The Professional: Golgo 13, or Scott Bernard from Robotech? Yeah that guy! Taki is my favorite role Greg ever played, almost as if it was tailor made for him. Mike Reynolds as Giuseppe Mayart is hilarious and much of the cast is very familiar if you have seen any other Streamline dubs, or even Robotech, you will hear many familiar tonal resonances from these characters. The debate of dub vs. sub, or older dubs vs newer dubs can be arbitrary. If it floats your boat, it’s the only ship worth sailing on.

WC_4Back in the day many of us in the west thought anime was more mature focused, heavy in action and that old cliche, “Not a cartoon… not kids stuff.” Wicked City was a target example of this trend, yet like the cream in one’s coffee, it rises to a slightly higher standard. Much like Fist of the North Star and Wicked City’s fellow sibling Vampire Hunter D… and I say this because because the original novel based on both Wicked City and Vampire Hunter D are products of author Hideyuki Kikuchi, Wicked City presents a story filled with action and mature themes, but also contains substance underneath the facade of being “bad-ass.” My personal favorite of Kawajiri’s work along with his direction on Phoenix: Space Chapter.