#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂

 

#73 : Super Dimensional Fortress Macross: Do You Remember Love?

DYRL_1Wait, wait, this is my favorite part… This is an often quoted statement when watching a movie you love. The thing for me is that for Super Dimensional Fortress Macross: Do You Remember Love? (jeez thats a long title) I say this throughout the whole film, or I have to shut people up so I can listen to each line of dialog. Wait a minute… I usually watch this film by myself… anyway… Do I remember Macross? I do. Do I remember love? I do. Do I love Macross? I most definitely do. Do I remember and love that most awesome movie adaptation Super Dimensional Fortress Macross: Do You Remember Love? I DO!

DYRL_2This sounds like a marriage ceremony with all these I dos, but in truth I am married metaphorically speaking to the original Macross. I don’t have a ring to prove it, so you have to trust me and as a mega fan of the original show, what is my take on the remake that was made for theaters in that magical summer of 1984? Well… it’s hard to be biased and/or objective, but it’s a masterpiece and a half. After all just look at it, no really look at it! NOW! That line work, the quality and care, the special effects and the fluidity of movement are some of the best of the decade. That and Haruhiko Mikimoto’s character design work is at it’s pinnacle here. Some have called it a labor of love as in my mind Macross was the first series made by otaku that ended up being for otaku at the time. It’s the ultimate space opera, mecha and romance story ever told wrapped in the prettiest of packages.

DYRL_3Now here’s a story, ‘do I remember’ (pun! on the title) seeing this the first time? Thankfully I do. Back in the days of VHS and being a bored teenager at the mall I stumbled into a Suncoast store and a tape caught my eye. Now mind you, my knowledge of anime was limited as I was a small town kid in the early 1990s here. I knew of and loved Robotech very much and when out of the blue I saw a tape labeled Clash of the Bionoids, I scratched my head. It looked like Robotech, it had the SDF-1 on the cover and some pictures in the back with Rick and Minmei. I was impressed and bought it. Upon watching it, three things happened. One, this was not Robotech. Two, the drawings looked much better than TV series. And three, it had this weird dub and everyone had different names? With no material to tell me anything I took a guess that this was the original Japanese Macross. I was right.

DYRL_4The plot is similar to the TV series except we start en media res with the Macross already in space and the sprawl of the shopping mall like city already installed. Minmei is in concert, Misa is with Claudia and Captain Global in the Macross’ bridge and Hikaru, Max and Roy are out in space doing their fighter jock best in those classic Valkyrie fighters going up against the Zentraedi armada. OK, par for the course, but what is different besides the already mentioned artistry? First, we get a glimpse of this possible Protoculture civilization, although it is in ruins. Perhaps it is the fabled Lemurian continent often quoted in many anime? And what is found there? A simple love song. A song that would eventually turn the tides of the battle, an established staple of Macross. Second, the budding romance between Hikaru and Misa is more poignant in this movie. The first serious kiss between these two when they were on Earth always makes me giddy. And third, going back to music, and even more epic soundtrack. Macross and music have always gone hand in hand, but this film takes it up a notch or two, ok three… actually four, lol.

DYRL_5On the flip side, I can see how dated this film is in some respects and often cries back to me a lost summer in the sun. The fashion and hair are of the period, but doesn’t it look good anyway? After all there was a quote I once read that the 80s was when anime and real life fashion and hair were one and the same. The inside of the Macross reminds me of how a shopping mall used to look like and in particular at the Holiday Season. Colorful, exciting and full of life. Malls nowadays look like badly branded race cars with corporate logos all over the place, run down and tired. Even with all this, the magic is still there as the optimism I remember growing up that the 21st century was just around the corner and new exciting things were on that horizon. I’m still patiently waiting for space travel and robots.

If ever an anime is to the likes of the biggest celebration, championship or awards ceremony where people say that this is the BIGGEST show in town and matters to the point that you have to be a part of it no matter the circumstances, then Macross DYRL is that anime to me. It’s an apex to my fandom, to a property that I would either marry on the spot, or take a bullet for. It’s the flag I wave proudly and it’s the movie that symbolizes what anime can be and what it once was and yet can still be again. It may not be to everyone’s liking, but I don’t care. It belongs to me and hopefully to you as well.

#9 : Aim for the Top! Gunbuster

Igunbuster1 want to preface this with a little Pink Floyd lyric… “Remember when you were young. You shown like the sun. Shine on You Crazy Diamond.” I can take this a couple ways in regards to Gunbuster. First it is a love letter homage to an era of anime and special effects shows from the 1960s to about 1980. This is Studio Gainax remembering the beauty of discovering such fantastic visual fun in their youth. But, I have to point out our main heroine, Noriko Takaya, as the second reason. In this six episode OVA everything and everybody to some certain extent got older and or eventually left the material plane of her existence. All except Noriko, who because of traveling so much in sub-space remains forever young and in the process missed out on being with most of her peers. How many times have you felt that no matter what you did, you could not share it with certain individuals you truly loved?

gunbuster2Gunbuster begins amid much promise and joy as sixteen year old Noriko Takaya is a new student at an Okinawa high school that specializes in training space pilots. She hopes to someday be like her father (an admiral who died while serving in space), like her idol the beautiful and talented Kazumi Amano and prove herself able to the Coach Ohta (COACHEE!). Right from the word go we are essentially brought into a shojo sports anime that passes itself as a sci-fi mecha series (Aim for the Ace+Yamato+Getter Robo+Top Gun (wait that’s a Hollywood film)=GUNBUSTAA!!). Who knew one had to train in robots and run laps, do sit-ups and various other forms of exercise. I thought our heroes just climbed into mecha and magically knew how to pilot them from instinct?

Gunbuster3As stated earlier this is a love letter, the real definition of “Fan Service.” Aside from a couple shots of the usual “Fan Service” this show drips references of the many series I listed earlier and more as cues to say this show is for you or us. You loved this show, this type of character, this scene, etc.? Gainax is a studio founded by fans after all and this is them paying homage to the highest degree. It’s anime about anime. And what makes Gunbuster special is the fact that yes, there are a lot of these references, but it also tugs at you over time. Similar to Evangelion or Nadia (both directed by Hideaki Anno) we start off in fun and games and eventually step into the darker side. But Gunbuster is not so much grim as it is poignant. Young Noriko grows up learning about falling in love, reconnecting with the her lost past and maturity in general. It has a sweetness that is missing from Evangelion or Nadia. And it is this tenderness that makes it hold up still today. Plus, the artwork and animation is gorgeous and handled with the greatest of care. Even the last episode fades to that old standard of black and white. The first time I saw it I thought something was wrong with my TV.

Now Studio Gainax aside, if there is one individual who makes this OVA very special for me, it would have to be the great Haruhiko Mikimoto. I love this man’s work (I DO!, I DO!, I DO!) and for me, nothing and I mean nothing tops his character designs. The elegance and grace that is apart of his early signature style shows true form here and I rank the designs as great as the work he did for the original Macross and Orguss. “I wish they all could be Mikimoto girls”  (to the tune of Beach Boys’ California Girls). There is always a certain twinkle in the eye of those who are conceptualized by my man, right?

Gunbuster4Gunbuster may have been the second official project of Studio Gainax, and the directorial debut of Mr. Anno, but it would set a precedent that would follow for this group into the 1990s. It also reflects back to those of us who were excited about the future and the possibility of traveling through outer space like it was driving down the highway and piloting large mecha… but alas all we have are smart phones and wifi, kind of a let down when you compare it to our utopian vision of the future. Still there is a possibility if we all believe it is possible and stay young in heart and mind. Let’s raise a toast to you Gunbuster… we love you. KANPAI!!!

#1 : Megazone 23 (part 1)

Megazone 23 could be my favorite one off OVA of all time. True there are two other parts, well three since part three is a two-parter. Megazone 23, the first one, the original, is in my mind enough of a self contained story in and of itself. After all “there can be only one!” It is a quintessential time capsule of the era (1985). Plus, to me, the open ended ending is priceless. If ever there was a production that had everything, and I mean pretty close to everything I look for in an anime, this is one of a select few I draw from my collection without a second glance.

Megazone 23 is far from the first anime I was exposed to, but I can say for sure it was the first that solidified me as an otaku. Before Megazone 23 I had a good working knowledge of well known titles at the time and that I was aware of: Robotech, Gundam Wing, Akira, Ghost in the Shell, Record of Lodoss War… you get the picture. Mostly well known popular stuff, quasi-casual may be a better term. I needed to locate more niche material. So I landed on Megazone 23 and Area 88, not a bad combination if I say so.

grab018277.pngBegun as a so called follow-up to a show most Robotech fans should be familiar with, Genesis Climber Mospeada, Megazone 23 had an interesting start. I often consider this show to be the true sequel to Macross (another nod to Robotech), if not in name, as it shares a majority of it’s key staff including director Noboru Ishiguro and character designers Toshihiro/Toshiki Hirano and Haruhiko Mikimoto (three men I have the highest of respect for). I won’t get into the historic details too much, but the production started off as a TV series with various working titles until the main sponsor pulled the plug. No money, big problem, what to do? Release it direct to video since that is a growing market and thankfully, that is what happened. Who knows how much of the plot was cut to fit it into an approximate 80 minute running time? But in the end who cares, it worked.

As for the story we have a young man (Shogo) who loves motorcycles, living in the world on his own who meets a girl (Yui) and then ends up meeting the mecha (Garland) and then a nemesis (B.D.) and then a 1980s equivalent to Hatsune Miku (Eve, Kumi Miyasato’s songs are great). Then all hell breaks loose as things begin to unravel much like a peeling onion. I often think of Megazone 23 as the ultimate growing up story where everything you have learned about life and reality is ripped from right under your feet.

6a7abe908923891d76f7a1ac5c7596c81436012095_fullBeing the fact that this production was released direct to video, it gave those who grew up with mecha as their preferred genre an even more “realistic” grown up story following the growing sophistication of epics like Gundam, Macross and Votoms. Of course the growing popularity of the fighting genre (Fist of the North Star, Dragon Ball and Saint Seiya) signaled an end to the television dominance of mecha. Zeta Gundam, also a 1985 release, is in my mind the capstone to an era in television where mecha grew in sophistication and serious subject matter that did not come back again until possibly Evangelion. Many of those who grew up in the 70s/early 80s now needed a new avenue to find material and in many cases material to match their growing maturity. Megazone 23 was in the perfect place at the perfect time.

And as for release in North America, there would be three attempts. First as part of Robotech: the Movie, which did not last long (even Carl Macek disowned it). Then came Streamline Pictures (Carl’s official release and a solid one) and finally ADV (the dub is totally rad man, hear it to believe it, but it is also a good effort). Both the Streamline and ADV release saw DVD releases, but are out of print.

Also is in some ways Megazone 23 can be considered an early cyber-punk release. Of course American cinema like Blade Runner and Streets of Fire were the bigger influences, but from Megazone 23 we would grow into the likes of Bubblegum Crisis, Akira and the early Masamune Shirow adaptations (Black Magic M-66, Appleseed, Dominion Tank Police) later in the decade. Speaking of Streets of Fire, released in 1984, the cast see it in the cinema during the story, talk about paying homage.

If there is one thing that bothers me about Megazone 23, it is how much another “Hollywood” property gets a lot of the credit for the concept of living in a manufactured society run by a computer, even though Megazone 23 told the story first, sort of. Director Noburo Ishiguro has mentioned how the concept is very similar to a couple of Robert Heinlein’s short stories, so Megazone 23 may not have been the first either. All told The Matrix may have sold the idea in a large scale both culturally and financially, but Megazone 23 will always be my tale for a controlled manufactured society.