The opening theme says it all, “Where are you going, when are you coming home?” … Atomic, biological and chemical weapons are all heavy duty in terms of destructive power… but this pales in comparison to dimensional weaponry. For a young and carefree pilot who ends up completing the arming sequence for a space time oscillation bomb, the consequences of dimensional weaponry would alter not only his life, but affect the entire structure of the Earth itself. Anything was up for grabs for this stranger in a strange land, yet how much of a sacrifice must he yield himself towards in order to return the world to equilibrium. It all began in the future of 2062, but we remember this tale from a mecha anime from 1983… Super Dimension Century Orguss.
Following up the success of 1982’s Super Dimension Fortress Macross, Big West advertising and Studio Nue would strike out again the following year with Orguss. Retaining much of the staff from the previous year including director Noburo Ishiguro, character designer Haruhiko Mikimoto and music composer Kentaro Haneda to name a few, Orguss would despite similarities adapt to change. Shoji Kawamori did not stay and the services of Tatsunoko, who did the heavy lifting of animating Macross, would be supplanted by Tokyo Movie Shinsha. Thus we have a slightly different product. As a Macross fan I am often jealous of Orguss as TMS in general always has a certain patina that cries quality in terms of line work and color palette. Orguss is for that time (and even now!) an attractive looking show, but what about the bigger issue? What of the story and the characters?
Speaking of characters, let’s start with our protagonist Kei Katsuragi. Fighter pilot, happy go lucky and the biggest ladies man I have ever seen, Kei is a complete 180 from Macross’ Hikaru Ichijo. He eyes all those who are cute to his ocular perceptions, but in the end he is ever faithful to the ones he is truly in love with. The series begins with him in an intimate moment with his girlfriend at the time, quite bold, which is interrupted by her father barging in with a shotgun. Not many times I have seen that to open a piloted robot show. And like Lupin III, he escaped unscathed to be picked up by his best friend and fellow pilot Olson (or is it Orson?). Together they are part of a mission to use the previously mentioned space time oscillation bomb in order to get rid of a space elevator. The mission goes awry, but Kei feels it is only right that the mission
Arriving in a parallel alternative Earth, which at the time he does not know, Kei is thrust 20 years into the future into a world born of his consequences. Here he meets friendly nomadic traders known as the Emaan, who oddly have tentacle like antennae coming out of the back of their heads, the aggressive Chiram, a militaristic society and Jabbi (I’ll let you figure out who he is!). All parties involved have interest in capturing, or obtaining Kei… why? Because he is the chosen one, or in more precise language the singularity (or, differentiated idioblast… what did you call me?) This makes him quite valuable on the market. So what are the issues that the Earth is facing in Orguss? First it is suffering from excessive heating, global warming to the extreme. And second, the mixing of races and landscapes on Earth are appearing from different dimensions due to the explosion of the previously mentioned space time oscillation bomb. Space and time are unstable and guess who is the one who can right these events? A little hint, he’s a womanizer fighter jock who happens to be named Kei! Now I know that name from somewhere? (sarcasm)
Oh Kei, look what you have done! Orguss is an interesting show in that we have a character that has to come to terms with fixing past issues that resonate with the present. Call it karma, fate, or what have you, Orguss is a show that strikes a chord as a mech show for a more mature audience looking for an alternative to the usual space opera of the time. Like Macross, we again have transforming mechs and a heavy romantic subplot which makes Orguss ever more enjoyable. Just be ready for the final climactic moment, as the scene appears to be very open ended, but from my eye brought in an element of the tragic, which really left me surprised… and a little teary eyed.