#98 : Urusei Yatsura 2: Beautiful Dreamer

UY2_1Imagine living in your own dream world; anything goes! This is your ultimate utopia and if you apply any boundaries, they are of your own choosing. Who would be in this dream world with you? What would you do together? Once upon a time there was a property by the name of Urusei Yatsura that during the 1980s was one of the hottest tickets around. This show (and the manga) put Rumiko Takahashi on the map and brought a young director by the name of Mamoru Oshii into the spotlight. Before Ghost in the Shell, Patlabor and even Angel’s Egg, Oshii would showcase his signature style for the first time in Urusei Yatsura 2: Beautiful Dreamer. 

UY2_2The year was 1984 and going to the cinema was the thing to do for an otaku. I consider 1984, the anime Summer of Love. The Macross crew would release Macross: Do You Remember Love and Hayao Miyazaki wowed audiences with Nausicaa of the Valley of the Wind. Mamoru Oshii, who at the time was the director of all that was Urusei Yatsura, followed the script so to speak… and then a second film with Ataru, Lum and crew allowed Oshii’s individual style that we know so well to blossom for the first time. With both writing and directing duties, Oshii would bring his contribution of Beautiful Dreamer into the class of 1984. Oshii’s dreamworlds began to be a part of our worlds.

UY2_3I will be the first to admit that I may not be the best reference for Urusei Yatsura. I have seen the first handful of episodes and have a general idea of the plot and all the hijinks  including the lecherous main character, Ataru, and his jealous love interest/who happens to be an alien Lum. You know Lum (I hope)? The bikini clad girl with the horns on her head… a timeless design. Now, what I am familiar with is Mamoru Oshii’s artistry which he uses tastefully in Beautiful Dreamer. He adds elements of surreal imagery and circumstances and completely bends the rules to what you consider a particular property to be. Think Patlabor 2 in regards to Patlabor as a whole, or perhaps the Ghost in the Shell film in regards to the original manga. He puts his philosophical and symbolic spin into action that only Oshii does so well. Like a skilled painter, his style is his own. And where Patlabor 2 and Ghost in the Shell can get very heavy into drama, being that this is a film is in the Urusei Yatsura universewe still retain the comedy and dynamism. Mamoru Oshii brilliant with fun and comedy? Oh definitely YES! 🙂

The plot begins with a school festival where everyone is pitching in with their own contributions, decorations and such. Many of the usual cast are putting together a cafe of sorts, which includes a tank in the middle of their particular classroom. Wait, a tank?! How did they get that upstairs? Anyway… events seem as if things are repeating themselves as various characters start to see that the reality of their surroundings keeps moving in a loop. If you travel, you end up back at the same spot and occasionally you lose contact with others. Just what is happening here? Eventually the entire world turns into a ghost town… on the back of a… turtle (it ties in with traditional Japanese mythology)? The only normality is the Moroboshi house, which becomes the safe haven for our cast since there is a constant supply of food, water and electricity for some reason. I’ll say it again, just what is going on here?

UY2_4Not being completely up to par with the Urusei Yatsura universe, I will be the first to say that I did not have much trouble following the film. Watching Beautiful Dreamer purely as an Oshii film worked well enough for me! There has been a Blu Ray release recently here in North America, but my viewing of this film came from a recent VHS find.  … Oh whatever has happened to you, oh great Urusei Yatsura? Rumiko Takahashi’s other work, Maison Ikkoku, Ranma and Inuyasha have all eclipsed this once behemoth property. Yet Urusei Yatsura you still live on be it YV series or movie adaptation in our memories… and even perhaps, our dreams…

#94 : Rainbow Brite

RB_1Magical girls are not mutually exclusive to Japan alone. After all the influence of the original magical girl Sally the Witch was based off of the character Samantha Stevens from the popular 1960s TV show Bewitched. But what if the west could create a property that pays homage to Japan’s homage to something that was in the west previously? Or, is it more like the Hallmark Card company gave a toy concept to the production company DiC and they thought, hey we can make her a magical girl? It doesn’t matter how it all happened, the only thing that matters is that it’s time to talk about a legend among legends. Miss Rainbow Brite herself… Hip Hip Hooray!

RB_2Before I begin I will be the first to say that Rainbow Brite is not officially an anime, but she belongs here at CAM. First she was created during the 1980s (1983 for the toys and 1984 for the first animated installment). Two, Rainbow Brite, at least according to Wikipedia, was broadcast in Japan as well as the west. Three, the preproduction was all American and French via DiC, but the heavy lifting, being the drawings and animation, was completely Japanese in origin via TMS (Tokyo Movie Shinsa). And not just TMS the company, but one of their best directors (and one of my all time favorites), Osamu Dezaki, worked on the show. Though this show looks nothing like Dezaki’s signature style. And four… number four… I love Rainbow Brite and since I am the boss here, the verdict stands. After all I need some more color and happiness around here. …and more 80s cartoons as well for nostalgia and to prove that my generation had awesome entertainment. 🙂

RB_3The premise is very simple… a little girl named Wisp is cast into a world of darkness and  meets up with various friends (the Color Kids and Sprites), a “magnificent horse, the glory of the galaxy” (Starlight’s got some confidence) and the powerful color belt to spread joy, happiness and color all over Rainbowland and our world as well. Together they hold back the naughtiness of the ill-behaved Murky and his second in command Lurky (HEY MURKY!!) by halting their plans of bringing gloom and darkness into the world. Can’t we all just get along here? This is yet another simple story of duality where our hero takes on an antagonist and triumphs in the end. Except we have it all in nice full color; I mean you would expect nothing less from a show titled Rainbow Brite? I think so. That and being a product of the 1980s, a colorful decade in more ways than one, expect nothing less.

RB_4So here is a fun exercise, in what ways does western Rainbow Brite differ to other magical girls of Japanese origin? Perhaps the biggest and most obvious, is the fact that Rainbow herself does not transform from a mundane identity. She is all who she is and lives in the wonders of Rainbowland and not in our world as some average middle, or high school girl. Therefore, she does not have the typical magic wand which aids in the transformation process. Rainbow has her fingers, loads of star sprinkles and the previously mentioned color belt as tools for her magic. As a character Rainbow is almost a mediatory between the later (1990s) hero type of magical girl, like Sailor Moon, and the contemporary (1980s) idol good girls of Creamy Mami and Minky Momo. What of these differences in the grand scheme of things? I say they are welcome!

Now here is a question… why only 13 episodes of content? I believe the initial episodes were more geared for direct to video while the later filled out a run for Saturday morning broadcast. Still, Rainbow Brite had possibilites here. Yet why cry over what did not happen and celebrate what did come to fruition instead. After all, Rainbow wants us all to have a great day. Actually, that should be more like… A GREAT DAY!

#78 : Saint Seiya: The Movies

Saint Seiya, oh how I love thee, let me count the ways… I can forgive many of the short comings of Saint Seiya. In essence, it is a run of the mill shonen fighter, but the inclusion of Greek mythology, astrology and heavy melodrama make it a heavy favorite for me. The original TV series I love dearly, the manga was great, the Hades Arc OVAs which finished the original manga adaptation was welcomed. A couple years ago, the company Discotek released a bunch of SS materials. I bought a few of these DVDs and here is what came of that purchase.

SS_M_1I will only make comment on the four SS films that were released from 1987 to 1989. All of these were released by Discotek and fall into my blog’s concentration on anime of the 1970s and 1980s. Several other productions would appear decades later, but these four titles will be under the spotlight: Evil Goddess Eris (1987), The Heated Battle of the Gods (1988), Legend of Crimson Youth (1988) and Warriors of the Final Holy Battle (1989). All four are out of canon to the original manga and ironically The Heated Battle of the Gods is an alternative to the filler Asgard Arc from the TV series. These films are more for fun and I am sure were created to keep the SS marketing machine going.

SS_M_2All four movies are very cliche and are so formulaic that I end up predicting the whole plot before the beginning credits. Though each film has it’s own pace and variation on the so called theme, or leitmotif of the fightype formula of successive adversaries leading up to, they all kind of go like this… A great arch enemy descends and brings five subordinates. In the process Saori/Athena either gets kidnapped, or wooed away (if this enemy is oh so charming and handsome). Then our five Bronze Saints begin there quest to save their sacred leader. Usually Pegasus Seiya goes first and then gets that crap kicked out of him, but defeats the adversary. Next comes Cygnus Hyoga and the process repeats and then we get to Dragon Shiryu. He as well falls after a great fight, but Shiryu ends up having his cloth removed because we all have to witness his owe so muscular chest. Seriously, watch any SS and this always happen.

SS_M_3Next we get a double feature with Andromeda Shun, the ‘cute’ one who is more of a pacifist, also falls victim to his adversary. And that is when Shun’s brother Phoenix Ikki shows up and says, “Yo, you be messin’ with my brother? I’m gonna mess you up good!” Then Ikki puts the smack down. Seriously, always bailing out your younger brother. When will Shun learn to take care of himself? Later, Athena falls into further peril and all five of the boys, though being deeply beaten, trek towards the final showdown to take down the big bad enemy. All five boys take a stand one at a time and then like a miracle of the heavens, the Sagittarius Gold Cloth appears. Of course it chooses Seiya every time and all the boys cry out “Seiya, Seiya” and after that… Seiya reborn to perfection and full of strength draws the bow to shoot the golden arrow to save the day. Then all is happy ever after. …you can’t make this all up?

SS_M_4Of the four films, three are 45 minute shorts so it makes sense that they are not the most deep in regards for plot. You are cramming a supposed arc into less than an hour! The third film, Legend of Crimson Youth, which is over an hour long, has a plot that bends the predictive formula and has a bit more drama and… is my favorite of the four. Plus, in this film, we see the resurrection and inclusion of the five Gold Saints who fell during the Sanctuary Arc of the TV series: Gemini Saga, Cancer Deathmask, Capricorn Shura, Aquarius Camus and Pisces Aphrodite. Gold Saints forever!, they add to the plot greatly. This was also a film which celebrated the 20th anniversary of SS’s parent publisher, Shonen Jump.

So in final, I would watch these one at a time and… Nothing is ever a substitute for that original Sanctuary arc of the TV series 🙂 These are, as mentioned earlier, sideline stories that are not a part of the original plot so take these for what you will.

#75 : Nausicaa of the Valley of the Wind

Mention the name Hayao Miyazaki today and you will be told he is the king of the world in regards to anime. Now imagine mentioning Hayao Miyazaki’s name in the spring of 1984 and the otaku world would say that this guy is the new rocket in town and he has his sights set on the stars and the infinite beyond. The film adaptation of his manga, Nausicaa of the Valley of the Wind, did more than move the masses and set the ground work for the future of Studio Ghibli. Miyazaki would present us with one of cinema’s greatest and most honorable heroes.

Nau_1Nausicaa of the Valley of the Wind cemented Hayao Miyazaki into super stardom and led to the formation of Studio Ghibli. He had been in the anime business for almost a couple decades by this point, but this one film changed everything overnight. So am I saying that Nausicaa is that powerful? That this is a film that can change destiny? Uh huh! And why is this? Two reasons. One, Nausicaa grounded fantasy and sci-fi so to speak (as did Fist of the North Star, also 1984). This is not about spaceships, or laser blasters. It’s about our Earth’s environment, the aftermath of great devastation and the corruption of those who don’t work in accord with their natural environment and within themselves. Which to be honest, is one and the same; as above so below. But more importantly, it’s about the heart. Miyazaki can pull your heart strings like few others and Nausicaa represents a spirit more often needed in anime or entertainment in general. This movie was ready at the right time.

Nau_2Now… what about our hero, Miss Nausicaa? How can you not love her? She is a role model for everyone who has a way with animals, an understanding of nature and a love of flight and freedom (so Miyazaki). Her powers can tame the wildest of beasts, build a garden from what many consider poisonous plants and fly a glider like a bird. Yet she is vulnerable as well because she is surrounded by factions that want to shake her standing on what she believes in and what is right to her. Despite these controversies she holds her ground and stays honest to herself and she knows how to get her hands dirty when needed. A princess and yet a tomboy who follows her heart… so noble. She would be the first in a line of strong female characters that Miyazaki would bless us with. Kiki (Kiki’s Delivery Service), San (Princess Mononoke) and Chihiro (Spirited Away) are all representative of the Miyazaki heroine archetype.

Nau_3Miyazaki has always been the showman compared to his partner in crime, Isao Takahata. Yet when Miyazaki goes into a more serious direction, he does not slouch. Even at this early stage of his career, he still showed the ultra professionalism that oozes from his work. This was a time where fame and fortune was just around the corner and he was hungry to prove himself as an auteur and while he did direct the awesome Castle of Cagliostro, Nausicaa would be his first total vision. But he needed help and various names are linked with this film. Takahata produced, a young Joe Hisashi provided the epic score (which reminds me of his then current work on Mospeada and Birth) and Hideaki Anno, years before his time at Gainax, would be a key animator during one of the climactic scenes (I am not saying which one 😉 ).

Nau_4Nausicaa of the Valley of the Wind is more than just another anime title, or even one of Miyazaki’s best films, it is required viewing. You call yourself a fan of anime? Let me see that you have seen this movie? Yeah I figured you have 🙂 as my readers have good taste. A timeless classic worthy to be in any collection, unless it is the Warriors of the Wind release (I have never seen that one). To Hayao Miyazaki, I thank you for making this movie that has made generations of fans cheer, cry and believe in a greater good. While many productions in the 1980s mark the times that they were made in, few can be considered eternal classics. Nausicaa of the Valley of the Wind is and always will be a permanent classic.

#72 : Fairy Princess Minky Momo: La Ronde in my Dream

LRinD_1Fairy Princess Minky Momo, the TV series, is one of those backlog shows that I have been wanting to see for quite a while. Alas, I have only come across the first episode with English subtitles up to the writing of this review, but the follow up OVA of 1985, La Ronda in My Dream, is easier to obtain. So I suppose I will start my foray into Minky Mono-land with this production. This reminds me in a way to GoShogun, a mecha series from 1981, where my only exposure has been to the Goshogun: The Movie (a recap) and GoShogun: The Time Etranger (one of my all time favorite anime). And the irony, in two points, both shows are from the studio Ashi Production and the main female protagonists (Minky Momo and Remy Shimada in Goshogun) are voiced by Mami Koyama (again a favorite). Could be coincidence, but maybe not?

LRinD_2The story begins by giving an overall plot overview, which then cuts into a concert that Minky’s parents are attending. She of course is backstage helping perhaps one of the performers, or even a patron’s pet cat (Minky Momo and family have a pet shop and vet clinic). The promoter soon rushes in to announce that the main star of the show will not be appearing and Minky Momo has an idea and tells him she knows somebody. Now since this is a magical girl show, it’s time to reveal Minky Momo’s transformational powers. She can turn from her usual 10 year old self (I am guessing her age) into a variety of heroic versions of herself (kind of like Cutie Honey), but at about the age of say 18-19. So the star of tonight’s show will be none other than Minky Momo herself, though no one really knows her secret (well except her three animal friends). And much like the magical girls of Studio Pierrot, Minky Momo is now a musical idol, if only for this song.

LRinD_3The musical number was a hit and now comes the drawing for a couple’s vacation to the South Pole. How romantic, more like ironic (too cold for romance, but then again you can be close to each other for warmth?). And low and behold, Minky Momo’s parents win! What a surprise, so it’s time to pack up because our magical girl is going to have the house to herself. PARTY!!! But wait… when all seems to be going good, except you burnt your breakfast Momo, the TV announces that the plane with Momo’s parent had crashed over an island that has been having some weird issues as of late. In no time, Momo and her animal crew get into the Gourmet Pop (car and trailer combo that can FLY!) and head out to find what has happened. So begins the fun! Just be ready to meet an island of children and their leader… Peter Pan! And no Captain Hook or Tinkerbell, fyi.

LRinD_4Interesting is that this OVA was brought over to the west eons ago from Harmony Gold (yes they did more than Robotech) and known as Gigi and the Fountain of Youth. It’s a solid adaptation, but in terms of the 80s I am sure Gigi would have gotten lost to bigger names like Care Bears, My Little Pony, or Rainbow Brite on this end of the world. I never heard of this version until recently, but I am sure some of you out there may have had this on VHS. And speaking of Rainbow Brite, Minky Momo reminds me of the star sprinkle carrying cherub faced creation of the Hallmark Company. Both girls try to spread joy and happiness and use magic and though they are a little different, they are both welcome to help me on a tough day. The 80s, bright colors and magical girls… I miss my early youth.

I want a slice of fun with an accent on the cute; I get my cake and I eat it too! Minky Momo, girl, you need more presence, more love, more in general. After all, you brought the magical girl genre into the 1980s and along with the likes of Creamy Mami, evolved it into a more modern context well before the behemoth of Sailor Moon. Ms. Momo, you will always have my deepest respect and La Ronde in my Dream is an honorable and solid title needed for any collection.

#65 : Beast King GoLion

GL_1“Hey mom! When I grow up I want to pilot a robot lion and save the universe from all the bad guys. And then I would have four other teammates who also pilot lions and guess what? All five of us would form this gigantic behemoth of a robot. And… and from the hands, which are lion mouths by the way, a sword would be formed that could be our fail safe final weapon to save the day.  Wouldn’t that be totally awesome mom?”… “Yes dear, but don’t forget to eat your green beans.”… “Yeah… ok. I wonder if the five pilots from Beast King GoLion had to eat their green beans too?”

FGL_2rom days of long ago… about 1984. From unchartered regions of the universe… my childhood basement. Bore a future otaku… THAT’S ME! We can all point to our genesis point, our first experience, or to be blunt… the anime we lost our so called otaku virginity to. Beast King GoLion was my first lover so to speak under the guise that many of my age will remember with nostalgia as Voltron: Defender of the Universe. I was five… so young, innocent and impressionable. And what I got was fantasy, sci-fi, fairy tails and giant robots. What a combination, plus, character designs and drawings that looked a little different and set a standard to me as to what a cartoon should be. And when it came to sci-fi of the time it was Star Wars vs. Voltron. Voltron and anime won out for me 🙂 And even though the show was edited and censored here in the west, there was enough of an itch, to keep the scratch of curiosity alive in me.

GL_3Now much further ahead in time… when the announcement that the original GoLion series would be released here in the States, I immediately knew I had to see it and purchase these DVDs. This was a no brainer, I mean after all I needed to see what the 1981 original show had to tell. And in many ways I wanted to see what was different in terms of plot, edits and characterization. And while the advertising hyped up that the original Japanese version as more violent, I found that to be very limiting in scope. That kind of target marketing is what keeps the kind of mindset of entertainment in a very immature state. But needless to say, if I did witness these more intense scenes as a youth who knows the damage that it could have done. But, then again, I also witnessed the death of Optimus Prime in the original Transformers: The Movie, Watership Down and Toei’s 1975 adaptation of The Little Mermaid and became in the end, a fairly functional and healthy individual.

GL_4So is GoLion better than Voltron? Not so much better (as what defines better?), just more concise. And much like Voltron’s other sister series, Diarugger XV, GoLion flows better as a series as plot points make so much more sense. And yes, people die sometimes and don’t go to the hospital planet. Still this is a basic story of five guys from Earth getting kidnapped and then escaping from the evil Galra Empire to crash onto planet Altea where they meet a really pretty princess, her ward and a group of space mice that hold guard to the great robot champion GoLion. And it turns out that GoLion needs five pilots to operate, what a coincidence! After all GoLion is kind of like a play on the word go, which in English is to move and in Japanese is the number five. Reminds me of Mach Go Go Go, you know Speed Racer. Eventually one of our heroes succumbs to the Galra empire and our lovely princess takes up the charge and joins the team. It’s a brilliant fairy tale adventure told through a sci-fi mecha lens.

For my generation GoLion became a right of passage, but the one issue I have with the show is the fact that it becomes a standard to draw towards. In other words… a brand. GoLion/Voltron is great and if it is one of your favorite mecha shows all the power to you, but just remember there are other shows that are just as great, maybe even better, that are available if you open up to them. Still if it wasn’t for GoLion, Voltron and the fall of 1984 in kindergarten class, this blog would never exist. Classic Toei animation at it’s best… Go Go GoLion.

 

 

#63 : Kimagure Orange Road

I have seen what could have been my ideal youth… should have been my ideal youth… could never be my ideal youth. And that is OK as this was never to be my own story, but a story about a young man of fifteen years of age having the best time of his life (wait till you get to 30 kid!). This is a TV series I could have seen earlier… should have seen earlier… could only appreciate to it’s fullest extent seeing it recently. The 48 episodes of joy known only as Kimagure Orange Road.

KOR_1Along with Touch (1985) and Maison Ikkoku (1986), 1987’s Kimagure Orange Road solidifies a trifecta of ‘shonen’ romantic comedies. And I am quoting ‘shonen‘ since Maison Ikkoku is considered ‘seinen’, but all three tell the story from a young man’s point of view regardless of the age demographic. KOR, for the record, has two distinct differences. First, there are fantasy elements, since Kyōsuke and his family are espers and can levitate objects, teleport, or create illusions. Thankfully this is used sparingly and in good measure so it does not become too much of a cliche. The second, KOR’s original manga was shown in Weekly Shonen Jump. And for a publication known primarily for fighters, it shows the diversity that the publication can offer when it allows.

KOR_2Our story begins simply… climbing a large staircase up a parkside hill, our protagonist Kyōsuke Kasuga catches a large red hat floating in his general direction. When he reaches the top he sees a girl, with long flowing black hair and they both discuss whether the staircase has 99 or 100 steps. That girl, Madoka Ayukawa, becomes the apple to Kyōsuke’s eye almost immediately. I mean why not, she is self confident, tough, a bit aloof and yet downright feminine and gorgeous. And thats all and good, except Kyōsuke has an admirer of his own after an amazing trick shot with a basketball (using those powers again!). Cute and peppy Hikaru Hiyama is obsessed with her ‘Darling’ Kyōsuke and with conflicting feelings Kyōsuke likes Hikaru, yet deep down he knows he truly loves Madoka.

KOR_3Mix this main trio with Kyōsuke’s younger twin sisters, his father, his two friends, a jealous admirer of Hikaru (poor Yūsaku) and cool headed Master, the head of ABCB (the main hangout of the cast) and we have enough ‘Kimagure’ happening on the ‘Orange Road’. Oh yeah, don’t forget Kyōsuke’s cousin Kazuya who shows up later in the show! Now even though this show is known for comedy and the unexpected, I often felt a very cool, relaxed and laid back feel to the show. I can only take so much slapstick (maybe because I am not that fun, NOT TRUE) and much like music, it’s the silences, the rests, where the true humor. Almost as if everything builds to the punchline and when it hits you are ready, but also surprised. Sophisticated in a way and well written. Plus the romance between the main trio is almost platonic and casual since Kyōsuke, Madoka and Hikaru are all friends, classmates and a bit nervous to admit their true feelings (like many of us).

KOR_4One final thing I have to thank this show for is a great and solid ending. It takes two episodes and kind of puts everything back into full circle. For a show that is not very linear, this finale is like whipped cream with a cherry on top of an ice cream sundae. I ate it all up. And for something completely different (I mean why not?)… I usually love opening sequences and themes from the 80s. The second opening for KOR, which features the song Orange Mystery, is set in a artsy MTV video setting. It’s totally rad! and it may be my favorite opening of all time as I find it satisfying beyond words. In fact I want to watch it again… hang on a second…

What started years ago as an experiment involving a couple of episodes has finally become a finished goal. Kimagure Orange Road may be a well known cult classic, but it was one of those old titles that was on my back for a long, long time. I always viewed it as one of those key shows that was important to get under my belt, at least from my eyes since it had a fairly positive reputation. So now that weight is off my back and the feelings I gained from it are now deep in my heart. Kimagure Orange Road is magic, in more ways than one.