#149 : Space Fantasia: 2001 Nights

How hard do you like your sci-fi? Aliens, fancy costumes, or flashy warp driving all around the universe have a place, but for this entry I will to put all that into a corner for just a moment. Let instead examine something more humane, slower paced and based in a probable future reality with technology that seems just around the corner. Something more based on the likes of Issac Assimov, Arthur C. Clarke, Robert Heinlein, or Stanislav Lem. In 1987 a now rare and often over looked one off release would provide answers to the questions stated. I present you with Space Fantasia: 2001 Nights.

2001N_1What if 2001: A Space Odyssey, or Solaris (and I am talking the original Soviet version) could have their essences juiced into the form of 1980s Japanese animation? Space Fantasia: 2001 Nights is beautiful looking for a simple OVA, with those Akio Sugino characters and the craft of TMS (Tokyo Movie Shinsha), that speaks of science fiction for a more mature palette. Yet 2001 Nights does not hold a candle to Kubrick’s 2001 or Tarkovsky’s Solaris, but it works in a more limited space. Both of these live action films in my opinion are sublime masterpieces though also very slow and tough to swallow at times. True auteur genius at work! So an outright comparison may be unfair, but it will be a starting point. On a personal note 2001 (Kubrick’s) is still one of my all time favorite films so when I found an anime called 2001 Nights I had to give it a try. And what I found was a story about hope, ambition and struggle all guised under the moniker of the true bond of love within one’s family.

2001N_2Could this be an odd play on the story Swiss Family Robinson? The story of 2001 Nights surrounds a family named Robinson… suprise. We begin with a married couple who volunteers frozen sperm and eggs that are sent on a far intergalactic voyage to populate a new planet since Earth is in it’s closing chapters. All the eventual offspring travel aboard a spaceship tied to a comet… a very clever way to travel. One by one the children are born giving a final total of 23, that eventually is cut by one due to a contracted illness. Once the spacecraft lands these 22 children are given an unspoiled utopia of a planet, a natural sight to be seen. The Robinson’s meanwhile have one child on Earth as well and he eventually plays into the role of the plot that by the end all becomes full circle.

2001N_32001 Nights shows a true testament of faith and belief in something higher than one’s self. A spiritual essence that we are not alone and someone is always watching out for you. And not whatever you call “God”, or aliens, but something more simple. Call it just mom and dad, or big brother. All life begins with a dream and in 2001 Nights the dream of growing beyond the limitations of a polluted Earth to start again fresh and unspoiled takes the ultimate paramount. Man playing “God”? Or maybe Man as the divine image of the essence of “God”, the universe, the great creator just continuing the very process that very beganoh so long ago. A new “Genesis” perhaps in the garden of not Eden, but Ozma instead?

2001N_4Originally based on the also named manga of 2001 Nights, the anime version takes a small bite out of the much larger story. Or perhaps, this is one plot interspersed in with several more that may end up all being one story in the end? The Robinson family’s tale is among these stories and I can admit this as I have a fragment of the 2001 Nights original release from VIZ. Some say the manga is better, but if you take the time to rewatch this hour long OVA a couple times, and connect the dots from previous viewings, you will begin to see the magic unfold. 2001 Nights is a treat and a blessing to those of us who still yearn for science fiction, space travel and wondering what is out there in the big unknown darkness, but have grown to accept more mature storytelling tastes.

#130 : Chie the Brat

ctb_1If there is one truth of Isao Takahata, is that he is a master storyteller who uses the most basic fundamentals of human relationship dynamics. Takahata’s partner in crime at Studio Ghibli, Hayao Miyazaki, can wow a crowd with his knack for showmanship and feeling. Yet Takahata’s work is more reserved, quieter and yet it has a charm that Miyazaki just can’t touch. In the handful of years before the founding of Studio Ghibli, that being the early 1980s, Takahata would help to create a couple gems that equal, or even at times, surpass, his work at Ghibli. The first of these was the adaptation of the manga Jarinko Chie, translated as Chie the Brat.

ctb_2Now you can say Chie the Brat is a story about everyday life in Osaka. I have come across this idea in many places, but I think this movie can mean something else. This is a story about one character, one girl, and the world she both lives in, but also the world that she has influence over. Often times we may ask ourselves what purpose do we hold in our mundane activities in this world? Many of us are not famous, or even our popular, but still we all have an impact that spreads like a ripple in water from a thrown stone. Our actions and the people we meet all create change in small, yet subtle (or even major) ways that become something greater. So a story about Osaka? Yes, but then again Chie the Brat can be a story about any town, anywhere and anyone. It’s a story about all of us no matter who we are, or where we come from!

ctb_3Let’s meet our protagonist, Chie Takemono. A working class girl, who is quite bright and intelligent, yet schooling takes a back seat as she is more often cooking skewers at her father’s little hole in the wall restaurant. Where is dad, Tetsu? Out gambling from borrowed money from his father and getting into trouble with the local syndicates. Now what about mom, Yoshie? Separated from Tetsu at the moment and occasionally she gets a visit from Chie. True Yoshie loves Tetsu, but Tetsu needs to straighten up a little. A slightly dysfunctional family? Yes, but not a cynical way. Like most relationships it an get difficult, but usually there is a compromise, or maybe perhaps a glue that can hold things together, or make things work. And of course the is Chie’s job. …Hang on a minute I forgot about someone. I can’t leave out Kotetsu. He is the ultimate and coolest character in the whole movie simply because he is a cat. A cool cat, a street fighter who is a sweetheart and Chie’s adopted friend. NOW! the family is complete.

As I mentioned before about how this film is about the influence one of us has on others that surround us, I can’t help but see a Pollyanna quality to the story. Yet Chie is not too overly optimistic, she has a little chip on her shoulder, but that’s what makes her truly… human. She has heart, but a little of an attitude. She may not be the prettiest girl on the block, but she has a beauty that is rare. She may not be perfectly book smart, but she has a strong connection with her gut intuition, which to be honest is more important than knowing outright ‘facts’. It would be interesting to see the story beyond Chie’s years of youth because if she can harness those qualities she could become a very successful adult.

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So yet another gem helmed by the venerable Isao Takahata. This entry covers the film version, but there was also a television series that began the same year of 1981 (in case you need more Chie in your life). I don’t think Takahata was affiliated with the series, but I could be wrong. I had enough of a time getting my hands on this film version and graciously I was happy to get the chance to have the opportunity to watch this one. I rank Chie the Brat highly as one of Takahata’s best films if not his best (depending on my mood and the day of course). If you can find this one I won’t recommend you should watch it… I demand you watch 😉