1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

#72 : Fairy Princess Minky Momo: La Ronde in my Dream

LRinD_1Fairy Princess Minky Momo, the TV series, is one of those backlog shows that I have been wanting to see for quite a while. Alas, I have only come across the first episode with English subtitles up to the writing of this review, but the follow up OVA of 1985, La Ronda in My Dream, is easier to obtain. So I suppose I will start my foray into Minky Mono-land with this production. This reminds me in a way to GoShogun, a mecha series from 1981, where my only exposure has been to the Goshogun: The Movie (a recap) and GoShogun: The Time Etranger (one of my all time favorite anime). And the irony, in two points, both shows are from the studio Ashi Production and the main female protagonists (Minky Momo and Remy Shimada in Goshogun) are voiced by Mami Koyama (again a favorite). Could be coincidence, but maybe not?

LRinD_2The story begins by giving an overall plot overview, which then cuts into a concert that Minky’s parents are attending. She of course is backstage helping perhaps one of the performers, or even a patron’s pet cat (Minky Momo and family have a pet shop and vet clinic). The promoter soon rushes in to announce that the main star of the show will not be appearing and Minky Momo has an idea and tells him she knows somebody. Now since this is a magical girl show, it’s time to reveal Minky Momo’s transformational powers. She can turn from her usual 10 year old self (I am guessing her age) into a variety of heroic versions of herself (kind of like Cutie Honey), but at about the age of say 18-19. So the star of tonight’s show will be none other than Minky Momo herself, though no one really knows her secret (well except her three animal friends). And much like the magical girls of Studio Pierrot, Minky Momo is now a musical idol, if only for this song.

LRinD_3The musical number was a hit and now comes the drawing for a couple’s vacation to the South Pole. How romantic, more like ironic (too cold for romance, but then again you can be close to each other for warmth?). And low and behold, Minky Momo’s parents win! What a surprise, so it’s time to pack up because our magical girl is going to have the house to herself. PARTY!!! But wait… when all seems to be going good, except you burnt your breakfast Momo, the TV announces that the plane with Momo’s parent had crashed over an island that has been having some weird issues as of late. In no time, Momo and her animal crew get into the Gourmet Pop (car and trailer combo that can FLY!) and head out to find what has happened. So begins the fun! Just be ready to meet an island of children and their leader… Peter Pan! And no Captain Hook or Tinkerbell, fyi.

LRinD_4Interesting is that this OVA was brought over to the west eons ago from Harmony Gold (yes they did more than Robotech) and known as Gigi and the Fountain of Youth. It’s a solid adaptation, but in terms of the 80s I am sure Gigi would have gotten lost to bigger names like Care Bears, My Little Pony, or Rainbow Brite on this end of the world. I never heard of this version until recently, but I am sure some of you out there may have had this on VHS. And speaking of Rainbow Brite, Minky Momo reminds me of the star sprinkle carrying cherub faced creation of the Hallmark Company. Both girls try to spread joy and happiness and use magic and though they are a little different, they are both welcome to help me on a tough day. The 80s, bright colors and magical girls… I miss my early youth.

I want a slice of fun with an accent on the cute; I get my cake and I eat it too! Minky Momo, girl, you need more presence, more love, more in general. After all, you brought the magical girl genre into the 1980s and along with the likes of Creamy Mami, evolved it into a more modern context well before the behemoth of Sailor Moon. Ms. Momo, you will always have my deepest respect and La Ronde in my Dream is an honorable and solid title needed for any collection.