#114 : Space Runaway Ideon

Space. The universe itself is vast and beyond scope. Space opera as a genre is also larger than life, but often you can hold it in the palm of your hand. Themes and characters are bigger than life, but still relatable on some level. What if space opera could represent something even bigger than just off hand spaceship battles, or fun times trekking through the deep vastness of the beautiful great void. Can space opera encompass the function and consequences of the living universe, call it ‘God’ perhaps, depending on the actions you and your civilization make? After finalizing Mobile Suit Gundam, Yoshiyuki Tomino and Sunrise would gives us an answer in 1980 with Space Runaway Ideon.

Ideon_1Space Runaway Ideon may be the most epic and most importantly, the most sublime sci-fi epic in existence within the realm of Japanese animation. Gundam is one thing, Legend of Galactic Heroes is another, but Ideon is it’s own animal. Ideon ventures into unique territory in terms of emotion, intensity and characterization. Known often as a series where everyone and everything dies (Kill ’em all Tomino!), the true meaning of this series is so much more. The death and sacrifices are all consequences and actions of conflict and hatred. This of course is a product of ignorance and xenophobia to an extreme that once the negativity reaches a certain point, the only option left is total and complete destruction.

Ideon_2Even with all this seriousness one must remember that Space Runaway Ideon is first and foremost a mecha show. And what a giant robot indeed (105 meters/344.5 feet for a height), the Ideon is imposing beyond belief and is one of two mechs that literally scare the $h!& out of me (the other being Giant Robo). This is not so much for the overall size or power, but more so on the presence a mecha exudes. It’s about total respect. All this from what looks like a mix of a Gundam’s GM and Gun Cannon added together on a heavy dose of steroids. Literally… as this is a robot that can split a planet in half. This is power beyond power, almost ‘God’ like, hence why I give the Ideon such respect.

Ideon_3Beyond the drama and the Ideon robot itself, Space Runaway Ideon like many of the best mecha shows is about the relationships of it’s cast. And like many Tomino shows, this cast is large. Our story concerns two factions that make contact on a planet in the Andromeda galaxy. Earth based humans like us have begun colonization on the planet which they call Solo. Beyond the colonization, many of the scientists and researchers have discovered several artifacts from a past civilization including three huge truck like vehicles and a buried spaceship. The second faction known as the Buff Clan (yes that is their name) are on a mission to locate the legendary power of the Ide. They come upon this same planet, which they call Logo Dau and eventually both civilizations meet. In response, both sides start a conflict showing the darkest side of human interaction towards someone or something that is unfamiliar, or different.

Sadly Space Runaway Ideon would be become a victim of cancelization, most likely due to a lack of ratings not unlike the previous year’s Mobile Suit Gundam. This left several holes in the plot and a rushed ending. All the build up of 38 episodes led to an ackward final 39th. Yet the story was not over for in 1982 two movies would be released to finish the story properly. The Ideon: A Contact would act as a review and prequel to the awesome and powerful The Ideon: Be Invoked. I highly recommend both movies if you want to get the whole story of Ideon.

Ideon_4To conclude with Space Runaway Ideon, let us examine a quote by Albert Einstein… “The most important decision we make is whether we believe we live in a friendly or hostile universe.” If that decision in the end is a hostile one, there is nowhere to go except toward ultimate destruction… think about it. This applies not only to anime space opera, but also our lives as well. Similar to, but not the same as Evangelion, Ideon addresses the power of how we sometimes view our environment and ourselves and what happens in regards to how we react toward it. Space Runaway Ideon was and still is a show beyond any experience I have known and I will always count it as one of my all-time favorites.

#103 : Horus: Prince of the Sun

Horus_1I often wonder, was Horus: Prince of the Sun ‘born under a bad sign’? Many circumstances attempted to derail this early gem of the modern era of Japanese animation. It went over budget, it took more time to finish and even the parent animation company of Toei and it’s producers wanted to shelf this film. Why? This film had and even still has so much potential; it took chances and sounded a battlecry for a new generation of animators. And there in lies the answer as Horus: Prince of the Sun attempted to break free of the conservative standards of the day by telling a different story in both concept and direction. The results of this would honor Horus with critical notoriety over the years as one of the crowning achievements of the 1960s.

Horus_2By 1968 Isao Takahata had become a solid veteran in the animation industry and gained a reputation as a leader of those younger up and coming members of the industry in the 1960s. With both TV and film work of various degrees under his belt there was one achievement that this young man had left to fulfill and that was to direct a feature film. This opportunity came, but at a price. As mentioned before from the start this movie had some nasty karma associated with it. Producers at Toei, money and time all had a hand in stopping this film, but Takahata with his quiet demeanor and steadfast approach to being a director made sure that this film would get made, finished and then released.

The major controversy of this film can be traced into the story itself. The Norse mythology and look that was used was nothing more than a cover for another story that existed underneath. Japan’s native population, the Ainu, had for generations been looked down upon yet their culture was rich and diverse. A new generation wanted to adapt a traditional tale of the Ainu and present a more serious subject matter to give animation a more mature option. Both progress and change are a part of civilization and this new generation of artists and animators wanted to be at the vanguard of this movement. This was the 1960s after all and be it America, Europe, or Japan, the youth of the period were questioning and protesting against the rules and the establishment of their day.

Horus_3The story is a quintessential tale of the ‘Hero’s Journey’ (all hail Joseph Campbell) where our young hero Horus, sometimes translated to Hols, must integrate into the greater whole of civilization. This is a common theme I find in Takahata’s work and both sides of the extreme can be seen in Grave of the Fireflies (going against society and/or being ignored by society) on one end of the spectrum and Pom Poko (the community coming together for a common concern) on the other. Horus soon settles into a town and becomes a local hero after conquering a giant pike (fish) that prevented fish from being a food source to the local people. Soon afterwards he meets a wayward girl, Hilda, with a mysterious and unknown past and a large, very large, chip on her shoulder. Hilda is quite a complex character and her relationship with Horus is complicated and becomes a key element for the plot of the story as the film progresses forward.

Horus_4Horus: Prince of the Sun not only took more seriously the storytelling, but also on a technical level, the animation itself. This film amongst other examples of the era raised the standard of the quality of Japan’s output. Disney was the standard and Horus: Prince of the Sun is on par with the quality of the venerated classic Disney films. In certain aspects it excels, in particular with the action sequences with the pike fight and the final showdown. Of course Japan has always had an edge (my opinion) in regards to action and the movement and fluidity required to make those sequences work.

This is a film that has taken a few views on my part to fully appreciate the greatness to what Horus: Prince of the Sun truly is. Due to the issues with the production of the film it has it’s own way of unfolding the plot, which took me a little getting used to, but once I understood the whole of the scope of this film I came to love this movie. It’s classic Takahata and I recommend you to watch this one at least once to see where anime once was, where anime was going and see where this film has left it’s influence today.

… on a personal note, I dedicate this posting to the memory of Isao Takahata who passed away recently. Thank you good sir for your work and I for one will never forget the stories you shared with us all.

Isao Takahata
Oct 29, 1935 – Apr. 5, 2018

#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂

 

#78 : Saint Seiya: The Movies

Saint Seiya, oh how I love thee, let me count the ways… I can forgive many of the short comings of Saint Seiya. In essence, it is a run of the mill shonen fighter, but the inclusion of Greek mythology, astrology and heavy melodrama make it a heavy favorite for me. The original TV series I love dearly, the manga was great, the Hades Arc OVAs which finished the original manga adaptation was welcomed. A couple years ago, the company Discotek released a bunch of SS materials. I bought a few of these DVDs and here is what came of that purchase.

SS_M_1I will only make comment on the four SS films that were released from 1987 to 1989. All of these were released by Discotek and fall into my blog’s concentration on anime of the 1970s and 1980s. Several other productions would appear decades later, but these four titles will be under the spotlight: Evil Goddess Eris (1987), The Heated Battle of the Gods (1988), Legend of Crimson Youth (1988) and Warriors of the Final Holy Battle (1989). All four are out of canon to the original manga and ironically The Heated Battle of the Gods is an alternative to the filler Asgard Arc from the TV series. These films are more for fun and I am sure were created to keep the SS marketing machine going.

SS_M_2All four movies are very cliche and are so formulaic that I end up predicting the whole plot before the beginning credits. Though each film has it’s own pace and variation on the so called theme, or leitmotif of the fightype formula of successive adversaries leading up to, they all kind of go like this… A great arch enemy descends and brings five subordinates. In the process Saori/Athena either gets kidnapped, or wooed away (if this enemy is oh so charming and handsome). Then our five Bronze Saints begin there quest to save their sacred leader. Usually Pegasus Seiya goes first and then gets that crap kicked out of him, but defeats the adversary. Next comes Cygnus Hyoga and the process repeats and then we get to Dragon Shiryu. He as well falls after a great fight, but Shiryu ends up having his cloth removed because we all have to witness his owe so muscular chest. Seriously, watch any SS and this always happen.

SS_M_3Next we get a double feature with Andromeda Shun, the ‘cute’ one who is more of a pacifist, also falls victim to his adversary. And that is when Shun’s brother Phoenix Ikki shows up and says, “Yo, you be messin’ with my brother? I’m gonna mess you up good!” Then Ikki puts the smack down. Seriously, always bailing out your younger brother. When will Shun learn to take care of himself? Later, Athena falls into further peril and all five of the boys, though being deeply beaten, trek towards the final showdown to take down the big bad enemy. All five boys take a stand one at a time and then like a miracle of the heavens, the Sagittarius Gold Cloth appears. Of course it chooses Seiya every time and all the boys cry out “Seiya, Seiya” and after that… Seiya reborn to perfection and full of strength draws the bow to shoot the golden arrow to save the day. Then all is happy ever after. …you can’t make this all up?

SS_M_4Of the four films, three are 45 minute shorts so it makes sense that they are not the most deep in regards for plot. You are cramming a supposed arc into less than an hour! The third film, Legend of Crimson Youth, which is over an hour long, has a plot that bends the predictive formula and has a bit more drama and… is my favorite of the four. Plus, in this film, we see the resurrection and inclusion of the five Gold Saints who fell during the Sanctuary Arc of the TV series: Gemini Saga, Cancer Deathmask, Capricorn Shura, Aquarius Camus and Pisces Aphrodite. Gold Saints forever!, they add to the plot greatly. This was also a film which celebrated the 20th anniversary of SS’s parent publisher, Shonen Jump.

So in final, I would watch these one at a time and… Nothing is ever a substitute for that original Sanctuary arc of the TV series 🙂 These are, as mentioned earlier, sideline stories that are not a part of the original plot so take these for what you will.

#77 : Toward the Terra

I love science fiction, can’t help it because a). it’s in my DNA to be into the future and far out subject matter and b). I was born into a generation where there was a flood of it. Right place at the right time indeed. In my early days of searching for more of the grandiose tales of the future and outer space I would come across a tale of social dissatisfaction, totalitarian government, social order and the rise of the individual and evolutionary diversity that can’t be ignored. This was the pride of 1980, the promise of a decade to come, the beautiful and austere Toward the Terra.

TtT_1Often we think of science fiction as a grandiose showing of space battles and action, but the real focus of great science fiction is in the commentary of the social condition of the now. These are the great myths and stories of our contemporary age told to criticize actions that need to be addressed right now. It is about our feelings, our ideas, our hopes, our dreams and our fears. The Toei produced film adaptation of Keiko Takemiya’s manga, To Terra, is one of my favorite tales of social critique. Kind of like The Matrix meets Star Wars mixed with the mood and the finding of one’s humanity of Blade Runner. Why do I watch anime, cartoons, or whatever you want to call this stuff? Toward the Terra is one of my best answers.

TtT_2In a society where children are born of test tubes and raised by foster parents until the age of awakening, 14 years, there are those who don’t fit into the criteria. Jomy Marcus Shin is one of these children. He acts impulsively, has odd nightmares and a strong sense of individuality. The government has their eyes on him, because he may be one of the Mu, an advanced form of humanity with esper powers that is a threat to the conformity of the current status quo. The system must hold it’s population in check to keep humanity from making the mistakes of the past that destroyed the great planet of Terra, Earth. Individuality is the enemy, being special is the enemy, being different is the enemy, being who ‘YOU’ really are is the enemy.

TtT_3Along with Jomy are two other important characters, the first being the leader of the Mu, Soldier Blue, who is looking for his successor. Despite his youthful appearance he knows his advanced age is creeping up on him. And the second is the mysterious Keith Anyan, one of the system’s elite who was literally, born and prepped for his position in life. Keith much like Roy Batty in Blade Runner has to come to terms with his existence and what is right not for the system, or government, but for the greater of the human race. These are not our only characters, an understudy of Jomy named Tony will also appear later in the story that spans over the lifetime of this generation. Much like a Legend of the Galactic Heroes kind of epic with all the characters and drama, but without all the military tactics.

TtT_4As I have said earlier this may be a tale of the future, but this is a tale of the now be it 1980, or 2017 (the writing of this blog). How much do we lose as we grow up? How much of yourself is really you? Are you really honest with who you really are? Are you happy, I mean really happy? These are questions asked in the film, but are also questions we ask ourselves not in some far of distant galaxy far, far away. Seriously, we all have asked these questions. And why can’t more science fiction follow this format? This was what made sci-fi oh so awesome back in the days of yore, but alas they are a little more rare in these days… or are they?

For those of you who are more into the modern style of contemporary anime, you are in luck as there is another adaptation, a TV series, of Toward the Terra that was released in 2007. The manga is available as well, but of the three options I prefer the film that I have been writing about. We all have a choice and I respect your decision, but this movie moved me the most, made me feel the most and as of recent upon re-watching this movie, I connected on yet another level. I can’t explain it in words, I only hope you enjoy this wonderful story as well.

#75 : Nausicaa of the Valley of the Wind

Mention the name Hayao Miyazaki today and you will be told he is the king of the world in regards to anime. Now imagine mentioning Hayao Miyazaki’s name in the spring of 1984 and the otaku world would say that this guy is the new rocket in town and he has his sights set on the stars and the infinite beyond. The film adaptation of his manga, Nausicaa of the Valley of the Wind, did more than move the masses and set the ground work for the future of Studio Ghibli. Miyazaki would present us with one of cinema’s greatest and most honorable heroes.

Nau_1Nausicaa of the Valley of the Wind cemented Hayao Miyazaki into super stardom and led to the formation of Studio Ghibli. He had been in the anime business for almost a couple decades by this point, but this one film changed everything overnight. So am I saying that Nausicaa is that powerful? That this is a film that can change destiny? Uh huh! And why is this? Two reasons. One, Nausicaa grounded fantasy and sci-fi so to speak (as did Fist of the North Star, also 1984). This is not about spaceships, or laser blasters. It’s about our Earth’s environment, the aftermath of great devastation and the corruption of those who don’t work in accord with their natural environment and within themselves. Which to be honest, is one and the same; as above so below. But more importantly, it’s about the heart. Miyazaki can pull your heart strings like few others and Nausicaa represents a spirit more often needed in anime or entertainment in general. This movie was ready at the right time.

Nau_2Now… what about our hero, Miss Nausicaa? How can you not love her? She is a role model for everyone who has a way with animals, an understanding of nature and a love of flight and freedom (so Miyazaki). Her powers can tame the wildest of beasts, build a garden from what many consider poisonous plants and fly a glider like a bird. Yet she is vulnerable as well because she is surrounded by factions that want to shake her standing on what she believes in and what is right to her. Despite these controversies she holds her ground and stays honest to herself and she knows how to get her hands dirty when needed. A princess and yet a tomboy who follows her heart… so noble. She would be the first in a line of strong female characters that Miyazaki would bless us with. Kiki (Kiki’s Delivery Service), San (Princess Mononoke) and Chihiro (Spirited Away) are all representative of the Miyazaki heroine archetype.

Nau_3Miyazaki has always been the showman compared to his partner in crime, Isao Takahata. Yet when Miyazaki goes into a more serious direction, he does not slouch. Even at this early stage of his career, he still showed the ultra professionalism that oozes from his work. This was a time where fame and fortune was just around the corner and he was hungry to prove himself as an auteur and while he did direct the awesome Castle of Cagliostro, Nausicaa would be his first total vision. But he needed help and various names are linked with this film. Takahata produced, a young Joe Hisashi provided the epic score (which reminds me of his then current work on Mospeada and Birth) and Hideaki Anno, years before his time at Gainax, would be a key animator during one of the climactic scenes (I am not saying which one 😉 ).

Nau_4Nausicaa of the Valley of the Wind is more than just another anime title, or even one of Miyazaki’s best films, it is required viewing. You call yourself a fan of anime? Let me see that you have seen this movie? Yeah I figured you have 🙂 as my readers have good taste. A timeless classic worthy to be in any collection, unless it is the Warriors of the Wind release (I have never seen that one). To Hayao Miyazaki, I thank you for making this movie that has made generations of fans cheer, cry and believe in a greater good. While many productions in the 1980s mark the times that they were made in, few can be considered eternal classics. Nausicaa of the Valley of the Wind is and always will be a permanent classic.

#73 : Super Dimensional Fortress Macross: Do You Remember Love?

DYRL_1Wait, wait, this is my favorite part… This is an often quoted statement when watching a movie you love. The thing for me is that for Super Dimensional Fortress Macross: Do You Remember Love? (jeez thats a long title) I say this throughout the whole film, or I have to shut people up so I can listen to each line of dialog. Wait a minute… I usually watch this film by myself… anyway… Do I remember Macross? I do. Do I remember love? I do. Do I love Macross? I most definitely do. Do I remember and love that most awesome movie adaptation Super Dimensional Fortress Macross: Do You Remember Love? I DO!

DYRL_2This sounds like a marriage ceremony with all these I dos, but in truth I am married metaphorically speaking to the original Macross. I don’t have a ring to prove it, so you have to trust me and as a mega fan of the original show, what is my take on the remake that was made for theaters in that magical summer of 1984? Well… it’s hard to be biased and/or objective, but it’s a masterpiece and a half. After all just look at it, no really look at it! NOW! That line work, the quality and care, the special effects and the fluidity of movement are some of the best of the decade. That and Haruhiko Mikimoto’s character design work is at it’s pinnacle here. Some have called it a labor of love as in my mind Macross was the first series made by otaku that ended up being for otaku at the time. It’s the ultimate space opera, mecha and romance story ever told wrapped in the prettiest of packages.

DYRL_3Now here’s a story, ‘do I remember’ (pun! on the title) seeing this the first time? Thankfully I do. Back in the days of VHS and being a bored teenager at the mall I stumbled into a Suncoast store and a tape caught my eye. Now mind you, my knowledge of anime was limited as I was a small town kid in the early 1990s here. I knew of and loved Robotech very much and when out of the blue I saw a tape labeled Clash of the Bionoids, I scratched my head. It looked like Robotech, it had the SDF-1 on the cover and some pictures in the back with Rick and Minmei. I was impressed and bought it. Upon watching it, three things happened. One, this was not Robotech. Two, the drawings looked much better than TV series. And three, it had this weird dub and everyone had different names? With no material to tell me anything I took a guess that this was the original Japanese Macross. I was right.

DYRL_4The plot is similar to the TV series except we start en media res with the Macross already in space and the sprawl of the shopping mall like city already installed. Minmei is in concert, Misa is with Claudia and Captain Global in the Macross’ bridge and Hikaru, Max and Roy are out in space doing their fighter jock best in those classic Valkyrie fighters going up against the Zentraedi armada. OK, par for the course, but what is different besides the already mentioned artistry? First, we get a glimpse of this possible Protoculture civilization, although it is in ruins. Perhaps it is the fabled Lemurian continent often quoted in many anime? And what is found there? A simple love song. A song that would eventually turn the tides of the battle, an established staple of Macross. Second, the budding romance between Hikaru and Misa is more poignant in this movie. The first serious kiss between these two when they were on Earth always makes me giddy. And third, going back to music, and even more epic soundtrack. Macross and music have always gone hand in hand, but this film takes it up a notch or two, ok three… actually four, lol.

DYRL_5On the flip side, I can see how dated this film is in some respects and often cries back to me a lost summer in the sun. The fashion and hair are of the period, but doesn’t it look good anyway? After all there was a quote I once read that the 80s was when anime and real life fashion and hair were one and the same. The inside of the Macross reminds me of how a shopping mall used to look like and in particular at the Holiday Season. Colorful, exciting and full of life. Malls nowadays look like badly branded race cars with corporate logos all over the place, run down and tired. Even with all this, the magic is still there as the optimism I remember growing up that the 21st century was just around the corner and new exciting things were on that horizon. I’m still patiently waiting for space travel and robots.

If ever an anime is to the likes of the biggest celebration, championship or awards ceremony where people say that this is the BIGGEST show in town and matters to the point that you have to be a part of it no matter the circumstances, then Macross DYRL is that anime to me. It’s an apex to my fandom, to a property that I would either marry on the spot, or take a bullet for. It’s the flag I wave proudly and it’s the movie that symbolizes what anime can be and what it once was and yet can still be again. It may not be to everyone’s liking, but I don’t care. It belongs to me and hopefully to you as well.