#140 : The Wild Swans

WS_1I love the work of Hans Christian Andersen. His stories are often dark in tone, filled with allegory and meaning and are considered essential myths that we continue to have a need for… even in today’s climate. Yet some stories pass by us unnoticed until just the right time. Until a week ago I had never heard of the Wild Swans, but when I found that this story was adapted into a feature film created by Toei I had to see it immediately. I must also state that there is also another story collected by the Brothers Grimm that is very similar and from general reading it seems their tale, The Six Swans, has more the influence on this movie. I had only one thing to say… Hi, can I be your friend? And as usual, seems always the case with anime, we got along splendidly. Let me tell you about our date together!

WS_2Much like another story many of us know very well by Andersen, The Little Mermaid, there is much that is similar, yet also different. Both stories were animated by Toei in the mid 1970s, The Little Mermaid in 1975 and The Wild Swans in 1977, and share the basic style and form of the era. Both stories deal with prolonged sacrifice and hardship in the form of being away from loved ones and not being able to communicate vocally. In the case of the Little Mermaid, Marina could not speak due to giving up her voice, and tail as well, to be amongst the human world and be with her prince. As for the Wild Swans, our protagonist Elisa does not loose her voice at all. She takes a personal vow of complete silence as part of her cross to bear. Though she can speak, she promises not to.

The story begins on a happy note as we meet a lost man on horseback in a forest. He is greeted by a witch who promises him a way back home if he can grant a wish for her daughter. The attractive young lady asks to become his betrothed as she has learned that his wife has passed recently. He accepts and returns to tell his children the good news. Wow, saying yes to a woman you just met without even a date or anything? Some men are quite desperate! And you know, “some beautiful roses have wicked thorns.” But I digress, he uses a magical ball of yarn to open the location where his children are to give the news of their new mother. Everyone is happy, except that conniving woman. She is jealous of the children (what a surprise!) and plans a trap by stealing the ball of yarn and meeting the children herself.

WS_3Upon their meeting miss jealous pants bestows gifts, which the six boys accept without hesitation. These garments that are given turn them into swans and when the seventh child, a daughter, Elisa arrives she sees the damage that has occurred and stands against the evil woman. Yet all is not lost, at night time the boys return to human form and comfort Elisa. Hmm, sounds like Swan Lake? Then, much like swans born naturally, they migrate away when the proper season beckons. During this time Elisa learns she can make six garments out of nettles that will return her brothers to their natural human state. The only reservations are that she cannot show any disdain, or complaint during the process and that she has a limited amount of time. Because of this she shuts herself off from the rest of the world and vows a life of silence. Now we know why Elisa losses her ability to communicate.

WS_4For an emotionally riveting plot that seems to point towards total tragedy, The Wild Swans does end up having an optimistic outcome. This was a surprise for me and even though I was ready for an all out cry fest ready to see something sad, I still had a little tear in my eye for witnessing a happy ending. A true tale of love and sacrifice that I can put on par with Night on the Galactic Railroad, The Wild Swans shows that a dedication to love will pay off with rewards unimaginable. And if this movie borrows from either Hans Christian Andersen, or the Brothers Grimm, or both at the same time, it does not matter. It’s a beautiful piece of storytelling and that is all one needs in a great anime.

#136 : Alpen Rose

Spinning around with my bare feet on the grass at a park I begin to sing, “The hills are alive with the sound of… Alpen Rose. Alpen Rose. Those red flowers. These cross shackles that hold me…” … Love and romance, adventure and suspense, mystery and amnesia and being on the run from an obsessed bishonen Count and Nazis during the eve of WWII… are you excited yet? Pack your bags because you are scheduled for a tour of Switzerland, Austria and France circa 1939/1940. All aboard!

AR_1Based off a manga and debuting on television in 1985, Honoo no Alpenrose first came into my life through a condensed two episode OVA compilation released in 1986. If only I could see  the original 20 episode TV series? I like a non-abridged version whenever possible. Thankfully this version fell into my lap and became a recent priority. So what exactly is Alpen Rose? To begin the title refers to two specific references. The first is a flower that grows in the Alps region. During winter snows and freezing temperatures this flower never loses it’s will to live and stays in full bloom. Impressive! Alpen Rose is also the title of an important piece of music toward the plot of the series. An anthem to be precise! A subtle and tender song speaking out against Nazi oppression. A song to rise up and believe in life and freedom… very fitting to be named after a flower that represents choosing life and beauty in the face of strife and hardship.

AR_2We begin after a plane crash in the heart of Switzerland. A young girl with her pet parrot returns to consciousness unsure of who she is. She is soon met by a boy her age, Lundi, who gives her the name Jeudi and helps her start a new life. By the way the parrot is named Printemps by the way (All this French! I like it!) A few years pass, Jeudi is now a teenager and is working as a nurse’s aide when she is reunited with her beloved Lundi. Then the chase begins when both characters encounter a bishonen count who has loose ties to the German Nazi’s and has an obsession with Jeudi. She is totally underage… creepy! Along the way Jeudi and Lundi meet many new friends, but the most important would become a third party, an young anti-Nazi composer prodigy, Leonhardt/Leon, perhaps my favorite character (has to be those locks of hair!). This is turning into a love quartet. OK Jeudi for whom does your heart desire for?

AR_3Alpen Rose is one of those titles where I can’t help but love, yet I do have mixed feelings. Often times an anime series starts off with a great plot line and resolves at around the half way mark. The show continues on, but it just doesn’t feel the same. Jeudi’s journey to rediscover her past identity, find her parents and solve the riddle of why the song Alpen Rose has special significance made the first half a nail biter. From there it became a prelude towards the war between the Allies and the Axis. Our cast of characters became  part of the bigger zeitgeist of the moment. Yet the second half did reveal some new twists and discoveries which provided interest. The show is solid and even paced throughout, but the ending was a little rushed… now begins WWII… the end. Hey now!

AR_4Many big names are tied with the production of Alpen Rose. Tatsunoko was the studio responsible for bringing the show to life… and they have a great track record! The music was composed by Joe Hisaishi, who would go onto super stardom scoring films for Hayao Miyazaki. In fact he already did Nausicaä of the Valley of the Wind the previous year! Often times when encountering shojo material I often run into magical girl shows and high school romantic comedies. Both genres have merit, but I have a soft spot for the historic romantic drama. Something a little more serious with an element of old classic style. Alpen Rose fills these qualifications fantastically and I am so thankful I finally got to see the entire TV series. I will watch this one again!

 

#132 : Vampire Princess Miyu

I love the dark! It’s not scary at all. Many consider it like a tomb, the idea of death and nothingness. I say perhaps consider the dark more akin to the womb as a place of safety, that is also undefinable. Many times there are things that go bump in the night, or the dark, and they are not so much there to scare you, but instead to cast aside all those oddities (shinma) that bring out panic and fright and return them to where they belong. I know of one such entity, a girl who is destined to aid mankind from all the shinma and evils of the world. Yet she also is of the shinma as she is herself a vampire, care to be kissed? Her name is Miyu, better known as Vampire Princess Miyu.

VPM_1More often then not, much of the original OVA market seemed to have a heavier emphasis towards a masculine audience, in particular for those of us who were around in the VHS days of the 1990s in the west. Too much one sided marketing… I am glad times have changed. Shojo OVAs did of course exist and many found there way over early on, you just didn’t know it at the time. Vampire Princess Miyu presents much with action and gothic horror elements and has direction and character designs from one Toshihiro Hirano (I love his designs!). That alone could sell the show to a particular audience, but it is balanced with beautiful characters, relationship dynamics and inner psychological struggles. And lots of dark!

VPM_2I often think off Vampire Hunter D, or even early CLAMP titles like Tokyo Babylon and X (which are kind of the same story?) when I reflect on Vampire Princess Miyu. Much of shojo, but not always, has a certain color pop and often gets stereotypically pastel shades to the maximum. Vampire Princess Miyu is darker, more subdued with an emphasis on maybe one particular color… RED! While this may break the usual gender enforced stereotypes, going dark actually brings an anime like Vampire Princess Miyu into the realm of the divine feminine; the yin of yin and yang. The black, the infinite, intuitive, nocturnal, the total unknown and most importantly the source of everything that is actually nothing. Miyu can be likened to the dark goddess archetype.

VPM_3Miyu is also a bit of an outcast who has to hunt her own kind. This is the parallel I draw to Vampire Hunter D. Her only friend is her servant, Larva (though sometimes I hear Lover? I have goofy ears) who is be-masked and is much like a dark guardian angel. This leaves Miyu basically alone in her mission to fight the shinma, as well as in her overall life, which leaves no room for love or connection. The only so-called connection she can give to humanity is to grant them an eternal gift in exchange for the human blood she needs to sustain her existence. And she is picky as she is not here to ravage everyone’s necks. If she thinks your attractive and suffering, you are more than likely on her hit list. Over the course of the four episode run we are also joined by Himiko, a spiritualist, who is after Miyu to try to stop her from biting her victims. She soon realizes that her destiny is tied to Miyu from the past and comes to have compassion for the princess vampire.

VPM_4The year was 1988, and while big and exciting mecha OVAs in the name of Gunbuster and Patlabor were all the flash and dazzle and had awesome production value, they lacked something essential… the dark. Sometimes you need the dark to find out who you really are. Hence why many of us have an affinity towards… the dark. Vampire Princess Miyu presents the dark with horror and monster elements in an extremely tasteful way, which by the end of the episode run becomes a fine character study of both Miyu and even Himiko. That being said I do love Gunbuster and Patlabor for all that they embody, but I also enjoy Vampire Princess Miyu. Why? Oh come now you know why… I love the DARK!

#10b : GoShogun: The Time Étranger

For my original entry for GoShogun: The Time Étranger, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, GoShogun: The Time Étranger, I have a little more to say…

GTE2_1OMG! How I love this OVA, movie, story, mythos, whatever you want to call this anime. I can’t help but have bias as GoShogun: The Time Étranger means oh so much to me. Seriously!, I cry almost every time at the beginning when Remy is alone in the desert, wonders where everyone is and fires the pistol into the air. And then the five boys come out of the shadows and tell her to stay close as they are on their usual journey, which has reason, or destination except the fact that they should all stay together like a family. It does it to me every single time. In fact I feel a little teary eyed right now. What a way to start an anime! 

GTE2_2I suppose I have a bit of a thing for GoShogun? Well before I got a chance to see the TV series, I had this little gem of an oddity on my shelf and just from that alone I became obsessed with anything GoShogun. One case in point, the first Roman Album art book that I ever bought was for GoShogun: The Time Étranger. I love art books and Roman Album books are my favorite prized possessions to show off my fandom. Two, I have one of those Banpresto keychains on my backpack from the Super Robot Heroine Series with guess who? Remy Shimada of course! And in my bedroom I have an awesome framed poster of Remy and Bundle. I am kind of a fan? Yeah… kind of. The cherry that finished off the sundae though was finally seeing the original Sengoku Majin GoShogun tv series. I loved it, but GoShogun: The Time Étranger is still something I still treasure even more.

GTE2_3In truth I have to thank an old episode of Anime News Network’s podcast for finding GoShogun: The Time Étranger. An episode about top 10 lists for the 1980s and it was Justin Sevakis’ choosing of GoShogun: The Time Étranger that made me prick up my ears. I had to find a copy as soon as possible as the synopsis he gave was inviting and the comparisons to the filmic styles of Ingmar Bergman and Federico Fellini really gave me a buzz. Thankfully in my area of the world we did have a DVD release at the time, so that became a no-brainer of a purchase. After one watch I liked it. After two viewings, I loved it. Then came three… and then it became muscle memory for both memorizing lines and pure connection. Can an anime become a good friend? I certainly think so.

GTE2_4GoShogun: The Time Étranger has action, suspense, surrealism and great drama with a cast that I fell in love with immediately. Funny how a group of people resonate with you so quickly. I put it down to fate; we were destined to meet each other! Many key cast members were absent from the OVA that were cornerstone to the TV series: Kenta Sanada, Sabarath, OVA, NeoNeros and even the GoShogun robot (unless you count the cameo as a mirror decoration in Remy’s car). Yet  the big six remain: Shingo, Killy, Bundle, Kernagul, Cuttnal and of course Madame Remy. OK, why all the attention on Remy? Am I playing favorites here? (yeah kinda, lol) GoShogun: The Time Étranger is wholly her movie, her story, her great homage that looks back at several key areas during her life where she had to face death head on and with sheer willpower and love, survives each time. A true passion to live life to the fullest. A ray of hope in a time of need and a message to never forget. This is why GoShogun: The Time Étranger is not just another anime in my collection, but is truly an honest friend.

…and also, Bundle delivers one of the best classic lines that I often throw out even though no one has a clue what it is as GoShogun: The Time Étranger is not a mainstream piece of entertainment. In regards to a motorcycle he ends up ‘borrowing’ and riding on, “It isn’t stolen, merely rented without the benefit of paperwork.” GREAT!

#27b : The Rose of Versailles

For my original entry for The Rose of Versailles, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, The Rose of Versailles, I have a little more to say…

RoV1Sometimes I wonder if I will ever rewatch certain shows that sit on my shelf or on a hard drive ever again? About a month or so ago I have given one particular show a second go and by the title of the entry it is of course The Rose of Versailles. It seemed like the right time. I didn’t question it, or wonder why. I just needed The Rose of Versailles. After a tough winter with nasty snows, isolation, some setbacks and a gnawing, or itch that chronically comes and goes, the The Rose of Versailles became a sea of calm and a vision of reassurance to say… hey, everything is will be ok. … OK time to get personal.

The Rose of Versailles has high regard for being a standard of … anime excellence. Shojo perfection. Though I feel the show goes beyond the general demographic, as most anime does in any case. And with the show turning 40 this year of 2019, it still looks and presents flawlessly. What a gorgeous masterpiece of visuality. The first half directed by Tadao Nagahama is bright and sparkly reflecting naive youth and the second half of Osamu Dezaki (GENIUS!) is gritty and intense showing the politics of revolutionary France. Beautiful and timeless, a show I am honored to share as a virtual twin (both RoV and I joined the world in 1979).

RoV2So what of the personal? The Rose of Versailles’ main protagonist. Oscar Francois de Jarjayes. is one of two women in anime that I whole heartedly admire; the other being Remy Shimada from GoShogun. Blonde, graceful, intelligent and independent speak to both ladies, but Oscar has something else, a particular fragility. Her sense of duty as a noble, a military commander and her enforced gender classification. Raised as a ‘boy’ and expected to follow into her father’s footsteps, much dysphoria abounds in the beautiful Oscar. This expectation of a gender role, to be a ‘man’ in public, tugs at the truth in her heart that she is a woman. Yet also the role of being a noble who has lived in luxury and comfort and seeing first hand the life outside the gilded cage. Being rich and powerful in a position of authority is not all that it is cracked up to be and the same goes for being a ‘man’ as well. To quote Alan Watts, “don’t envy rich people, it’s a great mistake. Don’t envy anyone.”

Personally I understand both of Oscar’s dilemma’s. I am not ‘rich’ in the way we often think with lots of money, fancy car and house, etc. I am comfortable, yes, as I live in the U.S. and have a ‘job’, but I have great health, my mind and intuitive senses. No amount of money can put a price on those three. Living in the affluent west and seeing much of the flash from TV screens, luxury items and being in stores with a glut of stuff… ok most of it can be classified as crap… that is constantly being barraged through every sense imaginable I question, is this all life is? Is this to be my life? Living in a gilded cage of constant consumption where we are taught there is never enough and you have to bleed yourself dry in order to fit in? Like Oscar, I see the ‘nobility’ of our backgrounds as not real and limiting. Monarchy or capitalist state… looks about the same to me? We just need more corsets and petticoats instead of suits and wingtips.

RoV3And of course there is the concept of gender… and dysphoria… and the combination of the two that Oscar deals with and even I as well when I look in the mirror, sigh. Such questioning and re-questioning of why, how, but what if? I was assigned male at birth, was a decent kid, lived life as a ‘man’ and yeah… all these years the signs were always there. I have always had a side of my closet with all my nicer clothes and some wigs and shoes and more shoes and even more shoes and makeup and accessories and… oh girl, you are so trans, or very gender fluid at least. This is not something new for me to say to myself, but it is something that is becoming harder to hold in and it is something I do not have to have any shame or guilt over. Of course the real test came from watching the first episode of Wandering Son (see I watch titles outside of the 20th century). I was a crying mess through out the whole thing because so much of it rang… personally… true. … My highlight of Oscar’s journey was when she wore that gown to the ball, had her hair all put up and had that mug of her’s painted. I sense a little jealousy on my end… guilty.

In terms of the winter of discontent from 2018/2019, I had The Rose of Versailles as a catalyst to pull me out of my depression. Watching this time round made personal issues come into a better perspective; as well as waking up occasionally in pools of tears. This of course was my reaction to The Rose of Versailles. Beyond these personal points, it is a show about love, politics, desires and revolutionary France with occasional sparkly eyes. God I love shojo anime! It’s a masterpiece and I hope for this show, or any particular anime that you watch, that you take something of it with you to heart. Because sometimes a show is more a mirror of your inner psyche than just ephemeral entertainment. Think about that one!

#128 : Glass Mask

gm_1“All the world’s indeed a stage and we are merely players, performers and portrayers”… The world of the acting… the lights, the crowds, the glamour… if ever a profession was and is over idealized in our society, the actor, or actress may be the top candidate. From the earliest days of known history those who have been involved in acting understand the necessity of wearing a proverbial mask, a persona. Certain masks, or persona, are strong and stabile, while others are fragile, like glass. Welcome to a story were we enter into the world of drama, with with heavy doses of melodrama too boot, known simply as Glass Mask.

gm_2Maya Kitayama, our protagonist, has a serious passion for acting and theater. Desperate for getting a ticket to a play in a nice theater, she works hard with her mother in a restaurant and has lofty dreams to be an actress. She is plain (seriously! Maya you are pretty, come on!), working class and outside the inner circles of acting, yet, because this is anime and fiction, she has a guardian angel to save the day… and in black. Chigusa Tsukikage, a once famed retired actress known for her role of the Crimson Goddess, is this angel… in black. Black because of her long black dress, classy like Maetel from Galaxy Express 999, and her long full locks of curly black hair. Her elegance is never questioned even though she is advanced in age, which makes her a true role model to show beauty is ageless.

gm_3Tsukikage-sensai approaches Maya with a proposal to join her theater academy. Maya’s dream has found an outlet, yet there is a price. Tsukikage-sensai is quite strict and tough and her training towards Maya is at the pinnacle of tough love. Like a slap in the face every once in a while! Ouch! Yet Maya perseveres, and much like a coach in a sport, Tsukikage-sensai’s tenderness is shown, internally of course, as Maya’s talents begin to flourish. Speaking of sports, let me add a fill about how Glass Mask could possibly be a sports anime in disguise. The rivalries, training and aspects of competition are both in Glass Mask and sports anime titles. I sometimes thought I was transported back into shows like Aim for the Ace, Hikari no Densetsu, or Touch, but with a quick head shake realized this was Glass Mask. Be it a sport, or theater, you have to say there are more similarities than differences.

gm_4Now for a different topic… let’s discuss nepotism. As Maya moves up through her journey to become an actor she comes into contact with several theater companies and even a minor movie role, she runs into much favoritism and jealousy. She is quite talented, very raw and passionate about the craft. She does not mean to cause any friction so to speak, but she is often noticed for being just too good and instead of being welcomed back, she often times has to move on to another opportunity. So true in real life as certain organizations, groups, friends, etc. that we all have had has at least one time in our lives preferred a safer choice than a newer, fresher alternate. Such is the life of being talented, as it is lonely as well as rewarding. Still, Maya has much support from her friends from Tsukikage-sensai’s academy, a close male friend, who could become a possible love interest, and a mystery man who always seems to send a note with purple roses at the right place and time. Purple Roses?

Sadly Glass Mask is quite short at 23 episodes as it seems there is much more of a story to tell. And with some basic research one finds that the manga spans 49 collected volumes and is still unfinished. The story presented in this television series flowed well and was consistent with interest, yet I still hungered for more. In 2005 an updated series was released, if that floats your fancy. For me though, Glass Mask is a hallmark of classic shojo, which has been a thorn in my side in regards to availability. Not so anymore with a slick Blu Ray release here in North America. To be, or not to be is not the question… the question of the moment is… where can I find purple roses?

#111 : Space Pirate Captain Harlock

SPCH_1Let me tell you about about a man by the name of Harlock. “Now thats a name I have not heard in a long time, a long time,”… ok, the truth is that it may have been only five minutes because this man, this character, this legend is so ingrained into my fandom that I sometimes wonder what would I be without the presence of Captain Harlock. A creation of one of my favorite manga heroes, Leiji Matsumoto, Harlock is in many ways the man I would like to become. And while there have been a multitude of instances that Harlock has been brought into the zeitgeist of the present, the original TV series of 1978 stands as a personal Bible and one of my favorite series of all time.

SPCH_2Space Pirate Captain Harlock was and still is a show that I hold near and dear to my heart. Harlock’s premise is quite interesting as our hero, Harlock, is very just and high on being a moralist of his own convictions and yet, a villain to the establishment. Many times Harlock reminds me of Alan Watts take on the outsider (Youtube link) as Harlock is not productive to what is dictated by society. He lives by his own rules and pirates because he sees the corruption and waste in the downfall that is called humanity. The human race would rather play and waste their time and resources for their own self indulgent pleasures, while taking for granted the beauty of their environment. Plus, it does not help that an alien invasion of plant like female agents known as the Mazone (Amazon variation?) are also on the scene. Yet it is Harlock in the end who saves the Earth and humanity even though he has been forsaken and branded as a criminal. How ironic?

SPCH_3While our eyed patched hero is the star of the show, it is the rest of his crew of 42 (just who is this mysterious 42nd crew member?) that give life to this sci-fi epic. It seems that everyone on the ship Arcadia has a story. Usually it’s heartbreaking, or fated, but the only place, the only solace that this group of 42 has found is with each other aboard Harlock’s beloved Arcadia. All ages, all circumstances and all walks of life are welcome to join the ship so long as you help in your own way at the appropriate time. Seems fair and easy, but it is a hard road because in the end you end up finding out more of who you really are.

I want to spend a moment more on Harlock as a character; in particular his loyalty. I have mentioned his loyalty to the Earth, but why does he fight for a planet and it’s people that refuse to welcome him? The answer lies in the strong loyalty to his deceased best friend, the architect of his ship and the best sidekick ever (maybe?), Tochiro Oyama. Harlock is guardian to Tochiro’s only daughter Maya and she still resides on the Earth. She represents the future of humanity and Harlock protects her and the Earth like they were his own children because Harlock could not forgive himself if he ever took back his loyalty and promises to his best friend. Again, how can this man be branded a criminal? Maybe they are jealous of his awesome hair (I know I am!).

SPCH_4Visually Space Pirate Captain Harlock looks the era it was created in, which is all analog and extra stylish… awesome indeed. Rintaro, Captain Harlock’s director, is known for a visual approach that exudes drama and intensity. Many of his works often get lost in the visual eye candy of each scene; the image become the focus more than the story (from my experiences with his work). This may be the case since most of his better known projects are auteur films, but Space Pirate Captain Harlock is a longer run TV series (and a job for Toei where he is not in complete control), so this provides room for story to exist with the impressive visual narrative. Rintaro’s arthouse style exponentiates the emotional space opera brilliance of Leiji Matsumoto. Watch in particular the high contrast scenes that turn a simple moment into a great happening such as the murder of Professor Daiba as an example.

As long as a Jolly Roger waves aboard that beautiful ship named Arcadia, I know I can and will live free, question authority and search for that quiet spot in myself to find my own piece of personal authenticity. This story, while set in the future of 2978, with the corruption and downfall of man, echoes of truth today. After all what is the difference between 1978, 2018, or 2978? It is all the present moment, just a different cycle. Are we in the end being true to ourselves, our environment, and/or our humanity?

Space Pirate Captain Harlock, what a man and what a show 🙂 Gohrum!