1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

#35 : Dancougar

dan_1I often wonder how I would have felt about Dancougar if I had acquainted myself with this series much earlier? But alas I did not watch this show until 2014/2015 and by that time I had seen a multitude of mecha shows. All of those left certain expectations, tropes and to be honest a little favoritism to certain production. The designs and attitude of Dancougar scream 1980s to a tee that it has very few rivals, particularly Sara Yuki’s hair. WORK IT GIRL! But… but, I don’t know. Something seemed a little wrong when I finished. Almost like an awkward date that from the surface looked like a good combination, but in the end left me going… that’s it?

dan_2Now I don’t hate this show, it had a lot of potential. And that potential was never used to full effect. Kind of like watching a lot of cartoons from youth that did not have an overall plot and left so much left to speculation when the series was over. I mean you had a guy who backstabbed the Earth to join the invading alien force, Shapiro, and the same time left his girlfriend, Sara, who ends up becoming a his enemy. And by the way those aliens are some ugly motherf$%^*&s. You also had a pretty good hot headed lead guy in Shinobu. The Dancougar robot is a solid piece of machinery and we didn’t get to see it fully formed until a ways into the series. I give big props for this decision, because at least that was different. How many mecha shows can you name off hand that need to have the uniting all the pieces together sequence to sell a couple more toys to the kids from the very beginning? Too many…

dan_3In the end most of the plot structure is resolved, but that meant most of the episode count in between the start and end was perhaps… filler? My high point was watching Sara smack Shapiro for leaving her and the Earth behind. I wanted to see some more of this because that backstabber deserved a couple more. And the tension between Ms. Sara and Shinobu, come on, show me some more romantic sparks. So much lost potential. Now for as for the music, oh I love you many times over Dancougar. In particular the first opening Ai Faraway (Faraway Love) and the first closing, Burning Love are top 40 potential in every right. How can you have such great bookends to fill it with just a lot of… filler? Again lost potential.

dan_4It was 1985 after all and in a way mecha was having it’s initial swansong. Zeta Gundam, which came out the same year, capped off the era with a bang and with the incoming season of Shonen Jump fare like Dragon Ball and Saint Seiya, time was running out for big bot adventures in space. At least for the old school classic fare in my regard; I guess you can’t continue an idea into infinity. But, here is the real mystery. How did the entirety of this show get released here in the U.S. in the VHS era? Don’t get me wrong I would love to own it (VHS addiction), but how did this happen? To Software Sculptors and Central Park Media, I give you a gold star for being so bold, but I think they got it in with a licensing deal for other Ashi Production shows. But, don’t quote me on that.

To be fair I think Dancougar will deserve a re-watch eventually as maybe I am wrong, but I have seen others who have had similar results, so I am not too crazy? Maybe. But, don’t quote me on that. If anything I will just want to admire Sara’s hair once again…