#198 : Hades Project Zeorymer

Dr. Jekyll and Mr. Hyde in the form of a four episode mecha anime… never thought I would say that statement. Here we have an OVA that begins a little weak and then evolves very quickly after the initial introduction into one of the darkest tales of the piloted giant robot genre. In the end who is the hero and who is the villain? Maybe it could be played from either side, or maybe neither side is truly on the side of justice, which brings up another topic, the aspect of self identity. Am I really who I think I am, or am I only the programming of someone else’s will? Wow this sounds deep, so this must have been well loved? By some yes, by others not so much… this was Hades Project Zeorymer.

HPZ_1Let’s now dive into this interesting stew. Mix part Izcer-1 and Dangaioh from director Toshiro Hirano; 80s mecha OVA experience check. Now add in some Silent Möbius from character designer Michitaka Kikuchi (a.k.a. Kia Asamiya); gritty cyberpunk attitude check. Now add this to a previously released mecha manga that was featured in a lolita hentai magazine and was created by the mind responsible for the Guyver (Yoshiki Takaya). What the?! Now how did this all work out as a mainstream OVA release? Easy… no hentai, or lolicon stuff… oh good that was creeping me out. The final product became a possible prototype for what became of mecha anime in the late 1990s. Angst filled, psychological, darker in tone… perhaps Evangelion was not as revolutionary as we are led to believe? After all Evangelion paid homage to the many things from creator Hideaki Anno’s past, including his mental journey states. Now let us return to Zeorymer.

HPZ_2How is it that I am so mixed about Zeorymer? The first episode was a bit of a let down and I was thinking that things were pointing to a plot direction of a mecha of the episode fighting against a wimpy hero. Then things change over the remaining three episodes moving into an extremely darker tone that shapes not only the characters, but the plot as well. We begin with our protagonist who plays the victim card and is taken by strangers to pilot a giant robot that was stolen from a large organization bent on conquering the world. With this renegade machine we find our protagonist change from scared and mild mannered into inhumane and cold. This is like shifting from Gundam’s Amuro Ray, or Evangelion’s Shinji Ikari into the archetype of M.D. Geist at the drop of a pin. Our hero is not a hero, or a victim, but perhaps a villain? Or is he? Several characters in this OVA, including our main character, end up looking inside themselves to realize what they thought they were was nothing more than a manufactured hoax.

HPZ_3Very heavy themes surround Zeorymer, but the shorter episode count format could have been longer in my opinion. The subject matter could have worked very well for a TV series, or at least a longer OVA run to develop the plot even more. We have to accept what is given even though for me this anime had a lot of potential. I am always a sucker for a deep intense story so when it gets good in terms ot being ‘serious’ I want to dive even deeper down and down and down. Even if darker themes are not your cup of tea what cannot be denied is the quality of Zeorymer in terms of presentation. Like many of Hirano’s directorial projects the detail and fluidity are very high in terms of quality. Spare no expenses here, this is a nice looking OVA.

HPZ_41988 brought many reinventions and presentations in the OVA market. Gunbuster, Patlabor and Dragon’s Heaven all brought a hope of light to the future of mecha anime. But what of the former dramatic titles from the past that filled either epic space opera, or deep sacrificial tones to the story that were on television? This all seemed to be a memory until the appearance of a lone dark figure, Zeorymer, who would appear against the previously mentioned titles as a both a call from the past and a harbinger of the future. Zeorymer may not be too everyone’s taste palette, but it cannot be ignored.

#196 : Cybernetics Guardian

A dystopian future, rapid scientific advancements, hidden secret societies, high intense action and the coming of a savior of darkness to cleanse the world… yeah that sounds fun, but what else have you got to offer? Well how about massive lion’s mane hair? Oh yes, now we are talking. A possessed beast with massive hair that defies gravity, yeah I don’t care how bad the plot is, or is not, I think we have here a hit for an OVA. But then a familiar name appears, Koichi Ohata. Oh no, not M.D. Geist… again! Never fear, this time we have something different. This time we’ll dive into Cybernetics Guardian.

CG_1Meet now our protagonist. This John Stocker fellow has a bright future ahead of him. His job is to test out a mech suit made of astenite, a metal that draws in transformative psychic energy and has been used variously in many medical applications to great success. All goes well until a test accident awakens hidden powers inside Mr. Stalker. A demonic presence named Saldo begins to emerge which heightens even more so after John Stalker’s body is kidnapped by a masked and robed figure. He is taken back to his childhood home, the slums of the city known as Cancer. There evil priests revive in process this beastly creature that was once John Stalker to lay ravage onto the city of Cyber-wood.

CG_2Simple and basic, this story is a generic tale seen in many comic book scenarios… “Unleash the beast within”, or “OMG, what has happened to me, I’m possessed!” Except this time our protagonist gets the ultimate coif… it has to be a weave! Cybernetics Guardian is definitely anime and has the feel we expect from Japanese hands, yet I can’t help but witness a more Western influence. The characters look more Caucasian than usual, which of course is subjective to my eye, but even the setting feels like Los Angeles from Blade Runner, which of course borrowed many Eastern elements. So perhaps we have a draw of sorts with no real side taken between East or West? Visually in terms of color and mood there just is something different in the palette that draws more into the more indie or underground American style. Maybe it’s just me?

CG_3For being a short one off production and a product of Koichi Ohata, Cybernetics Guardian is actually decent to watch. Nothing against Ohata, but many of his productions have a schlock feel too them with a touch of the ultra violent. Cyberbetics Guardian has a little of this as well, but there is also some substance under the showing off of hyper active macho gore. M.D. Geist I liked, though it is a bit on the ridiculous (so bad it’s entertaining), and Genocyber I could never get through a whole watching (just not my thing). Yet Cybernetics Guardian is a happy medium and can function well as there is humanity in the John Stocker character, unlike say Geist. By no means a top of the line OVA release Cyberbetics Guardian is well executed in terms of paint and pen and has enough of of an okay story to watch through, just not very often. It might be the crown jewel of Ohata’s early work?

#183 : Megazone 23 Part II: Please Give Me Your Secret

“Whatever happened to my rock n’ roll?” … Now the title says so and this plot says so, but this certainly don’t look like, or feel exactly like the Megazone 23 I remember? After the runaway success of the 1985 original in terms of sales, ¥1.7 billion ($21.3 million) from 216,000 copies sold in Japan, it became a no brainer that a sequel would be a viable option for 1986. If you thought the exploits of Shogo Yahagi and the Proto Garland as well as the songs of Eve Tokimatsuri were complete… think again. While this could been an attempt at a cash grab, the final product says otherwise. Megazone 23 Part II: Please Give Me Your Secret may be a sequel, but it has a message and heart at it’s core.

MZ23p2_1Shaken up I was initially with this sequel compared to the original OVA in terms of presentation and even the story. Gone are the familiar character designs of Toshihiro Hirano with that slick fashion magazine look and enter a more punk esthetic mixed with the detail of Yasuomi Umetsu’s handy work. Familiar faces like Shogo, Yui and B.D. have all changed, becoming unrecognizable, but Eve still retains her style with slight updates from the original design by Haruhiko Mikimoto. For a while I played the polarity fence of favoring the first part over this second part. Over time I have come to enjoy both installments, recognizing them as great anime titles on their own, but I will always have a deep place in my heart for Megazone 23 (Part 1). Now on with the show…

MZ23p2_2Months have passed in Tokyo since we last left Shogo Yahagi’s ‘final’ encounter with B.D. Shogo is on the run and has aligned himself with a bike gang of street punks known as the Trash. The war in space is still on with Megazone 23 going against a strange enemy that uses tentacle like weapons that drill through anything, including human flesh (not for the faint of heart). All the while to the general public it is business as usual, though there is some war that is still talked about on the news; bliss in ignorance. B.D. is still trying to crack the main computer controlling Megazone 23 and the EVE program from that mainframe continues to call out with, “Operator 7G please respond!” Operator 7G of course is Shogo and he continues finding Eve on various media streams calling out to him. The time has come to answer this call, but first… Shogo has to get the Proto Garland back! And this is only the beginning of this story.

MZ23p2_3Megazone 23 Part II has the familiar mecha action from the first installment, but with a new director Ichiro Itano. Itano was known primarily for his animation kills with action sequences that have lots of firepower and intricate motion. This is on full display during the heat of action. Yet this is so much more than an all out action fest. The moments of character interaction particularly with Shogo and his friends are where we get the real message of Megazone 23 Part II. A message of anti-authority distrust and attitude towards corrupt adults only bent on power and narcissism are of no concern to Shogo and the Trash. Though they may be street punks, they do have a sense of honor and respect for the simple pleasures of life and friendship. So ‘stick it to the man’… literally. … And as a side bonus, we even get another love scene for those of you who like hot romance… very steamy!

MZ23p2_4I still feel that the original version stands on it’s own as a total package even with an ending that was open ended, yet satisfyingly complete. I feel this second installment gives an alternate future of what could have happened to Shogo, but maybe not the definitive. The beauty of Megazone 23 Part II is the fact that we do get a silver lining at the end. After all the insanity, the violence and the hardship, we get a breathe of fresh air, some peace. Much like life when coming out of hardship, the moment you take a look at what’s in front of you and smile in content you realize it was all worth it. Megazone 23 Part II, in the end you are worth it… no grudges anymore.

… Hey! Side note… did you spot the references to the Thundercats and Silverhawks?

#171 : Scoopers

Wow the title alone is enough of a grabber… just what in the world is Scoopers? An anime about a young couple who run an ice cream shop?… no. Maybe an anime about a  pet scooping service that goes around to the parks when your dog leaves a souvenir?… no. Wow you got me… maybe Scoopers is about journalists in a sci-fi, slightly cyberpunk universe, trying to catch the next big ‘scoop’ on guy who has been blowing up satellites and space shuttles? No way, that sounds to good to be true and yet… it so is. OK, we have the basics out of the way, lets throw that tape (or digital file) into the old dusty VCR ( or whatever your media player of choice is) and hit play!

Scoopers1A supposed Mr. X and his organization are the responsible party for the havoc of blowing up these satellites and space shuttles. Who can stop this dastardly foe but for two… reporters? Enter Yoko and Beat (BEATO!) who work for for the organization Private Eyes. “Private eyes are watching you. They see your every move.” Yoko is a strong and determined lead and Beat is a combination of things. He is a Yoko’s partner, a photographer, Yoko’s bodyguard and would you believe it… he’s an android too! He gains super powers when Yoko pulls out her compact and hits a couple of buttons, almost like a remote control. Talk about killer makeup! Together they track down the hide out of Mr. X at the amusement park of Techno Land, but what lays in store for them is more than any roller coaster ride.

Scoopers2Scoopers is one of those 80s OVAs you find at the very bottom of the undiscovered bin of lost oddities. It resembles a lot of retro action properties of the time, City Hunter, Space Adventure Cobra, Dirty Pair and Lupin III in terms of style, color and attitude. It just lacks staying power and being a one off OVA may be part of the issue. The concept of guerilla journalists who are more like crime fighters is a fun concept and the sci-fi high technology is a nice touch. Nothing like the element of fantasy of what we thought the future might be like from the perspective of the 1980s. And speaking of hi-tech, check out those computer graphics interspersed with the cel drawn animation. For the time that was high end stuff, but it is kind of laughable now.

Scoopers3Can I return back to Lupin III? It seems that Scoopers and Lupin III have something in common; are kind of related… perhaps siblings? When watching the credits one name jumped out at me and made me go, oh wow! Does the name, or I should say pen name of Monkey Punch ring a bell for any of you? He is the original creator of everyone’s jacket wearing thief, Lupin III and he also is responsible for Scoopers as well. Nice to see some of his other work. The character designs and some of the behaviors favor a Lupin style with Beat being similar to Lupin and Yoko being an alternate to Fujiko. Wait!… Monkey Punch, why not have a crossover of Lupin with Scoopers?

Scoopers4Scoopers is a lot of fun and finding off the wall, weird, bizarre, or out of this world older anime is the joy of combing through the lost archives of what Japan released way back yonder. This is what being a classic anime fan is all about because just when you think you have seen everything, something else shows up and say, “Um, you missed one!” I  am glad Scoopers founds it’s way into my viewing experience, although the ending… yeah we need to talk about that… kind of a let down and makes you want, or hope there is a second installment in some form. And yet in the end, we have to make due with what see, which is an aircraft flying off into the distance carrying an escaped Mr. X. What’s his final fate, will he get to some sort of trial? Will justice prevail? And will the story and photos from Yoko and Beat make the top headline? Your guess is as good as mine.

I want to give a special thanks to Kingmenu Subs for their work on Scoopers. Thank you and keep up the good work!

#144 : Bubblegum Crisis

BGC_1The year of 2032… Mega Tokyo… hey what happened to regular Tokyo?… all hell has broken loose with these so called Boomers trashing the place. These androids are even too much for the illustrious AD Police, even with all their firepower and sophisticated technology. I demand to see how much of the tax revenue is being spent for this organization. We must therefore have a need for a third party to aid in this scenario. Welcome to the ’Hurricane’ world of the Knight Sabers. A world where a quartet of armored young women are the best answer for peace and justice. A world known simply as Bubblegum Crisis.

So Bubblegum Crisis… it’s like Blade Runner with both the action intensity and sexiness turned way up high. Plus, get extra hairspray as this is the 80s; tease that hair kidos! I guess if one is to make their own anime homage to a Blade Runner-like universe, one must do it very LOUD! Make is sexy! Drop all that film noir moodiness and introspection and let the action tell the story. And for good measure why not add in a little bit of The Terminator, Batman and Streets of Fire for good measure. Plus why not also spice things up with a little sentai squad action, wearable mechanical armor and good looking characters via Kenichi Sonoda. Hmm, explosions and attractive people with a dash of cyberpunk for good measure, now I see why this OVA gained some notoriety. For a time Bubblegum Crisis defined what anime was for many fans, but as we all know, anime is so much more than just well animated hi-octane action stories.

BGC_2OK just who are these Knight Sabers exactly? A lingerie store owner, a motorcycle obsessed rock singer, an aerobics instructor and a junior member of the AD Police make up our heroic quartet. Interesting… just shows you don’t really know people that well outside the office. While their day jobs are quite ordinary, the Knight Sabers crime fighting skills are anything but. With the aid of skin tight wearable armor that aids in performance, these girls can kick some serious butt. Seriously! Kind of like Saint Seiya with super high end technology that has a more fetish like approach that could rival the robot designs from say The Humanoid? With high heels too! Gatchaman may have thigh high boots, but the Knight Sabers have stilettos. And it is these spike heeled suits that do the best damage against the Genom Corporation’s never ending renegade Boomer population. The AD Police try their best, but they often have a better role as spectators. The fighting style that the Knight Sabers employs reminds me a lot of Casshan… come to think of it he had a streamlined body suit too. Holy cow, where are all these references to other anime coming from?

BGC_3Bubblegum Crisis is perhaps the biggest creation of the studio AIC. Built on the bedrock of Megazone 23 and two other Sonoda designed entries, Wannabies and Gall Force, Bubblegum Crisis is AIC at it’s height. Perhaps these three previous entries led the way like stepping stones towards Bubblegum Crisis? Who can say, but everything was right and in place to bring the Knight Sabers to the OVA market, which by 1987 was really in high gear. Bubblegum Crisis is in many ways an original creation that is an homage to so many pop culture references. Fans of sci-fi and anime making their own anime their way.

BGC_4I know Bubblegum Crisis is beloved by many established fans and everyday is introduced to new ones via whatever method you choose to watch. I will say I like it, but I don’t get all the hype. Maybe because this was one of the best options back in the day as it was easy to come by and it spoke towards certain demographics. I will admit it’s a classic, animated very well (almost seems like each episode is a mini movie; late 80s OVA quality!) and a nice example of cyberpunk as a genre. As a piece of action entertainment Bubblegum Crisis is stellar, but for me at least it starts to wear down particularly in the later episodes. Still, it is fun and has a rockin’ soundtrack, can’t complain about that!

#142 : Metal Skin Panic MADOX-01

M01_1If one is a fan of mecha, machinery, or action with the inclusion of a machine of some sort, then Metal Skin Panic MADOX-01 would be considered as close to porn for fans. Watch the opening scene with all the mechanics and electronics… it’s total mecha hentai, second to perhaps the credits of Patlabor 2. Only a mechanical designer would have created something like this OVA and in the case of MADOX-01 that is the truth. The name of Shinji Aramaki is all over the place… director, story creation and mechanical designer. I bet he was the caterer too? … Funny thing about MADOX-01, it reminds me of another OVA, I wonder what it could be? Though it’s not exactly the same it does remind me of… umm? Hmm? Let me think on this one…

M01_2The year, 1987. The place, Japan. The man,  Shinji Aramaki. The rise of the OVA format gave opportunities for many younger and/or junior rank members of the anime industry to take on the big role of directing a project. Names like Ichiro Itano, Koichi Ohata and Toshihiro Hirano went from special effects artists, mechanical designers, or character designers and moved into the realm of the director’s chair. Aramaki’s portfolio was filled with many mechanical designs ranging from anime including: Genesis Climber Mospeada, Megazone 23 (wait a minute!… oh never mind) and Bubblegum Crisis and western based shows like Pole Position, M.A.S.K. and even the original Transformers. Quite a nice lineup there so yes, he can draw machines very well… very well, but what about directing? I suppose its true to stick with your strengths and that is what Aramaki did with MADOX-01. A mechanical designer directing an anime all about mecha… what a surprise.

M01_3The Japanese government has a new fancy weapon, wearable armor in fact. Codenamed the MADOX-01 it showcases quite the firepower and agility. It’s pilot even defeats an old stalwart in more traditional equipment, much to his chagrin. Yeah old man, you lost to a girl! I always thought women were better mecha pilots anyway! 🙂 Later the machine needs to be transported to a new location and somehow becomes lost after an accident (shakes head). Can’t the government afford a decent security transport? Almost like in Black Magic M-66… keep track of your toys kids! Then this fancy device ends up in the hands of some nerdy engineering student who seems to understand how it works (hello Amuro Ray?) and then becomes connected with it literally. Now Mr. Smarty Student has to evade the feds, including that angry guy from before who wants revenge so bad for being beaten before (chuckles). Again a little like Megazone 23 with Shogo with the Garland and being chased by the military and gaining a rival with B.D. …

M01_4… Ah ha, it was Megazone 23 after all? Though I am stretching it a little, there are similarities if you take both OVAs from a certain point of view. Both stories want our protagonists to get back to their respective girlfriends at the end, but they have a minor issue of being wanted, as well as chased, from a larger authority. MADOX-01 is a far simpler story and is more based around the action than the unfolding mystery and drama of Megazone 23 (first installment to be specific). MADOX-01 is fun and has some unique character designs as well , but it is really a one and done sort of viewing. If you love mecha and action you will more than likely rewatch, while if you are more into shojo, or romance, I doubt you would consider it in the first place. I would highly recommend Megazone 23 in either case, just because it is a personal favorite and a far more superior production (my opinion). Either way they are both products of action powerhouse studio AIC!

By the way, in case you are interested in what came of Aramaki-san he continued on as a director years later. Remember the CGI movies of Appleseed and Space Pirate Captain Harlock? He was behind the chair on those films and they really left me flat… I couldn’t do fifteen minutes of either one. MADOX-01 is thankfully watchable, short and old style cel drawn too… mmm, I love the smell of analog in the morning.

#1b : Megazone 23 (part 1)

For my original entry for Megazone 23 (part 1), click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, the first part of Megazone 23, I have a little more to say…

m231_1This is like going all the way back to the beginning. Starting from scratch, the second time around. If you have been through this site before, I hope you have dug down enough to find the very first entry, Megazone 23 (part 1). If you are new here, then you found a great starting point. I have had for some time thought about revisiting this awesome OVA from 1985, but I like to keep only one entry per show, movie, or OVA. Know you know what this means… time to change some rules!

m231_2Have I changed my opinions much on this first Megazone 23 entry from last time. Not really. I still love it, I still hold it highly in my anime watching experience and it is an all in one package for what did get me into anime in the first place and what mostly keeps me digging up more classics. It has that certain something, perhaps its just love and devotion, I can’t say for sure. And if I could put the feeling into words, I would more than likely miss the point. The character designs from Toshihiro Hirano and Haruhiko Mikimoto may be the closest thing to words to express my feelings for Megazone 23. Such a good looking cast from two of my favorite artists.

m231_3Now, have you seen The Matrix? Do you make references, or hear them often from others, regarding society and the The Matrix? Now watch Megazone 23 and tell me if you can spot the similarities? Megazone 23 came out a good decade and change before The Matrix and in my opinion totally surpasses the live action trilogy. We have the story about a hero who finds that reality is in control of a computer program and basically reality is someone else’s fantasy and creation. And our hero finds out he is only a mere pawn in the big game and decides to rebel. Except in Megazone 23 you also have motorcycle styled mecha, a lone wolf antihero, brighter colors, a refreshing soundtrack, Flashdance styled dancing (with leg warmers) and it’s Japanese in origin. “Yeah Doc, all the best stuff is made in Japan.”  (Back to the Future strikes again) The next time someone mentions The Matrix just remember to recommend Megazone 23, or even better… shout out BAHAMUT 6!

Still I regard Megazone 23 the spiritual successor to my beloved Macross. I said it last time and I will say it again, Megazone 23 may not be Macross in name or story, but the main members who created both productions left a certain patina. Kind of like a band releasing two awesome albums in succession. I mentioned Hirano and Mikimoto earlier and there are other key figures, but the biggest was director Noboru Ishiguro. Such a professional, a gentleman and a renaissance man all rolled into one. Hayao Miyazaki, Yoshiyuki Tomino, Tomoharu Katsumata, Osamu Dezaki, Rintaro, Isao Takahata are all great directors and I love them dearly, but Ishiguro-sensei, if it was not for your work I may never have fallen in love with anime. Arigatou gozaimasu.

Bar none this is a title I still watch on a consistent basis. Repeatability is a major factor to anything great in media as there is always something new and still yet familiar to emjoy. The only question remains, ADV dub, Streamline dub, or the original Japanese track. All three have equal merit in their own way. Or, I can be adventurous and watch Robotech: The Movie. Wikipedia or Google that one if that is a title that does not ring a bell.

… and don’t forget you see a cameo of Lupin and Gigen (Lupin III) as… cops… ironic!