#144 : Bubblegum Crisis

BGC_1The year of 2032… Mega Tokyo… hey what happened to regular Tokyo?… all hell has broken loose with these so called Boomers trashing the place. These androids are even too much for the illustrious AD Police, even with all their firepower and sophisticated technology. I demand to see how much of the tax revenue is being spent for this organization. We must therefore have a need for a third party to aid in this scenario. Welcome to the ’Hurricane’ world of the Knight Sabers. A world where a quartet of armored young women are the best answer for peace and justice. A world known simply as Bubblegum Crisis.

So Bubblegum Crisis… it’s like Blade Runner with both the action intensity and sexiness turned way up high. Plus, get extra hairspray as this is the 80s; tease that hair kidos! I guess if one is to make their own anime homage to a Blade Runner-like universe, one must do it very LOUD! Make is sexy! Drop all that film noir moodiness and introspection and let the action tell the story. And for good measure why not add in a little bit of The Terminator, Batman and Streets of Fire for good measure. Plus why not also spice things up with a little sentai squad action, wearable mechanical armor and good looking characters via Kenichi Sonoda. Hmm, explosions and attractive people with a dash of cyberpunk for good measure, now I see why this OVA gained some notoriety. For a time Bubblegum Crisis defined what anime was for many fans, but as we all know, anime is so much more than just well animated hi-octane action stories.

BGC_2OK just who are these Knight Sabers exactly? A lingerie store owner, a motorcycle obsessed rock singer, an aerobics instructor and a junior member of the AD Police make up our heroic quartet. Interesting… just shows you don’t really know people that well outside the office. While their day jobs are quite ordinary, the Knight Sabers crime fighting skills are anything but. With the aid of skin tight wearable armor that aids in performance, these girls can kick some serious butt. Seriously! Kind of like Saint Seiya with super high end technology that has a more fetish like approach that could rival the robot designs from say The Humanoid? With high heels too! Gatchaman may have thigh high boots, but the Knight Sabers have stilettos. And it is these spike heeled suits that do the best damage against the Genom Corporation’s never ending renegade Boomer population. The AD Police try their best, but they often have a better role as spectators. The fighting style that the Knight Sabers employs reminds me a lot of Casshan… come to think of it he had a streamlined body suit too. Holy cow, where are all these references to other anime coming from?

BGC_3Bubblegum Crisis is perhaps the biggest creation of the studio AIC. Built on the bedrock of Megazone 23 and two other Sonoda designed entries, Wannabies and Gall Force, Bubblegum Crisis is AIC at it’s height. Perhaps these three previous entries led the way like stepping stones towards Bubblegum Crisis? Who can say, but everything was right and in place to bring the Knight Sabers to the OVA market, which by 1987 was really in high gear. Bubblegum Crisis is in many ways an original creation that is an homage to so many pop culture references. Fans of sci-fi and anime making their own anime their way.

BGC_4I know Bubblegum Crisis is beloved by many established fans and everyday is introduced to new ones via whatever method you choose to watch. I will say I like it, but I don’t get all the hype. Maybe because this was one of the best options back in the day as it was easy to come by and it spoke towards certain demographics. I will admit it’s a classic, animated very well (almost seems like each episode is a mini movie; late 80s OVA quality!) and a nice example of cyberpunk as a genre. As a piece of action entertainment Bubblegum Crisis is stellar, but for me at least it starts to wear down particularly in the later episodes. Still, it is fun and has a rockin’ soundtrack, can’t complain about that!

#142 : Metal Skin Panic MADOX-01

M01_1If one is a fan of mecha, machinery, or action with the inclusion of a machine of some sort, then Metal Skin Panic MADOX-01 would be considered as close to porn for fans. Watch the opening scene with all the mechanics and electronics… it’s total mecha hentai, second to perhaps the credits of Patlabor 2. Only a mechanical designer would have created something like this OVA and in the case of MADOX-01 that is the truth. The name of Shinji Aramaki is all over the place… director, story creation and mechanical designer. I bet he was the caterer too? … Funny thing about MADOX-01, it reminds me of another OVA, I wonder what it could be? Though it’s not exactly the same it does remind me of… umm? Hmm? Let me think on this one…

M01_2The year, 1987. The place, Japan. The man,  Shinji Aramaki. The rise of the OVA format gave opportunities for many younger and/or junior rank members of the anime industry to take on the big role of directing a project. Names like Ichiro Itano, Koichi Ohata and Toshihiro Hirano went from special effects artists, mechanical designers, or character designers and moved into the realm of the director’s chair. Aramaki’s portfolio was filled with many mechanical designs ranging from anime including: Genesis Climber Mospeada, Megazone 23 (wait a minute!… oh never mind) and Bubblegum Crisis and western based shows like Pole Position, M.A.S.K. and even the original Transformers. Quite a nice lineup there so yes, he can draw machines very well… very well, but what about directing? I suppose its true to stick with your strengths and that is what Aramaki did with MADOX-01. A mechanical designer directing an anime all about mecha… what a surprise.

M01_3The Japanese government has a new fancy weapon, wearable armor in fact. Codenamed the MADOX-01 it showcases quite the firepower and agility. It’s pilot even defeats an old stalwart in more traditional equipment, much to his chagrin. Yeah old man, you lost to a girl! I always thought women were better mecha pilots anyway! 🙂 Later the machine needs to be transported to a new location and somehow becomes lost after an accident (shakes head). Can’t the government afford a decent security transport? Almost like in Black Magic M-66… keep track of your toys kids! Then this fancy device ends up in the hands of some nerdy engineering student who seems to understand how it works (hello Amuro Ray?) and then becomes connected with it literally. Now Mr. Smarty Student has to evade the feds, including that angry guy from before who wants revenge so bad for being beaten before (chuckles). Again a little like Megazone 23 with Shogo with the Garland and being chased by the military and gaining a rival with B.D. …

M01_4… Ah ha, it was Megazone 23 after all? Though I am stretching it a little, there are similarities if you take both OVAs from a certain point of view. Both stories want our protagonists to get back to their respective girlfriends at the end, but they have a minor issue of being wanted, as well as chased, from a larger authority. MADOX-01 is a far simpler story and is more based around the action than the unfolding mystery and drama of Megazone 23 (first installment to be specific). MADOX-01 is fun and has some unique character designs as well , but it is really a one and done sort of viewing. If you love mecha and action you will more than likely rewatch, while if you are more into shojo, or romance, I doubt you would consider it in the first place. I would highly recommend Megazone 23 in either case, just because it is a personal favorite and a far more superior production (my opinion). Either way they are both products of action powerhouse studio AIC!

By the way, in case you are interested in what came of Aramaki-san he continued on as a director years later. Remember the CGI movies of Appleseed and Space Pirate Captain Harlock? He was behind the chair on those films and they really left me flat… I couldn’t do fifteen minutes of either one. MADOX-01 is thankfully watchable, short and old style cel drawn too… mmm, I love the smell of analog in the morning.

#1b : Megazone 23 (part 1)

For my original entry for Megazone 23 (part 1), click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, the first part of Megazone 23, I have a little more to say…

m231_1This is like going all the way back to the beginning. Starting from scratch, the second time around. If you have been through this site before, I hope you have dug down enough to find the very first entry, Megazone 23 (part 1). If you are new here, then you found a great starting point. I have had for some time thought about revisiting this awesome OVA from 1985, but I like to keep only one entry per show, movie, or OVA. Know you know what this means… time to change some rules!

m231_2Have I changed my opinions much on this first Megazone 23 entry from last time. Not really. I still love it, I still hold it highly in my anime watching experience and it is an all in one package for what did get me into anime in the first place and what mostly keeps me digging up more classics. It has that certain something, perhaps its just love and devotion, I can’t say for sure. And if I could put the feeling into words, I would more than likely miss the point. The character designs from Toshihiro Hirano and Haruhiko Mikimoto may be the closest thing to words to express my feelings for Megazone 23. Such a good looking cast from two of my favorite artists.

m231_3Now, have you seen The Matrix? Do you make references, or hear them often from others, regarding society and the The Matrix? Now watch Megazone 23 and tell me if you can spot the similarities? Megazone 23 came out a good decade and change before The Matrix and in my opinion totally surpasses the live action trilogy. We have the story about a hero who finds that reality is in control of a computer program and basically reality is someone else’s fantasy and creation. And our hero finds out he is only a mere pawn in the big game and decides to rebel. Except in Megazone 23 you also have motorcycle styled mecha, a lone wolf antihero, brighter colors, a refreshing soundtrack, Flashdance styled dancing (with leg warmers) and it’s Japanese in origin. “Yeah Doc, all the best stuff is made in Japan.”  (Back to the Future strikes again) The next time someone mentions The Matrix just remember to recommend Megazone 23, or even better… shout out BAHAMUT 6!

Still I regard Megazone 23 the spiritual successor to my beloved Macross. I said it last time and I will say it again, Megazone 23 may not be Macross in name or story, but the main members who created both productions left a certain patina. Kind of like a band releasing two awesome albums in succession. I mentioned Hirano and Mikimoto earlier and there are other key figures, but the biggest was director Noboru Ishiguro. Such a professional, a gentleman and a renaissance man all rolled into one. Hayao Miyazaki, Yoshiyuki Tomino, Tomoharu Katsumata, Osamu Dezaki, Rintaro, Isao Takahata are all great directors and I love them dearly, but Ishiguro-sensei, if it was not for your work I may never have fallen in love with anime. Arigatou gozaimasu.

Bar none this is a title I still watch on a consistent basis. Repeatability is a major factor to anything great in media as there is always something new and still yet familiar to emjoy. The only question remains, ADV dub, Streamline dub, or the original Japanese track. All three have equal merit in their own way. Or, I can be adventurous and watch Robotech: The Movie. Wikipedia or Google that one if that is a title that does not ring a bell.

… and don’t forget you see a cameo of Lupin and Gigen (Lupin III) as… cops… ironic!

#121 : Appleseed

Appleseed_1AppleseedGhost in the Shell’s often over shadowed older sibling. What comes to mind when I think of Appleseed? A nice, simple and powerful title for sure… iconic. There was all that CG material made a few years ago that I found to be dull yet flashy and fancy, but still… dull (very boring, my opinion). Thankfully I was aware that the tree that sprouted all those CG apples bore fruit a couple decades earlier in a shorter and much more analog version created for direct to video. Appleseed beyond the original manga, and those CG projects (nails on a chalkboard), is for me an OVA from 1988 that beyond the action had a theme that made me think and is the reason I come back one more time, every time.

Appleseed_2Is it me, or does this OVA smell a lot like Blade Runner (as well as concepts from ancient Greek mythology)? Many a cyber punk story often quoted Blade Runner since that movie set a standard that still holds up today. Still… Appleseed really borrows a lot from the 1982 film: the setting although it seems to have more sunlight, a particular character’s name and the idea of cybernetic technology in co-existence with mankind. We have a tale of a dystopian utopia, our possible future, or perhaps an allegory on our current circumstances. A perfect, clean environment that still has problems and issues because with all the polish and brightness, the polarity of darker forces must exist to ensure balance… all told with a lot of firepower and action. Masamune Shirow how do you do what you do so well?

Appleseed_3Olympus, the setting of Appleseed, is a great example of the utopian safety bubble showing signs of cracking and discontent. An ideal world where only good and cleanliness exist is in truth ‘unnatural’, night must follow day and winter always comes after a summer. And as much as you grip for control and authority, there will always be elements that stand to defy the status quo that slip through the veritable cracks. This is after all, a post war environment, as outside the city limits of Olympus is a perpetual no-man’s land, a literal hell. Here many humans exist on the edge of survival. If they are ‘lucky’ they get rescued and with help and rehabilitation are brought into Olympian society to exist with the main biodroid population. Biodroids are manufactured to be human in appearance and fit into the regime of the Olympian landscape. Many of these rescued humans fit into this paradigm with no issue, while others perceive and/or even fight back against what they see as a cage, or perhaps, a prison.

Appleseed_4Three of these rescued humans play the biggest roles in this drama. Our protagonists Deunan Knute and Briareos Hecatonchires (who looks more robotic than human?) work for the state as police officers, SWAT to be specific, which allows them to use their guerrilla combat skills that kept them alive in the hinterlands outside of Olympus. They have conformed for the most part into the society of Olympus. These two are perhaps an early attempt for the likes of Major Kusanagi and Batou of Ghost in the Shell… maybe? The third member is also a fellow police man, one Calon Mautholos, who unlike Deunan and Briareos, see a different reality due to the depression and eventual suicide of his wife. She saw Olympus as a cage and this leads Calon to align himself with more shady characters. Such as the terrorist A. J. Sebastian (hmm… Blade Runner again?) who believes that the society and government of Olympus is controlling and corrupting the human population and distancing themselves from their more primal behaviors. Calon joins forces with Sebastian and tries to stay one step ahead of the dynamic duo of Deunan and Briareos, who are after Sebastian when he escaped from an earlier raid.

Appleseed questions reality and duty towards a state or cause almost to the same degree as say Patlabor 2: The Movie. Though not as sophisticated as Patlabor, Appleseed does a great service for a simple one off OVA. And even though this has one of the most extreme cases of adulting up an English dub, you can always watch the original Japanese, which features some well known classic cast members. With all the love, popularity and hype for Ghost in the Shell, I seem to resonate and return to Appleseed more often. How about you?

#86 : Baoh

baoh_1A question to all you loyal fans of JoJo’s Bizarre Adventure… who’s your daddy? Or perhaps, who is your older brother may be more precise? 1989, the year the Berlin Wall fell (who here remembers East Germany?), Dragon Ball decided to add the Z and Saint Seiya would call it a day on the small screen, a lone wolf, short, direct to video release of a Hirohiko Araki manga would hit the shelves of video stores. Behold all that is Baoh.

baoh_2Now here is how to tell a story… A teenage boy caught up in an accident is taken in by a secret group and has a worm implanted into him to make him into the ultimate fighting, or perhaps, killing machine. Wait a minute a worm? Eww… that is gross man, but hey I didn’t create this story. And while he is being transported in statis he becomes awakened with the help of a psychic girl (Thanks for waking me up kid, that was one hell of a dream). Both escape for the hills so to speak and this so-called group does everything and anything in their power to get their prized experiment back. And hopefully before our hero, Ikuro Hashizawa, evolves towards his full potential. Hmm, kind of cliche…I smell elements of Black Magic M-66, or even maybe M.D. Geist (maybe?), but who said those are original ideas either. And if Baoh is cliche, then it does cliche oh so much better.

baoh_3Now this may be the shortest anime based off a Shonen Jump manga? Don’t quote me on this, but in a sea of triple digit episode TV adaptations a single release OVA, that does not even span an hour, is quite the welcome rarity. There is no room for filler here kids, in fact there is hardly any room to give any back story or character development. And yet we do get some… amazing. We start this story in media res and don’t stop till you cry out… NO, I want more. And then you play it again and perhaps again after that as well. Just don’t forget to put the TV on mute and crank up your old Van Halen albums (David Lee Roth era) just in case you run out of ideas of how to make Baoh even more fun! I personally recommend Atomic Punk from the first VH album. “I am a victim of the science age, a child of the storm, whoa yes!”

baoh_4I recently commented on how Blue Sonnet was a fun ride from start to finish and that was accomplished in a very short period of time, just five episodes… count ’em. Baoh is the equivalent of two of those… yeah… TWO! And for that short space, it does one thing so well… and that is… be awesome. I usually write more for these entries, but I don’t want to spoil Baoh in case you have not seen it yet. Seriously, describing the whole plot is pointless as you must see it to believe it. Baoh, you were and are a fine definition of action entertainment from the closing of that fine decade of the past; 1980s forever. Cigarette lighters take to the air and salute.

afterthought … maybe now is the time to finally give JoJo’s a try.

#58 : Akira

Akira_1You my friend are like Bob Dylan. You are the spokesman (or perhaps spokes-anime?) of your generation. And such a fitting title to boot. Akira. It’s short, sweet, bold and makes you wonder what the movie is about? And for several years, if not a couple decades and change, I still ask myself this same question. And from all the viewings I have come to my own meaning since I am not all that familiar with the original manga. In any case, Akira stands as one of the quintessential definitions of what anime can become… huge, epic, thought provoking and awesome red motorcycles. For many otaku of a certain generation here in the west, it stands as one of the first anime that either: a) made us anime fans or b) solidified our love of Japanese animation to a level we had no idea that could be reached or even existed.

Akira_2Epic, sublime and down right dangerous… this is the world of Neo-Tokyo in the aftermath of a devastating war. Politicians and the military try to fight for power to control the masses and yet let the society kind of deteriorate at the process while they greedily grab cash and power at any quick moment. Remember the scene where the counsel member who tried to escape with his briefcase of money only to die in an alley from a heart attack? And it is in and on these streets that have gone to waste we find our main characters. They are street punks, juvenile delinquents, who ride motorcycles and fight rival gangs. And two of them will be our heroes so to speak. A small, quiet, insecure yet angry young man named Tetsuo and a cocky self assured leader who has quite possibly one of the most iconic motorcycles to appear on any screen, Kaneda.

Akira_3Eventually these boys will come into contact with the military authorities and their lives will be changed forever. Either through contact with what looks like old children who have esper type abilities or perhaps awakening a power within himself (could it be possible to awake this in all of us?), Tetsuo begins his journey of becoming a power beyond control as he is carried off to be examined. The struggle begins now as Tetsuo, who only wants to be left alone, is constantly being controlled. And much like school shootings of recent history in our ‘real world’, Tetsuo is a textbook example of allowing a potentially good kid go bad. He is to blame for the eventual destruction he lays out on the city, but that blame belongs to us as well as we let potential young people rot away into self pity and depression. His responsibility is ours and ours is his.

Akira_4My view of Akira is that no matter the environment or circumstances, we are the creators or destroyers of our world be it within the confines of the body or what we perceive to be the outside world. The more we try to control the outside environment, others around us or use the gifts given to us to harm or disconnect us from the natural surroundings, we are doomed to failure. But from failure and destruction much like a phoenix, there is great potential to start again. All endings are beginnings and likewise all beginnings are endings (the constant cycle of life and time). It is how we adapt to these changes that will show the results.

Go big, or go home. Such is much of the work of original creator Katsuhiro Otomo, as all hell will break loose and get out of control if we allow the weeds to permeate the garden so to speak. Akira is also a hallmark of the quality of one of the best studios in Japan, TMS (Tokyo Movie Shinsa). You can see this as an action film, a fluid piece of animation, or an allegory to what potential we have in all of us. I cannot deny the awesome power of what Akira is for me as a fan; it is required viewing to truly appreciate the power of what anime truly can express. No matter what, I will always cheer GO! GO! Akira! 

…Now I need to find a dealership that has Kaneda’s bike. Any idea what make or model it is?

#52 : Ai City

“Everything today is a bargain sale of imitations. That’s why they’re after something real.”

I have an odd attraction to something that leans a little to the bizarre and artsy in anime. I love classics like Angel’s Egg and more modern fair like Mawaru Penguindrum. I also love psychedelia music, art and film be it the original stuff from the 1960s or works that draw from it’s influence from decades later. But what I really like is a). style and b). expression. And Ai City is all of this and something more and to be honest the ending still makes me scratch my head. I LIKE IT!

AC_1Let us consider a cyberpunk atmosphere that could be the future and yet looks like the present moment, whatever that present may be when you are reading this. Kind of like Akira, but instead of the Blade Runner-esque darkness and political intrique… well leave a little of that in for good measure… we need something a little more lets say 1980s and fun. Lets add in a discotheque feel and bright colors that invade into this dark climate. Now we are prepared for this 1986 film. And of course, throw in the fact that a majority of our main cast are espers with powers referred to in that catchy awesome song A Psychik Man. It says… “he’s got super psychic powers.”

AC_2The film begins with a chase between a bike gang who is headed by a pretty lady known as K2. They are chasing our main group of heroes in a car with our main man K driving (he gave the awesome quote at the beginning). His passengers are Ai, or is it I?, who apparently is a clone of K’s former girlfriend, but is younger in age and calls K Papa (?). And in the back seat we have a bumbling drunk detective named Raiden (comic relief) and a big old fluffy cat. Yeah for cats! Needless to say K and K2 meet up and we see how these two espers, or headmeters, charge up and fight. Not so much super saiyan style like in Dragon Ball Z, but they have these gauges in their head that change number amounts. Just watch out if they reach infinity.

AC_3K and Ai have escaped from the confines of an organization named Fraud and K2 is one of their lackeys. After the confrontation between K and K2, K2 disappears and comes back with a state of amnesia and she ends up wearing a Playboy bunny type costume and goes gaga over ohjisama Raiden. No lie to that, its that off the hook! The leader of Fraud, the menacing Lee (this dude reminds me of some offhand villain from Space Adventure Cobra) is having none of it and dispenses more lackays, one a bishounen named Mr. J to recapture Ai. And I will leave it at that because this is a movie that needs to be seen to believe. I have only describes the first third or so so just when you are about to get near the end be ready for an all-out artsy fartsy, off the wall, psychedelic experiences put to celluloid. Everything can and will fall apart. Now see what happens afterward.

AC_4The title itself makes me wonder… which one is my correct assumption for what it means? Of course one of the character names is Ai, which in Japanese means love. So ‘love city’ and could this girl named Ai/‘love‘ be the ultimate meaning of this movie? The idea that love and manifesting one’s happiness and not forgetting that primal emotion could be the key to all of life. Also, and I am no scholar in this area, but in that little book known as the Bible, in the Book of Joshua, there is a city that is captured and destroyed named Ai. And yes, at the end of the film, literally, all hell breaks loose. Or, could it mean Ai as in I, like your ego and watching that come crumbling down to rebuild a new self in case you have a faulty view of yourself and the world? These are a few of my interpretations and many are kind of deep. Maybe I should watch it again because I could be still missing something.

Fluid animation, a fun soundtrack and a stellar lineup of voice actors make this oddity a huge winner in my book. That and once you get to the ending. guess what? We basically start all over again from the beginning. For real? … yeah. Ai City may be out there and different, but it is never, ever boring. And to get back to the beginning, you remember that quote? Ai City ain’t no imitation, it’s FOR REAL!