#133 : Minky Momo vs. Creamy Mami

MMvCM1The ultimate magical girl showdown of the 1980s. A crossover that much like lightning in a bottom, flashes and then disappears. In the span of three short minutes all will be decided as who should be crowned the ultimate 1980s magical girl. In the left corner, debuting in 1982 and representing Ashi Production we have Minky Momo! (CHEERS!) And in the right corner, debuting in 1983 and representing Studio Pierrot we have Creamy Mami! (CHEERS!) Ladies, gentlemen, undecided, non-binaries and every other designation of beautiful people I present to you Minky Momo vs. Creamy Mami! Alright now let’s keep it clean girls… no hitting below the belt… GO!

MMvCM2The year was 1985 and the fairly new direct to video format of the OVA was in full swing. Several new properties would be introduced on this format, but there was another side to creating anime for this market. Previously created properties, in particular television series that had successful, or moderately successful runs, would get new breathes of life from this format. For the two iconic early 80s magical girl shows Fairy Princess Minky Momo and Magical Angel Creamy Mami, this would be the case. Two all new, almost feature length productions, would debut. For Minky Momo there was La Ronde in my Dream and for Creamy Mami there was Long Goodbye.

MMvCM3Occasionally OVAs would have a theatrical screening, which more than likely, was to promote the videos themselves. Plus! You can see these video on the big screen… WOW! I And this is where Minky Momo vs. Creamy Mami comes into the scene. From my research, these two videos were shown as a double header and this short video was like a teaser, a welcome, a short introduction. There is not much to review, or describe, as the two girls meet, shake hands and then… fight it out in an over the top style that recalls much to say Project A-Ko. It’s fun, quick, cute and easy to find on Youtube. What more can you ask for? Chocolate cake maybe?

So the question becomes who wins the match… Minky Momo, or Creamy Mami? I say neither as it all ends in a draw. The real winners are those of us who watch and cheer and get all obsessed over these awesome cartoons. Minky Momo vs. Creamy Mami is what being a fan of anime is all about!

#130 : Chie the Brat

ctb_1If there is one truth of Isao Takahata, is that he is a master storyteller who uses the most basic fundamentals of human relationship dynamics. Takahata’s partner in crime at Studio Ghibli, Hayao Miyazaki, can wow a crowd with his knack for showmanship and feeling. Yet Takahata’s work is more reserved, quieter and yet it has a charm that Miyazaki just can’t touch. In the handful of years before the founding of Studio Ghibli, that being the early 1980s, Takahata would help to create a couple gems that equal, or even at times, surpass, his work at Ghibli. The first of these was the adaptation of the manga Jarinko Chie, translated as Chie the Brat.

ctb_2Now you can say Chie the Brat is a story about everyday life in Osaka. I have come across this idea in many places, but I think this movie can mean something else. This is a story about one character, one girl, and the world she both lives in, but also the world that she has influence over. Often times we may ask ourselves what purpose do we hold in our mundane activities in this world? Many of us are not famous, or even our popular, but still we all have an impact that spreads like a ripple in water from a thrown stone. Our actions and the people we meet all create change in small, yet subtle (or even major) ways that become something greater. So a story about Osaka? Yes, but then again Chie the Brat can be a story about any town, anywhere and anyone. It’s a story about all of us no matter who we are, or where we come from!

ctb_3Let’s meet our protagonist, Chie Takemono. A working class girl, who is quite bright and intelligent, yet schooling takes a back seat as she is more often cooking skewers at her father’s little hole in the wall restaurant. Where is dad, Tetsu? Out gambling from borrowed money from his father and getting into trouble with the local syndicates. Now what about mom, Yoshie? Separated from Tetsu at the moment and occasionally she gets a visit from Chie. True Yoshie loves Tetsu, but Tetsu needs to straighten up a little. A slightly dysfunctional family? Yes, but not a cynical way. Like most relationships it an get difficult, but usually there is a compromise, or maybe perhaps a glue that can hold things together, or make things work. And of course the is Chie’s job. …Hang on a minute I forgot about someone. I can’t leave out Kotetsu. He is the ultimate and coolest character in the whole movie simply because he is a cat. A cool cat, a street fighter who is a sweetheart and Chie’s adopted friend. NOW! the family is complete.

As I mentioned before about how this film is about the influence one of us has on others that surround us, I can’t help but see a Pollyanna quality to the story. Yet Chie is not too overly optimistic, she has a little chip on her shoulder, but that’s what makes her truly… human. She has heart, but a little of an attitude. She may not be the prettiest girl on the block, but she has a beauty that is rare. She may not be perfectly book smart, but she has a strong connection with her gut intuition, which to be honest is more important than knowing outright ‘facts’. It would be interesting to see the story beyond Chie’s years of youth because if she can harness those qualities she could become a very successful adult.

ctb_4

So yet another gem helmed by the venerable Isao Takahata. This entry covers the film version, but there was also a television series that began the same year of 1981 (in case you need more Chie in your life). I don’t think Takahata was affiliated with the series, but I could be wrong. I had enough of a time getting my hands on this film version and graciously I was happy to get the chance to have the opportunity to watch this one. I rank Chie the Brat highly as one of Takahata’s best films if not his best (depending on my mood and the day of course). If you can find this one I won’t recommend you should watch it… I demand you watch 😉

#126 : Magical Angel Creamy Mami

cm_1To be forever young… is it truly possible? My two cents says that without question and I will stake everything on it, that all magical girls do remain forever young. The pride and joy as well as perhaps the biggest backbone for all that is shojo in anime, the magical girl, is a genre and an archetype without peer. The 1980s witnessed a rebirth and reinvention of the magical girl and one in particular would be a leading example for one particular studio as well as a generation. In 1983, Studio Pierrot would marry magical girls into the world of the pop idol with Magical Angel Creamy Mami… thus a legend was born.

cm_2Two things hit me when I watched this show. First it’s adorable; can’t deny that. Though when you mention to people you are watching a classic title like Magical Angel Creamy Mami, especially those who are not in the know about anime in general, they may think it is some sort of porn title. IT’S NOT!!! Cream Lemon yes, Creamy Mami NO! This is a sweet wholesome show, something you can watch with the whole family… just an awkward title. And second, did Jem and the Holograms derive any influence from this show? Magic transformations and pop music idols are rampant in both shows. Maybe its a coincidence? Although to be frank both shows are completely different in approach, but I could not help but find a parallel between two shows made around the same time. Anyway on with the main program…

cm_3Miss Yuu Morisawa… our protagonist… a plain jane, average in many ways and very independent, but in a sweet way. She does not technically stand out, even to the boy that she is infatuated with (shame on you Toshio), yet behind the normality there lurks much potential. I appreciate that she is an opposite to the popular Usagi Tsukino (Sailor Moon). Yuu is not quote, a dumb blonde, a ditz… annoying. Perhaps this is more than likely why I have issue with watching Sailor Moon. Yuu is the type of character I can identify with, I can root for and also hold a series together. Often times a show is as good as it’s cast, story and plot can be interchangeable, with the main character acting as a bedrock, perhaps the identity of a show itself. It was you Yuu Morisawa that made me love Creamy Mami.

Blessed with magical powers from outer space (Feather Star… nice name for a planet), Yuu is given her traditional magic wand within a fancy compact and two cute mini alien cats as guardians, which aid her as she turns from a ten year old into a glamorous sixteen year old with a singing voice and purple hair. PURPLE HAIR… love it! Yet, this power is only granted for one year. Our story thus creates a dichotomy. Average school and pop princess must find a balance in both scheduling, and knowing one’s true identity. Yuu is level headed enough to know that Mami is still Yuu and not get lost into the world of celebrity as it at times can get ridiculous. Not a bad twist of fortune for the daughter of a family that runs a local crepe shop.

cm_4Underneath all the magical girl fun, the great color pallet used, the slapstick comedy and the danceable music, we have a romance. Perhaps even a love triangle, that is between two people, yet three identities. Again I have to reference Jem for that one. Yuu and Toshio are made for each other yet there are sparks that fly, but when the moments are right, there is true love. Be on watch near the middle of the episode running for a great plot twisting that will not again play out until the near end. The entire show turns upside down as the secret of Mami is revealed to a special someone.

Magical Angel Creamy Mami opened the flood gate for Studio Pierrot’s other mahou shojo shows that featured Persia (Magical Fairy Persia), Emi (Magical Star Magical Emi)  and Yumi (Magical Idol Pastel Yumi) later in the decade. But there is only one original and that is you Mami. Shine bright forever! Between you, Minmei (Macross) and Eve (Megazone 23), I have my power trio of pop idols that help keep me young… FOREVER!

#124 : Dirty Pair (TV Series)

dptv_1“Once upon time there were two little girls who went to the World Welfare Works Association academy… And they were each assigned very ‘hazardous’ duties… But I took them away from all that and now they work for me, my name is Gooley.” Hmm… hazardous duties? Have you seen the track record of these two ladies as of late? Mr. Gooley, your two trouble consultations, those Lovely Angels are creating a lot of havoc wherever they go, though they don’t mean to because as the bumper sticker says “S#!t Happens!”. These girls even have a well known nickname and have been featured in many anime back in the day including an awesome TV series with this so-called nickname. And not Gooley’s Angels mind you; more like… Dirty Pair.

dptv_2Kei and Yuri are at it yet again and this time we are in for the long haul. While a majority of the Dirty Pair releases are single release fare (Affair of Nolandia, Project Eden and Flight 005 Conspiracy) we are treated with a multitude of adventures this time around. And yes there was that 10 episode OVA quasi-sequel from 1987, but that to me is supplementary to this TV series from 1985. And what a series from the hands of Sunrise as this could be considered the ‘sister series’ (light pun?) to the other two titles being Mobile Suit Zeta Gundam and Blue Comet SPT Layzner. Three’s a crowd? Not this time. More like Three of a Perfect Pair (any King Crimson fans?). This is because if watching the more serious space operatic mecha of Zeta Gundam and Layzner become a little too much, chill out with the Dirty Pair for a little light hearted fun.

dptv_3Within a space of 24 episodes plus two extra supplements as direct to video OVAs, you get a total of 26 episodes of adventure with Kei and Yuri. The fun nature and space travel of the Dirty Pair TV series can be looked at as a gender inverse to Space Adventure Cobra. Instead of the bumbling Lupin-esque macho Cobra you get two ladies, both of whom are feminine and independent characters. Smart and skillful, but at times a little short on temper, particularly Kei (my favorite of the pairing!), expect something to come out of the blue at any moment. As much as the girls try to help each situation, they are so-called trouble consultants after all, they often create a little more trouble in the process. Still, the comedy and the action that often occurs within each episode becomes golden at proper moments. Who would have thought the original books by Haruka Takachiho would have grown into one of the best franchises of the 1980s?

In all honesty, compared to one-offs like Affair of Nolandia, or Project Eden, I don’t see much replay in the TV series. The TV series is worth a viewing with absolutely no question, but the quick changes of plot from episode to episode may be a little to fast for my taste. Of course it may be different for you and that is ok. Ironic as I usually prefer longer run TV series over movie/OVA adaptations, but with the Dirty Pair it is not the case… it is a case of breaking all the statistical norms… that I do appreciate! And as English is my native tongue, sometimes I do love a dub. The sub track with the Japanese is excellent, but I have a love for the early 90s Streamline dubs of the Dirty Pair, perhaps some of that companies best.

dptv_4“And then they’ll have Fun, Fun, Fun and hope that chief Gooley doesn’t take the Lovely Angel away. And then they’ll have Fun, Fun, Fun…” A variation on a classic Beach Boys song, but it completely rings true to the Dirty Pair. I often look to the TV series as phase two in one’s Dirty Pair journey. Start with one of the single outings mentioned earlier, then move to the TV series… or jump into the TV series if you want to override that prerequisite as there is no law stating ‘One should!’ The only real question is do you want a fun show? If you answer yes, then the Dirty Pair TV series will satisfy.

#117 : Cosmos Pink Shock

CPS_1“Well she was just 17. You know what I mean…” I love when I can get a Beatles reference in and yes it holds a purpose for this little half hour rarity from way back in 1986. So called one hit wonder OVAs, or perhaps one off or one shot is a better description, from the 1980s are a genre unto themselves. Combing through dustbins of fansubs and long forgotten VHS tapes one name often sticks out, Cosmos Pink Shock. Now that’s a title, but what is this? Cosmos Pink Shock sounds more like a weird offhand band, or an interesting name for a drink, but no it’s an anime. Just a simple anime

CPS_2Mitsuko Hayami (Micchi), a redhead of 17 years (see told ya the Beatles fit in here!), is on a quest and nothing and/or nobody will get in her way. She interrupts a championship baseball game, gets into the middle of battle skirmishes which have vague impressions of Macross (talk of culture, music, a mustachioed captain and bridge bunnies) and draws the attention of a bishonen (Gatsby/Gatsupi) who is cynical towards women and yet is beloved by a fanclub of girls, ironic. Maybe if Micchi could just politely give notice of her arrival towards each situation? Kind of like, “Hey all passing through here, PARDON ME!” Well… that wouldn’t be fun 🙂 … just don’t forget to check that fuel gauge from time to time so as to not run out at an odd moment.

CPS_3What everyone does not know is that all this speeding around is for a special reason. Micchi is on a mission… a very personal mission. And what of this mission? What would make a girl steal a spaceship and go through the cosmos like a bat out of hell? Why love of course! Micchi is on a mission to find her truest love, her betrothed, the boy who she keeps a picture of in her locket Hiro-chan who was abducted 13 years ago. Wait a second, 13 years ago… 17-13=4… Hiro was kidnapped at four year old? Micchi you are without question a loyal one, but falling in love and betrothing to someone at four years old? Only in anime. At the heart of a fun space adventure is nothing more than a pure love story. Some might see this as cheesy, but it exudes… cute. Case in point if you view the Pink Shock ship from the front it looks like the face of a teddy bear as an example.

By the end Micchi’s reputation comes full circle as all those that she once annoyed soon turn face to realize that she is doing all this for a just cause; in the name of love. This includes a fan club with membership dues and everything! Psst… I’m even a member because after all Micchi is a good kid at heart. That and she is designed by one of my favorite character designers Toshihiro Hirano (Megazone 23 (part 1) and Dangaioh) and Micchi definitely has that classic look of his character designs.

Cosmos Pink Shock is space adventure, a parody, not to be taken seriously and is due for a better quality transfer for my collection. Group this with a couple episodes from Space Adventure CobraDirty Pair: Project Eden and Maris the Chojo and you have a fun lineup of 1980s space comedy for a night in. “Now I’ll never dance with another, Oh, when I saw her standing there.”

#115 : Project A-Ko

PAK_1Who needs Prozac when instead you can have Project A-Ko instead. You will have zero side effects, except having a big smile on your face and laughing most of the time. Now that’s a prescription we can all agree on. An 80s otaku’s wet dream of self referential parody fit into a sci-fi school comedy that has a plot so big and out of left field that it could only be… well, brilliant. A staple for any collection, the one, the only, the Project A-Ko.

PAK_2If ever an anime encapsulates the decade of the 1980s (well at least up to 1986 at least), it was Project A-Ko. Rising from the ashes of a failed pornographic project (odd start, eh?), Project A-Ko would turn into a self referential love fest for 80s otaku culture. And in case you miss the references to classics such as Macross, Captain Harlock, Fist of the North Star and Creamy Mami just to name a few, you are still in good hands. A joke is a joke and humor knows no boundary, but if you get the reference, you laugh twice as hard 🙂 Also of note is that we have another level of parody. Wait… more? OH YES! Heard of Jackie Chan? He had a movie out at this time known as Project A and this as well crept it’s way into the film in no minor way by of the title itself.

PAK_3The plot of Project A-Ko encapsulates around a triangular relationship. Super-heroic (literally) A-Ko/Eiko is the best friend of perhaps the queen of all crybabies, C-Ko/Shiiko. They laugh, walk to school and go shopping together. Plus, they are in the same class; talk about being tied to the hip! This does not bode well with another fellow classmate, the snobby rich girl B-Ko/Biko. She wants C-Ko for her own and jealousy exudes on to how she can foil the impressive A-Ko with various nefarious plots including using her posse, building mechs and finally making a powered suit that leaves little to the imagination. This suit and the final fight she starts with A-Ko to claim her supremacy becomes the center point of climactic action and in my opinion the cornerstone of this film. Beyond a normal high school cat fight, this altercation between A-Ko and B-Ko is more like a beautiful dance than an all out brawl.

PAK_4And if that wasn’t enough for a plot, let’s also add in some humanoid aliens who are in search of their long lost princess… C-Ko. Bizarre beyond definition is why everyone, and I mean everyone has something for C-Ko? She is one annoying character don’t you think? To each there own I suppose. Loud, immature and lacking in cooking skills (scary bento lunches) and as I said before the chronic crybaby. I am not here to judge, but I must call into question the rationality for begrudged rich girls and alcohol infused alien ship captains. Then again, rationality and this film are distant cousins six times removed.

Outside the plot, there is another memorable piece that is special to Project A-Ko, namely the soundtrack. Not because it fits the movie so well and encapsulates the era, but because it represents rarity back in ye olden days of anime. The soundtrack was outsourced to a couple young musicians, Joey Carbone and Richie Zito, in the Los Angeles area. This Japanese product used American music sensibilities to spice it up it’s presentation. The East met and collaborated with the West on a project decades before it became commonplace to our zeitgeist. Besides the instrumental tracks written and performed by the boys, there were three stand out songs sung by three different ladies. One of whom was none other than Samantha Newark, better known as Jem of Jem and the Holograms. Samantha of course was the speaking voice of Jem, but this movie showcased the fact that her voice acting wasn’t her only talent. She is a diva of a singer as well.

Project A-Ko is simply too much fun. An entertaining movie that never takes itself too seriously. The exception though would be in the drawing department. Project A-Ko is an animation playhouse created by individuals who expressed their joys and talents into a project that may just be the best goofy action movie ever made.

#110 : Cool Cool Bye

CCB_1Tomonori Kogawa; can I see a show of hands who enjoys this man’s character designs and artwork? Or perhaps, how many of you know of this man at all? If not I hold nothing against you since he is not a well known name in the vain of say Miyazaki, Yoshitaka Amano or Gundam’s Yoshikazu Yasuhiko. Kogawa was a staple of early 1980s mecha shows; ever see Southern Cross (Robotech’s Masters saga), Ideon, Dunbine, Xabungle, L-Gaim, or even Odin: Photon Sailer Starlight (OH! ODINE!!!!). If you are familiar with these productions then you are framiliar with Kogawa’s particular art style, but he also worked on a couple smaller pet projects as well. One is called Greed, but let’s look at one called Cool Cool Bye for this entry.

CCB_2Cool Cool Bye. Cool Cool Bye. What does this title mean? I don’t know. Sometimes it makes me think of something that a baby would say… like Goo Goo Gah. Not saying that this OVA is for infantile intelligence (it’s not OK), but there is a fun almost child like simplicity to the art style, the dynamics of the motion and the spastic comedy which makes me think of more pompous, or perhaps ‘fancy’ terms like say surrealism, or even dada… oh great now this guy is going into early 20th century fine art… ! …make art, not war people. Cool Cool Bye is for me, kind of like the leftovers of Xabungle and Dunbine (we even have the cute fairy girl archetype again) mixed with something like Birth, or from a more modern eye, Gurren Lagann. This is the basic foundation of Cool Cool Bye and to top it off, this OVA is a manageable half hour of duration.

CCB_3Now since this is only an approximate 25 to 30 minute run, don’t expect something super deep and life changing. Giggles, laughs and ridiculousness is all that is required; popcorn can be optional. We have a basic plot here… two boys who are supposed warriors from a particular tribe are helping a little village get rid of a gigantic mecha known as the Tanguin, or Penguin (the fansub had both, perhaps it may be down to a regional dialect between the characters?) that is stealing all the women for some particular reason. And with a lack of a female population that means no continuation of future generations. Who or what would be stealing all the women… perhaps some dirty old man? AND I JUST SPOILED THE ENDING! Except I forgot to mention that the boys need to fill their stomachs first before any shenanigans can begin. Silly heroes always need to gorge food in anime, at least they won’t go into battle hungry, ya know?

CCB_4And what about the little fairy girl? At first I was like hey it’s Cham/Chum Huau from Dunbine (and whatever her name was in L-Gaim, please don’t make me revisit L-Gaim) in for a little cameo. But no, the little fairy girl transforms and changes into the pretty ‘it’ girl and very funny comic relief towards our duo of heroes. She essentially lays down the rules so to speak (don’t be no naughty boys), but also acts as the deus ex machina or McGuffin device to a pivotal moment near the end. In the ever constant of comedy and hijinks we get a singular moment of sentimentality… nice touch!

While not the most well known OVA, and perhaps there is a reason for this, Cool Cool Bye is a fun oddity of rarity. Not so much a diamond in the rough… more like a happy accident, but one that I was satisfied with. If you don’t enjoy the plot for any reason, just put Cool Cool Bye on mute and enjoy the scenery so to speak (because pretty pictures in the background makes the world a better place!), or make up another script if you are so inclined. For me though, I liked it!