1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

#2 : Bobby’s Girl/Bobby’s in Deep

Some people say they don’t make ’em like they used to. Often times this is a grossly exaggerated lament to lost youth thinking that what is out today will always be inferior to your own great days of youth. And with anime, yes in some ways it is not like how it used to be. Gone are hand drawn cels, the old men from previous generations, the freshness of ideas or brands not being recycled and the use of longer drawn out stories particularly on television. But for one production, Bobby’s Girl, it will never be like it was, be it before or since.

BG4Bobby’s Girl could just be another OVA from 1985 and if you believe that you need to see this production again. Much like Angel’s Egg or Robot Carnival, Bobby’s Girl is an arthouse masterpiece of the era. But where the previous two are like fine art hanging in a gallery, Bobby’s Girl speaks to something more primal, raw and emotional. I can only attune it to a well played blues song. It’s a lament, a statement of feeling only the likes that a great musician can pour from his or her chosen instrument. You feel it in your soul and if you have a dry eye at the end, I have to question your humanity especially when the cover of the Marcie Blane song also named Bobby’s Girl plays over the end credits.

BG2The motorcycle has always been a symbol of rebellion. And why not, more often than not it is usually built for  one individual to ride. It becomes an extension of it’s rider and that rider can fly like the wind on only two wheels. Very similar to the lone anti-hero on a horse in a western. And Bobby (Akihito Nomura is his real name) is our lone anti-hero and his only only passion is riding motorcycles. He does not get along with his family, his father in particular is very hard on him being a bit of a “slacker”. But instead of being a cocked and loaded loudmouth Bobby is very aloof. His only drive is to just follow his interest, which he does to the chagrin of his family leading him to being kicked out of his home. Thus, he is left to fend for his own survival. Also highlighted in the story is an article from a magazine that featured our protagonist. He receives letters because of this article from a certain young lady who has a keen attraction towards him. Our hero has a fan, an admirer, maybe a potential love interest who likes him for him. But as a “freebird” does he really realize that he has someone who is watching out for him?

BG3The story is only one element of this production. The artwork, on the other hand, can almost be seen as the true star.  Mishmashing brief moments of teenage culture that can be seen in American Graffiti with the Pop Art movement of Andy Warhol and Roy Lichtenstein, or high quality pencil sketches, into the current culture of 1980s Japan. Not that the entire production is experimental, it is those moments that break from the usual that make it special. This experimental nature makes this one of the many productions that can be considered an animators playhouse and a part of a handful of unique productions of the era that I stated before. Madhouse has always created quality work, but this one… wow. Thank you all for something beautiful.

This is one that is not very easy to come across, nor is it mentioned much in conversation. You have to track down this one, but unfortunately the only source I have found has video quality that is a little subpar. But like Citizen Kane on VHS vs. a generic big budget popcorn flick on 4K/HDR/Bluray/Hi-hi-hi definition, which is the better movie or experience? Quality always shines through limitation, but will you give it a try?