1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

#3 : Blue Comet SPT Layzner (TV series)

I love, I really do love Blue Comet SPT Layzner. Despite it’s odd break in the so-called middle of the running that changed the show’s direction, there will always be a soft spot for it in my heart. It’s sad that when most people think of mecha and the studio Sunrise, only word comes out… Gundam. I shake my head. You have to dig deeper, because several years ago Sunrise was known for many shows, many different ideas, many that have gone off into the abyss of legend. SPT Layzner is one such series.

layznerspt1.jpgI see SPT Layzner as a tale of two souls in one body, or perhaps two different, the first part kind of like the original Gundam, kind of, while the second is a mech show that takes many design cues from Fist of the North Star (showing the popularity of this Shonen Jump series). But at it’s genesis, SPT Layzner is a sci-fi mecha series that is told in the ‘future’, the ‘future’ of 1996. Well 1996 was the ‘future’ when the show aired in 1985. Not only that, but the Soviet Union never fell either and the Cold War continued well into the 1990s. If none of this rings a bell I suggest a quick run to your local library’s history section (we are here to talk anime my people). With high political and military tension in the air, what would be more perfect than to have an alien human race come to our solar system and attempt a take-over during all this? And guess what? We get just that.

Layznerspt2Just before this maelstrom, we begin our story with a group of students and their teacher making there way to Mars as part of an effort to foster the peace of the Earth. These students get caught up into the upcoming hell of the Gradosian invasion losing  a majority of their classmates and friends. Upon seeing so much death and destruction these kids catch a glimpse of a blue robot fighting against these invaders not really sure who this lone fighter is. And it is from this robot we meet it’s pilot, a terrified, confused, but bravely determined young man Eiji Asuka (Null Alberto) voiced by one of my fav seiyu, Kazuhiko Inoue. His warning of this invasion is met with caution and hatred as he is one of them, a Gradosian. How can he prove his authenticity and trust? Only time will tell as these students struggle to survive with this new ally.

spt-lz-00xNow I will be very, very biased here, but I think the SPT-LZ-OOX is perhaps the best mecha design ever (by the way SPT stands for Super Powered Tracer). It’s small, sleek and sexy, but very functional. Almost like a great sports car or rally racer. And it’s BLUE, beautiful blue. A Gundam, Ingram, Scopedog, Valkyrie, or your odd assortment of super robots also have their merits and are great, but the Layzner for me is personal. That is what I am looking for on the showroom floor. I wonder if you can downhill it like in Initial D? Hey… wasn’t there a guy in Initial D named Ryosuke Takahashi (Layzner’s director if you didn’t know)? Makes you wonder?

Despite a rushed ending on aired television, a second chance would come the way of releasing direct to video. A three volume OVA would retell the backstory of the two separate arcs, episodes one and two, and a third volume finished off what remained with more breathing room. So now it all comes full circle, but I will say this to you SPT Layzner… You may not be perfect and I don’t care, but I love you anyway. Now is it worth a watch despite it’s minor flaws? Oh hell yes. Plus the opening song, Melos no Lonely Way by the band Airmail over Nagasaki… awesome.