#130 : Chie the Brat

ctb_1If there is one truth of Isao Takahata, is that he is a master storyteller who uses the most basic fundamentals of human relationship dynamics. Takahata’s partner in crime at Studio Ghibli, Hayao Miyazaki, can wow a crowd with his knack for showmanship and feeling. Yet Takahata’s work is more reserved, quieter and yet it has a charm that Miyazaki just can’t touch. In the handful of years before the founding of Studio Ghibli, that being the early 1980s, Takahata would help to create a couple gems that equal, or even at times, surpass, his work at Ghibli. The first of these was the adaptation of the manga Jarinko Chie, translated as Chie the Brat.

ctb_2Now you can say Chie the Brat is a story about everyday life in Osaka. I have come across this idea in many places, but I think this movie can mean something else. This is a story about one character, one girl, and the world she both lives in, but also the world that she has influence over. Often times we may ask ourselves what purpose do we hold in our mundane activities in this world? Many of us are not famous, or even our popular, but still we all have an impact that spreads like a ripple in water from a thrown stone. Our actions and the people we meet all create change in small, yet subtle (or even major) ways that become something greater. So a story about Osaka? Yes, but then again Chie the Brat can be a story about any town, anywhere and anyone. It’s a story about all of us no matter who we are, or where we come from!

ctb_3Let’s meet our protagonist, Chie Takemono. A working class girl, who is quite bright and intelligent, yet schooling takes a back seat as she is more often cooking skewers at her father’s little hole in the wall restaurant. Where is dad, Tetsu? Out gambling from borrowed money from his father and getting into trouble with the local syndicates. Now what about mom, Yoshie? Separated from Tetsu at the moment and occasionally she gets a visit from Chie. True Yoshie loves Tetsu, but Tetsu needs to straighten up a little. A slightly dysfunctional family? Yes, but not a cynical way. Like most relationships it an get difficult, but usually there is a compromise, or maybe perhaps a glue that can hold things together, or make things work. And of course the is Chie’s job. …Hang on a minute I forgot about someone. I can’t leave out Kotetsu. He is the ultimate and coolest character in the whole movie simply because he is a cat. A cool cat, a street fighter who is a sweetheart and Chie’s adopted friend. NOW! the family is complete.

As I mentioned before about how this film is about the influence one of us has on others that surround us, I can’t help but see a Pollyanna quality to the story. Yet Chie is not too overly optimistic, she has a little chip on her shoulder, but that’s what makes her truly… human. She has heart, but a little of an attitude. She may not be the prettiest girl on the block, but she has a beauty that is rare. She may not be perfectly book smart, but she has a strong connection with her gut intuition, which to be honest is more important than knowing outright ‘facts’. It would be interesting to see the story beyond Chie’s years of youth because if she can harness those qualities she could become a very successful adult.

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So yet another gem helmed by the venerable Isao Takahata. This entry covers the film version, but there was also a television series that began the same year of 1981 (in case you need more Chie in your life). I don’t think Takahata was affiliated with the series, but I could be wrong. I had enough of a time getting my hands on this film version and graciously I was happy to get the chance to have the opportunity to watch this one. I rank Chie the Brat highly as one of Takahata’s best films if not his best (depending on my mood and the day of course). If you can find this one I won’t recommend you should watch it… I demand you watch 😉

My 12 Favorite Anime Movies from the 1980s

I am usually not one for Top 10 listings to be honest. It’s all subjective and a matter of opinion. Why limit the variety of beautiful things in the world to a select number? Still making a list can be a good exercise and I decided to do this in regards to the animated films Japan created during the 1980s. To be fair, I am going to make two listings here. Why? Many of my favorite choices are a bit on the rare, or esoteric side of the fence and many of the better known, or easier to obtain films deserve a voice as well.

For my favorite listing I will use the following criteria… first, it has to be a film that I genuinely love and am proud to stand up for, anytime and anywhere… second, the movie has to be one that I replay and, or think about often. That’s IT! Keep it simple. For the second listing I will include as many of the films from the 80s that left an impact on me. Now on with the show…

I hope some of these resonate with you and by all means… list your favorites.

 

My 12 Favorites

(in alphabetical order)

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Angel’s Egg (1985)
A visual poem that is dark, gothic, symbolic, mysterious and directed Mamoru Oshii. A true piece of fine art that belongs in a museum. To learn more click here.


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Arcadia of My Youth (1982)
Captain Harlock on the big screen well before the CG movie. A tale of stoic heroism, honor and following one’s definition of being free. To learn more click here.


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Chie the Brat (1981)
An endearing tale about a working class girl, her dysfunctional yet lovable family and the town she lives in. Directed by Isao Takahata. To learn more click here.


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The Door into Summer (1981)
There is usually one year, or one summer, that defines us in our journey out of childhood and into adulthood. Once beyond that threshold, there is no return. To learn more click here.


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Grey Digital Target (1986)
A story in a dystopian wasteland where in order to survive and thrive, one must earn their way through fighting and war. To learn more click here.


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The Ideon: Be Invoked (1982)
The epic conclusion to the Ideon saga. One of the darkest mecha space opera of all time and a powerfully sublime ending as well. To learn more click here.


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Night on the Galactic Railroad (1985)
Friendship, sacrifice and the beauty of all that is life all wrapped up though a voyage to the stars on a train. To learn more click here.


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Nausicaä of the Valley of the Wind (1984)
The movie that made Hayao Miyazaki a household name about a righteous heroine in a post nuclear world in search of ecological balance. To learn more click here.


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Super Dimension Fortress Macross: Do You Remember Love? (1984)
Space opera, mecha, romance, aliens and remembering love through a lost culture. Take the original Macross series and multiply it by 100! To learn more click here.


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They Were 11 (1986)
A defining tale about trust, growing up and identity for a group of students wanting to pass their final exam onboard a spaceship. To learn more click here.


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Toward the Terra (1980)
In the future children are born and raised to become perfect citizens. A new race of evolved humanity contradicts this and declare their individuality. To learn more click here.


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Windaria (1986)
A tale of love and war through the eyes of two young couple showing the price of following what one is expected to due over listening to one’s heart. To learn more click here.

 

The Honorable Listing

(in alphabetical order)

Akira (1988)
Barefoot Gen (1983)
Castle in the Sky (1986)
Crusher Joe (1983)
Dirty Pair: Project Eden (1987)
Fist of the North Star (1986)
Gauche the Cellist (1982)
Grave of the Fireflies (1988)
Kiki’s Delivery Service (1989)
Mobile Suit Gundam: Movie Trilogy (1980/1981)
My Neighbor Totoro (1988)
Patlabor: The Movie (1989)
The Professional: Golgo 13 (1983)
Project A-Ko (1986)
Royal Space Force: The Wings of Honnêamise (1987)
Space Adventure Cobra (1982)
Urusei Yatsura 2: Beautiful Dreamer (1984)
Vampire Hunter D (1985)

#81b : Space Warrior Baldios

For my original entry for Space Warrior Baldios, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Space Warrior Baldios, I have a little more to say…

When I wrote the original entry for Space Warrior Baldios the only materials I had available were the first five episodes of the TV series, via fansub, and the film made from complied material with some revisioning. Then… I come to find out that the TV series would be released here in North America. Now I have an option to see Space Warrior Baldios in it’s entirety. I truly envy those of you who grew up in Europe during my youth, lets say approximately 1984 – 1990 as Baldios was available.

But one thing I have learned, never, but never ever be envious period. If you want something, be it an experience, a product, a relationship, whatever, give it space and focus. In time that something will happen, but don’t get too attached as that will sabotage your journey along the way. Persevering towards something eventually creates the greater payoff. Law of attraction? Wait a minute, this is a posting for my update on Space Warrior Baldios! Very true, let’s talk anime.

baltv_1The class of 1980 for TV mecha entries number about a handful, but I have seen two thus far to this writing. Last time I commented how Space Warrior Baldios and Space Runaway Ideon represented two of the most austere space opera robot shows to grace the small screens. I still agree with this, but after watching Baldios to completion I have to give an edge to Ideon. Baldios has it’s darker moments and elements and has a great twister of an ending, but Ideon went even deeper and I have to bow in respect as I love the dark (classic Yoshiyuki Tomino). But… but, I still I enjoyed Baldios. Ideon may be the more revolutionary show, but Baldios is for me, the evolutionary candidate.

baltv_2Ideon can be likened to the original Mobile Suit Gundam, or Zambot 3 as all three are attributed to Yoshiyuki Tomino. He has a well known style in his classic shows and he made mecha anime into a slowburn auteur exercise. Baldios on the other hand feels like the next step from the overall trend in mecha anime that was growing at the seams in the 1970s. It felt and partially looked like a show from about 1976/1977, but was created in 1980 (which honestly is not that far off). There is an element of innocence and fun that abounds in Baldios. Even the stock sequence for forming the three part Baldios robot harkens more to a 70s combination, GATTAI! Still Baldios has its moments of heaviness and drama as stated before, but the majority in terms of the overall plot of the TV series occurred more so in the beginning and ending of the episode run. Take Cowboy Bebop as a similar example.

baltv_3The in between episodes of Baldios showcase many of the minor plot elements of the characters such as reunions, unrequited loves, power struggles, trust issues and xenophobia as examples. Yet this TV series is sadly incomplete and truncated and in order to have the full story, you must watch the movie as well. Even with cancellation and necessity the one thing I can give respect to Baldios is the fact that the entirety of the story was eventually completed albeit in two forms of media. As classic mecha titles were my initial entry in anime, I am delighted to finally have the complete tale of Baldios under my belt. I shall wear Baldios like a medal with pride! Thank you time for teaching me to patiently wait all of these years to reap the greater reward.

#128 : Glass Mask

gm_1“All the world’s indeed a stage and we are merely players, performers and portrayers”… The world of the acting… the lights, the crowds, the glamour… if ever a profession was and is over idealized in our society, the actor, or actress may be the top candidate. From the earliest days of known history those who have been involved in acting understand the necessity of wearing a proverbial mask, a persona. Certain masks, or persona, are strong and stabile, while others are fragile, like glass. Welcome to a story were we enter into the world of drama, with with heavy doses of melodrama too boot, known simply as Glass Mask.

gm_2Maya Kitayama, our protagonist, has a serious passion for acting and theater. Desperate for getting a ticket to a play in a nice theater, she works hard with her mother in a restaurant and has lofty dreams to be an actress. She is plain (seriously! Maya you are pretty, come on!), working class and outside the inner circles of acting, yet, because this is anime and fiction, she has a guardian angel to save the day… and in black. Chigusa Tsukikage, a once famed retired actress known for her role of the Crimson Goddess, is this angel… in black. Black because of her long black dress, classy like Maetel from Galaxy Express 999, and her long full locks of curly black hair. Her elegance is never questioned even though she is advanced in age, which makes her a true role model to show beauty is ageless.

gm_3Tsukikage-sensai approaches Maya with a proposal to join her theater academy. Maya’s dream has found an outlet, yet there is a price. Tsukikage-sensai is quite strict and tough and her training towards Maya is at the pinnacle of tough love. Like a slap in the face every once in a while! Ouch! Yet Maya perseveres, and much like a coach in a sport, Tsukikage-sensai’s tenderness is shown, internally of course, as Maya’s talents begin to flourish. Speaking of sports, let me add a fill about how Glass Mask could possibly be a sports anime in disguise. The rivalries, training and aspects of competition are both in Glass Mask and sports anime titles. I sometimes thought I was transported back into shows like Aim for the Ace, Hikari no Densetsu, or Touch, but with a quick head shake realized this was Glass Mask. Be it a sport, or theater, you have to say there are more similarities than differences.

gm_4Now for a different topic… let’s discuss nepotism. As Maya moves up through her journey to become an actor she comes into contact with several theater companies and even a minor movie role, she runs into much favoritism and jealousy. She is quite talented, very raw and passionate about the craft. She does not mean to cause any friction so to speak, but she is often noticed for being just too good and instead of being welcomed back, she often times has to move on to another opportunity. So true in real life as certain organizations, groups, friends, etc. that we all have had has at least one time in our lives preferred a safer choice than a newer, fresher alternate. Such is the life of being talented, as it is lonely as well as rewarding. Still, Maya has much support from her friends from Tsukikage-sensai’s academy, a close male friend, who could become a possible love interest, and a mystery man who always seems to send a note with purple roses at the right place and time. Purple Roses?

Sadly Glass Mask is quite short at 23 episodes as it seems there is much more of a story to tell. And with some basic research one finds that the manga spans 49 collected volumes and is still unfinished. The story presented in this television series flowed well and was consistent with interest, yet I still hungered for more. In 2005 an updated series was released, if that floats your fancy. For me though, Glass Mask is a hallmark of classic shojo, which has been a thorn in my side in regards to availability. Not so anymore with a slick Blu Ray release here in North America. To be, or not to be is not the question… the question of the moment is… where can I find purple roses?

#1b : Megazone 23 (part 1)

For my original entry for Megazone 23 (part 1), click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, the first part of Megazone 23, I have a little more to say…

m231_1This is like going all the way back to the beginning. Starting from scratch, the second time around. If you have been through this site before, I hope you have dug down enough to find the very first entry, Megazone 23 (part 1). If you are new here, then you found a great starting point. I have had for some time thought about revisiting this awesome OVA from 1985, but I like to keep only one entry per show, movie, or OVA. Know you know what this means… time to change some rules!

m231_2Have I changed my opinions much on this first Megazone 23 entry from last time. Not really. I still love it, I still hold it highly in my anime watching experience and it is an all in one package for what did get me into anime in the first place and what mostly keeps me digging up more classics. It has that certain something, perhaps its just love and devotion, I can’t say for sure. And if I could put the feeling into words, I would more than likely miss the point. The character designs from Toshihiro Hirano and Haruhiko Mikimoto may be the closest thing to words to express my feelings for Megazone 23. Such a good looking cast from two of my favorite artists.

m231_3Now, have you seen The Matrix? Do you make references, or hear them often from others, regarding society and the The Matrix? Now watch Megazone 23 and tell me if you can spot the similarities? Megazone 23 came out a good decade and change before The Matrix and in my opinion totally surpasses the live action trilogy. We have the story about a hero who finds that reality is in control of a computer program and basically reality is someone else’s fantasy and creation. And our hero finds out he is only a mere pawn in the big game and decides to rebel. Except in Megazone 23 you also have motorcycle styled mecha, a lone wolf antihero, brighter colors, a refreshing soundtrack, Flashdance styled dancing (with leg warmers) and it’s Japanese in origin. “Yeah Doc, all the best stuff is made in Japan.”  (Back to the Future strikes again) The next time someone mentions The Matrix just remember to recommend Megazone 23, or even better… shout out BAHAMUT 6!

Still I regard Megazone 23 the spiritual successor to my beloved Macross. I said it last time and I will say it again, Megazone 23 may not be Macross in name or story, but the main members who created both productions left a certain patina. Kind of like a band releasing two awesome albums in succession. I mentioned Hirano and Mikimoto earlier and there are other key figures, but the biggest was director Noboru Ishiguro. Such a professional, a gentleman and a renaissance man all rolled into one. Hayao Miyazaki, Yoshiyuki Tomino, Tomoharu Katsumata, Osamu Dezaki, Rintaro, Isao Takahata are all great directors and I love them dearly, but Ishiguro-sensei, if it was not for your work I may never have fallen in love with anime. Arigatou gozaimasu.

Bar none this is a title I still watch on a consistent basis. Repeatability is a major factor to anything great in media as there is always something new and still yet familiar to emjoy. The only question remains, ADV dub, Streamline dub, or the original Japanese track. All three have equal merit in their own way. Or, I can be adventurous and watch Robotech: The Movie. Wikipedia or Google that one if that is a title that does not ring a bell.

… and don’t forget you see a cameo of Lupin and Gigen (Lupin III) as… cops… ironic!

#127 : Fist of the North Star (TV Series)

fotnstv_1I often equate Fist of the North Star as a western, or maybe a modern tale of the roaming samurai. In any case, it is the same style of story, just from a different context and disguised as a shonen fighter. This is the lone wolf roaming in a world filled with chaos who makes change and restores balance by being the example to be. Fist of the North Star may be what many of us think it is, but once you watch the original 109 episode run, you may have to second guess what you thought and understand more so the feeling.

fotnstv_2The reputation of Fist of the North Star is often a slaughterfest, manly anime (MANime…face palm) and high intense action. These characteristics may hold true to a certain level, but on another, I see elements of balance, compassion and even… calmness. There is from my eyes a heavy Buddhist or Taoist influence to Fist of the North Star and it is best seen through our main protagonist Kenshiro. He possesses great strength and skill, enough to split an individual in two, or have one’s head explode. Yet he does this with very little effort, often from an acupressure point. And his stance is one of defense, he does not attack with anger or malice. Kenshiro reacts and uses his martial art abilities only when it is needed. Much like Captain Harlock, Kenshiro is an individual who is aware of the dualities of the world, yet they know how to react with composure. A true state of one who is enlightened and is in equilibrium with the masculine and the feminine.

fotnstv_3Being the progenitor, father, or maybe nowadays even the grandfather for the modern Shonen Jump styled fighting series, Fist of the North Star is a pure essence of the non-ending quest of episodes or manga volume about a hero who must fight to live. Fist of the North Star led the way to Dragon Ball and Saint Seiya, then to Yu Yu Hakusho, Rurouni Kenshin, One Peace, Bleach, Naruto and the list goes on and on. Yet Fist of the North Star did not just come out of nowhere. Yes you can see the elements of Mad Max and Bruce Lee in the designs and environments, but Fist of the North Star also has much to owe to anime titles of the 1970s like Babel IICasshan and Devilman. Then we get to 1984 and Fist of the North Star debuts on television screens across Japan. In an industry that at the time was saturated by mecha and superheroes, the journey of Kenshiro was something fresh and some what new and yet a minor evolution as well.

fotnstv_4As a lengthy show one must be prepared to go in for the so-called long haul. Be patient and persevere through each episode. Fist of the North Star takes time to get warmed up so to speak and even though, as is the case with many of the shonen fighters, you may question is this is going anywhere? And slowly, much like an onion, layer upon layer becomes revealed and all through heavy amounts of drama and seriousness. Each episode reveals new characters, new fights and more drama and like the cycle of a day starts over again and again anew. Enemies becomes allies, fights turn deadly and important lessons to be absorbed by you the viewer are assimilated all at the same time and usually with a tissue box on hand. Fist of the North Star is a show about returning to love and sympathizing those who are flawed, yet still human.

If you want to take the shorter route, you can  immerse yourself into the 1986 motion picture version of Fist of the North Star. It has much bang for the buck, but it also is missing much of the story, characters and added drama that I fell in love with in this TV series. As is much in life as is with Fist of the North Star, the longer harder road is the path that rewards far more than the quicker fix. Just why did it all have to end with a clip episode? The answer is simple… the story has only begun… enter Fist of the North Star II. Yes folks, there is a sequel.

#126 : Magical Angel Creamy Mami

cm_1To be forever young… is it truly possible? My two cents says that without question and I will stake everything on it, that all magical girls do remain forever young. The pride and joy as well as perhaps the biggest backbone for all that is shojo in anime, the magical girl, is a genre and an archetype without peer. The 1980s witnessed a rebirth and reinvention of the magical girl and one in particular would be a leading example for one particular studio as well as a generation. In 1983, Studio Pierrot would marry magical girls into the world of the pop idol with Magical Angel Creamy Mami… thus a legend was born.

cm_2Two things hit me when I watched this show. First it’s adorable; can’t deny that. Though when you mention to people you are watching a classic title like Magical Angel Creamy Mami, especially those who are not in the know about anime in general, they may think it is some sort of porn title. IT’S NOT!!! Cream Lemon yes, Creamy Mami NO! This is a sweet wholesome show, something you can watch with the whole family… just an awkward title. And second, did Jem and the Holograms derive any influence from this show? Magic transformations and pop music idols are rampant in both shows. Maybe its a coincidence? Although to be frank both shows are completely different in approach, but I could not help but find a parallel between two shows made around the same time. Anyway on with the main program…

cm_3Miss Yuu Morisawa… our protagonist… a plain jane, average in many ways and very independent, but in a sweet way. She does not technically stand out, even to the boy that she is infatuated with (shame on you Toshio), yet behind the normality there lurks much potential. I appreciate that she is an opposite to the popular Usagi Tsukino (Sailor Moon). Yuu is not quote, a dumb blonde, a ditz… annoying. Perhaps this is more than likely why I have issue with watching Sailor Moon. Yuu is the type of character I can identify with, I can root for and also hold a series together. Often times a show is as good as it’s cast, story and plot can be interchangeable, with the main character acting as a bedrock, perhaps the identity of a show itself. It was you Yuu Morisawa that made me love Creamy Mami.

Blessed with magical powers from outer space (Feather Star… nice name for a planet), Yuu is given her traditional magic wand within a fancy compact and two cute mini alien cats as guardians, which aid her as she turns from a ten year old into a glamorous sixteen year old with a singing voice and purple hair. PURPLE HAIR… love it! Yet, this power is only granted for one year. Our story thus creates a dichotomy. Average school and pop princess must find a balance in both scheduling, and knowing one’s true identity. Yuu is level headed enough to know that Mami is still Yuu and not get lost into the world of celebrity as it at times can get ridiculous. Not a bad twist of fortune for the daughter of a family that runs a local crepe shop.

cm_4Underneath all the magical girl fun, the great color pallet used, the slapstick comedy and the danceable music, we have a romance. Perhaps even a love triangle, that is between two people, yet three identities. Again I have to reference Jem for that one. Yuu and Toshio are made for each other yet there are sparks that fly, but when the moments are right, there is true love. Be on watch near the middle of the episode running for a great plot twisting that will not again play out until the near end. The entire show turns upside down as the secret of Mami is revealed to a special someone.

Magical Angel Creamy Mami opened the flood gate for Studio Pierrot’s other mahou shojo shows that featured Persia (Magical Fairy Persia), Emi (Magical Star Magical Emi)  and Yumi (Magical Idol Pastel Yumi) later in the decade. But there is only one original and that is you Mami. Shine bright forever! Between you, Minmei (Macross) and Eve (Megazone 23), I have my power trio of pop idols that help keep me young… FOREVER!