#8b : Angel’s Egg

For my original entry for Angel’s Egg, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Angel’s Egg, I have a little more to say…

Angel’s Egg was a one of my earliest entrees here at The Classic Anime Museum and it has been one of my more viewed entries, even receiving reference links. I am proud that in particular that Angel’s Egg is linked in some way with this site. I love this film, I love the atmosphere it projects, I love the art and I consider it a masterpiece of 80s anime cinema and one of Mamoru Oshii’s best works of all time. It’s not an easy film to watch since it is more symbolic and esoteric, but in terms of great film making it is one animated feature that is distinctly it’s own in terms of any category you throw at it.

AE_21Much is written on director Mamoru Oshii’s struggle with faith and the all supposed Christian symbology. But if you take a step back, isn’t much of Christian imagery borrowed from other more ancient, or pagan references? Could these references also elude to Eastern spiritual practices as well, or another alternative? The vast open space of Angel’s Egg makes this a film that can have much in terms of interpretation, which leaves it as perhaps the most profound and powerful films ever made in the Japanese animation industry during the decade of the 1980s, if not all time. Assuming one’s interpretation, or an accepted standard is one thing, but sometimes when other opinions are offered as well, they are just as valid.

AE_22Propose now another possible metaphor for the piece of art that is Angel’s Egg. Could this be a film about the fragility of holding to the material world. To quote from the Bible “Lay not up for yourselves treasures upon earth, where moth, and rust doth corrupt, and where thieves break through and steal.” I had to look up the passage as I am not a perfect Bible scholar, it’s from Matthew 6:19. Or if we philosophize from Bill and Ted’s Excellent Adventure with none other than Socrates where we notice that we are “Only Dust in the Wind”, and “Like the Sands of time, so are the days of our lives.”… With this in mind we fall for the greatest illusion that what is material is eternal, which of course is not true. It is human to mourn the loss of what is seen and touchable, but to consider it permanent is a grave mistake.

AE_23Solid structure, matter and form are standards that we often base entire civilizations, relationships and lives on. Yet this is the most unstable force in the universe. This makes me think of the relationship in astrology between the Moon and Saturn and the pair of signs associated with them, Cancer and Capricorn. Both are opposites, yet mirror images of each other dealing with growth and decay, love and austerity, protection and isolation. Is it a time to be sentimental, or perhaps hard nosed. We need both sides, but when one side of the extreme takes on a priority there is imbalance. This is not a bad thing because after all we as humans get caught up in the games and circumstances that we deem as life. At times we crest, but soon fall. We also hit rock bottom too and find the strength to rebuild by knowing what has passed can’t ever return.

AE_24These concepts are the basic dynamic of Angel’s Egg. The girl, very innocent and naive holds like a mother the giant egg she possesses. The object is in every way her identity. She brings it with her, treats it kindly and never lets it leave her sight much like a cautious mother. Enter then the young man with the cross like stick, or weapon, or whatever it is. He becomes the catalyst, a source for change who cruelly breaks and destroys this precious object. The girl whose whole existence in life has now been destroyed in the end destroys herself, unable to find any reason to live beyond sticking to what she only knew. It is a sad end, but we all fall down from time to time and we mostly see something outside of the job, relationship, situation, or loss that has occurred in our lives. We put on another hat to keep going with life because we still feel that life still has something left to provide for us, despite the pain and sorrow.

This year of 2020 made me think of this interpretation particularly. It has been painful for many of us dealing with loss as well as uncertainty. Those who hold so dearly to rigid ideas are struggling the most to control a situation that seems so random. I hope you are all doing well despite the times.

1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called The Death Lullaby, or Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me…
tacet

My Favorite Anime Movies from the 1980s

I am usually not one for Top 10 listings to be honest. It’s all subjective and a matter of opinion. Why limit the variety of beautiful things in the world to a select number? Still making a list can be a good exercise and I decided to do this in regards to the animated films Japan created during the 1980s. To be fair, I am going to make two listings here. Why? Many of my favorite choices are a bit on the rare, or esoteric side of the fence and many of the better known, or easier to obtain films deserve a voice as well.

For my favorite listing I will use the following criteria… first, it has to be a film that I genuinely love and am proud to stand up for, anytime and anywhere… second, the movie has to be one that I replay and, or think about often. That’s IT! Keep it simple. For the second listing I will include as many of the films from the 80s that left an impact on me. Now on with the show…

I hope some of these resonate with you and by all means… list your favorites.

 

My 12 Favorites

(in alphabetical order)

ae-ud

Angel’s Egg (1985)
A visual poem that is dark, gothic, symbolic, mysterious and directed Mamoru Oshii. A true piece of fine art that belongs in a museum. To learn more click here.


aomy_4

Arcadia of My Youth (1982)
Captain Harlock on the big screen well before the CG movie. A tale of stoic heroism, honor and following one’s definition of being free. To learn more click here.


ctb_2

Chie the Brat (1981)
An endearing tale about a working class girl, her dysfunctional yet lovable family and the town she lives in. Directed by Isao Takahata. To learn more click here.


DiS_3

The Door into Summer (1981)
There is usually one year, or one summer, that defines us in our journey out of childhood and into adulthood. Once beyond that threshold, there is no return. To learn more click here.


grey3

Grey Digital Target (1986)
A story in a dystopian wasteland where in order to survive and thrive, one must earn their way through fighting and war. To learn more click here.


idem_1

The Ideon: Be Invoked (1982)
The epic conclusion to the Ideon saga. One of the darkest mecha space opera of all time and a powerfully sublime ending as well. To learn more click here.


notgr_4

Night on the Galactic Railroad (1985)
Friendship, sacrifice and the beauty of all that is life all wrapped up though a voyage to the stars on a train. To learn more click here.


Nau_1

Nausicaä of the Valley of the Wind (1984)
The movie that made Hayao Miyazaki a household name about a righteous heroine in a post nuclear world in search of ecological balance. To learn more click here.


DYRL_5

Super Dimension Fortress Macross: Do You Remember Love? (1984)
Space opera, mecha, romance, aliens and remembering love through a lost culture. Take the original Macross series and multiply it by 100! To learn more click here.


TW11_3

They Were 11 (1986)
A defining tale about trust, growing up and identity for a group of students wanting to pass their final exam onboard a spaceship. To learn more click here.


TtT_2

Toward the Terra (1980)
In the future children are born and raised to become perfect citizens. A new race of evolved humanity contradicts this and declare their individuality. To learn more click here.


Windaria_5

Windaria (1986)
A tale of love and war through the eyes of two young couple showing the price of following what one is expected to due over listening to one’s heart. To learn more click here.

 

The Honorable Listing

(in alphabetical order)

Akira (1988)
Barefoot Gen (1983)
Castle in the Sky (1986)
Crusher Joe (1983)
Dirty Pair: Project Eden (1987)
Fist of the North Star (1986)
Gauche the Cellist (1982)
Grave of the Fireflies (1988)
Kiki’s Delivery Service (1989)
Mobile Suit Gundam: Movie Trilogy (1980/1981)
My Neighbor Totoro (1988)
Patlabor: The Movie (1989)
The Professional: Golgo 13 (1983)
Project A-Ko (1986)
Royal Space Force: The Wings of Honnêamise (1987)
Space Adventure Cobra (1982)
Urusei Yatsura 2: Beautiful Dreamer (1984)
Vampire Hunter D (1985)