1985… Homeward Bound

Anime and Simon & Garfunkel… now here’s a nice combination to consider…

I’m sitting in the railway station
Got a ticket to my destination
On a tour of one-night stands my suitcase and guitar in hand
And every stop is neatly planned for a poet and a one-man band
Homeward bound
I wish I was
Homeward bound
Home where my thought’s escaping
Home where my music’s playing
Home where my love lies waiting
Silently for me

Slightly melancholy, a yearning to go back somewhere to feel safe, warm, or protected. A return to the familiar for a short time before continuing again on your journey; sanctuary. Some of us have a series or movie that we return to that symbolizes home, for me it’s the original Macross. Yet there is one particular year that also represents a place of peace for me as well and that is 1985. Not that I want to go back to the year 1985, it’s just that there are many productions from the year that I personally love and if I had to do a top 10 listing from the 1980s, I could fill a majority of it with titles from the ole ‘85.

Before diving into titles from 1985, I have to back track with two key experiences I have had for the year. The first being the airing of Robotech, which as a child became the keystone that solidified my love for Japanese animation. Criticize, or praise the show if you wish, but for what it was for my life at that time… it was just, perfect. Also my first panel presentation I gave was about the year 1985. What a coincidence to give a presentation in 2015 and needing a topic when 30 years prior was a storehouse of awesome anime from 1985. Again… perfect. Some titles I knew well, some I got acquainted with for the first time and some I never knew existed became familiar. It was scary, but highly rewarding, as that panel gave me confidence and allowed me to share something I loved and know I was in good company.

1985 was a classic year for the direct to video OVA market. Having only existed for a year and change, 1985 would breed many classics and stand as a testament for quality productions. Titles such as Area 88, Bobby’s Girl, Cosmo Police JustyDream Dimension Hunter Fandora, Dream Hunter RemFight! Iczer-OneFire Tripper, Leda: Fantastic Adventure of Yohko and Megazone 23 all had a place to shine outside the normal confines of cinema and television. One could create original work that may not fit into the two previous categories and be both of high quality and in some cases commercially successful. Yet the format also allowed previously created properties a chance to expand beyond their own previously created spaces. OVAs would feature titles that gave more depth, or alternate stories to Armored Trooper Votoms, Dirty Pair, Fairy Princess Minky Momo, Genesis Climber MospeadaGoShogun, Magical Angel Creamy Mami and Galactic Drifter Vifam. Of course all of these titles were released on analog formats like VHS and LaserDisc. DVD, Blu-Ray and even streaming were still far off sci-fi concepts in the mid 1980s.

And what of the big screen? Anime cinema of 1985 has quite a few options from the entertaining to the challenging to the… ee… shameful, perhaps. Action and adventure abound in the Dagger of Kamui, Vampire Hunter D and Lupin III: Legend of the Gold of Babylon (Pink jacket!). Sanrio released Fairy Florence/A Journey Through Fairyland and Mamoru Oshii challenged us with the haunting Angel’s Egg. Even more challenging was a rare film called Lullaby to the Big Sleep; a very intense psychological portrait. My favorite film from 1985 is the gentle and melancholy Night on the Galactic Railroad. Outer space, trains, cats and deep philosophy… perfect. And then there was Odin: Photon Space Sailer Starlight… ODIN! Some folks love it, but I often times end up falling asleep though it.

That leaves us with television for our final category. It is a good thing it is 2019 and not 1985 because I would be watching way more TV than I do now. …wait? Besides anime I don’t watch hardly any TV anymore, well except for an occasional weather report. If it were 1985 I would be wearing out a few couches watching the great mecha titles like Mobile Suit Zeta Gundam and Blue Comet SPT Layzner and more average titles like Dancougar and Tobikage. But then there are the shojo titles like Alpen Rose, Little Princess Sara and Pierrot’s Magical Star Magical Emi which will require another couch. And then there was the Dirty Pair, High School Kimengumi (a Shonen Jump title), Musashi no Ken and a variation of GeGeGe no Kitaro. More couches! And finally Touch. All 101 episodes of baseball, drama and romance. That may require two couches to sit in and is the title I recommend the highest for all the TV series. Touch is so, so good! Don’t take my word for it though.

Also of note for 1985 was the founding of Studio Ghibli after the runaway success of 1984’s Nausicaa of the Valley of the Wind. The first fruit to bear from the likes of Hayao Miyazaki and Isao Takahata came in 1986 with Castle in the Sky. And the rest they say, became history!

So welcome home, to my adopted home of 1985. Hope you stay long and enjoy the variety that made the year special. Of course this is but a mere sampling of the total output from 1985, but it is plenty to get one started. Now it looks like I am going to need some more couches for all these guests, especially if we watch the TV shows! What beverage suits your fancy?

Silently for me
Silently for me… tacet

My Favorite Anime Movies from the 1980s

I am usually not one for Top 10 listings to be honest. It’s all subjective and a matter of opinion. Why limit the variety of beautiful things in the world to a select number? Still making a list can be a good exercise and I decided to do this in regards to the animated films Japan created during the 1980s. To be fair, I am going to make two listings here. Why? Many of my favorite choices are a bit on the rare, or esoteric side of the fence and many of the better known, or easier to obtain films deserve a voice as well.

For my favorite listing I will use the following criteria… first, it has to be a film that I genuinely love and am proud to stand up for, anytime and anywhere… second, the movie has to be one that I replay and, or think about often. That’s IT! Keep it simple. For the second listing I will include as many of the films from the 80s that left an impact on me. Now on with the show…

I hope some of these resonate with you and by all means… list your favorites.

 

My 12 Favorites

(in alphabetical order)

ae-ud

Angel’s Egg (1985)
A visual poem that is dark, gothic, symbolic, mysterious and directed Mamoru Oshii. A true piece of fine art that belongs in a museum. To learn more click here.


aomy_4

Arcadia of My Youth (1982)
Captain Harlock on the big screen well before the CG movie. A tale of stoic heroism, honor and following one’s definition of being free. To learn more click here.


ctb_2

Chie the Brat (1981)
An endearing tale about a working class girl, her dysfunctional yet lovable family and the town she lives in. Directed by Isao Takahata. To learn more click here.


DiS_3

The Door into Summer (1981)
There is usually one year, or one summer, that defines us in our journey out of childhood and into adulthood. Once beyond that threshold, there is no return. To learn more click here.


grey3

Grey Digital Target (1986)
A story in a dystopian wasteland where in order to survive and thrive, one must earn their way through fighting and war. To learn more click here.


idem_1

The Ideon: Be Invoked (1982)
The epic conclusion to the Ideon saga. One of the darkest mecha space opera of all time and a powerfully sublime ending as well. To learn more click here.


notgr_4

Night on the Galactic Railroad (1985)
Friendship, sacrifice and the beauty of all that is life all wrapped up though a voyage to the stars on a train. To learn more click here.


Nau_1

Nausicaä of the Valley of the Wind (1984)
The movie that made Hayao Miyazaki a household name about a righteous heroine in a post nuclear world in search of ecological balance. To learn more click here.


DYRL_5

Super Dimension Fortress Macross: Do You Remember Love? (1984)
Space opera, mecha, romance, aliens and remembering love through a lost culture. Take the original Macross series and multiply it by 100! To learn more click here.


TW11_3

They Were 11 (1986)
A defining tale about trust, growing up and identity for a group of students wanting to pass their final exam onboard a spaceship. To learn more click here.


TtT_2

Toward the Terra (1980)
In the future children are born and raised to become perfect citizens. A new race of evolved humanity contradicts this and declare their individuality. To learn more click here.


Windaria_5

Windaria (1986)
A tale of love and war through the eyes of two young couple showing the price of following what one is expected to due over listening to one’s heart. To learn more click here.

 

The Honorable Listing

(in alphabetical order)

Akira (1988)
Barefoot Gen (1983)
Castle in the Sky (1986)
Crusher Joe (1983)
Dirty Pair: Project Eden (1987)
Fist of the North Star (1986)
Gauche the Cellist (1982)
Grave of the Fireflies (1988)
Kiki’s Delivery Service (1989)
Mobile Suit Gundam: Movie Trilogy (1980/1981)
My Neighbor Totoro (1988)
Patlabor: The Movie (1989)
The Professional: Golgo 13 (1983)
Project A-Ko (1986)
Royal Space Force: The Wings of Honnêamise (1987)
Space Adventure Cobra (1982)
Urusei Yatsura 2: Beautiful Dreamer (1984)
Vampire Hunter D (1985)

#8 : Angel’s Egg

No matter what anyone says, anime is primarily a pop culture vehicle, a marketing tool to promote an already established manga, toy line, established franchise, or at times, a video game. It is true that animation is a skilled craft that requires artists to create the final product from writing to drawing to special effects. But in the end, it is not a piece of fine art that can hang in a posh museum along the likes of Van Gogh, Pollack, or Warhol. All except for this one example that I am aware of.

AE1Angel’s Egg is without question one of of the most uncompromising pieces of animation I have ever seen. It has no agenda to sell you anything. It is art for art’s sake with a story and journey that is left for the audience to decide what it is actually about. Compared to a majority of anime of the 1980s that are big, fun, colorful and or action packed, Angel’s Egg is none of that. Dark, austere, quiet, lyrical, gothic and yet quite beautiful, Angel’s Egg is not an animated movie, but more like a poem come to life through visual interpretation.

AE2The stark, post-apocalyptic world, sets the tone for the only two characters that are to the best of my knowledge, unnamed. The first is a girl who seems curious about the world around her and has as a companion a giant egg that she holds to dearly as if it was a doll. Along her unknown journey she encounters our second character, a young man who ends up tagging along. He is curious about her behavior and the reason she holds dear affection towards the egg. The only thing that I can interpret from this young man is that possibly he may have been a soldier due to the fact he carriers a large weapon like object that looks similar to a giant cross. What sin does he have to bear, or what sin will he commit? Along their journey they witness many a strange sighting from ruins to faceless fishermen who hunt ghost like whales that they can never catch. The ending and turning point like most of the reviews here, I will leave for you to find out.

So where did this film originate from? From the mind’s of two men. The first being the artist and character designer Yoshitaka Amano, a name known to those who are fans of Final Fantasy and Vampire Hunter D. The other is one of Japan’s best known auteur directors, Mamoru Oshii. Production began right after Oshii’s time on Urusei Yatsura, particularly the dream like film Beautiful Dreamer, you could tell he wanted to push the boundaries much further. The act of expressing something very deep and also, very painful. Oshii has stated that he had a hard time getting work after this movie, but you have to give him credit for being brave enough to give the world something this different.

AE3Due to a lot of interpretation of this movie, and most of Oshii’s work in general, many state Christian symbolism and influence. I agree that the symbology can be viewed from a certain point of view, but like any religion, it all comes back to the one truth when studied properly. The theme of Angel’s Egg is in my personal view about a great loss of something very special within one’s life that it makes the pain unbearable to bear any longer. There are many interpretations of what Oshii was trying to express from his own life. What was his pain? Many interpretations can be or may not be correct, but in the end it is how it affects you as the viewer. And the question you must ask, how does this relate to my personal experience? Angel’s Egg, a masterpiece like no other.