#171 : Scoopers

Wow the title alone is enough of a grabber… just what in the world is Scoopers? An anime about a young couple who run an ice cream shop?… no. Maybe an anime about a  pet scooping service that goes around to the parks when your dog leaves a souvenir?… no. Wow you got me… maybe Scoopers is about journalists in a sci-fi, slightly cyberpunk universe, trying to catch the next big ‘scoop’ on guy who has been blowing up satellites and space shuttles? No way, that sounds to good to be true and yet… it so is. OK, we have the basics out of the way, lets throw that tape (or digital file) into the old dusty VCR ( or whatever your media player of choice is) and hit play!

Scoopers1A supposed Mr. X and his organization are the responsible party for the havoc of blowing up these satellites and space shuttles. Who can stop this dastardly foe but for two… reporters? Enter Yoko and Beat (BEATO!) who work for for the organization Private Eyes. “Private eyes are watching you. They see your every move.” Yoko is a strong and determined lead and Beat is a combination of things. He is a Yoko’s partner, a photographer, Yoko’s body guard and would you believe it… he’s an android too! He gains super powers when Yoko pulls out her compact and hits a couple of buttons, almost like a remote control. Talk about killer makeup! Together they track down the hide out of Mr. X at the amusement park of Techno Land, but what lays in store for them is more than any roller coaster ride.

Scoopers2Scoopers is one of those 80s OVAs you find at the very bottom of the undiscovered bin of lost oddities. It resembles a lot of retro action properties of the time, City Hunter, Space Adventure Cobra, Dirty Pair and Lupin III in terms of style, color and attitude. It just lacks staying power and being a one off OVA may be part of the issue. The concept of guerilla journalists who are more like crime fighters is a fun concept and the sci-fi high technology is a nice touch. Nothing like the element of fantasy of what we thought the future might be like from the perspective of the 1980s. And speaking of hi-tech, check out those computer graphics interspersed with the cel drawn animation. For the time that was high end stuff, but it is kind of laughable now.

Scoopers3Can I return back to Lupin III? It seems that Scoopers and Lupin III have something in common; are kind of related… perhaps siblings? When watching the credits one name jumped out at me and made me go, oh wow! Does the name, or I should say pen name of Monkey Punch ring a bell for any of you? He is the original creator of everyone’s jacket wearing thief, Lupin III and he also is responsible for Scoopers as well. Nice to see some of his other work. The character designs and some of the behaviors favor a Lupin style with Beat being similar to Lupin and Yoko being an alternate to Fujiko. Wait!… Monkey Punch, why not have a crossover of Lupin with Scoopers?

Scoopers4Scoopers is a lot of fun and finding off the wall, weird, bizarre, or out of this world older anime is the joy of combing through the lost archives of what Japan released way back yonder. This is what being a classic anime fan is all about because just when you think you have seen everything, something else shows up and say, “Um, you missed one!” I  am glad Scoopers founds it’s way into my viewing experience, although the ending… yeah we need to talk about that… kind of a let down and makes you want, or hope there is a second installment in some form. And yet in the end, we have to make due with what see, which is an aircraft flying off into the distance carrying an escaped Mr. X. What’s his final fate, will he get to some sort of trial? Will justice prevail? And will the story and photos from Yoko and Beat make the top headline? Your guess is as good as mine.

I want to give a special thanks to Kingmenu Subs for their work on Scoopers. Thank you and keep up the good work!

#170 : Phoenix 2772: Love’s Cosmozone / Space Firebird 2772

1980… the height of the space opera boom of the late 1970s and early 1980s would enter a new decade. Yamato, Gundam and Galaxy Express 999 would come before and now a familiar name would throw his hat into the ring. Enter the ‘God of Manga’, Osamu Tezuka, and his first presentation of his grand myth, The Phoenix, in a full animated production. A live action film with animated segments would tell a historical account from one of the chapters of The Phoenix in 1978, but this film would be an alternate retelling of the space related chapters and 100% pure anime. Tezuka’s Phoenix anime re-workings are some of the most special anime ever made (personal opinion), but how does Phoenix 2772: Love’s Cosmozone fare?

SF_1In the far future, the Earth is in dire trouble. Over polluted, lacking resources and at the point of social collapse we find our beautiful planet at both a major crisis and a crossroads. We begin our filmic journey by following our hero, Godo, as a a test tube baby and witness his process of growing up in isolation. Eventually he is joined by a robot companion, Olga, who helps to raise him. These beginning sequences remind me of silent films, or perhaps the opening of 2001: A Space Odyssey, with dialogue being nonexistent and fluid motion being the only storyteller… as well as the background music. Once Godo reaches full maturity, his place is to become a pilot, but this is short lived since he shows a trait of humanity by not wanting to kill innocent life. Also he has eyes on a girl who is set to wed one of the powerful elite… another no-no. This gets him into serious trouble, which leads to a prison sentence where he meets a stock in trade Tezuka archetype, the large nosed man older man and a fellow who happens to be none other than Blackjack.

SF_2Godo still believes in his mission despite the setbacks, which I have yet to devulge. That is to capture the Phoenix from which the blood can be used to give life back to the dying Earth. Eventually with the help of friends Godo escapes and sets off to find this mysterious bird. When Godo eventually comes into contact with the mythic bird of fire the true essence of the story begins to speak as Godo  learns what all protagonists in any of The Phoenix stories, that life is more precious than anything else and the love between souls is far stronger than any want or need in the name of ignorance, or power. Sacrifice and karma must be weighed in order to achieve a true sense of enlightenment and fulfillment.

SF_3The space opera sci-fi of Phoenix 2772 is well animated, as expected from the likes of Tezuka, who was Chief Director of the project… The BIG Boss! He incorporated techniques seen in his more experimental projects, which makes Phoenix 2772 unique looking amongst the other films of the time, Toward the Terra as an example. Also Tezuka’s character designs harken back to a previous era, though with updated fashion and hairstyles. All in all, a true blockbuster of a film, yet, I have to scratch my head on this portion of the Phoenix mythology. Phoenix 2772 is kind of awkward. A few of the animation sequences take on an almost comedic or fluid quality and a couple of the animal/alien characters seem to be added in for comic relief and juvenile appeal. Mixed with the epic story of finding the Phoenix and understanding true love, Phoenix 2772 can feel a little schizophrenic.

SF_4Phoenix 2772 may be the weakest entry in all of the Phoenix anime I have seen, but it is far from bad, or even average. It has it’s quirks and for some of you it may not be much of a problem, but I hold The Phoenix name very high. The trilogy from later in the decade (Karma, Yamato and Space) is some of the best anime from the 1980s (again my opinion) and I would recommend these first. Even so, at the heart of Phoenix 2772 is a tale of sacrifice, redemption and emotional drama, all qualities that make Tezuka’s Phoenix entries special. This in it’s self makes Phoenix 2772 qualify as a close second to the trilogy and a unique entry into the beginning of the decade of the 1980s.

#169 : Dream Dimension Hunter Fandora

“QUESTION!” Time to dive really deep into this pile of forgotten anime titles. Let’s investigate the bottom of this bin and find something special. Ah ha ha, nice choice. Have you ever heard of an OVA trilogy by the name of Dream Dimension Hunter Fandora? “QUESTION!” What happens when you combine a pretty heroine packing a sword and a shield, a goofy transforming sidekick, a handsome, yet cruel villain, space travel, fantasy and a pair magical jewels? You get the plot for the beginnings of an often under appreciated mid-1980s OVA series. OK, I think we have the makings for a good story here… time to watch. Popcorn please!

DDHF_1Let’s meet our beautiful heroine Miss Fandora (Fandora-sama), who so happens to be a bounty hunter by trade. She treks all over the galaxy with her partner Que, who happens to be a shapeshifter. And she always, seems to be short on money after each job. So far this sounds similar to Rumiko Takahashi’s Maris: The Chojo? Now’s the time to diverge. Part of her uniform is the red Jewel of Lupia, which is a prominent part of her crown like headdress. Did she borrow her fashion sense from She-Ra: Princess of Power? Drawing power from this jewel, and using it for the plight of what is good, she takes down each successive criminal using a sword and shield. Also the rays from the jewel bother Que in that he seems to sprout a tail that is quite reptilian. Dear sir, is your true identity that of a a dragon!? After the opening we find she has the eye on a very prized, yet elusive criminal, one Yogu-sogos. His bounty is the highest in the universe, yet his location and even his identity remain a mystery.

DDHF_2Based on a concept by Go Nagai, Dream Dimension Hunter Fandora would bear fruit under the production and vision of a little studio by the name of Kaname Production. Kaname is a studio that I love… love!, more like obsessed?… and many of their works are featured here, so why not add one more! Dream Dimension Hunter Fandora would be the second warrior maiden heroine brought to us from Kaname in 1985, the other being the Leda: The Fantastic Adventure of Yohko. Both have their character and are similar, but they are also very different in terms of story… and budget. Fandora could pass as the budget version of Yohko as Yohko’s OVA looks very cinematic and lush, while Fandora’s OVA could pass more for television standards. Yet this is not a fair comparison, that’s like comparing an apple with an pomegranate. Both offer nutrition and taste delicious, but one is more expensive in terms of cost. Yet, both can satisfy in their own way!

DDHF_3Each successive episode lays the groundwork for the last. The first episode can stand alone as a single entry and I wonder if that was the case in terms of production? We learn the basics of our characters, find out who Yogu-sogos is and end on a cliff hanger. The second episode brings in more character development with the introduction of a tragic couple’s ill fated relationship and a young boy by the name of Sohto/Soto. And yet even more action with Yogu-sogos and this one also ends on a cliff hanger. The third episode shows the resurrection of Fandora and introduces much of her secret back story, and Que’s as well, which leads to the climatic ending! And sorry, no cliffhanger this time round. The pacing is well done and each successful episode builds from the last, showing Fandora, Que and Yogu-sogos as a well rounded trio for our main cast by the end.

DDHF_4Truth be told, this was one Kaname Production title that I had on the back burner for some time and much like anything from that studio, I really like it. Though Dream Dimension Hunter Fandora does not hold a candle to Kaname’s masterpiece, Windaria, it is still a fun action cartoon with a strong protagonist that has those signature eyes associated with Kaname’s female characters. The only thing I scratch my head about is why is it called Dream Dimension Hunter Fandora? Fandora is the heroine, a hunter is her job and dimensions are what she and Que warp through to catch crooks… where is the dream part?

#167 : Robotech

In the year 1985, inside a basic home in a small town of the Midwestern U.S., a single television show that aired the afternoons I got home from school would alter the course of my personal history… as an anime fan to be precise. I remember very well the time was 4:00 pm and the channel on the television would land on the number 11 and for a half hour from Monday to Friday, it would be time to watch this odd show in the mix of a ton of other possibilities called Robotech.

RT_1Now I will be the first to admit that Robotech is not quote unquote official anime, it is in my own phrasing ‘adapted anime’. Eventually many of us who grew up with this show, would progress on to see and experience the original three series that made up Robotech (Macross, Southern Cross and Mospeada), but I have not forgotten my roots. While Robotech is often poo poo-ed in some fan circles, and I can agree with all the DVD releases being a bit excessive and Harmony Gold being very stubborn, but let’s look at this show for what it was for me as a kid, a mere budding anime fan. This was my gateway drug, a very powerful one at that for my generation. Terms like anime and otaku and large scale franchises like Studio Ghibli, Pokemon and Shonen Jump were unknowns for a little kid growing up in the mid-1980s in the Midwest of the U.S. This was most likely true for you as well if you are of a similar age as myself. This was the wild west of late Generation X where we didn’t have all the fancy terminology, conventions, or even the internet. All we had was a gut sense reaction saying… you know… I really like something about THIS show.

RT_2Often times anime that is broadcast here in the west, particularly the U.S., is often reinterpreted, adapted, or perhaps censored to a certain degree. Free speech?! Robotech changed names to more Anglican terminology, or got close in translation, or just left some of them alone, took out Japanese references like text, etc., totally changed the meaning of protoculture, shoe horned three unrelated series into a single timeline and added a fresh soundtrack. … Might I say, what a fine soundtrack it still is! … And the final product, which if you take into consideration had a short time of assemblage and production, is quite well done for the time. Carl Macek, the main producer behind the show, should be given a medal for what he did to put together Robotech. He had a job to do and did the best he could. If anyone ever bad mouth’s Carl’s work on Robotech, at Streamline Pictures, or his later works, I will ask the question, what would you do if you had these tasks?

RT_3Now let’s consider what Robotech did right, or left in tact so to speak. The concepts of interracial relationships, a transgender, or gender non-conforming character and even characters showing a side of doubt, depression, or anxiety were not seen much in terms of general television in 1980s. Yet, a “kids” show had it all and opened up a world of a more diverse human experience. Characters did not go to a hospital planet when they become mortally wounded, they died! And in terms of dialogue, Robotech never talked down to you with immature of more childish language to appeal as safe to the public. It was an anomily, lightning in a bottle and even though Robotech is far from perfect (and I ask you just what is perfect?), it is at least genuine in terms of expressing a total array of human emotion and experience through the lens of sci-fi fantasy.

As an impressionable youth in the aftermath of the original Star Wars run, barraged by other cartoons and comic book super heroes, Robotech, amongst other anime at the time would become my go to for fantasy, adventure and defining a personal sense of mythology. I owe my love of anime to Robotech and I often find it ironic that even though I see Robotech as a large epic, it is unknown to many younger, or newer fans of anime. Some older fans dismiss it, some are stuck on it as the only “anime” they know and others like myself, see it as a first step into a world of wonder that continues to grow each and every day.

… and yes, I prefer the unmastered original version 🙂

For reviews on the original anime that made up Robotech:

Super Dimension Fortress Macross
Super Dimension Calvary Southern Cross
Genesis Climber Mospeada

#163 : Frosty the Snowman

FtSM_1According to this calendar right in front of me it’s December and it is yet that time of year when many of us get ready for that holiday known as Christmas. While many of us get a little cynical at this time of year due to all the high amounts of stress, the over spending, or eating a little too much, we often over look a basic fundamental. The daylight is short and it’s colder outside for us in the northern latitudes (I envy you all in the southern hemisphere), but… but there is still something to look forward to on the near horizon. I myself don’t technically celebrate Christmas anymore, yet I am still within the festivities (I prefer to see it as the Winter Solstice), I still love and treasure Christmas cartoon standards like Frosty the Snowman and I feel no matter how you celebrate this time of year, Frosty’s story can inspire all of us to try yet again.

FtSM_2It all started with a simple song about a snowman who came to life all with the help of a magical hat. Recorded originally by Gene Autry and Jimmy Durante and re-recorded by nearly everyone you can name under the sun, Frosty the Snowman is a playlist staple during this time of year. Yet there is also the animated cartoon brought to us from Rankin/Bass from way back in 1969 to enjoy as well. Wow!, this makes Frosty 50 years old this year and he still does not look like a day older than… how old was Frosty anyway? A newborn? After all, he just came to life one day from a magic silk hat picked up by a bunch of kids during recess. Just a throw away item from a supposed magician whose rabbit sidekick has infinite times more talent than him. Yet this mean old magician wanted that hat back after seeing the potential of bringing a snowman to life. Tisk tisk. “It isn’t yours anymore, you threw it away!”

FtSM_3The story is a simple travel adventure with Frosty, Hocus Pocus (the previously mentioned rabbit and my favorite character!) and Karen (one of the children from the school) making their way from their little modest town all the way to the North Pole to see Santa Claus… who else! The North Pole of course is a cold place year round with lots of snow, so it makes a perfect habitat for a naive and jovial snowman. Plus Santa Claus will be his neighbor, always a bonus. They run into a cop who swallow a whistle, get chewed out from the train ticket attendant for not having any money and are always one step ahead of that mean old magician. Give up the hat man, it didn’t go with your complexion anyway. Will our heroic trio make it to the North Pole? Will they meet Santa?

FtSM_4Now for the fun part… just what is Frosty the Snowman’s connection to the Japanese animation industry? Rankin/Bass for years have used several studios in Japan for a majority of their work and Frosty is no exception. A studio by the name of Mushi Production would hold the honor of doing the heavy work of making Frosty come to life.… so it wasn’t just the magic hat after all, hmm? Mushi Production was Osamu Tezuka’s original studio that turned out many a classic like the 1963 version of Astro Boy, 1965’s Kimba the White Lion and 1967’s Princess Knight and even the adult gothic film that put the studio into backruptcy, Belladonna of Sadness. Frosty the Snowman, even though considered an outsource job, is a good cousin to what we call anime.

A film I am sure we have all seen 1,000 times and perhaps may get another 1,000 views into our near futures, Frosty the Snowman connects us with what we love about the winter. It is a time to reflect, remember and contemplate on where we have been through out the year, yet it is also a time to start new into a new year, the future. Winter is a like a bridge and sure as clockwork Frosty the Snowman will be a part of of our winter festivities and traditions for generations to come as it has for generations in the past. No matter how you celebrate, have a great winter and holiday everyone!

#162 : Twinkle Nora Rock Me!

TNRM_1There is more Nora?! Either I am crazy to jump into the Nora pool again, or maybe I am a believer in second chances. Twinkle Nora Rock Me!… can I consider it a ‘bad’ anime? Yes, but it is so so bad that it goes into the category that I call entertaining beyond explanation. I had no expectations this time round, so I let myself go. Word of advice…sometimes the worst anime ever made can be the best to watch. I admit to this and maybe you do as well… and you love it like me. I found redeeming qualities in Twinkle Nora Rock Me! that episode one lacked and I am count these blessings. Your opinion may vary, but I am sticking with mine.

TNRM_2I have seen many poo poo this entry of Nora as well, but I enjoyed this second coming. I declare myself to be the minority here! Yes some of the animation is like a couple frames per second and looks like a limited budget show. Yes the plot is all over the place. And yes, it has dancing, but I see this as a redeeming factor. Have a good time now folks and let’s not take watching anime that seriously this time round. Have a little dance and party. Nora as a character in Twinkle Nora Rock Me! is at least interesting. No more just being some cute girl on display, Nora is a full fledged bounty hunter this time round and has esper abilities. Where was this from the first episode of Nora? No time to complain this was a welcome addition, perhaps this was part of the original manga as well? I am still interested in finding a couple chapters to read to see what was originally there…

TNRM_3Nora, a bounty hunter, goes after bad guys one by one, but she meets one who is like hulking giant and she puts him in his place. Big bad guy has a brother, another felon, who has magical and esper qualities. Nora makes a point to go after bad guy’s brother, bringing a fan along who desires to be a dancer. Nora too has the moves as well, but she has a job to do. Dance and rock out later, but first things first, capture the esper magician. And how does she do this… with magical esper abilities of her own. Who knew she had so many talents to match her beauty? With both brothers captured and subdued there is only one thing left to do… dance! “Shake shake shake, shake shake shake, shake your booty.” Silly yes, but entertaining to a certain frame of mind!

When choosing an episode of Nora to watch, one can liken it to the Lupin III jacket color reference. Will you watch her in the green outfit (Nora) or in khaki tan outfit (Twinkle Nora Rock Me!)? You may choose neither and yes both are not even close to the level of masterpiece, but when push comes to shove I choose the khaki version. The other bonus to Twinkle Nora Rock Me! I forgot to mention is it is only a half hour instead of the first episode’s full hour. The lesser of two evils, hehe!

 

#161 : Nora

Nora_1Why in my right mind did I obsessively want to see this OVA? As a product of 1985, a year I love so much in terms of anime, Nora was on one of my watching bucket lists. Or perhaps it was the design of Nora herself, who is adorable and pretty… I’m jealous of her hair! My hope is that the original manga is way better in terms of story, plot, and even character development because this OVA adaptation of Nora is… eh… bland. Please universe grant me a chance to read a chapter, or two of the manga to prove my hypothesis wrong by stating that Nora is an example of what we refer to as a… Bad Anime! If blonde jokes were true, and of course they are not (Blonde = Genius!), then Nora would be the poster child, or the dictionary definition of that stereotype even though she is not dumb at all. Just very bubbly, goofy and ever popular… but kind of ditzy.

Nora_2Nora Scholar is on her way to a space town, or if this were Gundam, a colony, to take a vacation. I believe it was called Frontier, but please don’t make me rewatch this again to see if that is correct. While on her flight she meets a middle aged bald guy who is a well known professor and they become very good friends… creepy; not so attractive middle aged men and young ladies always screams red flag in my book. Add to that we also gain a third wheel, another old fart who is supposed to be a genius, but is just a cynical drunk. Why not have some handsome young stud of a man accompany Nora? But then again, I think this was a seinen production, so I am sure Nora would be the ideal fantasy girl for older guys who would want to chase someone younger. Sigh! I feel for you Nora.

Nora_3The high IQ drunk invented a computer, Artfiend (nice name?), to take over the functions of the town, or maybe it is the computer that runs the town and it has run amuck… whatever! Bad stuff starts to happen, the gravity stops working as an example because this computer has an issue with the human race. Who can stop this wild menace, but our triple threat of characters with Nora at the helm. She kindly talks to ‘Artie’ and reprograms him much like a mother talks to a child about what is acceptable and unacceptable behavior. Bad Artie, bad! You be nice now, OK! … and that is basically… the story. Stopping a renegade computer from wrecking up the entire place… I dunno… I am sure there are better options with a similar story. I vote for the opening episode of the Dirty Pair “How to Kill a Computer.” Better yet can the WWWA hire Nora and at least salvage something from this OVA? Hence forth we have the Dirty Trio (that sounds totally wrong, lol). Is Nora worth a rewatch? Not this time as I’d rather rewatch Odin first.