No anime collection is proper without the adventures of Lupan San Sei, Lupin III. A product of the late 1960s counterculture in style and attitude, only one production of the famous thief can claim to be the closest to Monkey Punch’s original manga… sort of. The original Lupin III TV series of 1971, the ‘The Green Jacket’ series, is a study of two different visions in regards to production and outlook. Beyond that, this is the series that is official swinging 60s cool.
The two visions in question look at being authentic to the original source material and a softened version by following the source material’s source material. The original concept of the show was directed by Masaaki Osumi and followed the approach of Monkey Punch’s manga. That being said, for approximately the first third of the show, the direction was hard boiled and mature. Adult oriented programming is often taken for granted today as normal, but for the early 1970s, this was untested ground. Ratings suffered and Osumi was soon shown the door to be replaced by the young and hungry Hayao Miyazaki and Isao Takahata. Not overly enthusiastic, they took the job and followed the marching orders to clean up the show and make it appeal more for families and children. At first there were a handful of transitional episodes that became out and out fun and non-offensive adventures of the week.
And due to the split nature of Lupin III, I have a love/hate, well more disappointed than hate as I can’t hate this show. As famous as Miyazaki and Takahata are and as well produced and fun the later episodes are, I really love the original vision of Masaaki Osumi. The attitude and grittier look are just brilliant. Lupin is not as much of backstabbing bastard as the manga, but he is still a bit of a scoundrel. And this kind of goes for the so called team of four: Lupin, Jigen, Goemon and Fujiko. It seems all four of them will one up each other to be on top (maybe not so much Jigen?) and that is a nice thing to see as it is four egos on a rampage. Particularly Fujiko, who I think suffers the most during the change. The big haired bombshell who would shoot Lupin in the back and have him in the sack as well gets a hair cut and her hemlines extended. Fujiko is a strong, independent and sexy woman who may be the most cutthroat of the bunch becomes almost a backup figure. Big mistake. Let Fujiko be Fujiko.
So with all the grit and angst of the original one third of episodes, it should be a dark show with nothing funny. OH NO! Funny is the word of this show from the word go. My favorite episode, One Chance to Breakout, is comedic genius. After all what would happen if Lupin gets caught by Zenigata? He stays put and acts like a crazy man for months and months and months until he decides to leave. And poor Fujiko tries to break him out and every single time Jigen pulls her back to say let Lupin do his thing. It’s mature comedy, smart comedy that if you love Monty Python or Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb you will get it and in spades. Funny and bit bizarre on the side of being experimental. It is a shame they left the original intention behind, but at least that much got through the system.
Also to make a small comparison to the Patlabor OVA to Patlabor 2: The Movie, we see a couple storylines in the Lupin III TV Series that ended up being used… again! After all episodes six and seven of the Patlabor OVA are similar to the plot of Patlabor 2: The Movie (similar yes, same no, Patlabor 2 is beyond perfect). As for Lupin III, you have an episode with a guy who makes counterfeit money with a clock tower/mountain and another featuring an odd guy named Mamo. I think these sound like a couple movies that featured Lupin a couple years later? Recycling done right.
Beyond the matter the of vision or production, the adventures of Lupin have always been about style. Cool style baby, YEAH! And that style looks damn good with a green jacket, a good addition over the red (not saying one is better, but from style preference, I like green). And I give the original Lupin III credit for the audacity to push animation into a more mature waters. After all, grown up kiddies still need cartoons too.