#29 : Lupin III (Series 1)

No anime collection is proper without the adventures of Lupan San Sei, Lupin III. A product of the late 1960s counterculture in style and attitude, only one production of the famous thief can claim to be the closest to Monkey Punch’s original manga… sort of. The original Lupin III TV series of 1971, the ‘The Green Jacket’ series, is a study of two different visions in regards to production and outlook. Beyond that, this is the series that is official swinging 60s cool.

liii_s1_1The two visions in question look at being authentic to the original source material and a softened version by following the source material’s source material. The original concept of the show was directed by Masaaki Osumi and followed the approach of Monkey Punch’s manga. That being said, for approximately the first third of the show, the direction was hard boiled and mature. Adult oriented programming is often taken for granted today as normal, but for the early 1970s, this was untested ground. Ratings suffered and Osumi was soon shown the door to be replaced by the young and hungry Hayao Miyazaki and Isao Takahata. Not overly enthusiastic, they took the job and followed the marching orders to clean up the show and make it appeal more for families and children. At first there were a handful of transitional episodes that became out and out fun and non-offensive adventures of the week.

liii_s1_2And due to the split nature of Lupin III, I have a love/hate, well more disappointed than hate as I can’t hate this show. As famous as Miyazaki and Takahata are and as well produced and fun the later episodes are, I really love the original vision of Masaaki Osumi. The attitude and grittier look are just brilliant. Lupin is not as much of backstabbing bastard as the manga, but he is still a bit of a scoundrel. And this kind of goes for the so called team of four: Lupin, Jigen, Goemon and Fujiko. It seems all four of them will one up each other to be on top (maybe not so much Jigen?) and that is a nice thing to see as it is four egos on a rampage. Particularly Fujiko, who I think suffers the most during the change. The big haired bombshell who would shoot Lupin in the back and have him in the sack as well gets a hair cut and her hemlines extended. Fujiko is a strong, independent and sexy woman who may be the most cutthroat of the bunch becomes almost a backup figure. Big mistake. Let Fujiko be Fujiko.

liii_s1_3So with all the grit and angst of the original one third of episodes, it should be a dark show with nothing funny. OH NO! Funny is the word of this show from the word go. My favorite episode, One Chance to Breakout, is comedic genius. After all what would happen if Lupin gets caught by Zenigata? He stays put and acts like a crazy man for months and months and months until he decides to leave. And poor Fujiko tries to break him out and every single time Jigen pulls her back to say let Lupin do his thing. It’s mature comedy, smart comedy that if you love Monty Python or Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb you will get it and in spades. Funny and bit bizarre on the side of being experimental. It is a shame they left the original intention behind, but at least that much got through the system.

liii_s1_4Also to make a small comparison to the Patlabor OVA to Patlabor 2: The Movie, we see a couple storylines in the Lupin III TV Series that ended up being used… again! After all episodes six and seven of the Patlabor OVA are similar to the plot of Patlabor 2: The Movie (similar yes, same no, Patlabor 2 is beyond perfect). As for Lupin III, you have an episode with a guy who makes counterfeit money with a clock tower/mountain and another featuring an odd guy named Mamo. I think these sound like a couple movies that featured Lupin a couple years later? Recycling done right.

Beyond the matter the of vision or production, the adventures of Lupin have always been about style. Cool style baby, YEAH! And that style looks damn good with a green jacket, a good addition over the red (not saying one is better, but from style preference, I like green). And I give the original Lupin III credit for the audacity to push animation into a more mature waters. After all, grown up kiddies still need cartoons too.

#24 : Area 88

area88_1Circumstances often bring us into situations that may not always be the most ideal. Shin Kazama is a young pilot who just graduated from a flight academy in Paris. His future looks certain; he is optimistic, has a job lined up with Yamato airlines and his beautiful girlfriend is the daughter of the president of the company. All his dreams are about to come true except for the fact that he decided to join his best friend on a drunken night on the town which ended up with the naive and very impaired Shin signing a paper without really reading over it. The following morning he comes to find out he has a new destiny and that destiny is in the foreign legion air force of Arslan. Shin Kazama’s future now belongs to Area 88.

Area 88, released in 1985, is an example of an early masterpiece for the then new direct to video format, the OVA. Produced by Studio Pierrot, the same company that released the first OVA release in late 1983 (Dallos), Area 88 showed a growing maturity in a short span of time. Based off of the original manga, this pocket sized three episode (two if you have an alternate release) was one of the first productions I experienced in the beginning of my journey into the deep dive of being a hard core older otaku who was looking for options to play catch up as it were. Megazone 23 Part 1 and Area 88 (episode 1 at the time) were my homework almost a decade ago and needless to say I was happy to find alternate material to compliment the usual material I had up to that point.

area88_2Let’s look at nature vs. nurture in regards to our hero Shin Kazama. True there is the debate of are things predestined or learned all across the map, but in regards to Shin I have to point to the nurture aspect, or more precisely environmental influence. Shin’s initial nature is a gentile soul whose life has become flipped upside down. He is depressed, he is desparate. More than anything he wants to return to Japan to go back to his former life. But over time from being in the battlefield and around battle scared pilots he begins to morph into a cold blooded mercenary as it is the only way for him to survive. The only life he can conceive is being trapped in a fighter plane trying to earn enough credits to qualify for an honorable discharge. Of course he can serve three years or desert (which he tried earlier in his career) as well.

area88_3Shin is a victim of circumstance, NO! He accepted his current condition instead of holding on to his genuine truth, but war does strange things to everyone involved. The love of his life Ryoko is now being approached by the friend who sold him out, Kanzaki. As Kanzaki weasels his way up the corporate ladder and enforce his love to Ryoko he can never escape the ghost of his old friend Shin. Often times their paths cross even though they may not be looking at each other in the face. Talk about a soap opera and a half and I am eating it all up with a bucket of popcorn (I need a refill!). Much of this story can be seen in many of the mecha series of the time, as I see this as shonen-esque type show, but Area 88 is a bit more down to earth dealing with actual war machinery and a more contemporary setting (be it the late 70s/early 80s). It’s kind of like, what I read somewhere, a more realistic G.I. Joe. Very true in that observation, but I still seeArea 88 as a tale of a man who lost his faith in himself.

area88_4Another avenue I often look at with the lens of Area 88 is the concept of the war draft. Growing up a decade after the ending of the Vietnam war, the shadow of being told to go to war without question or reason was around. This was my parents’ generation and of course it was reflected in films such as Apocalyse Now and Platoon. Much like those films, Area 88 shows a young man’s life change due to the circumstance of being taken away from his environment and his dreams. The spoils of war often silence many young people who had drive and ambition. If you feel it is your duty to serve you are more than able, but we should never force anyone to do what they may not feel is truly right.

Truly a gold standard of the OVA, Area 88 tells it’s story with the right pacing and production value. Without any question it is required viewing for anyone interested in classic Japanese animation. Just one word of parting advice… never sign anything when you have been drinking alcohol. You never know what misfortunes can arise from being careless.

#20 : Grey: Digital Target

Imagine life as a constant war and your main ambition is twofold. The first is just basic survival. And the second being that after all of the struggle you are guaranteed citizenship in an utopian city. Kill or be killed, trust no one and above all else get out alive. This is the world of Grey and this is his movie. An adaptation from the original manga by Yoshihisa Tagami, welcome to Grey: Digital Target.

grey1The world of Grey is a cruel one where people volunteer to join their town militia and fight those who live in the other towns. Along the way you acquire the money to live and the credits to advance up the ladder of rank to obtain citizenship in the city where you will be free to live as you please. No one has ever seen this supposed city, only rumors fly as to what it is like. Each town is run by a computer and that computer is connected to the main computer, Big Mama, that sways influence over the entire world. Imagine the Matrix crossbred with the Hunger Games with an 1980s attitude; you pretty much you have Grey: Digital Target. It is possibly my favorite post apocalyptic science fiction war drama and I am here to spread the word on this under appreciated dark horse.

grey2But more about this man Grey. Often nicknamed ‘Grey Death’, our protagonist (can’t say ‘hero’ because he is a total anti-hero type) is known for being cold, distant and only out for himself. Rumors abound he sells out his teammates and takes in all the glory. Perhaps, but Grey is also hungry for vengeance and retribution. Underneath the stoic face and facade is a man with a piece of his past missing, that being his girlfriend Lips (yes that is her name). She became a trooper herself and before her death, Grey was not so ambitious or callous. After the fact, he has become a man to be reckoned with, but humanity still remains in his heart that has yet to be rediscovered. And as for his iconic helmet, it used to be belong to Lips and he wears it as a memento, but you would think a red helmet would be easily noticed? But it looks cool and that is what truly matters… it’s all about style.

grey3Why I really love this movie is due to the fact is gritty. Nihilist, punk rock type grit. Color, flash and dazzle are always fun, but when you are dealing with war, you have to keep it rough and dirty. Also you have to view life in the world of Grey: Digital Target as almost an allegory for contemporary life. Maybe not so much being physically at war, but how often do you or did you fight for something that you heard others tell you was the ultimate goal that turned out to be a let down for you personally? Sometimes the greater gifts of life are from what we trust in ourselves or discover on the way. Life is much more than what the so called ‘mother computer’ of culture dictates to us. So question the status quo!

If you are in the States and collect VHS this is one of those rarities that was only available on tape only (not sure for my friends in Europe did you all get this one?), though it is around digitally as well. Also check the manga too as the ending is a bit different and dire compared to the heroic open end of the anime. Plus, as the credits roll you get a really catchy pop song, Love is Heart. Why do I still hunt for, watch and continue watching older anime, because you find gems in the garden like this one. Time to get back to digging in the dirt.

… also the studio that made this production was Magic Bus and every time I see that name I always get The Who’s Magic Bus going off in my head. Yeah I’m a dork 🙂