#213 : Ladius

A great treasure awaits you! Imagine this, a power source from an ancient civilization that can also act like an elixir which can grant life, the Rido. A young nomadic trio will be our guides and along the way they end up meeting new friends and familiar foes. Sounds exciting right, but there is a catch… this presentation is technically a mecha anime as well… only the last 10–15 minutes though. Oh you like giant robots, well then I have an OVA for you… meet Makyou Gaiden Le Deus, often translated as just Ladius. Or should it just be Le Deus? … to good friends Ladius can be called The Deuce and yes, I made that up!

Ladius_1Finding opening credit music from my favorite anime is one music category I sometimes like to listen to. Now and then I come across a track that sounds really rockin’ yet it does not ring a bell of familiarity. This was my introduction to Ladius and as I really, really loved the song I had to track down the original video. After watching I would scratch my head, HEY!, how come we never saw a release for this here in the West? I believe the UK had a subtitled VHS release way back when but nothing of the such ever happened over in my neck of the woods. This would have been a great seller, I mean I would have bought it, as it had many of the tropes that we all like in adventure and mecha titles. Reminds me of “How many licks does it take to get to the the Tootsie Roll center of a Tootsie Pop? … The world may never know”. If I was in charge it would have been different, but I was not and I still am not in that position. Thank you fansubbers for all you do!

Ladius_2This red disc, a beautiful lens, one of the Eyes of Zalem is much like a key that opens one of the fabled lost treasure troves of the Rido that is located in the ruins of the Quall civilization at Zalem. Viewing the night sky through this lens also is a treat as well and it is this very act where we meet Riot and his two lady cohorts, Spica and Seneca. This trio on the go are on a mission to discover this refuge of the Rido, but first they must make a quick stop at a little town known as Zigoa to find another Eye of Zalem and in the process meet another key component to our quest. Yuta, a young lady who runs a shop in Zigoa is quite bored from the mundane is soon visited by Riot and crew. Yuta holds this other Eye of Zalem which is also wanted by a gang of theives. Damage ensues and guess who gets the bill, a coy grinning Riot.

Ladius_3Mixing genres makes Ladius a fun OVA. Much like a treasure hunting adventure in the style of a Lupin III caper, we get instead a fantasy environment found in the more quest like and imaginative Birth and Dragon Ball with the Ladius plot for discovering the Rido. Yet finding lost artifacts is only part of the equation. We do have mecha elements as well, which reminds me a little of Dangaioh in terms of fun and action packed robot sparring. Plus our main man Riot has some rockin’ awesome hair and a jumpsuit which is so de rigueur for 1980s heroic fashion. Yet why do I feel this is like a 90s anime when this was made in 1987? Maybe because Ladius can get comedic at times and comedy with questing makes me think of Slayers? All in all, Ladius may not be the most unique combination of elements, but in terms of mecha presentations it stands out as a little different… and in a good way.

Ladius_4Broken record time… time to add yet another oddball OVA release to the shelf of awesome 80s anime. I swear I keep finding these one off releases and they never disappoint in any fashion. I do question as to why only one solitary release? Ladius only reveals one chapter in the longer quest of Riot and the girls, yet there is so much more to discover and to tell. Again I am thankful for what we do have because what we do have is a great example of 80s OVA excellence. My only warning is beware the offering of a jigu nut, it may not agree with you!

#211 : Arei no Kagami: Way to the Virgin Space

Do you believe the universe has an edge where beyond that boundary is untouched, pure… virginal?. If space and the universe are infinite, how can there be an edge? We now are about to enter the realm of imaginative sci-fi space fantasy… rules and reason, yeah let’s leave that at the door. Ever hear of Arei no Kagami: Way to the Virgin Space? Like many obscure titles from the 1980s this was an unknown for me as well, but something about Arei no Kagami invited me in with something very familiar.

AnK_1Upon quick glance of the characters one who is in the know would easily recognize that Arei no Kagami is a part of Leiji Matsumoto’s portfolio of work. His hallmark style surrounds the visual appeal of the likes such as Galaxy Express 999 and Queen Millennia, amongst many others, but Arei no Kagami has many other similarities. A young boy in the company of a beautiful blonde woman on a sci-fi themed journey is a common theme expressed in the other two Matsumoto productions, but for Arei no Kagami we see a variation with an auburn female lead instead, Maya. Along with her is the young Meguru and both of them escape a planet torn apart by war to search for the promised land, the edge of the universe, Arei. Onboard as well is a stowaway android, Zero, who also yearns to find this special zone.

AnK_2Created specifically for Expo ’85, The International Exposition, Tsukuba, Japan, 1985, Arei no Kagami would fit into the future oriented theme of the event. And while progress and the hope of things to come were the main focus, Arei no Kagami would also question much about humanity’s past actions. The dark side of war, hatred and mistreatment towards the environment and other humans would be brought forth to our trio of space explorers who must defend the human race’s more redeeming qualities. Architecture, the arts and advancements in science and philosophies would be presented as a counterpoint. Yet the entry into the virgin space of the universe demands the most noble of hearts… can these three characters pass the test of showing that the human race is far more than our past sins?

AnK_3Matsumoto’s Arei no Kagami was a fellow classmate to his former Yamato partner Yoshinobu Nishizaki’s Odin: Photon Sailer Starlight (Oh! ODEEN!). And as different as both men are (artist vs. businessman literally), both productions are literally… light years apart in many ways. Arei no Kagami is short (20–25 minutes), a concise story and has a feeling of conclusion. You feel in many ways you made it to the final destination intended. Odin is two plus hours long, confusing, over complicated and end ups going nowhere. I am still “Searching for Odin my love” like many of us. Matsumoto was always the stronger storyteller of the two and while Arei no Kagami is very simple and kind of generic, it does what it does well with a limited time span.

#209 : SilverHawks

Now this may just be me, but these pre-intro trailers really spoil the plot of each episode! … Are you a hardcore 80s cartoon fan? Several 80s creations have had life outside the decade either by nostalgia, reinvention, or a combination or the two. Many more exist as rumors, or more like a secret code that big kids like us never grow tired of. I pull a couple DVDs off the shelf and after gazing at the covers remember many things, but will they still hold up in terms of entertainment? Fun, adventure and deep space science fiction on today’s episode of The Classic Anime Museum… with… SilverHawks.

SH_11986… September 8, a Monday afternoon… If I am doing my math right I was in the beginning stages of the second grade in my elementary school years when a new cartoon would catch my eye. If memory serves me correctly I had anticipated the arrival of the SilverHawks for a couple of weeks knowing that it was created by the same folks behind ThunderCats and it was set in space this time. Seven year old me was drooling at the mouth as SilverHawks would become one of my favorite shows at the time hitting crucial buttons of joy. Cyborg soldiers, “partly metal, partly real” who act like the new sheriffs in town who take on the criminal gang of Mon-Star. And those SilverHawks were buff as all hell, true hard bodies. Do you remember the workout videos featuring Tamilee Webb? Buns of Steel, Abs of Steel, etc.…Yeah that sounds like the SilverHawks to me!

SH_2Sci-fi obsessed as we were in the 1980s, SilverHawks was very typical of depicting a future with high technology, space travel and alien encounters. Star Wars looked to be a huge influence, but also the American comic book hero character. Though based on a toyline, SilverHawks exudes the Marvel and DC type of characters who work as a team: X-Men, Fantastic Four, or Justice League. And while I am sure anime influence may not have been top on the listing I can compare the SilverHawks to sentai groups like Gatchaman, or more appropriately to the cyborgs of Cyborg 009. Once completely human both the cyborg soldiers of Cyborg 009 and the SilverHawks have been enhanced to become the ultimate fighting machines. Of course for Cyborg 009 this was done outside the characters’ wills for a criminal organization. These nine would rebel to fight against their creator. SilverHawks featured volunteers who fight for justice and peace and all the usual American apple pie sort of things that in reality is not always the picture perfect truth.

SH_3Every show needs some sort of identity markers from logo and typography, toys, characters, plot points and even a mascot at times. For SilverHawks the concept of mascot became legendary with the cybernetic enhanced Tally-Hawk. How many times did I want his talons to grip my forearm as I stare into his eyes; such a beautiful bird. Hawks and birds of prey in general have always been a personal favorite for me. The elegant grace, power and intensity of these birds are truly beautiful. While SilverHawks featured many characters from the heroic, to the diabolical, to the sly and even the goofy, none compare to Tally-Hawk whose only dialogue was a screech that said more than the length of a Russian novel. If Tally-Hawk was a Pokemon, I choose you!

SH_4Like many other Rankin/Bass titles, the design and pre-production was done in the U.S. while the heavy lifting of paint and pen ended up with a Japanese studio. In the case of the mid-1980s this was Pacific Animation Corporation. Though this show may not technically be anime in name it is certainly in spirit. Watch the opening credit sequence as an example. With ThunderCats lightning struck in a bottle in terms of success and in many ways SilverHawks would ride that wave as a sort of phase two. Does this show still hold up for me today? Yes and no. The early episodes still hold merit in my fandom, but the overall mythology lacks the breadth of ThunderCats and often times SilverHawks is a one trick pony that repeats itself. Yet as a single ride pony show it still is fun, in short bursts… “Ya know what I mean.” … a little nod to you Seymour 😉