#171 : Scoopers

Wow the title alone is enough of a grabber… just what in the world is Scoopers? An anime about a young couple who run an ice cream shop?… no. Maybe an anime about a  pet scooping service that goes around to the parks when your dog leaves a souvenir?… no. Wow you got me… maybe Scoopers is about journalists in a sci-fi, slightly cyberpunk universe, trying to catch the next big ‘scoop’ on guy who has been blowing up satellites and space shuttles? No way, that sounds to good to be true and yet… it so is. OK, we have the basics out of the way, lets throw that tape (or digital file) into the old dusty VCR ( or whatever your media player of choice is) and hit play!

Scoopers1A supposed Mr. X and his organization are the responsible party for the havoc of blowing up these satellites and space shuttles. Who can stop this dastardly foe but for two… reporters? Enter Yoko and Beat (BEATO!) who work for for the organization Private Eyes. “Private eyes are watching you. They see your every move.” Yoko is a strong and determined lead and Beat is a combination of things. He is a Yoko’s partner, a photographer, Yoko’s bodyguard and would you believe it… he’s an android too! He gains super powers when Yoko pulls out her compact and hits a couple of buttons, almost like a remote control. Talk about killer makeup! Together they track down the hide out of Mr. X at the amusement park of Techno Land, but what lays in store for them is more than any roller coaster ride.

Scoopers2Scoopers is one of those 80s OVAs you find at the very bottom of the undiscovered bin of lost oddities. It resembles a lot of retro action properties of the time, City Hunter, Space Adventure Cobra, Dirty Pair and Lupin III in terms of style, color and attitude. It just lacks staying power and being a one off OVA may be part of the issue. The concept of guerilla journalists who are more like crime fighters is a fun concept and the sci-fi high technology is a nice touch. Nothing like the element of fantasy of what we thought the future might be like from the perspective of the 1980s. And speaking of hi-tech, check out those computer graphics interspersed with the cel drawn animation. For the time that was high end stuff, but it is kind of laughable now.

Scoopers3Can I return back to Lupin III? It seems that Scoopers and Lupin III have something in common; are kind of related… perhaps siblings? When watching the credits one name jumped out at me and made me go, oh wow! Does the name, or I should say pen name of Monkey Punch ring a bell for any of you? He is the original creator of everyone’s jacket wearing thief, Lupin III and he also is responsible for Scoopers as well. Nice to see some of his other work. The character designs and some of the behaviors favor a Lupin style with Beat being similar to Lupin and Yoko being an alternate to Fujiko. Wait!… Monkey Punch, why not have a crossover of Lupin with Scoopers?

Scoopers4Scoopers is a lot of fun and finding off the wall, weird, bizarre, or out of this world older anime is the joy of combing through the lost archives of what Japan released way back yonder. This is what being a classic anime fan is all about because just when you think you have seen everything, something else shows up and say, “Um, you missed one!” I  am glad Scoopers founds it’s way into my viewing experience, although the ending… yeah we need to talk about that… kind of a let down and makes you want, or hope there is a second installment in some form. And yet in the end, we have to make due with what see, which is an aircraft flying off into the distance carrying an escaped Mr. X. What’s his final fate, will he get to some sort of trial? Will justice prevail? And will the story and photos from Yoko and Beat make the top headline? Your guess is as good as mine.

I want to give a special thanks to Kingmenu Subs for their work on Scoopers. Thank you and keep up the good work!

#170 : Phoenix 2772: Love’s Cosmozone / Space Firebird 2772

1980… the height of the space opera boom of the late 1970s and early 1980s would enter a new decade. Yamato, Gundam and Galaxy Express 999 would come before and now a familiar name would throw his hat into the ring. Enter the ‘God of Manga’, Osamu Tezuka, and his first presentation of his grand myth, The Phoenix, in a full animated production. A live action film with animated segments would tell a historical account from one of the chapters of The Phoenix in 1978, but this film would be an alternate retelling of the space related chapters and 100% pure anime. Tezuka’s Phoenix anime re-workings are some of the most special anime ever made (personal opinion), but how does Phoenix 2772: Love’s Cosmozone fare?

SF_1In the far future, the Earth is in dire trouble. Over polluted, lacking resources and at the point of social collapse we find our beautiful planet at both a major crisis and a crossroads. We begin our filmic journey by following our hero, Godo, as a a test tube baby and witness his process of growing up in isolation. Eventually he is joined by a robot companion, Olga, who helps to raise him. These beginning sequences remind me of silent films, or perhaps the opening of 2001: A Space Odyssey, with dialogue being nonexistent and fluid motion being the only storyteller… as well as the background music. Once Godo reaches full maturity, his place is to become a pilot, but this is short lived since he shows a trait of humanity by not wanting to kill innocent life. Also he has eyes on a girl who is set to wed one of the powerful elite… another no-no. This gets him into serious trouble, which leads to a prison sentence where he meets a stock in trade Tezuka archetype, the large nosed man older man and a fellow who happens to be none other than Blackjack.

SF_2Godo still believes in his mission despite the setbacks, which I have yet to devulge. That is to capture the Phoenix from which the blood can be used to give life back to the dying Earth. Eventually with the help of friends Godo escapes and sets off to find this mysterious bird. When Godo eventually comes into contact with the mythic bird of fire the true essence of the story begins to speak as Godo  learns what all protagonists in any of The Phoenix stories, that life is more precious than anything else and the love between souls is far stronger than any want or need in the name of ignorance, or power. Sacrifice and karma must be weighed in order to achieve a true sense of enlightenment and fulfillment.

SF_3The space opera sci-fi of Phoenix 2772 is well animated, as expected from the likes of Tezuka, who was Chief Director of the project… The BIG Boss! He incorporated techniques seen in his more experimental projects, which makes Phoenix 2772 unique looking amongst the other films of the time, Toward the Terra as an example. Also Tezuka’s character designs harken back to a previous era, though with updated fashion and hairstyles. All in all, a true blockbuster of a film, yet, I have to scratch my head on this portion of the Phoenix mythology. Phoenix 2772 is kind of awkward. A few of the animation sequences take on an almost comedic or fluid quality and a couple of the animal/alien characters seem to be added in for comic relief and juvenile appeal. Mixed with the epic story of finding the Phoenix and understanding true love, Phoenix 2772 can feel a little schizophrenic.

SF_4Phoenix 2772 may be the weakest entry in all of the Phoenix anime I have seen, but it is far from bad, or even average. It has it’s quirks and for some of you it may not be much of a problem, but I hold The Phoenix name very high. The trilogy from later in the decade (Karma, Yamato and Space) is some of the best anime from the 1980s (again my opinion) and I would recommend these first. Even so, at the heart of Phoenix 2772 is a tale of sacrifice, redemption and emotional drama, all qualities that make Tezuka’s Phoenix entries special. This in it’s self makes Phoenix 2772 qualify as a close second to the trilogy and a unique entry into the beginning of the decade of the 1980s.

#169 : Dream Dimension Hunter Fandora

“QUESTION!” Time to dive really deep into this pile of forgotten anime titles. Let’s investigate the bottom of this bin and find something special. Ah ha ha, nice choice. Have you ever heard of an OVA trilogy by the name of Dream Dimension Hunter Fandora? “QUESTION!” What happens when you combine a pretty heroine packing a sword and a shield, a goofy transforming sidekick, a handsome, yet cruel villain, space travel, fantasy and a pair magical jewels? You get the plot for the beginnings of an often under appreciated mid-1980s OVA series. OK, I think we have the makings for a good story here… time to watch. Popcorn please!

DDHF_1Let’s meet our beautiful heroine Miss Fandora (Fandora-sama), who so happens to be a bounty hunter by trade. She treks all over the galaxy with her partner Que, who happens to be a shapeshifter. And she always, seems to be short on money after each job. So far this sounds similar to Rumiko Takahashi’s Maris: The Chojo? Now’s the time to diverge. Part of her uniform is the red Jewel of Lupia, which is a prominent part of her crown like headdress. Did she borrow her fashion sense from She-Ra: Princess of Power? Drawing power from this jewel, and using it for the plight of what is good, she takes down each successive criminal using a sword and shield. Also the rays from the jewel bother Que in that he seems to sprout a tail that is quite reptilian. Dear sir, is your true identity that of a a dragon!? After the opening we find she has the eye on a very prized, yet elusive criminal, one Yogu-sogos. His bounty is the highest in the universe, yet his location and even his identity remain a mystery.

DDHF_2Based on a concept by Go Nagai, Dream Dimension Hunter Fandora would bear fruit under the production and vision of a little studio by the name of Kaname Production. Kaname is a studio that I love… love!, more like obsessed?… and many of their works are featured here, so why not add one more! Dream Dimension Hunter Fandora would be the second warrior maiden heroine brought to us from Kaname in 1985, the other being the Leda: The Fantastic Adventure of Yohko. Both have their character and are similar, but they are also very different in terms of story… and budget. Fandora could pass as the budget version of Yohko as Yohko’s OVA looks very cinematic and lush, while Fandora’s OVA could pass more for television standards. Yet this is not a fair comparison, that’s like comparing an apple with an pomegranate. Both offer nutrition and taste delicious, but one is more expensive in terms of cost. Yet, both can satisfy in their own way!

DDHF_3Each successive episode lays the groundwork for the last. The first episode can stand alone as a single entry and I wonder if that was the case in terms of production? We learn the basics of our characters, find out who Yogu-sogos is and end on a cliff hanger. The second episode brings in more character development with the introduction of a tragic couple’s ill fated relationship and a young boy by the name of Sohto/Soto. And yet even more action with Yogu-sogos and this one also ends on a cliff hanger. The third episode shows the resurrection of Fandora and introduces much of her secret back story, and Que’s as well, which leads to the climatic ending! And sorry, no cliffhanger this time round. The pacing is well done and each successful episode builds from the last, showing Fandora, Que and Yogu-sogos as a well rounded trio for our main cast by the end.

DDHF_4Truth be told, this was one Kaname Production title that I had on the back burner for some time and much like anything from that studio, I really like it. Though Dream Dimension Hunter Fandora does not hold a candle to Kaname’s masterpiece, Windaria, it is still a fun action cartoon with a strong protagonist that has those signature eyes associated with Kaname’s female characters. The only thing I scratch my head about is why is it called Dream Dimension Hunter Fandora? Fandora is the heroine, a hunter is her job and dimensions are what she and Que warp through to catch crooks… where is the dream part?