#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂

 

Thank you everyone!

To all of you who have been following my work here for a while, or if you are fairly new to the Classic Anime Museum, I want say a simple and appreciative thank you. Last month was a milestone on many levels and this whole year of 2018 has been an awesome year of growth. Yet there is still much work to do as I have only just started with the 99 entries that are online. #100 will be a special one for me and hopefully for you all as well.

As I mentioned last month, I will be at my hometown con, Anime St. Louis, and will be presenting two panels: Capturing the Wind: Miyazaki and Takahata before Studio Ghibli and The Shonen Jump Revolution of 1986. My friend Katie will be recording video and my goal is to get these videos online to share with you all in case you can’t be a part of the live audience.

Arigatou gozaimasu,

Josh

#99 : The Guyver: Out of Control

GOoC_1Do you know The Guyver? Sure you may be aware of the epic 12-episode OVA that was released from 1989, or that more recent version of 2005, or the manga, or even those very interesting (often characterized as bad) live acton B-movies. But there is another Guyver, a simpler Guyver, a one and done OVA kind of Guyver. It dates from 1986 and it is so rad and tubular (sorry I am going back to my 80s slang days), so ‘out of control’ (it’s in the name of the title after all) and kind of forgotten as well that I wonder if this is a legitimate entry for all that is The Guyver? Of course it is! This may be a dust gathering artifact from the golden age of the genesis of 80s OVAs, but it still counts! This was and is and always shall be The Guyver: Out of Control.

GOoC_2To date, this is the only Guyver that I have seen. I want to change this, not that I was impressed beyond belief with Guyver, but I feel it is worthy to see a more flushed out version of this story. The Guyver: Out of Control is just under an hour and it works very well as a one stop shop for an all out action extravaganza. Similar to Baoh, except our hero was not a test subject run amuck. Sho Fukamachi, our hero, after seeing an explosion from a battle in the distance comes into contact with an odd circular metallic object that he has to pick up and hold. After all being an average high school student, this is different and kind of cool… you got to pick it up… and then you pay the price.

This disc like object ends up turning Sho into one of the most streamlined, and perhaps very dangerous looking, superhero/fighter by having all these coils wrap around him. Ewww… just like tentacles, what the…? This is not weird fetish porn! This is proper action anime here! … At least Sho was not stripped of his clothes. Oh and look, now those guys from the previous battle from afar become the focus of Sho and steal his girlfriend. Bad idea! Now Sho has to fight up against the so called Chronos Corporation and yet another Guyver unit, who started out life as a beautiful redhead and in the process rescue his beloved lady. It’s so cheesy, but you got to love it anyway.

GOoC_3The irony of The Guyver: Out of Control is due to the fact that ‘don’t let the cover determine how you read the book.’ Case in point, the character designs of Toyoo Ashida with their large round eyes (isn’t that what everyone says about anime anyway?) don’t really show just how… violent… this OVA is. But then again, Ashida directed the Fist of the North Star and Vampire Hunter D movies (Hiroshi Watanabe directed this one), so perhaps these designs were a good choice? But seeing the promo materials makes me think initially of Minky Momo or Vifam (both in Ashida’s portfolio) and that this will be kind of a cute production. No Luck Chuck! This is like Fist of the North Star, Vampire Hunter D, or even… M.D. Geist (Eee!) type of violence. Wait a minute… I just mentioned Fist of the North Star and Vampire Hunter D twice (actually three!) … ok, then these character designs are fitting. Maybe? I like them anyway! Next paragraph…

GOoC_4Do you remember a time when anime was promoted as violent, mature and all that jazz? Yeah, those VHS days of the 90s only pigeonholed anime as a singular focused medium, kind of like Seattle music and Grunge. Of course we know much better now as to the variety of what there is in anime. And thank goodness, except The Guyver: Out of Control is actually a decent story, has a plot and some moral sense. It’s not mindless action and violence without a purpose.

… by the way, and this is a quote from the story, Guyver means out of control. … so then this title is simply doubling itself? Maybe it should have been called Guyver-squared?

#98 : Urusei Yatsura 2: Beautiful Dreamer

UY2_1Imagine living in your own dream world; anything goes! This is your ultimate utopia and if you apply any boundaries, they are of your own choosing. Who would be in this dream world with you? What would you do together? Once upon a time there was a property by the name of Urusei Yatsura that during the 1980s was one of the hottest tickets around. This show (and the manga) put Rumiko Takahashi on the map and brought a young director by the name of Mamoru Oshii into the spotlight. Before Ghost in the Shell, Patlabor and even Angel’s Egg, Oshii would showcase his signature style for the first time in Urusei Yatsura 2: Beautiful Dreamer. 

UY2_2The year was 1984 and going to the cinema was the thing to do for an otaku. I consider 1984, the anime Summer of Love. The Macross crew would release Macross: Do You Remember Love and Hayao Miyazaki wowed audiences with Nausicaa of the Valley of the Wind. Mamoru Oshii, who at the time was the director of all that was Urusei Yatsura, followed the script so to speak… and then a second film with Ataru, Lum and crew allowed Oshii’s individual style that we know so well to blossom for the first time. With both writing and directing duties, Oshii would bring his contribution of Beautiful Dreamer into the class of 1984. Oshii’s dreamworlds began to be a part of our worlds.

UY2_3I will be the first to admit that I may not be the best reference for Urusei Yatsura. I have seen the first handful of episodes and have a general idea of the plot and all the hijinks  including the lecherous main character, Ataru, and his jealous love interest/who happens to be an alien Lum. You know Lum (I hope)? The bikini clad girl with the horns on her head… a timeless design. Now, what I am familiar with is Mamoru Oshii’s artistry which he uses tastefully in Beautiful Dreamer. He adds elements of surreal imagery and circumstances and completely bends the rules to what you consider a particular property to be. Think Patlabor 2 in regards to Patlabor as a whole, or perhaps the Ghost in the Shell film in regards to the original manga. He puts his philosophical and symbolic spin into action that only Oshii does so well. Like a skilled painter, his style is his own. And where Patlabor 2 and Ghost in the Shell can get very heavy into drama, being that this is a film is in the Urusei Yatsura universewe still retain the comedy and dynamism. Mamoru Oshii brilliant with fun and comedy? Oh definitely YES! 🙂

The plot begins with a school festival where everyone is pitching in with their own contributions, decorations and such. Many of the usual cast are putting together a cafe of sorts, which includes a tank in the middle of their particular classroom. Wait, a tank?! How did they get that upstairs? Anyway… events seem as if things are repeating themselves as various characters start to see that the reality of their surroundings keeps moving in a loop. If you travel, you end up back at the same spot and occasionally you lose contact with others. Just what is happening here? Eventually the entire world turns into a ghost town… on the back of a… turtle (it ties in with traditional Japanese mythology)? The only normality is the Moroboshi house, which becomes the safe haven for our cast since there is a constant supply of food, water and electricity for some reason. I’ll say it again, just what is going on here?

UY2_4Not being completely up to par with the Urusei Yatsura universe, I will be the first to say that I did not have much trouble following the film. Watching Beautiful Dreamer purely as an Oshii film worked well enough for me! There has been a Blu Ray release recently here in North America, but my viewing of this film came from a recent VHS find.  … Oh whatever has happened to you, oh great Urusei Yatsura? Rumiko Takahashi’s other work, Maison Ikkoku, Ranma and Inuyasha have all eclipsed this once behemoth property. Yet Urusei Yatsura you still live on be it YV series or movie adaptation in our memories… and even perhaps, our dreams…

#97 : Armored Trooper Votoms

Votoms_1Armored Trooper Votoms in a certain frame of reference may be the greatest mecha anime of all time. And I say that again as a certain frame of reference since this may not be everyone’s idea of where mecha shows should tread. Several shows before and since have dived deep into realms of gritty military life and, or psychological science fiction, but nothing equals Votoms in terms of it’s presentation of both. This is a tale about a singular battle scared man coming to terms with his life and humanity in the dire of constant combat, but Votoms is also, perhaps, one of the most underrated love stories as well.

Votoms_2The year of 1983 brought many classic mecha shows to us and in particular the so-called real robot aspect of the genre. Sunrise would produce three gems: Yoshiyuki Tomino’s (Gundam dude) Aura Battler Dunbine, Takeyuki Kanda’s Galactic Drifter Vifam and Ryosuke’s Takahashi’s Armored Trooper Votoms. Mecha shows by this time had grown into a wealth of expression and many of the best had strong leanings towards space opera. Examples such as Star Trek, Star Wars, Yamato and Gundam all left influence on many shows in the early 1980s. These are prime examples of classic heroism and this is definitely not the world Armored Trooper Votoms. Votoms is more akin to the noir drama of Blade Runner, the esoteric sci-fi of 2001: A Space Odyssey and the Vietnam War grit of Apocalypse Now. Votoms is a story of the hunted outcast searching for his purpose, not that of a perfect hero.

Sergeant Chirico Cuvie, a former member of the deadly Red Shoulder brigade, is a man on the run. Despite his stint in Gilgamesh’s Melkian army during the great war of the Astragius galaxy against the Balarant, Chirico finds life on the run just as difficult. During a mysterious last minute final assignment, Chirico becomes aware of a great secret. After interrogation and being left for dead, Chirico runs to find peace and safety. The only problem is everywhere he goes he can’t escape the proverbial battlefield. All Chirico wants to know is what the secret operation he was involved in was all about, who the secret organization behind the operation is, to have both Gilgamesh and Balarant off his back and… most importantly… who this mysterious beautiful woman that is so linked to his destiny is and why is it that he feels so attracted to her (Duh!… she is pretty and loyal to you).

Votoms_3The grit of militarism exudes not just in the story and politics, but also in the designs of the mechs themselves. The AT Scopedog is a timeless design for not being flashy, cool, or futuristic. The Scopedog is a basic run of the mill tank or army Jeep brought into the world of piloted robots. Clunky, functional and a nasty shade of green, the Scopedog is an antithesis to say a Gundam, or Valkyrie fighter (Macross). Ironically, the simple build quality of Scopedogs are fitting within the culture of model building since Chirico himself many times during the show either rebuilds, or modifies, several mechs. Yet there is one characteristic of a Scopedog that is distinctive… those roller skate type feet which allow them to roll on the ground. Of course this helped in production of the animation by keeping the drawing minimal at times, but still… it’s kind of fun!

Votoms_4The structure of the show is in four successive stages, or arcs and each one builds on the previous. The DVDs I have separate neatly into these so called movements: we begin in the streets of Uoodo (very Blade Runner), move into the jungles of Kummen (Apocalypse Now), and finish with the planets Sunsa and Quent (2001). Like an onion you slowly peel away the drama and suspense and end up in a world you never thought was possible when you first started. Uoodo was fun, Kummen was intense, Sunsa is my favorite for how dark and psychological it became and Quent turns everything on it’s head and then some.

Many times I write about anime from memory alone, or after I seeing something ‘new’ to me, I have to speak about it within a quick turnaround. Then there are times when the urge to dive back into the entirety of a show is most necessary. Votoms needed a re-watch and having seeing it with half fresh eyes, I can’t discount this masterpiece. After all… I am comparing this show to two live action movies that I highly respect and love, 2001 and Blade Runner. Perhaps I needed to grow into this show and now was the time to recognize Votoms brilliance.

… this could be Grey Digital Target’s soul brother and I love that movie too.

#96 : GoShogun

If you wish it, it will come! Ever since I fell in love with an OVA from 1985 by the name of GoShogun: The Time Étranger, I had a yearning to see the original 1981 TV series. For a long time I had two options: raw episodes or the odd adaptation of Macron 1. I tried the raw and got through five episodes, but had to concede defeat. No fansubs to be found and no official releases anywhere… and then like a gift from the cosmos, perhaps it was Beamler energy (will explain later), an official release here in North America would materialize. 5… 4… 3… 2… 1… ZERO! Let’s watch some Sengoku Majin GoShōgun.

Goshogun_1As stated before this has been a long time coming and if it was not for Time Étranger I doubt I would have cared to even watch this show. Although I love mecha shows from the late 70s/early 80s, my main reason to finally see this show was not the action, nor the sci-fi, nor the GoShogun robot (which by the way, is a nice looking design). My reason was the main cast of six characters I fell in love with in the OVA. And while that OVA was a dark character study steeped in suspence, the original television show is mostly light hearted fare sprinkled with times of satirical reference and the occasional moment of seriousness.

Goshogun_2Our heroes known as Good Thunder include a group of three heroes who come from unheroic circumstances. One is a spy who failed in her mission and was sentenced to death (Remy Shimada). Another is a tough guy with a warrant on his head who covered for a crime of a friend (Killy Gagley). And the last, a former soldier whose wife was killed on the day of the wedding (Shingo Hojo). These three are brought on board the Good Thunder (also the name of a ship) by way of the mysterious Professor Sabarath (absent from the OVA) to protect the ship’s precious ‘cargo’ and pilot the robot GoShogun. Not your usual group of heroes, but then again who says you need experience to pilot a super robot? Sabarath also brings on board a young boy, Kenta Senada, who’s destiny is linked with this ‘cargo’ (reminds me slightly of GaoGaiGar).

Goshogun_3Now for that  ‘cargo’, it is called Beamler energy (told you I would explain this). Beamler allows teleportation and becomes the McGuffin device for the so-called evil empire of Docouga with their three second in commands (a bishonen snob, a big lug and a pill popping pirate type). Beamler though is evolutionary and changes with time and this lays influence into the story line. Sometimes Beamler is stabile, sometimes beyond unstabile and all the time, it is a great mystery of the beautiful universe we live in. But for my money, the big attraction so to speak is always in the appearance of the GoShogun robot, or it’s three component that join with the robot to complete it. Not only do Shingo’s King Arrow, Killy’s Jack Knife and Remy’s Queen Rose have the ability to join Goshogun, but these three also unite into another robot the Try-Three. And while Shingo is the so-called main leader of this Getter Robo like trio, it is Madame Remy who gets the control board when united as the Try-Three. I bet the original toyline was fun to play with! 😀

Goshogun_4By 1982 a compilation movie would emerge and is worth tracking down to serve as a nice sip of tea into the mythology of this show and it served the purpose of a minor stopgap before taking on the whole show. Seeing the entirety of Goshogun gave me such a smile on my face, but alas, a smile is ephemeral and I must soldier on to more anime. And yet… it is such a feat to see something you yearned for so badly that became a part of your universe. The once impossible hole for viewing Goshogun is no more and I happily display the DVD with all the other Goshogun artwork and Time Étranger releases I have collected over these years. Now to find a space and time to re-watch it all over again!

‘God’s in his heaven, all’s right with the My world’

CAM at Anime St. Louis this May

Hey everyone,

In case you are in the St. Louis area and going to AnimeStL next month (Friday May 4th to Sunday May 6th to be exact), I will be hosting two panels: Capturing the Wind: Miyazaki and Takahata before Studio Ghibli and The Shonen Jump Revolution of 1986. Hope to see you there! 🙂

Josh