#106 : Jayce and the Wheeled Warriors

JWW_1Cue that magnificent rocking intro one more time… also turn up the volume and get ready to PARTY! Animated cartoons based on original toy lines were a plenty during the 1980s and sometimes those shows had more notoriety than the toys themselves. The Wheeled Warriors toy line by Mattel had really fun dynamics by changing out parts and included little pilots. But… no real story or backdrop was included as all these pilots were just generic as the sea is wet. How does one create a show from generic characters alone? You drop that concept in favor for something else, THATS HOW! Lets join the Lightning League, our hero Jayce and one of my favorite shows for both nostalgia and current viewing pleasure… OMG it’s time to share my fandom for Jayce and the Wheeled Warriors.

JWW_2How ironic that the love of this show came from repeated viewing of only one episode I had taped off of TV way back when (who still has their VCR recording skills?). YES, only one episode of Jayce lit a fire in me and made me a fan. That episode by the way was #15, Bloodstone. I hoped beyond hope that someday I would see the show in it’s entirety. Then came various DVD releases, first a disc with four episodes, then a single release with the first half of the show and then finally… all 65 over two sets. So my wish came true, but how did the selling point of a singular half hour turn out over the long haul of episode watching? Quite well, but like many shows in this caliber it just meanders around and does not finalize into a big ending. Even the five episode ‘Liberty Stone’ saga is kind of piecemeal. Yet I love riding around the universe with this show and certain episodes do rise to the top as great sci-fi adventures and stories to be enjoyed. And after seeing certain earlier DiC properties that came out before Jayce, I began to understand that this show was more that just a happy accident.

JWW_3I often wonder how the origins of the characters came to be in Jayce and the Wheeled Warriors? After years of watching loads of pop culture you could say, yeah this show was totally ripping off Star Wars. Perhaps, but I think there is another theory and it all stems from the original creation staff at DiC. This show took the Mattel toy line and added elements from two of their earlier shows, Ulysses 31 and Mysterious Cities of Gold (my theory). Jayce could be a hybrid of Ulysses and Esteban in the form of a young man of about 17, Oon is Nono, Flora is a mix of Yumi and Zia (and could be an awesome magical girl possibility). Herc is Mendoza painted to look like Han Solo and Gillian is the grandfather you wish you had mixed with Obiwan Kenobi and Merlin. And then there is Brock… a giant fish… that sounds like a dog’s squeeky toy or a chirping bird… I love the imagination of cartoons. But that is your basic hero cast, a great way to recycle old ideas with a fresh concept. As for the baddies, most are just for show and the filling of space, but Saw Boss… that is one powerful and scary voice, that is so professional as well?

LWW_4If you are a true hard corps 80s cartoon nut, you appreciate this show and even know that it existed in the first place. Having a great group of actors, several writers including sci-fi legend J. Michael Straczynski and a classic Shuki Levy soundtrack (one of his best from my ears) adds to the credibility of this show. Jayce is one of the prime examples of 80s cartoons that look close enough to native Japanese product, while being a total western creation. I miss the days that Japanese studios did the animation for shows in the west and as an example watch the opening sequence again, it so could pass as an ‘anime’ opening. Do you agree? Yet why I truly love this show is because it is one of my cartoon versions of comfort food and in particular when I am needing a friend or a pick me up when I am under the weather, I always return to Jayce and the Wheeled Warriors. It’s that simple… “Keep on Rollin’”.

#105 : Speed Racer

SR_1Auto racing… I love the sport. Always have, always will. Mix that love of dancing on a knife’s edge with four wheels with animation and I am one happy otaku. Speed Racer was already an established classic by the time I was first exposed to the property in the mid-1990s when it made its way to MTV and more importantly in my case, home video. My diet of Robotech and Voltron with Indycar and F1 now had a killer combination in a couple tapes I rented from the local video store. What I did not realize at the time was I was viewing a cartoon that has touched many a generation and in many ways connected me to others whose only connection to anime was this singular show. Thus is the power of Speed Racer.

1967 was a great year for motor racing. Parnelli Jones nearly won the Indy 500 with a jet turbine powered car, Dan Gurney and AJ Foyt won the 24 Hours of LeMans in a Ford GT40 (and thus was born the first champaign spray, thanks Dan!) and Team Lotus debuted the iconic Lotus 49, which featured the classic Ford Cosworth DFV engine in F1 competition. Also of note from F1 was Honda’s second victory in the hands of John Surtees at the Italian Grand Prix. But another, perhaps more subdued, victory for Japan would be the television debut of Tatsunoko’s Mach Go Go Go (well, ultimate victory for us cartoon lovers). Tatsuo Yoshida’s manga had come to life… guess it helps the fact that he is head of Tatsunoko Studios (don’t you love that seahorse logo?). Thats all fine and great, but when Mach Go Go Go’s translated/adapted version came to the west as Speed Racer in the fall of 1967, the real race truly began.

SR_2Consisting of time and true shonen standards of fun, action, adventure and friends, Speed Racer combined it all around a young man trying to become a top race car driver with one of the coolest cars ever, the Mach 5. Is it me or does the Mach 5 look like a late 1950s Ferrari Testarossa mixed with period James Bond gadgetry? Speed with his family (including everyone’s favorites Spritle and Chim-Chim?), girlfriend and friend/mechanic travel all over the globe proving his skills and many times getting into side adventures as well. Often times Speed meets up with the mysterious Racer X who is so much like an older brother to him… oh yeah, right… he is is older brother, just in disguise. Hope that doesn’t spoil the party for some of you, but it is one of those in show details you pick up on quite fast.

SR_3My greatest joy with Speed Racer is the fact that this is a series in which I can connect with people who are usually older than me. Many fans of this show may or may not be fans of Japanese animation per se, but their love and fondness for the adventures of Speed and crew cannot be denied. If you grew up in the 1960s or 1970s, Speed Racer was a keystone in your upbringing and to see fans still connected with this show makes me feel a little less alone in the world. Great examples of Speed Racer references include an experience from work in which I was asked about the artwork in my cube, “Are you the one with all those Speed Racer type images in your cube?” Also conversations with my dentist during appointments about animation in general. Even though he is not up to par with most anime, he did grow up with Speed Racer and still loves it. In fact both of us had to instruct the hygienist on how cool this show is. The magic of synchronicity through Speed Racer… puts a smile on my face.

SR_4This is a show that shows its age with the jerky movements, simplified shapes and that machine gun dub that makes me say they don’t make anime like they used to. I appreciate the archaic nature of Speed Racer, both in terms or visual and acting (thank you Peter Fernandez for giving us an English version). Sadly though, I don’t follow professional racing anymore due to lack of interest. And yet I have vintage races to see, AND… I still have Speed Racer amongst other car and racing related anime (Initial D as an example). All is good! …Go Speed Racer, Go Speed Racer Go!

#101 : Ulysses 31

U31_1Ancient Greek mythology is awesome! Don’t you agree? Such a wonderful storehouse of great storytelling and wisdom from a bygone era. We can take these myths on the exoteric level as historic documentation to the richness of Hellenic culture and esoterically as metaphors for you, the world we live in and greater spiritual envelope of our whole universe. Film and animation have had many adaptations from Jason and the Argonauts to Clash of the Titans. Japan has animated many examples as well with Saint Seiya and Arion coming to mind. But!… there is yet another example, a collaboration between the French company DiC and an old favorite here, TMS (Tokyo Movie Shinsa), that actually adapts the old myths into a 31st century universe instead of borrowing elements like the other two mentioned before. Have you seen Ulysses 31?

U31_2Hey look, it’s Space Jesus! I have heard that before in regards to our hero who does have an uncanny resemblance to the Christian icon. Yet alas, this is Ulysses my friends, the guy just has really awesome hair and that beard. He is readying his crew to return to Earth aboard the spaceship (that looks like a giant eye?), the Odyssey (well named). But first, we need to celebrate the birthday of his son Telemachus as the young boy is given a robot companion, Nono. You have to have that lovable, but kind of annoying robot character. Reminds me of Oon from Jayce and the Wheeled Warriors. Soon Ulysses and his companions set off when all of a sudden Telemachus becomes kidnapped. And like an awesome dad, Ulysses sets course to save his son.

U31_3Telemachus awakes to meet two Zatrians, Yumi and her older brother Numinor, to learn that they are to be sacrificed to the Cyclops to keep the priests vision intact. Far fetched, but amazing and those priests are scary too! Ulysses soon find the children and destroys the Cyclops and in typical fashion, Ulysses has to deal with that time old issue, Karma. This act angers the gods and now Ulysses has to find his own way back to Earth, via the Kingdom of Hades. That and all his companions, plus Numinor, fall into a sleep state and will awaken once he gets beyond the Kingdom of Hades. This leaves Ulysses to work with his son Telemachus, Yumi, Nono and the Odyssey’s onboard computer, Shirka. So begins the ‘Odyssey!’ Homer would be so proud.

U31_4A strength of this show is the fact that you can casually watch any episode in any order, except episodes one and 26 as these are the bookends for the series. Hooray this show has a solid openner and a satisfying closing episode! …No loose ends here… Take Ulysses 31 in any order you like, kind of like the old Choose Your Own Adventure book series. If you are aware of many of the tales of Ancient Greek myth you will be pleased to see the variety that have been chosen. We see interpretations of Oedipus’ trial with the Sphynix, the punishment of Sisyphus, Thesseus and the Minotaur, the enchantment of Circe and many more. The most surprising episode has our heroes going back to Ancient Greece itself where they meet their legendary counterparts.

In case you are a fan of The Mysterious Cities of Gold, both dubs feature the same cast. I have never seen the original Japanese dub, but if you have give me an update; same with the French dub as well. The show looks very much the era it was made, 1981. You might say it looks very Star Wars, but I want to think it looks more like the era’s Flash Gordon since this had a European influence, though it is not campy. Sci-fi had a certain flavor from the late 70s/early 80s that cannot be recreated. The technology may not have been up to far of today and the costuming at times can be a little goofy. Yet you get a lot of heart, which is what makes the era’s sci-fi and mecha so desirable (at least for me). Ulysses 31 is a solid show where heart and soul reigns supreme. May your journey to find the Kingdom of Hades be immortal and full of discovery.

#97 : Armored Trooper Votoms

Votoms_1Armored Trooper Votoms in a certain frame of reference may be the greatest mecha anime of all time. And I say that again as a certain frame of reference since this may not be everyone’s idea of where mecha shows should tread. Several shows before and since have dived deep into realms of gritty military life and, or psychological science fiction, but nothing equals Votoms in terms of it’s presentation of both. This is a tale about a singular battle scared man coming to terms with his life and humanity in the dire of constant combat, but Votoms is also, perhaps, one of the most underrated love stories as well.

Votoms_2The year of 1983 brought many classic mecha shows to us and in particular the so-called real robot aspect of the genre. Sunrise would produce three gems: Yoshiyuki Tomino’s (Gundam dude) Aura Battler Dunbine, Takeyuki Kanda’s Galactic Drifter Vifam and Ryosuke’s Takahashi’s Armored Trooper Votoms. Mecha shows by this time had grown into a wealth of expression and many of the best had strong leanings towards space opera. Examples such as Star Trek, Star Wars, Yamato and Gundam all left influence on many shows in the early 1980s. These are prime examples of classic heroism and this is definitely not the world Armored Trooper Votoms. Votoms is more akin to the noir drama of Blade Runner, the esoteric sci-fi of 2001: A Space Odyssey and the Vietnam War grit of Apocalypse Now. Votoms is a story of the hunted outcast searching for his purpose, not that of a perfect hero.

Sergeant Chirico Cuvie, a former member of the deadly Red Shoulder brigade, is a man on the run. Despite his stint in Gilgamesh’s Melkian army during the great war of the Astragius galaxy against the Balarant, Chirico finds life on the run just as difficult. During a mysterious last minute final assignment, Chirico becomes aware of a great secret. After interrogation and being left for dead, Chirico runs to find peace and safety. The only problem is everywhere he goes he can’t escape the proverbial battlefield. All Chirico wants to know is what the secret operation he was involved in was all about, who the secret organization behind the operation is, to have both Gilgamesh and Balarant off his back and… most importantly… who this mysterious beautiful woman that is so linked to his destiny is and why is it that he feels so attracted to her (Duh!… she is pretty and loyal to you).

Votoms_3The grit of militarism exudes not just in the story and politics, but also in the designs of the mechs themselves. The AT Scopedog is a timeless design for not being flashy, cool, or futuristic. The Scopedog is a basic run of the mill tank or army Jeep brought into the world of piloted robots. Clunky, functional and a nasty shade of green, the Scopedog is an antithesis to say a Gundam, or Valkyrie fighter (Macross). Ironically, the simple build quality of Scopedogs are fitting within the culture of model building since Chirico himself many times during the show either rebuilds, or modifies, several mechs. Yet there is one characteristic of a Scopedog that is distinctive… those roller skate type feet which allow them to roll on the ground. Of course this helped in production of the animation by keeping the drawing minimal at times, but still… it’s kind of fun!

Votoms_4The structure of the show is in four successive stages, or arcs and each one builds on the previous. The DVDs I have separate neatly into these so called movements: we begin in the streets of Uoodo (very Blade Runner), move into the jungles of Kummen (Apocalypse Now), and finish with the planets Sunsa and Quent (2001). Like an onion you slowly peel away the drama and suspense and end up in a world you never thought was possible when you first started. Uoodo was fun, Kummen was intense, Sunsa is my favorite for how dark and psychological it became and Quent turns everything on it’s head and then some.

Many times I write about anime from memory alone, or after I seeing something ‘new’ to me, I have to speak about it within a quick turnaround. Then there are times when the urge to dive back into the entirety of a show is most necessary. Votoms needed a re-watch and having seeing it with half fresh eyes, I can’t discount this masterpiece. After all… I am comparing this show to two live action movies that I highly respect and love, 2001 and Blade Runner. Perhaps I needed to grow into this show and now was the time to recognize Votoms brilliance.

… this could be Grey Digital Target’s soul brother and I love that movie too.

#96 : GoShogun

If you wish it, it will come! Ever since I fell in love with an OVA from 1985 by the name of GoShogun: The Time Étranger, I had a yearning to see the original 1981 TV series. For a long time I had two options: raw episodes or the odd adaptation of Macron 1. I tried the raw and got through five episodes, but had to concede defeat. No fansubs to be found and no official releases anywhere… and then like a gift from the cosmos, perhaps it was Beamler energy (will explain later), an official release here in North America would materialize. 5… 4… 3… 2… 1… ZERO! Let’s watch some Sengoku Majin GoShōgun.

Goshogun_1As stated before this has been a long time coming and if it was not for Time Étranger I doubt I would have cared to even watch this show. Although I love mecha shows from the late 70s/early 80s, my main reason to finally see this show was not the action, nor the sci-fi, nor the GoShogun robot (which by the way, is a nice looking design). My reason was the main cast of six characters I fell in love with in the OVA. And while that OVA was a dark character study steeped in suspence, the original television show is mostly light hearted fare sprinkled with times of satirical reference and the occasional moment of seriousness.

Goshogun_2Our heroes known as Good Thunder include a group of three heroes who come from unheroic circumstances. One is a spy who failed in her mission and was sentenced to death (Remy Shimada). Another is a tough guy with a warrant on his head who covered for a crime of a friend (Killy Gagley). And the last, a former soldier whose wife was killed on the day of the wedding (Shingo Hojo). These three are brought on board the Good Thunder (also the name of a ship) by way of the mysterious Professor Sabarath (absent from the OVA) to protect the ship’s precious ‘cargo’ and pilot the robot GoShogun. Not your usual group of heroes, but then again who says you need experience to pilot a super robot? Sabarath also brings on board a young boy, Kenta Senada, who’s destiny is linked with this ‘cargo’ (reminds me slightly of GaoGaiGar).

Goshogun_3Now for that  ‘cargo’, it is called Beamler energy (told you I would explain this). Beamler allows teleportation and becomes the McGuffin device for the so-called evil empire of Docouga with their three second in commands (a bishonen snob, a big lug and a pill popping pirate type). Beamler though is evolutionary and changes with time and this lays influence into the story line. Sometimes Beamler is stabile, sometimes beyond unstabile and all the time, it is a great mystery of the beautiful universe we live in. But for my money, the big attraction so to speak is always in the appearance of the GoShogun robot, or it’s three component that join with the robot to complete it. Not only do Shingo’s King Arrow, Killy’s Jack Knife and Remy’s Queen Rose have the ability to join Goshogun, but these three also unite into another robot the Try-Three. And while Shingo is the so-called main leader of this Getter Robo like trio, it is Madame Remy who gets the control board when united as the Try-Three. I bet the original toyline was fun to play with! 😀

Goshogun_4By 1982 a compilation movie would emerge and is worth tracking down to serve as a nice sip of tea into the mythology of this show and it served the purpose of a minor stopgap before taking on the whole show. Seeing the entirety of Goshogun gave me such a smile on my face, but alas, a smile is ephemeral and I must soldier on to more anime. And yet… it is such a feat to see something you yearned for so badly that became a part of your universe. The once impossible hole for viewing Goshogun is no more and I happily display the DVD with all the other Goshogun artwork and Time Étranger releases I have collected over these years. Now to find a space and time to re-watch it all over again!

‘God’s in his heaven, all’s right with the My world’

#95 : Silver Fang: Shooting Star Gin

SF_1Often times shonen fighters are a time tested formula much like a twelve bar blues. Everyone has their rendition of the young boy setting out into the world and in the process makes friends, fights adversaries, then make friends of former adversaries and get involved in lots of training. Now for this time round let’s drop the whole idea of our hero being a human being. How about a tale from the animal world and in particular the world of our canine friends? A shonen fighter about dogs? This is Silver Fang: Shooting Star Gin (Ginga: Nagareboshi Gin).

SF_2Here is a mashup for you… let’s combine some older more serious Shonen Jump properties like say Fist of the North Star and Saint Seiya, add a little bit of the classic adventures of famed writer Jack London (White Fang and The Call of the Wild comes to mind) and for good measure lets also add a little bit of Watership Down. This is how I interpret Silver Fang in a basic tidy package. The presence of dogs are nothing new to anime, examples include: Casshan’s cybernetic Friender, the large mecha-like Yatter-Wan from Yatterman (I need to see more of this show!) and Ein in Cowboy Bebop. All three of these examples show the dog as a sidekick, a minor character, but to have the dogs themselves be the main attraction and more ‘human’ like with a complex structure of language, society and free will is a nice change (hence the Watership Down reference). Living life, having the human experience in the guise of a dog.

SF_3Gin’s origins trace him to a family of hunting dogs. His father, Riki, accompanies his master in the hunting of the great super villian, Akakabuto (an insane giant bear). Dogs versus bears… interesting. During this hunt Riki goes missing and is presumed to be dead. In the meantime Gin’s birth occured and would be soon he would be reared under a little boy named Daisuke. A boy and his dog, so cute! This sort of childhood for Gin would end once Daisuke’s grandfather, the hunter mentioned earlier, begins to train and toughen up little Gin to become a bear hunter. Again dogs versus bears, amazing. Gin’s time in the wilderness would get him acquainted with another hunting dog who eventually tells Gin about a colony of dogs who have gone wild to fight Akakabuto. Gin tastes the ‘call of the wild’ and sets off onto the hero’s journey. And on this journey he will meet many a sempai who helps him grow up, but one question remains. Who is the leader of this group of dogs and what actually did happen to Gin’s father, Riki?

SF_4For a Shonen Jump manga that ran for 28 volumes can you imagine how many episodes made it into final production? Perhaps 100 or so… no. OK, maybe 52… ah nope. 26!? The correct answer is 19. Wow, thats not many for back in the day, but let’s look a little deeper. Silver Fang debuted in 1986 under the shadow of two other higher profile Shonen Jump brothers and all three of these were animated at Toei. The siblings Silver Fang had competition with was none other than Dragon Ball and Saint Seiya; David vs. two Goliaths in a nut shell. And yet in the shorter span of story telling you get what you need, so not much filler. Kind of a relief in a way, yet with the longer run of the manga I wonder how much was cut to make this production?

Shonen Jump celebrates 50 years this year (2018). The big names will get another day in the sun; Dragon Ball, One Piece and Naruto will most likely have lots of exposure. But, I say why remember and stay with the nostalgia of familiar properties when you can try another show you may not have seen before. Being that 2018 is the year of the dog in the Chinese Zodiac, I nominate Gin as the mascot for this year. All the more reason to give Silver Fang: Shooting Star Gin a chance in your playlist.

… lions and tigers and DOGS versus BEARS, oh my!

#94 : Rainbow Brite

RB_1Magical girls are not mutually exclusive to Japan alone. After all the influence of the original magical girl Sally the Witch was based off of the character Samantha Stevens from the popular 1960s TV show Bewitched. But what if the west could create a property that pays homage to Japan’s homage to something that was in the west previously? Or, is it more like the Hallmark Card company gave a toy concept to the production company DiC and they thought, hey we can make her a magical girl? It doesn’t matter how it all happened, the only thing that matters is that it’s time to talk about a legend among legends. Miss Rainbow Brite herself… Hip Hip Hooray!

RB_2Before I begin I will be the first to say that Rainbow Brite is not officially an anime, but she belongs here at CAM. First she was created during the 1980s (1983 for the toys and 1984 for the first animated installment). Two, Rainbow Brite, at least according to Wikipedia, was broadcast in Japan as well as the west. Three, the preproduction was all American and French via DiC, but the heavy lifting, being the drawings and animation, was completely Japanese in origin via TMS (Tokyo Movie Shinsa). And not just TMS the company, but one of their best directors (and one of my all time favorites), Osamu Dezaki, worked on the show. Though this show looks nothing like Dezaki’s signature style. And four… number four… I love Rainbow Brite and since I am the boss here, the verdict stands. After all I need some more color and happiness around here. …and more 80s cartoons as well for nostalgia and to prove that my generation had awesome entertainment. 🙂

RB_3The premise is very simple… a little girl named Wisp is cast into a world of darkness and  meets up with various friends (the Color Kids and Sprites), a “magnificent horse, the glory of the galaxy” (Starlight’s got some confidence) and the powerful color belt to spread joy, happiness and color all over Rainbowland and our world as well. Together they hold back the naughtiness of the ill-behaved Murky and his second in command Lurky (HEY MURKY!!) by halting their plans of bringing gloom and darkness into the world. Can’t we all just get along here? This is yet another simple story of duality where our hero takes on an antagonist and triumphs in the end. Except we have it all in nice full color; I mean you would expect nothing less from a show titled Rainbow Brite? I think so. That and being a product of the 1980s, a colorful decade in more ways than one, expect nothing less.

RB_4So here is a fun exercise, in what ways does western Rainbow Brite differ to other magical girls of Japanese origin? Perhaps the biggest and most obvious, is the fact that Rainbow herself does not transform from a mundane identity. She is all who she is and lives in the wonders of Rainbowland and not in our world as some average middle, or high school girl. Therefore, she does not have the typical magic wand which aids in the transformation process. Rainbow has her fingers, loads of star sprinkles and the previously mentioned color belt as tools for her magic. As a character Rainbow is almost a mediatory between the later (1990s) hero type of magical girl, like Sailor Moon, and the contemporary (1980s) idol good girls of Creamy Mami and Minky Momo. What of these differences in the grand scheme of things? I say they are welcome!

Now here is a question… why only 13 episodes of content? I believe the initial episodes were more geared for direct to video while the later filled out a run for Saturday morning broadcast. Still, Rainbow Brite had possibilites here. Yet why cry over what did not happen and celebrate what did come to fruition instead. After all, Rainbow wants us all to have a great day. Actually, that should be more like… A GREAT DAY!