#153 : Phoenix/Hi no Tori: Karma Chapter

PKC_1The Vedas, The Popul Vuh, The Bible, Hesiod’s Theogony… cultures from around the world have created texts and mythologies explaining the sacred within our universe. All point to similar conclusions since universal order, structure and the balance of harmony are at an essence both in terms of our lives as humans, but also, the grand scope of the cosmos itself. Anime has in my opinion an epic collection of stories as well that show the greater answers to questions we often ponder as we live within the cycles of time and nature. Osamu Tezuka’s Phoenix saga is considered his magmum opus, his life’s work and perhaps his most important creation. Several adaptations have been created, but a trilogy made in the mid 1980s will be the focus of this session. In particular, the 1986 film of Hi no Tori: Houou-hen/Phoenix: Karma Chapter.

PKC_2Karma can at times be a difficult subject to fully grasp. We often think the actions put out into the universe will come back to us or others as either good or bad depending on the circumstances. We think also that we control the scheduling of karma and the precise payment for any particular action. In truth… not exactly. We think there is equal justice, divine retribution and free will, but what of predestined fate, or unsuspected surprises? The more I delve into Buddhist philosophies and The Law of Attraction, the more I begin to see that self and other, good and bad, fate and free will are interconnected. The more I see that what I do and what happens to me are in essence one and the same. Tezuka’s Phoenix stories are all about these heavy themes, but for the Karma Chapter, this is played out between the lives of two men, who at two points in their lives meet and share a fate that seems predetermined.

PKC_3One man, Akanemaru, is a sculptor who has a passion for finding a legendary bird to grant him immortal life, the Phoenix. He hopes someday to be recognized for his talents to the point that the need for success and status blinds his humanity. The other man named Gao, is a one armed mass killer with no real goal except to enact his rage. He thinks nothing of causing harm, except for one brief instance where he saves the life of a ladybug. One particular victim would eventually change his perceptions and lead Gao to find a way to atone for his sins. He is a man who is trying to redeem his humanity. Twists of fate for both men as they try on the roles that feed lustful power and compassion. Who is the villain here? Neither as this is a story that draws the line to show that as humans we are both good and evil. All who are good have an essence of evil and the most vile and evil individual also has somewhere a heart that is wounded and wanting love.

PKC_4A grand sculpting competition will eventually settle the fates of both of these men for better or worse and watching alongside is that beautiful bird herself, the phoenix. Is she the great deity of the universe, or a messenger for the gods? We may never know, much like most of the magic of what is life and the totality of the universe. More like a peacock than the usual flaming avian many of us are used to in the west, Tezuka’s phoenix exudes an element of grace and beauty not seen in too many characters of the anime world. Her appearances in every adaptation of Tezuka’s mega epic including the other two chapters of this trilogy (Yamato and Space Chapters), the 1980 film Phoenix 2772 and the 2004 Phoenix TV series are paramount towards the plots for each particular chapter. (I recommend them all if you can find them!)

Telling Tezuka’s grand myth was accomplished via the help of Studio Madhouse along with the directing talent of Rintaro. Adding up three heavyweights should yield a high quality product and without question Phoenix: Karma Chapter is just that. On par with the likes of early Studio Ghibli, Tezuka’s original vision would have a proper presentation in the flashy and colorful 1980s. For many of us, anime titles often become favorites of ours, or fun excursions from reality, but how many become spiritual guidance posts? Tezuka created many classic characters, shows and movies, but for me anything that rings of Phoenix is a holy book deserved to be read and studied.

#148 : Call Me Tonight

CMT_1It’s Friday night (or maybe Tuesday morning?), I have nothing to do at the present moment. Hey I have this business card for a hotline to call in case one gets “bored”. Its one of those party lines… like a 900 number to call for “a good time.” (LOL) We can have a laugh, right? Anything is worth a try at least once, right? ANYWAY!… the service is so namely called Telephone Communications Madonna (maybe a reference to the famous pop star, this is an 80s OVA after all, insert a little pop culture for good measure). … Well folks, I choose not to call this time round (yes I am chicken), but I can tell you a story about a young man who did call that was quite out of the ordinary. Here is the tale of Call Me Tonight.

CMT_2This young man’s name is Ryo and he is insistent to get in touch with whoever is in charge of Telephone Communications Madonna. A girl named Rumi, who initially goes under an alias, is the head of this party line and is “the one” that Ryo is searching for. Good thinking on the alias since safety as a precaution is always smart. Ryo’s request for help in the mean time is at first odd and may just be some offhand creepy caller… SPAM ALERT… but don’t worry folks he is a sweet and genuine guy with a very disturbing issue. Now here is Ryo’s problem, every time he gets turned on or masturbates he becomes an animal literally. No literally… his clothes rip to shreds and his body changes and becomes more monster like than human. Poor boy here has one heck of a sex drive. Kind of similar to the Incredible Hulk, but instead of rage it’s all his hormones that are all out of whack. Almost as if he is possessed?… I may have spoiled the plot… nah, not too much. Rumi agrees to help and meets Ryo and the rest I leave up to you as you finish this OVA.

CMT_3Call Me Tonight could at first be dismissed as an erotic horror fantasy, or perhaps soft porn (I wouldn’t go that far) from what is described, but it is for what it is, a decent, entertaining and slightly endearing romantic production. It’s a fun horror OVA, a little bizarre. Just take everything with a grain of salt and think of Call Me Tonight more in line to what I theorize it may, or may not be about. Some of us have issues with intimacy and relationships, or perhaps how we feel about our bodies and the awkwardness that was, or perhaps is if you are of age, puberty. Call Me Tonight is like an over the top horror version of those times in our lives where we feel a little out of place bodily and sexually insecure. Leave it to oddball, rare, or forgotten anime to tell a story like this. But this is my theory, it may have some other meaning, but I am sticking with my guns on this one.

… and would you believe, Call Me Tonight has a happy ending too! So if you feel uncomfortable about yourself, reach out to someone because you often find help, support and even love when you set your insecurities, or demons, free. It worked in a short one off OVA title so that says something. Right? Yeah!!!… anime saves the day again!

#147 : Animated Classics of Japanese Literature

ACoJL_1Never judge a book by it’s cover… same goes for anything else that is packaged. Advertisers can sell you anything, so long as the branding is attractive to you. Sometimes the plainest of outer shells contain the richest and most profound inner contents; true beauty at it’s best. Let’s recap about books again for a moment, literature if you will. One of the best ways one can look at a culture is to examine the stories that they tell. These tales give the personal experiences, feelings and outlook of those who choose to write it all down and express. Anime often times gets big and over the top and strives for something newer, brighter, more exciting, etc. But what of the classic literary tales of Japan, don’t they deserve a voice as well? Of course they do and with Animated Classics of Japanese Literature you can have your cake and eat it too without ever reading a line of text.

… Of course if you don’t speak, or comprehend Japanese, you will more than likely be reading subtitles for Animated Classics of Japanese Literature, or any other anime unless you have, or choose the route of a dub in your native language. So in the end watching anime can be like reading a book… sort of. Don’t you feel smarter knowing you watch cartoons? No matter which way you slice it, you are going to be reading. …

ACoJL_2On it’s original release, Animated Classics of Japanese Literature went by another name. Sumitomo Life Insurance Youth Anime Complete Collection is the proper title as seen in Japan. The naming that I am familiar with and using in this entry, was used on the DVDs I found from the old Central Park Media catalog. An odd choice for that company back in the day, but I for one am glad that this was part of their repertoire. Similar to another Nippon Animation production, World Masterpiece Theater (Nippon animated both productions by the way), Animated Classics of Japanese Literature would translate native Japanese stories instead of the Western classics more familiar to the previous. Obviously! Except in the case of Animated Classics of Japanese Literature, these would be pocket sized entries as each episode, or two, or three, was a self contained story instead of the longer drawn out full series format. Hence we have an emphasis on the format of the short story rather than the longer novel.

ACoJL_3Even to this day I have yet to see the complete series. The long out of print DVDs released here in the U.S. only cover a dozen of the 34 total episodes. And if I remember correctly, a few more episodes were also available on VHS. With only about one third of the series under my belt I can safely give a proper analysis due to the overarching format being an omnibus collection of smaller stories. This is not for the usual otaku type searching for magical girls or giant robots. These are mundane stories, very plain and mostly ordinary. Many are very dramatic, or at times comedic, depending on the source. As a fan of World Masterpiece Theater this was a no brainer for myself as I enjoy seeing literary classics come to life from my favorite visual medium of animation. As a lover of Eastern culture and philosophy, I welcomed these stories into my home like a traveling friend. As I have grown up in the west, all of these tales are completely foreign to my native experience and serve as an appetizer to introduce me to more of Japan’s literary history. Many of these episodes were memorable, but I always seem to remember The Harp of Burma most fondly.

To finish off, let’s go back to the beginning… never judge a book by it’s cover. Animated Classics of Japanese Literature may not win awards for glorious designs or high end animation. Animated Classics of Japanese Literature is also, in many cases, not what we gravitate towards our choosing of anime subject matter. These are mostly common everyday stories, similar to many of the books we read in school, or choose to now, that pertain to our cultural definition. Often times these stories have lasting value and even with a more budget appearance, their golden centers still shine.

#138 : Gall Force: Eternal Story

What ever happened to our old friend Gall Force? Debuting in 1986 with a feature film that spun off into a pairing of direct single release OVA sequels and then a couple more larger arc OVA series, Gall Force seemed to become a major player in anime. Then quiet arose over the landscape and Gall Force faded away into the sunset. It’s time to come out of retirement ladies, we miss you! To get a foot hold and get reacquainted with this series as a whole we have to start from the very beginning. Let us return once again to the maiden voyage to the 9th star system with Gall Force: Eternal Story.

GFES_1All is war in the galaxy. It has been for a long, long, long time. Two factions fight it out to the death with their huge armadas of spaceships that fire laser beams that take up half the real estate of your viewing screen. This is the story of the Solenoids vs. the Paranoids. Wound coil magnets vs. people who are extremely afraid, or perhaps Black Sabbath fans? … “Finished with my woman ’cause she couldn’t help me with my mind, People think I’m insane because I am frowning all the time” … Not exactly, but seriously, where do you kids come up with this stuff? No, this is more like… the battle of the sexes… in DEEP SPACE! The Paranoids (ugly parasitic monstrosities of aliens), being the masculine and the Solenoids (a race of women that look very ‘familiar’?), the feminine.

GFES_2Gall Force: Eternal Story is not my favorite anime of all time by a long shot, but it is one I enjoy watching for the fun of it. This was one of those titles that was part of the steady diet of titles that solidified my love for Japanese animation. It’s a sci-fi homage of everything we loved about space and adventuring through the galaxies all thrown into one. This is a film that borrows much from earlier titles in anime, but also live action references such as: Star Wars, Alien, 2001 and Star Trek. It’s a film that defines all that is generic and cheesy, but pulls it off so well that it’s classic. Even the English dub gives the movie so much character. Gall Force: Eternal Story is a film where everything falls apart in order to give birth to something new and fresh. One trial after another hits our heroines and slowly one by one they eventually bite the dust. And yet would you believe that this movie does ends on a happier note?

GFES_3Our protagonists are a group of seven Solenoid soldiers whose mission is to pilot their vessel, the Star Leaf, to the 9th system to defend a new world for colonization from the Paranoids, Chaos. Along the journey Eluza, Rabby, Lufy (my fav!), Catty, Pony, Patty, and Rumy run into several obstacles including repairing a part of the ship to activate the warp drive (which also meant a scary trek into the belly of space), a battle with the Paranoids, fighting a stow away monster and eventually… childbirth! An interesting voyage isn’t it? I mentioned earlier how the girls all look very ‘familiar’, this is due to the fact that they were designed by Kenichi Sonoda. These seven girls all prototypical examples of his character stylings, which were also featured in Wanna-Be’s and Bubblegum Crisis, both being early work Sonoda did at AIC along with the Gall Force series.

GFES_4I have a weird theory about Gall Force: Eternal Story… maybe it’s… maybe it’s… our true origin story? This will make sense when you see the film in whole and make it all the way to the end. To put this into perspective, a child is born from the mating of the Paranoids and the Solenoids and that child along with one of the girls are the sole survivors to start a whole new evolution. A whole new race, a new beginning. Kind of like Adam and Eve? Maybe Gall Force: Eternal Story is the opening parts of Genesis from the Bible? … In the beginning there was void and war and laser blasts covered the deep of space. And then God spoke and said, “Cut out the fighting kids and have a baby instead!” … I dunno, it makes sense to me, what do you think?

#136 : Alpen Rose

Spinning around with my bare feet on the grass at a park I begin to sing, “The hills are alive with the sound of… Alpen Rose. Alpen Rose. Those red flowers. These cross shackles that hold me…” … Love and romance, adventure and suspense, mystery and amnesia and being on the run from an obsessed bishonen Count and Nazis during the eve of WWII… are you excited yet? Pack your bags because you are scheduled for a tour of Switzerland, Austria and France circa 1939/1940. All aboard!

AR_1Based off a manga and debuting on television in 1985, Honoo no Alpenrose first came into my life through a condensed two episode OVA compilation released in 1986. If only I could see  the original 20 episode TV series? I like a non-abridged version whenever possible. Thankfully this version fell into my lap and became a recent priority. So what exactly is Alpen Rose? To begin the title refers to two specific references. The first is a flower that grows in the Alps region. During winter snows and freezing temperatures this flower never loses it’s will to live and stays in full bloom. Impressive! Alpen Rose is also the title of an important piece of music toward the plot of the series. An anthem to be precise! A subtle and tender song speaking out against Nazi oppression. A song to rise up and believe in life and freedom… very fitting to be named after a flower that represents choosing life and beauty in the face of strife and hardship.

AR_2We begin after a plane crash in the heart of Switzerland. A young girl with her pet parrot returns to consciousness unsure of who she is. She is soon met by a boy her age, Lundi, who gives her the name Jeudi and helps her start a new life. By the way the parrot is named Printemps by the way (All this French! I like it!) A few years pass, Jeudi is now a teenager and is working as a nurse’s aide when she is reunited with her beloved Lundi. Then the chase begins when both characters encounter a bishonen count who has loose ties to the German Nazi’s and has an obsession with Jeudi. She is totally underage… creepy! Along the way Jeudi and Lundi meet many new friends, but the most important would become a third party, an young anti-Nazi composer prodigy, Leonhardt/Leon, perhaps my favorite character (has to be those locks of hair!). This is turning into a love quartet. OK Jeudi for whom does your heart desire for?

AR_3Alpen Rose is one of those titles where I can’t help but love, yet I do have mixed feelings. Often times an anime series starts off with a great plot line and resolves at around the half way mark. The show continues on, but it just doesn’t feel the same. Jeudi’s journey to rediscover her past identity, find her parents and solve the riddle of why the song Alpen Rose has special significance made the first half a nail biter. From there it became a prelude towards the war between the Allies and the Axis. Our cast of characters became  part of the bigger zeitgeist of the moment. Yet the second half did reveal some new twists and discoveries which provided interest. The show is solid and even paced throughout, but the ending was a little rushed… now begins WWII… the end. Hey now!

AR_4Many big names are tied with the production of Alpen Rose. Tatsunoko was the studio responsible for bringing the show to life… and they have a great track record! The music was composed by Joe Hisaishi, who would go onto super stardom scoring films for Hayao Miyazaki. In fact he already did Nausicaä of the Valley of the Wind the previous year! Often times when encountering shojo material I often run into magical girl shows and high school romantic comedies. Both genres have merit, but I have a soft spot for the historic romantic drama. Something a little more serious with an element of old classic style. Alpen Rose fills these qualifications fantastically and I am so thankful I finally got to see the entire TV series. I will watch this one again!

 

#123 : The Wonderful Wizard of Oz

wwoo_1“We’re off to see the wizard, the Wonderful Wizard of Oz… ” again, yet this time round it’s a little different. Of course the 1939 MGM film is for many the de facto standard barring even the original novels. In terms of anime, I grew up with a 1982 cinema version, but wouldn’t you know there was another version of L. Frank Baum’s creation created in the same decade? Years ago I passed this alternate off as some other show that didn’t need my attention. But being older, wiser and hungry for a diet of anime produced in 1986 for a panel I did in 2016 led me to this version of the Oz saga, a TV series known as The Wonderful Wizard of Oz.

wwoo_2Four of the Baum books filled 52 episodes of adventure. Let us count them off… The Wonderful Wizard of OzThe Marvelous Land of OzOzma of Oz and The Emerald City of Oz as the credits state. This series expands beyond the well known plot of the original novel and in many ways stay very true to the essence of the books, while incorporating creative liberties as needed. Encompassing four distinct arcs, the plot moves in a much more relaxed and leisurely pace compared to that of a film. Story and character have more time to develop, but there are times when I felt there were moments of filler. Such is the nature of any longer running anime, yet the filler is not so much a waste, but supplementary.

A little girl from the farm country of Kansas circa 1900 is swept away into a magical world filled with many friends, foes, colors and imagination far beyond the plain and mundane. Sounds like a shojo standard… could the Wizard of Oz really be Japanese in disguise? Of course not, look to Alice in Wonderland as a previous example of a swept away magical adventure. Both titles mentioned previously are early western examples, but this is not a comparison of east vs. west. I would say this is more like an archetype that transcends boundary. Influence from one story teller to the next and be it as Alice in Wonderland, or Wizard of Oz, either one may have led the way to anime like Leda: Fantastic Adventure of Yohko, Escaflowne, Magic Knight Rayearth, Twelve Kingdoms, etc., etc. The story with ‘A Thousand Faces’ per se where imagination and fantasy have no territorial bounds.

wwoo_3The Wonderful Wizard of Oz had an early release in the west during the 1980s, perhaps on cable, and from the look of the credits emphasized the post production and dubbing done by Cinar (some of the casting was featured in Ulysses 31 and Mysterious Cities of Gold) more than the original animation by Panmedia. Such was kind of true back in that decade where you try to cover your tracks without having to hint that this was a ‘foreign’ production. Those were different times and may I say a little ignorant. The English dubbed version is what I know, but the first episode is also available under many sources in the original Japanese with subtitles. Both presentations are excellent, but the original Japanese opening is extremely charming and can pass as a period pop song that makes you want to dance.

wwoo_4The joy of The Wonderful Wizard of Oz surrounds the fact that this production can be for all ages. Though it is more of a children’s show, it is without a doubt a great option for the whole family, especially if you want to introduce the very young with a story that is somewhat familiar. Years ago I could have sworn I caught this series on a chance Sunday morning as a rerun and as I said earlier dismissed it. But then caught up to the now and I got a second chance to give this version of the Wizard of Oz a chance and perhaps it is now my preferred go to. I just was not ready, but when the time came I was in the moment. Have fun with this one if you get a chance to experience it! 🙂

#117 : Cosmos Pink Shock

CPS_1“Well she was just 17. You know what I mean…” I love when I can get a Beatles reference in and yes it holds a purpose for this little half hour rarity from way back in 1986. So called one hit wonder OVAs, or perhaps one off or one shot is a better description, from the 1980s are a genre unto themselves. Combing through dustbins of fansubs and long forgotten VHS tapes one name often sticks out, Cosmos Pink Shock. Now that’s a title, but what is this? Cosmos Pink Shock sounds more like a weird offhand band, or an interesting name for a drink, but no it’s an anime. Just a simple anime

CPS_2Mitsuko Hayami (Micchi), a redhead of 17 years (see told ya the Beatles fit in here!), is on a quest and nothing and/or nobody will get in her way. She interrupts a championship baseball game, gets into the middle of battle skirmishes which have vague impressions of Macross (talk of culture, music, a mustachioed captain and bridge bunnies) and draws the attention of a bishonen (Gatsby/Gatsupi) who is cynical towards women and yet is beloved by a fanclub of girls, ironic. Maybe if Micchi could just politely give notice of her arrival towards each situation? Kind of like, “Hey all passing through here, PARDON ME!” Well… that wouldn’t be fun 🙂 … just don’t forget to check that fuel gauge from time to time so as to not run out at an odd moment.

CPS_3What everyone does not know is that all this speeding around is for a special reason. Micchi is on a mission… a very personal mission. And what of this mission? What would make a girl steal a spaceship and go through the cosmos like a bat out of hell? Why love of course! Micchi is on a mission to find her truest love, her betrothed, the boy who she keeps a picture of in her locket Hiro-chan who was abducted 13 years ago. Wait a second, 13 years ago… 17-13=4… Hiro was kidnapped at four year old? Micchi you are without question a loyal one, but falling in love and betrothing to someone at four years old? Only in anime. At the heart of a fun space adventure is nothing more than a pure love story. Some might see this as cheesy, but it exudes… cute. Case in point if you view the Pink Shock ship from the front it looks like the face of a teddy bear as an example.

By the end Micchi’s reputation comes full circle as all those that she once annoyed soon turn face to realize that she is doing all this for a just cause; in the name of love. This includes a fan club with membership dues and everything! Psst… I’m even a member because after all Micchi is a good kid at heart. That and she is designed by one of my favorite character designers Toshihiro Hirano (Megazone 23 (part 1) and Dangaioh) and Micchi definitely has that classic look of his character designs.

Cosmos Pink Shock is space adventure, a parody, not to be taken seriously and is due for a better quality transfer for my collection. Group this with a couple episodes from Space Adventure CobraDirty Pair: Project Eden and Maris the Chojo and you have a fun lineup of 1980s space comedy for a night in. “Now I’ll never dance with another, Oh, when I saw her standing there.”