#211 : Arei no Kagami: Way to the Virgin Space

Do you believe the universe has an edge where beyond that boundary is untouched, pure… virginal?. If space and the universe are infinite, how can there be an edge? We now are about to enter the realm of imaginative sci-fi space fantasy… rules and reason, yeah let’s leave that at the door. Ever hear of Arei no Kagami: Way to the Virgin Space? Like many obscure titles from the 1980s this was an unknown for me as well, but something about Arei no Kagami invited me in with something very familiar.

AnK_1Upon quick glance of the characters one who is in the know would easily recognize that Arei no Kagami is a part of Leiji Matsumoto’s portfolio of work. His hallmark style surrounds the visual appeal of the likes such as Galaxy Express 999 and Queen Millennia, amongst many others, but Arei no Kagami has many other similarities. A young boy in the company of a beautiful blonde woman on a sci-fi themed journey is a common theme expressed in the other two Matsumoto productions, but for Arei no Kagami we see a variation with an auburn female lead instead, Maya. Along with her is the young Meguru and both of them escape a planet torn apart by war to search for the promised land, the edge of the universe, Arei. Onboard as well is a stowaway android, Zero, who also yearns to find this special zone.

AnK_2Created specifically for Expo ’85, The International Exposition, Tsukuba, Japan, 1985, Arei no Kagami would fit into the future oriented theme of the event. And while progress and the hope of things to come were the main focus, Arei no Kagami would also question much about humanity’s past actions. The dark side of war, hatred and mistreatment towards the environment and other humans would be brought forth to our trio of space explorers who must defend the human race’s more redeeming qualities. Architecture, the arts and advancements in science and philosophies would be presented as a counterpoint. Yet the entry into the virgin space of the universe demands the most noble of hearts… can these three characters pass the test of showing that the human race is far more than our past sins?

AnK_3Matsumoto’s Arei no Kagami was a fellow classmate to his former Yamato partner Yoshinobu Nishizaki’s Odin: Photon Sailer Starlight (Oh! ODEEN!). And as different as both men are (artist vs. businessman literally), both productions are literally… light years apart in many ways. Arei no Kagami is short (20–25 minutes), a concise story and has a feeling of conclusion. You feel in many ways you made it to the final destination intended. Odin is two plus hours long, confusing, over complicated and end ups going nowhere. I am still “Searching for Odin my love” like many of us. Matsumoto was always the stronger storyteller of the two and while Arei no Kagami is very simple and kind of generic, it does what it does well with a limited time span.

#201 : Magical Angel Creamy Mami: Lovely Serenade

“Now available on VHS and LaserDisc in a store near you. Calling all fans of Creamy Mami! Did you love the show; are you sad that Yuu/Mami has left the airwaves; do you wish you could relive many of the fun moments you saw every week on television again? Are you also a fan of Mami’s music? Well you are in luck because we have for you the perfect piece to add to your collection. May we present a new OVA for you… Creamy Mami: Lovely Serenade.”

CMLS_1Soundtracks on CD, cassette and I guess we can say digital media as well are so archaic. Whoops… forgot vinyl. Why not have a a greatest hits collection on video instead? After all this has been done many times for our favorite bands and singers, so why can’t we apply this concept to the animation world as well? Because hey… we are fans of many of anime’s pop idols too! And in a nutshell that is what Lovely Serenade just is, plain and simple. No plot to talk about here, no real story either, just music… that’s about it. And and as for dialogue, well beyond Yuu Morisawa’s minor introduction there isn’t any.

Perfect for watching with a meal, projecting on a big screen in a crowd or playing in the background like a CD, Lovely Serenade equals casual watching perfection. I could say more about this OVA, but I already have said it all? Just press play and enjoy Mami’s hit songs and either watch, dance, or lip sync to them all the live long day.

… oh yeah and by the way if you don’t have a VCR or LaserDisc player, there is always digital streaming 😉

#180 : The Death Lullaby / Lullaby to the Big Sleep

There are obscure titles in the anime pile of forgetfulness that are fondly remembered. Some titles are often condemned, or criticized and then there are some titles that go beyond any convention. The Death Lullaby, or Lullaby to the Big Sleep is perhaps the most uncompromising piece of animation I have ever seen from Japan. This was not created for entertainment, or broad mass appeal, but instead to make a statement. Much like a piece of post modern abstract art in a museum, we are asked to look, to think, to feel and to question many issues within ourselves and the consequences of how it reflects into our environment.

DL_1Violence. So much violence, hatred and destruction are depicted in Lullaby. Hard to watch and very grotesque and raw at times, these depictions are to educate us through discomfort. Scenes of a child with protruding bottom teeth and his constant abuse and bullying are contrast with business men and politicians optimistic propaganda showing their enforced single minded agendas. See this fancy bullet train, these great buildings. Look at how fat our wallets are getting by bulldozing habitats unspoiled by nature, or more importantly, former places of residency where tenants are forced into eviction where in their opinions, degeneracy once existed. This price of progress reminds me of the great quote from Patlabor 2: The Movie in regards to… a just war versus an unjust peace, an unjust war verses a just peace.

DL_2The abused boy mentioned earlier has primary focus in this short film and can be seen as a mascot, or figurehead. Similar in ways to Tetsuo from Akira, we see a boy with much promise and potential through constant mistreatment and negativity transform from a weak victim into a true monster bent on vengeance. Beyond his disfigurement, he is no threat, but many people like to judge what they either fear, or don’t like. Or, like Shinji from Evangelion, we see the self destructive tendencies from constant depression and internalized anger. This youth is of no concern to his peers, watches horrors at home and has no light, or thought in his consciousness to point him out of his situation.

DL_3I have read from a source that this may have been a protest film in regards to many urbanization projects that were present during the mid 1980s. Whether it is or not, this is a film that is much more like an artist’s expression of social commentary than standard animated entertainment. The issues are universal and stand up today beyond it’s extremely low budget look; I believe it was shot on 8mm film, which for film stock will be very rough looking. If you can find Hiroshi Hirada’s The Death Lullaby it is worth a watch, but I can’t recommend it for everyone. Years ago I had never heard of this, but became acquainted with it during my research for my 1985 panel during 2014 to 2015. This is the first time I have rewatchedWhile a powerful film in it’s own right, it shows that we in humanity have so much more to do in regards to learning about fear and compassion.