#230 : Greed

One and only one reason why I searched ever far and wide to track down this obscure OVA from the year of 1985. OK maybe two… 1985 is my beloved heart and home when it comes to anime years, but the major reason for acquiring and watching this hour long production belongs to a single name, Tomonori Kogawa. A veteran of the Japanese animation industry, he is well known to me from his signature character designs which were on feature in this OVA as well as his rare directing and scriptwriting skills. Kogawa would helm two projects where he had total control during the 1980s, the later being 1986’s Cool Cool Bye and the earlier, our feature this time round, 1985’s Greed.

Greed_1Most of Kogawa’s character work can be seen in a variety of mecha shows from the early to mid 1980s. Southern Cross (Robotech: The Masters) would be the first time I enjoyed his slightly angular elf-like faced figures, but it would be his work on shows like Ideon, Xabungle and Dunbine where I would grow a strong appreciation. Like many talents in the industry at the time, Kogawa too would have an opportunity to make an OVA where he had total creative control and have his hands in many areas of the production. And to be honest… I wish he had someone help with the script. Visually Greed is nice and the story has a lot of potential, but it lacks direction flowing from one event into another. I scratched my head many times going, where the heck is this OVA going?

Greed_2Certain elements of Greed reminded me of Ideon and Dunbine, sans the giant robots of course. We begin with what seems to be a fantasy styled sword and sorcery hero’s journey when we first meet protagonist Lid Kyle (Kail) who hears from his father’s deathbed to venture north, seek comrades and defeat a great evil; OK then. Lid sets off and meets a girl and a big guy who can morph into a dragon like creature that leads into meeting a mute warrior who shares the same red spot on his neck as Lid… and I thought it was a unique birthmark, or a production error. Then they get caught in the land of the fairies and then move into a mechanized city where again they meet more people, three to be exact.

Greed_3Turns out one of the three also has the red post on her neck as well and they soon realize they need to take to the stars to combat this great evil. Then they repair a spaceship, head into space getting through some psychedelic light show that they have to endure to end up fighting this guy named Vailly who reminds me of a gremlin. The devilish creature is eventually defeated, thanks to our heroes’ ability to fly in space without oxygen (?), but it does not change anything. WHAT!? Perhaps what Vailly said about the inhabitants collective greed being the real problem was what needed to be addressed instead? The end.

Greed_4Honestly I loved the characters, the artwork, the setting, but Greed was a bit of a disappointment. Perhaps I am being too greedy to expect so much from many anime, but maybe I need to curb my expectations at certain times. Kogawa is a genius designer and artist and has much creative talent, but it did not come to full fruition on this OVA. Would I watch it again, yes (but that is me!), but do I recommend it unless you love Kogawa’s work… except for one fun oddity. The character Mimau has some of the most awesomely teased out BIG hair I have ever seen… girl how much hairspray did you use?

#217 : Bavi Stock

Time for Action! And now yet another OVA oddity from that little studio I love so much from way back when. Kaname Production had their name identified with several productions during the 1980s including: Birth, Windaria, The Humanoid, Leda: Fantastic Adventure of Yohko and Dream Dimension Hunter Fandora to name a few. Now it is time to check out the two part action packed adventure known as Bavi Stock. Released in 1985 along with the brilliant Yohko, I had no expectation in regards to Bavi Stock, except a few screenshots to set a general idea of the setting. Overall I liked it, but found it a little confusing.

Bavi_1This first episode left me scratching my head. What did I just watch? We first see a member of the GPP (Kate), this is some kind of galactic police force, rescue a mute girl (Mooma) who has been captured by a renegade esper, Lady Lus Mila and her android companion, Eyesman. Then after getting birthday wishes Kate is asked to bust a guy out of prison who happened to be charged with murder. This fellow is named Bavi Stock (hence the title) and along with him we also add his boxing trainer, Sammy, who has plans to enter a hovercraft style race, even though he also is serving a life sentence (did he have his own method to getting out?). Upon returning to GPP headquarters we find it has been blown up, sadness. And then rejoicing again as Sammy prepares to enter the race while celebrating Kate’s birthday. Talk about a dichotomy. Then we meet up with Lady Lus Mila and Eyesman again… are they planning to enter this race as well?

CREATOR: gd-jpeg v1.0 (using IJG JPEG v62), quality = 100Holy cow, talk about all over the place, I hope this second episode irons out some of these character’s pasts, or reason for being in this show? But first, the hovercraft race, which reminds me of the Star Wars pod race. Now onto episode two where Bavi, Kate, Sammy and Mooma are living together as a surrogate family. This one begins more comically and the visuals look a tad downgraded, or perhaps different from the the first episode. Thankfully some back story starts to emerge for Bavi and Mooma throughout this second go around. FINALLY! Add to that a treasure hunt on another planet that, as we add back in a little Star Wars, reminds me of meeting the Ewoks from Return of the Jedi. Now we have cuddly teddy bears to add as well that can communicate with us! This is one crazy OVA overall, but when looked at from another point of view, it was kind of fun. This is a B-Grade release for sure… maybe C, D… I leave that up to you.

Bavi_3This is by no means exactly like Kaname’s 1986 OVA release, The Humanoid, but if I could pair this with another Kaname release I would go with this combination. Both have over the top plots too big for their respective releases, not enough information to really understand the full picture, occasional comedic banter and characters that you enjoy and come to love. ‘Bad’ anime literally, but entertaining enough to enjoy despite the flaws. I actually welcome titles like this in my search through the OVA bins of lost titles as these have as much value to me as the bigger masterpieces. I had odd tastes I guess? Plus it’s a Kaname anime and no matter what I stick up for their catalog of work. And if I havd to choose between Bavi Stock and The Humanoid, I would go with the later. Why? COFFEE!

A big thank you to my friends at Kingmenu Subs for helping with this release, it was help on my journey here! (I never thought I would ever see this title subtitled… never say never)

#8b : Angel’s Egg

For my original entry for Angel’s Egg, click here.

Sometimes you have to recover your tracks in order to move forward. In terms of classic anime and in particular, Angel’s Egg, I have a little more to say…

Angel’s Egg was a one of my earliest entrees here at The Classic Anime Museum and it has been one of my more viewed entries, even receiving reference links. I am proud that in particular that Angel’s Egg is linked in some way with this site. I love this film, I love the atmosphere it projects, I love the art and I consider it a masterpiece of 80s anime cinema and one of Mamoru Oshii’s best works of all time. It’s not an easy film to watch since it is more symbolic and esoteric, but in terms of great film making it is one animated feature that is distinctly it’s own in terms of any category you throw at it.

AE_21Much is written on director Mamoru Oshii’s struggle with faith and the all supposed Christian symbology. But if you take a step back, isn’t much of Christian imagery borrowed from other more ancient, or pagan references? Could these references also elude to Eastern spiritual practices as well, or another alternative? The vast open space of Angel’s Egg makes this a film that can have much in terms of interpretation, which leaves it as perhaps the most profound and powerful films ever made in the Japanese animation industry during the decade of the 1980s, if not all time. Assuming one’s interpretation, or an accepted standard is one thing, but sometimes when other opinions are offered as well, they are just as valid.

AE_22Propose now another possible metaphor for the piece of art that is Angel’s Egg. Could this be a film about the fragility of holding to the material world. To quote from the Bible “Lay not up for yourselves treasures upon earth, where moth, and rust doth corrupt, and where thieves break through and steal.” I had to look up the passage as I am not a perfect Bible scholar, it’s from Matthew 6:19. Or if we philosophize from Bill and Ted’s Excellent Adventure with none other than Socrates where we notice that we are “Only Dust in the Wind”, and “Like the Sands of time, so are the days of our lives.”… With this in mind we fall for the greatest illusion that what is material is eternal, which of course is not true. It is human to mourn the loss of what is seen and touchable, but to consider it permanent is a grave mistake.

AE_23Solid structure, matter and form are standards that we often base entire civilizations, relationships and lives on. Yet this is the most unstable force in the universe. This makes me think of the relationship in astrology between the Moon and Saturn and the pair of signs associated with them, Cancer and Capricorn. Both are opposites, yet mirror images of each other dealing with growth and decay, love and austerity, protection and isolation. Is it a time to be sentimental, or perhaps hard nosed. We need both sides, but when one side of the extreme takes on a priority there is imbalance. This is not a bad thing because after all we as humans get caught up in the games and circumstances that we deem as life. At times we crest, but soon fall. We also hit rock bottom too and find the strength to rebuild by knowing what has passed can’t ever return.

AE_24These concepts are the basic dynamic of Angel’s Egg. The girl, very innocent and naive holds like a mother the giant egg she possesses. The object is in every way her identity. She brings it with her, treats it kindly and never lets it leave her sight much like a cautious mother. Enter then the young man with the cross like stick, or weapon, or whatever it is. He becomes the catalyst, a source for change who cruelly breaks and destroys this precious object. The girl whose whole existence in life has now been destroyed in the end destroys herself, unable to find any reason to live beyond sticking to what she only knew. It is a sad end, but we all fall down from time to time and we mostly see something outside of the job, relationship, situation, or loss that has occurred in our lives. We put on another hat to keep going with life because we still feel that life still has something left to provide for us, despite the pain and sorrow.

This year of 2020 made me think of this interpretation particularly. It has been painful for many of us dealing with loss as well as uncertainty. Those who hold so dearly to rigid ideas are struggling the most to control a situation that seems so random. I hope you are all doing well despite the times.