#75 : Nausicaa of the Valley of the Wind

Mention the name Hayao Miyazaki today and you will be told he is the king of the world in regards to anime. Now imagine mentioning Hayao Miyazaki’s name in the spring of 1984 and the otaku world would say that this guy is the new rocket in town and he has his sights set on the stars and the infinite beyond. The film adaptation of his manga, Nausicaa of the Valley of the Wind, did more than move the masses and set the ground work for the future of Studio Ghibli. Miyazaki would present us with one of cinema’s greatest and most honorable heroes.

Nau_1Nausicaa of the Valley of the Wind cemented Hayao Miyazaki into super stardom and led to the formation of Studio Ghibli. He had been in the anime business for almost a couple decades by this point, but this one film changed everything overnight. So am I saying that Nausicaa is that powerful? That this is a film that can change destiny? Uh huh! And why is this? Two reasons. One, Nausicaa grounded fantasy and sci-fi so to speak (as did Fist of the North Star, also 1984). This is not about spaceships, or laser blasters. It’s about our Earth’s environment, the aftermath of great devastation and the corruption of those who don’t work in accord with their natural environment and within themselves. Which to be honest, is one and the same; as above so below. But more importantly, it’s about the heart. Miyazaki can pull your heart strings like few others and Nausicaa represents a spirit more often needed in anime or entertainment in general. This movie was ready at the right time.

Nau_2Now… what about our hero, Miss Nausicaa? How can you not love her? She is a role model for everyone who has a way with animals, an understanding of nature and a love of flight and freedom (so Miyazaki). Her powers can tame the wildest of beasts, build a garden from what many consider poisonous plants and fly a glider like a bird. Yet she is vulnerable as well because she is surrounded by factions that want to shake her standing on what she believes in and what is right to her. Despite these controversies she holds her ground and stays honest to herself and she knows how to get her hands dirty when needed. A princess and yet a tomboy who follows her heart… so noble. She would be the first in a line of strong female characters that Miyazaki would bless us with. Kiki (Kiki’s Delivery Service), San (Princess Mononoke) and Chihiro (Spirited Away) are all representative of the Miyazaki heroine archetype.

Nau_3Miyazaki has always been the showman compared to his partner in crime, Isao Takahata. Yet when Miyazaki goes into a more serious direction, he does not slouch. Even at this early stage of his career, he still showed the ultra professionalism that oozes from his work. This was a time where fame and fortune was just around the corner and he was hungry to prove himself as an auteur and while he did direct the awesome Castle of Cagliostro, Nausicaa would be his first total vision. But he needed help and various names are linked with this film. Takahata produced, a young Joe Hisaishi provided the epic score (which reminds me of his then current work on Mospeada and Birth) and Hideaki Anno, years before his time at Gainax, would be a key animator during one of the climactic scenes (I am not saying which one 😉 ).

Nau_4Nausicaa of the Valley of the Wind is more than just another anime title, or even one of Miyazaki’s best films, it is required viewing. You call yourself a fan of anime? Let me see that you have seen this movie? Yeah I figured you have 🙂 as my readers have good taste. A timeless classic worthy to be in any collection, unless it is the Warriors of the Wind release (I have never seen that one). To Hayao Miyazaki, I thank you for making this movie that has made generations of fans cheer, cry and believe in a greater good. While many productions in the 1980s mark the times that they were made in, few can be considered eternal classics. Nausicaa of the Valley of the Wind is and always will be a permanent classic.

#73 : Super Dimensional Fortress Macross: Do You Remember Love?

DYRL_1Wait, wait, this is my favorite part… This is an often quoted statement when watching a movie you love. The thing for me is that for Super Dimensional Fortress Macross: Do You Remember Love? (jeez thats a long title) I say this throughout the whole film, or I have to shut people up so I can listen to each line of dialog. Wait a minute… I usually watch this film by myself… anyway… Do I remember Macross? I do. Do I remember love? I do. Do I love Macross? I most definitely do. Do I remember and love that most awesome movie adaptation Super Dimensional Fortress Macross: Do You Remember Love? I DO!

DYRL_2This sounds like a marriage ceremony with all these I dos, but in truth I am married metaphorically speaking to the original Macross. I don’t have a ring to prove it, so you have to trust me and as a mega fan of the original show, what is my take on the remake that was made for theaters in that magical summer of 1984? Well… it’s hard to be biased and/or objective, but it’s a masterpiece and a half. After all just look at it, no really look at it! NOW! That line work, the quality and care, the special effects and the fluidity of movement are some of the best of the decade. That and Haruhiko Mikimoto’s character design work is at it’s pinnacle here. Some have called it a labor of love as in my mind Macross was the first series made by otaku that ended up being for otaku at the time. It’s the ultimate space opera, mecha and romance story ever told wrapped in the prettiest of packages.

DYRL_3Now here’s a story, ‘do I remember’ (pun! on the title) seeing this the first time? Thankfully I do. Back in the days of VHS and being a bored teenager at the mall I stumbled into a Suncoast store and a tape caught my eye. Now mind you, my knowledge of anime was limited as I was a small town kid in the early 1990s here. I knew of and loved Robotech very much and when out of the blue I saw a tape labeled Clash of the Bionoids, I scratched my head. It looked like Robotech, it had the SDF-1 on the cover and some pictures in the back with Rick and Minmei. I was impressed and bought it. Upon watching it, three things happened. One, this was not Robotech. Two, the drawings looked much better than TV series. And three, it had this weird dub and everyone had different names? With no material to tell me anything I took a guess that this was the original Japanese Macross. I was right.

DYRL_4The plot is similar to the TV series except we start en media res with the Macross already in space and the sprawl of the shopping mall like city already installed. Minmei is in concert, Misa is with Claudia and Captain Global in the Macross’ bridge and Hikaru, Max and Roy are out in space doing their fighter jock best in those classic Valkyrie fighters going up against the Zentraedi armada. OK, par for the course, but what is different besides the already mentioned artistry? First, we get a glimpse of this possible Protoculture civilization, although it is in ruins. Perhaps it is the fabled Lemurian continent often quoted in many anime? And what is found there? A simple love song. A song that would eventually turn the tides of the battle, an established staple of Macross. Second, the budding romance between Hikaru and Misa is more poignant in this movie. The first serious kiss between these two when they were on Earth always makes me giddy. And third, going back to music, and even more epic soundtrack. Macross and music have always gone hand in hand, but this film takes it up a notch or two, ok three… actually four, lol.

DYRL_5On the flip side, I can see how dated this film is in some respects and often cries back to me a lost summer in the sun. The fashion and hair are of the period, but doesn’t it look good anyway? After all there was a quote I once read that the 80s was when anime and real life fashion and hair were one and the same. The inside of the Macross reminds me of how a shopping mall used to look like and in particular at the Holiday Season. Colorful, exciting and full of life. Malls nowadays look like badly branded race cars with corporate logos all over the place, run down and tired. Even with all this, the magic is still there as the optimism I remember growing up that the 21st century was just around the corner and new exciting things were on that horizon. I’m still patiently waiting for space travel and robots.

If ever an anime is to the likes of the biggest celebration, championship or awards ceremony where people say that this is the BIGGEST show in town and matters to the point that you have to be a part of it no matter the circumstances, then Macross DYRL is that anime to me. It’s an apex to my fandom, to a property that I would either marry on the spot, or take a bullet for. It’s the flag I wave proudly and it’s the movie that symbolizes what anime can be and what it once was and yet can still be again. It may not be to everyone’s liking, but I don’t care. It belongs to me and hopefully to you as well.

#48 : Super Dimension Cavalry Southern Cross

Oddly enough, even though The Masters section of Robotech was a little convoluted, I always loved it. It was the characters plain and simple and their relationships. Also how a rag tag bunch of odd balls, a strong trio of female protagonists and an angsty guy who wants revenge turned from a semi-fun sci-fi mecha show into an epic tragedy where there was no clear winner was a breath of fresh air (Ideon did a similar feat, but that was years down the road for me). Of course the Americanized adaptation acted as a bridge between the original Macross and Genesis Climber Mospeada, but what about Southern Cross as it’s own independent story without shoehorning the odd glue of Robotech’s definition of protoculture?

SoCr_1Humanity has expanded out towards the stars and has settled a planet (wow, never heard that one before) named Gloire. On this planet we have a group of military defenders who keep watch  (again, never heard that one before)and one of those fine soldiers is in the brig and is about to be released and taking her place is her lady killer squad leader (NOW, thats different!). Jeanne Francais, our former prisoner, is a bit of a free spirit and occasionally a trouble maker, so it makes sense she is now head of the Tactical Armored Corps 15th Squadron. I love anime logic 🙂 But of course she would be brought back into the brig again while doing what she does best, like knocking over a military police robot. And while all this fun is happening an alien fleet approaches our peaceful planet. Peace time is now over.

Amidst the fun and antics, there is an honest serious military drama with an alien invasion. These invaders, The Zor, are eager to return to Gloire as this was their former home world. A war erupts and in this show we get a unique type of robot, the Spartan. A hovering tank that transforms into a robot. Nice touch. This is the main mecha for our girl Jeanne, but how does it fair against the Zor’s main machine, the Bioroid? And in particular a ‘red’ version… wait a red one? This reminds me of Mobile Suit Gundam for some reason? Hmm?

SoCr_2Complimenting Jeanne are two more strong ladie, who are the direct opposite in personality and method. Marie Angel is a hot shot pilot and Lana Isavia is one of the military police’s strict officers. Totally new for mecha anime at the time, these girl’s set a standard for having girl power in a robot show. THANK YOU! Joining Jeanne as well are her squad mates including tech guru Louis, ‘Casanova’ Charles, grumpy Andrzej and sensitive Bowie; plus General Rolf Emerson and a mystery man who is a captured and put under the watchful eye of Jeanne, Seifriet.  And with Seifriet, the story really begins to ramp up in intensity as well as Jeanne’s fluttering heart for her crush on Mr. Longhair.

SoCr_3And now for something a little different, what of pop culture references? Oh they exist as well. Such as when the 15th Squadron elbowed their way into a downed Zor ship and eventually getting caught into a large trash reservoir. And guess what? The walls are moving together. Sounds like one of those famous scenes from Star Wars: A New Hope. Yet I liked this one a little more as Jeanne gets a little trigger happy and all her boys and her have to deal with a ricocheting laser blast. And all that background music, I wonder if that once popular band known as the Police ever heard what Japan released. True it sounds very much like the Police’s 1983 album Synchronicity, in particular the title tracks Synchronicity I and II, that I wonder if Sting himself wrote this soundtrack.

SoCr_4When the original shows that made up Robotech eventually got a domestic release, Southern Cross would be the first one I got. Perhaps it was the cheapest at the moment, or maybe I was extra curious to see how this uncut tale actually unfolded? Again it like reading the original novel to a major motion picture and you find the details you had been searching for. Some are not too keen on Southern Cross as a series, but I can’t help but enjoy it because it has been around me for so long. Plus this series has made me a fan of character designer Tomonori Kogawa’s work.

If only this show did not have a short run, who knows what could have happened. As for what we got, and in particular the ending, I am more than satisfied (Yoshiyuki Tomino did you work on this?). Super Dimensional Cavalry Southern Cross, you will always be one of my dark house favorites.

#4 : Birth

I have seen many opinions in regards to this one off. Some like it, some think it’s too weird, some think it’s garbage. I LOVE this OVA and I am out and proud of it. True it is an acquired taste, but I think I may know what turns off some, but also what turn’s me on to this oddity. What is it? Well that little ol’ production from 1984… Birth.

Birth1Birth was a title I was lucky to come across very cheaply. Remember when you could get a brand new title off of Amazon for under $4.00? I believe I spent around $3.50 (the glory days of $2.99 shipping). I see it as one of the best return on investments I have ever put into any DVD, because I have watched Birth time after time after time and loved it more each time. And just what is it about Birth that I love so much? I mean it is basically a long chase scene and treasure hunt that ends with the whole universe… whoa wait, don’t want to spoil the ending now. Now… I present my reasons, so read on.

An animator’s playhouse: As someone who has a background, education and interest in art and design I often view certain anime a little differently. In this case I see this property as a fun time for all the animators and staff who worked on it. Very creative, but not serious and artsy fartsy (if you want to go that route try Angel’s Egg). If I could get a gig like this, I would say yes in a heartbeat.  Plus Yoshinori Kaneda had a big hand in it’s conception (see recommendations below). So expect lots and lots of motion. Plus, it was animated by one of my favorite, now defunct, smaller animation houses, Kaname Production. Also, Hideaki Anno (Mr. Evangelion) had a hand as well as an up and coming animator.

birth2Characters and their design: The design and animation of Birth is very much in contrast to almost a majority of what came out in Japan in the 1980s. The characters are very organic and blob like, maybe a touch liquidy. Is that is why the planet is called Aqualoid? Plus our main cast is a rag tag group. Our main duo, Rasa and Nam, are either brother and sister or boyfriend/girlfriend, in any case they are close and watch out for each other. Boa is a goof ball space trader who has a lolita complex for Rasa. His business partner, Kim, is often the voice of reason in their partnership. Plus you have your array of minor character including the Inorganics, other humans and these blob type things, one of whom belongs to Rasa and is named Monga. MONGA! MONGA!!!

birth4Humor: I find Birth to be amazingly funny. True some of the humor is ridiculous, but it works well for my tastes. I mean you have the scenes where Rasa is called out as a jiggly-butt by the Inorganic bikers or they have the comment “Just because a woman is smart does not mean she can sell a cow.” Or, the kid Inorganic hitting on Rasa and after rejection he has a scene at a beach. Or Bao just being Bao. All in all it is weird, spastic and goofy.

birth3A higher reason: Now how can Birth be deep? Well, the notion of the spirit like Arlia (hey she’s a pretty ghost according to Nam) explaining the universe is made up of several levels and that the Organics and Inorganics are both a product of the same source makes you think twice, what am I really watching here? Even goofy cartoons can add a like mind bend. Plus at the ending… oh yeah can’t spoil it if you have not seen it.

Music: And finally… the soundtrack… composed by the one and only… Mr. Joe Hisaishi. Oh yeah, Miyazaki’s favorite composer did this one too. It has a similar vibe to what he did on Nausicaa of the Valley of the Wind and Genesis Climber Mospeada. Not very orchestral and more synthesizer and pop/rock in it’s approach.

This is one that I think needs to be viewed in order to have a proper frame of reference. Or having the option of viewing it with someone who is familiar to the property to point things out or hear them chuckle at certain times. As I mentioned above this is an acquired taste, so take what you will from it. If anything this showed the freedom of the era it was produced because we just don’t see this kind of odd ball stuff being released as often anymore, unless there is a huge marketing campaign behind it. As for me if I need to make a top 10 of 80s anime, this is one I would include (honest).