#101 : Ulysses 31

U31_1Ancient Greek mythology is awesome! Don’t you agree? Such a wonderful storehouse of great storytelling and wisdom from a bygone era. We can take these myths on the exoteric level as historic documentation to the richness of Hellenic culture and esoterically as metaphors for you, the world we live in and greater spiritual envelope of our whole universe. Film and animation have had many adaptations from Jason and the Argonauts to Clash of the Titans. Japan has animated many examples as well with Saint Seiya and Arion coming to mind. But!… there is yet another example, a collaboration between the French company DiC and an old favorite here, TMS (Tokyo Movie Shinsa), that actually adapts the old myths into a 31st century universe instead of borrowing elements like the other two mentioned before. Have you seen Ulysses 31?

U31_2Hey look, it’s Space Jesus! I have heard that before in regards to our hero who does have an uncanny resemblance to the Christian icon. Yet alas, this is Ulysses my friends, the guy just has really awesome hair and that beard. He is readying his crew to return to Earth aboard the spaceship (that looks like a giant eye?), the Odyssey (well named). But first, we need to celebrate the birthday of his son Telemachus as the young boy is given a robot companion, Nono. You have to have that lovable, but kind of annoying robot character. Reminds me of Oon from Jayce and the Wheeled Warriors. Soon Ulysses and his companions set off when all of a sudden Telemachus becomes kidnapped. And like an awesome dad, Ulysses sets course to save his son.

U31_3Telemachus awakes to meet two Zatrians, Yumi and her older brother Numinor, to learn that they are to be sacrificed to the Cyclops to keep the priests vision intact. Far fetched, but amazing and those priests are scary too! Ulysses soon find the children and destroys the Cyclops and in typical fashion, Ulysses has to deal with that time old issue, Karma. This act angers the gods and now Ulysses has to find his own way back to Earth, via the Kingdom of Hades. That and all his companions, plus Numinor, fall into a sleep state and will awaken once he gets beyond the Kingdom of Hades. This leaves Ulysses to work with his son Telemachus, Yumi, Nono and the Odyssey’s onboard computer, Shirka. So begins the ‘Odyssey!’ Homer would be so proud.

U31_4A strength of this show is the fact that you can casually watch any episode in any order, except episodes one and 26 as these are the bookends for the series. Hooray this show has a solid openner and a satisfying closing episode! …No loose ends here… Take Ulysses 31 in any order you like, kind of like the old Choose Your Own Adventure book series. If you are aware of many of the tales of Ancient Greek myth you will be pleased to see the variety that have been chosen. We see interpretations of Oedipus’ trial with the Sphynix, the punishment of Sisyphus, Thesseus and the Minotaur, the enchantment of Circe and many more. The most surprising episode has our heroes going back to Ancient Greece itself where they meet their legendary counterparts.

In case you are a fan of The Mysterious Cities of Gold, both dubs feature the same cast. I have never seen the original Japanese dub, but if you have give me an update; same with the French dub as well. The show looks very much the era it was made, 1981. You might say it looks very Star Wars, but I want to think it looks more like the era’s Flash Gordon since this had a European influence, though it is not campy. Sci-fi had a certain flavor from the late 70s/early 80s that cannot be recreated. The technology may not have been up to far of today and the costuming at times can be a little goofy. Yet you get a lot of heart, which is what makes the era’s sci-fi and mecha so desirable (at least for me). Ulysses 31 is a solid show where heart and soul reigns supreme. May your journey to find the Kingdom of Hades be immortal and full of discovery.

#96 : GoShogun

If you wish it, it will come! Ever since I fell in love with an OVA from 1985 by the name of GoShogun: The Time Étranger, I had a yearning to see the original 1981 TV series. For a long time I had two options: raw episodes or the odd adaptation of Macron 1. I tried the raw and got through five episodes, but had to concede defeat. No fansubs to be found and no official releases anywhere… and then like a gift from the cosmos, perhaps it was Beamler energy (will explain later), an official release here in North America would materialize. 5… 4… 3… 2… 1… ZERO! Let’s watch some Sengoku Majin GoShōgun.

Goshogun_1As stated before this has been a long time coming and if it was not for Time Étranger I doubt I would have cared to even watch this show. Although I love mecha shows from the late 70s/early 80s, my main reason to finally see this show was not the action, nor the sci-fi, nor the GoShogun robot (which by the way, is a nice looking design). My reason was the main cast of six characters I fell in love with in the OVA. And while that OVA was a dark character study steeped in suspence, the original television show is mostly light hearted fare sprinkled with times of satirical reference and the occasional moment of seriousness.

Goshogun_2Our heroes known as Good Thunder include a group of three heroes who come from unheroic circumstances. One is a spy who failed in her mission and was sentenced to death (Remy Shimada). Another is a tough guy with a warrant on his head who covered for a crime of a friend (Killy Gagley). And the last, a former soldier whose wife was killed on the day of the wedding (Shingo Hojo). These three are brought on board the Good Thunder (also the name of a ship) by way of the mysterious Professor Sabarath (absent from the OVA) to protect the ship’s precious ‘cargo’ and pilot the robot GoShogun. Not your usual group of heroes, but then again who says you need experience to pilot a super robot? Sabarath also brings on board a young boy, Kenta Senada, who’s destiny is linked with this ‘cargo’ (reminds me slightly of GaoGaiGar).

Goshogun_3Now for that  ‘cargo’, it is called Beamler energy (told you I would explain this). Beamler allows teleportation and becomes the McGuffin device for the so-called evil empire of Docouga with their three second in commands (a bishonen snob, a big lug and a pill popping pirate type). Beamler though is evolutionary and changes with time and this lays influence into the story line. Sometimes Beamler is stabile, sometimes beyond unstabile and all the time, it is a great mystery of the beautiful universe we live in. But for my money, the big attraction so to speak is always in the appearance of the GoShogun robot, or it’s three component that join with the robot to complete it. Not only do Shingo’s King Arrow, Killy’s Jack Knife and Remy’s Queen Rose have the ability to join Goshogun, but these three also unite into another robot the Try-Three. And while Shingo is the so-called main leader of this Getter Robo like trio, it is Madame Remy who gets the control board when united as the Try-Three. I bet the original toyline was fun to play with! 😀

Goshogun_4By 1982 a compilation movie would emerge and is worth tracking down to serve as a nice sip of tea into the mythology of this show and it served the purpose of a minor stopgap before taking on the whole show. Seeing the entirety of Goshogun gave me such a smile on my face, but alas, a smile is ephemeral and I must soldier on to more anime. And yet… it is such a feat to see something you yearned for so badly that became a part of your universe. The once impossible hole for viewing Goshogun is no more and I happily display the DVD with all the other Goshogun artwork and Time Étranger releases I have collected over these years. Now to find a space and time to re-watch it all over again!

‘God’s in his heaven, all’s right with the My world’

#81 : Space Warrior Baldios

Baldios_11980 was an interesting year for anime. On a personal note, I turned a year old, so I don’t have much personal memory. Only from researching and back cataloging through history, I found two of the most austere mecha space opera ever conceived. Space Runaway Ideon is the first, a show directed and created by Gundam’s Yoshiyuki Tomino (the year after Gundam to be precise) that took a mature stance dealing with themes of xenophobia and the awesome power of a collective conscious deity power. The second, and the subject of this entry, was Space Warrior Baldios, a tale about time travel, unrequited love, planetary destruction and pollution. Whoa… where have you been all my life Baldios?

Baldios_2I may forever have an incomplete appreciation of all that is Baldios. I have only come across the first five episodes of the 1980 TV series with an English translation. If I grew up in Europe this would be a different story. I know on the mainland, and in particular Italy, you had this on your TV screens back in the day. A compilation film would be released in 1981 and this is my only way, as of the moment, to enjoy the story as complete whole. Although… the TV series didn’t finish on a proper note anyway and the film actually gave a more finalized finality. Hmm… kind of like the Ideon films. I see a trend here? … The Baldios film is in my hands in two forms, the first being a fansub with the original Japanese dialogue and the second, a VHS release with an English dub by an early producer William James Ross. Definitely a treasured piece in my collection.

Another time, another place. The future and a heavily polluted planet known as S-1. Scientists work diligently to find a method to clean the pollution and restore this planet to it’s former glory. Enter our hero, Marin Reigan. After years of work his father, a top rate scientist, and his team have finally come to a solution. This does not go well with the military who become the higher authorities under the control of the totalitarian General Gatler. Gatler’s solution is to leave the planet and find new a colony. Marin’s father would fall victim to the rise of the military and in revenge Marin enacts revenge on his father’s murderer. That revenge killed a man who would put Marin into an interesting relationship with a beautiful female soldier. She is Aphrodia, or Afrodia, and her brother was the man Marin killed.

Baldios_3Once Gatler leaves S-1, Marin follows in pursuit in an awesome spaceship, the Pulsar Burn. In an odd twist of fate through traveling in null space (warping), Marin would end up appearing in front of our Earth in approximately the year 2100. Upon his arrival he is brought into question about who he is and if he has anything to do with Gatler’s army who is by now attacking the Earth. Soon he would gain the trust of the Earth’s military and scientists, including Dr. Ella Quinstein (such an awesome name). Marin’s Pulsar Burn would become part of a three part machine that unites to become the warrior robot Baldios to defend the Earth.

Baldios_4And this is only the beginning… Besides all the usual mecha space opera cliches we have to turn back to Aphrodia and her relationship with Marin. There’s is a fated and yet unrequited connection of love and hatred. How odd a couple can be so perfect and yet, so flawed. If anything this is the great draw of this show in how these two play off each other. Another draw of interest is the lack of children in the cast. Most mecha shows were of the shonen variety, so usually a character of a child, usually a boy, is included to say… this can be you in the story. In Baldios, we are in a hard and adult world. And finally, I have to mention the great twist of fate at the end; talk about a surprise ending. If you know how Baldios closes, you know one of the best endings in my honest opinion.

Baldios you are a rare bird in a sea of the usual in mecha and science fiction stereotypes. Space Warrior Baldios is dark and tackles issues that pertained to the world of 1980 and even still in 2018 (the writing of this entry). Should we allow war and hatred to destroy our relationships, our culture and ultimately the environment of the planet? A cautionary tale… a classic!

#67 : The Door into Summer

DiS_1The line between childhood and adulthood can be very arbitrary, if it even exists at all. Physically growing is one thing, but the emotional and psychological circumstances are often the more pronounced to us no matter the age. Sometimes we are ready for growth and other times it smacks on us so hard in surprise that it leaves us in a state of shock. Coming of age stories in anime are many in number with several being dramatic… no… melodramatic. And then there is this 1981 hour long movie that defines, redefines and then turns everything I once knew into a soap opera beyond description. One of my all time favorites, The Door into Summer (Natsu e no Tobira).

To be honest The Door into Summer is much like a guilty pleasure for me. And it shouldn’t be so much, but this production has hot sexual hormones written all over it. And not in the way of being pornographic as The Door into Summer is very sensual in it’s eroticism and yet very dangerous at the same time. Like those naughty romance novels you can’t put down, because each new page is getting to a better part than before. The openness of sexuality is quite an eye opener for 1981, yet… Japan has always been a little more honest about sexuality told in any art form, even though they are known for being a more reserved culture.

DiS_2When begin ironically at an ending, always a great way to start a movie, where we see two boys looking to duel each other the old fashioned way with pistols over the love of a girl. The protagonist, Marion, rushes in to stop this senseless act and asking what has happened this summer break. From here we learn that we are in France in the 1840s as we go back to the beginning of the summer where Marion is left alone at his school residence hall with his school friends due to the fact his mother would rather be with her new husband that her only son. Marion is known as a supposed king of ‘cool’ by being the most rational in his group of friends. After all he stops a fight between two boys who are fighting over a girl that actually loves Marion. In the process, he enters a chicken competition with one of these boys by standing on railroad tracks and waiting for the next train to arrive. Very bold indeed.

DiS_3Upon beginning the movie I began by scratching my head as to the character designs. The Door into Summer is definitely a shojo manga adaptation, but these eyes, these face shapes… who penned these original designs? Then a familiar name came into my lap from some light research… the name of Keiko Takamiya. Ah yes, the original creator of Toward the Terra and Andromeda Stories, this is the answer. And as a shojo in general, the designs in this movie are very, very pretty. Kind of like Rose of Versailles injected with all the best of bishonen of perhaps Saint Seiya. Add to this the fact this was produced by Studio Madhouse showed another level of quality. For me Madhouse equals the creme of the crop and the line work, color and pastel like backgrounds add an ambience that are beyond verbal description.

DiS_4Returning to the aspect of sexuality, it is hard to believe, but during this film we see encounters of jealous suitors in love with the popular girl, a naughty older woman seducing young Marion and a glimpse into one of the boy’s unrequited homosexual desires unfold. Marion has to come to terms with all of this happening around him and with his own sense of self worth and his repressed desires for sexual intimacy. Definitely not a lightweight and thankfully so. Did I ever have a summer like this… not even close. It is entertainment after all, but still these yearnings are the back of all our minds. That feeling of getting down and dirty so to speak, with consent of course.

The Door into Summer is so hot you may get burned… and I bet you’ll watch it again every time you get the chance.

 

#65 : Beast King GoLion

GL_1“Hey mom! When I grow up I want to pilot a robot lion and save the universe from all the bad guys. And then I would have four other teammates who also pilot lions and guess what? All five of us would form this gigantic behemoth of a robot. And… and from the hands, which are lion mouths by the way, a sword would be formed that could be our fail safe final weapon to save the day.  Wouldn’t that be totally awesome mom?”… “Yes dear, but don’t forget to eat your green beans.”… “Yeah… ok. I wonder if the five pilots from Beast King GoLion had to eat their green beans too?”

FGL_2rom days of long ago… about 1984. From unchartered regions of the universe… my childhood basement. Bore a future otaku… THAT’S ME! We can all point to our genesis point, our first experience, or to be blunt… the anime we lost our so called otaku virginity to. Beast King GoLion was my first lover so to speak under the guise that many of my age will remember with nostalgia as Voltron: Defender of the Universe. I was five… so young, innocent and impressionable. And what I got was fantasy, sci-fi, fairy tails and giant robots. What a combination, plus, character designs and drawings that looked a little different and set a standard to me as to what a cartoon should be. And when it came to sci-fi of the time it was Star Wars vs. Voltron. Voltron and anime won out for me 🙂 And even though the show was edited and censored here in the west, there was enough of an itch, to keep the scratch of curiosity alive in me.

GL_3Now much further ahead in time… when the announcement that the original GoLion series would be released here in the States, I immediately knew I had to see it and purchase these DVDs. This was a no brainer, I mean after all I needed to see what the 1981 original show had to tell. And in many ways I wanted to see what was different in terms of plot, edits and characterization. And while the advertising hyped up that the original Japanese version as more violent, I found that to be very limiting in scope. That kind of target marketing is what keeps the kind of mindset of entertainment in a very immature state. But needless to say, if I did witness these more intense scenes as a youth who knows the damage that it could have done. But, then again, I also witnessed the death of Optimus Prime in the original Transformers: The Movie, Watership Down and Toei’s 1975 adaptation of The Little Mermaid and became in the end, a fairly functional and healthy individual.

GL_4So is GoLion better than Voltron? Not so much better (as what defines better?), just more concise. And much like Voltron’s other sister series, Diarugger XV, GoLion flows better as a series as plot points make so much more sense. And yes, people die sometimes and don’t go to the hospital planet. Still this is a basic story of five guys from Earth getting kidnapped and then escaping from the evil Galra Empire to crash onto planet Altea where they meet a really pretty princess, her ward and a group of space mice that hold guard to the great robot champion GoLion. And it turns out that GoLion needs five pilots to operate, what a coincidence! After all GoLion is kind of like a play on the word go, which in English is to move and in Japanese is the number five. Reminds me of Mach Go Go Go, you know Speed Racer. Eventually one of our heroes succumbs to the Galra empire and our lovely princess takes up the charge and joins the team. It’s a brilliant fairy tale adventure told through a sci-fi mecha lens.

For my generation GoLion became a right of passage, but the one issue I have with the show is the fact that it becomes a standard to draw towards. In other words… a brand. GoLion/Voltron is great and if it is one of your favorite mecha shows all the power to you, but just remember there are other shows that are just as great, maybe even better, that are available if you open up to them. Still if it wasn’t for GoLion, Voltron and the fall of 1984 in kindergarten class, this blog would never exist. Classic Toei animation at it’s best… Go Go GoLion.