#102 : Armored Trooper Votoms: The Last Red Shoulder

VtLRS_1Do you want a proper story about revenge? How about a sequel that is more like a crucial missing chapter? Do you enjoy Armored Trooper Votoms? I hope you answered yes to all three of these questions because Armored Trooper Votoms: The Last Red Shoulder is perhaps one of the best examples of the early use for the OVA market to add depth to an already strong property. Prepare to strap into the Scopedog once again for yet another mission and this time, it gets personal.

VtLRS_2Chirico Cuvie may be the most fascinating character is mecha history. He is not heroic, hot blooded, or even a rookie to being in a mech. He is a stoic, slow burning and taciturn battle scared veteran. In more direct terms, he is one of the deadliest of the deadly, one of the Melkian army’s most feared killing machines, a Red Shoulder. Yet, Chirico and a handful of other cynical grunts are seen as undesirable for their acts of showing defiance towards the established military they are a part of. Biting the hand that feeds you! Years later and having survived the atrocities of the Hundred Years War of the Astragius Galaxy these four men reunite for a solitary cause, to go after the man who made them into Red Shoulders and then left them for dead. Their target is General Yoran Pailsen. After escaping a secret mission, torture and interegation and then the troubles of Uoodo City, Chirico joins these other three men and begin to plan. But can these four independent dissidents work well together?

VtLRS_3While Chirico may be the star of the show, he only represents half of this OVA. The second half belonging to his future adversary, the troubled and mysterious Ypsilon. We see his birth so to speak as he opens his eyes for the first time in an almost Garden of Eden like setting with the other so-called Perfect Soldier of the Votoms universe, Proto One, or in the eyes and heart of Chirico, Fyana. She mentors the naive young man before the influence of the training and brainwashing he receives from the secret society that Chirico is so interested to find out about. Watching this OVA gives a little perspective towards the humanity that was once in Ypsilon. It just goes to show that villains are just like the rest of us, just a little more perverted (hey not in that way kids) from internal or external circumstances.

VtLRS_4The beauty of this OVA is the fact that is acts like the lost 53rd episode of the TV series. Or, perhaps it should be episode 13 part 2 as this story sandwiches nicely between the first two arcs of the TV series: Uoodo City and the Kummen Jungle Wars respectively. No matter how this OVA is defined, The Last Red Shoulder is required viewing in the Votoms universe ONLY… if you complete the original TV series first. The plot and characters will make perfect sense as we see elements from the later parts of the TV series make small, but vital entrances. The production of a few more model kits may have paved the way to help finance The Last Red Shoulder, but the real substance so to speak is the revenge story and the new characters that we get to invite into our space for the time of about an hour. But as you near the end of this OVA you may crave some action and you shall be rewarded. The only question is who will make it out alive?

The rich palette of seriousness and gritty texture is what makes Votoms a special mecha property. Armored Trooper Votoms: The Last Red Shoulder smells of oil, blood and sweat, feels like bullet scared metal and looks of the dull nasty green of army surplus. War is hell and it can drive a man (or woman) to insanity, or leave personal traumas that need serious time to heal. Armored Trooper Votoms: The Last Red Shoulder brings you back into this dark world of dramatic hell that surrounds the politics and drama of the Astragius Galaxy and it does it so oh so excellently. Highly, highly recommended.

Recollections from Anime St. Louis 2018

Fun times! Good times! Were you there as well? I met a lot of great folks, saw a bunch of cosplaying and dragged out my beloved Macross: Do You Remember Love? t-shirt for another year’s wear, which by the way got recognized and I had a good 10–15 minute conversation from it. My friend Katie accompanied me for the third year and was a great help in videoing my panels. And though I gave as much boom to my voice, I should use a mic from now on because sometimes the P.A. can be your best friend. I am going to salvage what I can from the footage and try to get some time in for reshooting my speaking parts. Or, I can wait till next year with the benefit of being another year older and wiser.

I only went on Saturday since both of my panel were that day, so proud to make the BIG day after three years of Sundays. So I and Katie as well, made the best of a long Saturday. The first panel I went to was from RightStuf. They had a drawing for a either four Blu Rays from their Nozomi label and two more for a gift certificates. I got the $25 one! The dealers room had a lot of familiar sellers from the past and a couple new ones. I found a couple Roman Albums that I did not have to add to my collection, one for Nausicaa and one for Castle in the Sky (yeah Miyazaki films!). I love art books, particularly vintage ones from the 80s. I also found a figure of Casshan, which is a nice addition to my other figures. Plus, I got to meet a local group of adult LEGO aficionados that meet here in St. Louis. They had nice work on display and I am looking forward to going to their next meeting. Seems the law of attraction/universe wants me to get out my brick building skills again. 🙂

My first panel began at 5:00pm and I am glad I brought extra portable speakers as a back up, I needed them here. My presentation was The Shonen Jump Revolution of 1986 and I went through the 80s showing many example of Shonen Jump material, such as: Dr. Slump, Cobra, Cat’s Eye, Captain Tsubasa, Fist of the North Star, Kimagure Orange Road, Baoh and many others. I highlighted 1986 in particular and made the stars of my show the original Dragon Ball, Saint Seiya and the Fist of the North Star movie. My theory about these three is that they cemented the shonen fighting genre as the big popular genre we know today. Fighters didn’t start in 1986, they passed a threshold of no return in terms of their stance of becoming a successful genre that defines anime for many around the globe. I got to chat with a couple folks during my tear down and promote this blog; thank you all if you were there to see this one.

My second panel started at 8:00pm and with a title like Capturing the Wind: Miyazaki and Takahata before Studio Ghibli I was expecting a huge crowd. I did this one last year with a packed house for attendance, but updated some of the clips, rebranded my presentation and added a couple new entries. Studio Ghibli panels always draw a crowd and I wanted to tap into that potential as well, but in my own way. Hence the idea of showing their work from before Studio Ghibli became a good idea since there is a lot of great work from that era. Sadly some had to be turned away due to occupancy standards, but I will show this one again next year and will request a bigger room. And with about 80–100 in the room, some of them standing, I was glad to see the crowd, but like I said before I will use a mic next time because one man can not over power a room that well attended… well maybe Luciano Pavarotti or Andrea Bocelli, but I am not an opera singer. Again, thank you all for coming to this one as you were an awesome audience. I never felt so calm giving a public speech in my life… amazing! 🙂

Josh

#101 : Ulysses 31

U31_1Ancient Greek mythology is awesome! Don’t you agree? Such a wonderful storehouse of great storytelling and wisdom from a bygone era. We can take these myths on the exoteric level as historic documentation to the richness of Hellenic culture and esoterically as metaphors for you, the world we live in and greater spiritual envelope of our whole universe. Film and animation have had many adaptations from Jason and the Argonauts to Clash of the Titans. Japan has animated many examples as well with Saint Seiya and Arion coming to mind. But!… there is yet another example, a collaboration between the French company DiC and an old favorite here, TMS (Tokyo Movie Shinsa), that actually adapts the old myths into a 31st century universe instead of borrowing elements like the other two mentioned before. Have you seen Ulysses 31?

U31_2Hey look, it’s Space Jesus! I have heard that before in regards to our hero who does have an uncanny resemblance to the Christian icon. Yet alas, this is Ulysses my friends, the guy just has really awesome hair and that beard. He is readying his crew to return to Earth aboard the spaceship (that looks like a giant eye?), the Odyssey (well named). But first, we need to celebrate the birthday of his son Telemachus as the young boy is given a robot companion, Nono. You have to have that lovable, but kind of annoying robot character. Reminds me of Oon from Jayce and the Wheeled Warriors. Soon Ulysses and his companions set off when all of a sudden Telemachus becomes kidnapped. And like an awesome dad, Ulysses sets course to save his son.

U31_3Telemachus awakes to meet two Zatrians, Yumi and her older brother Numinor, to learn that they are to be sacrificed to the Cyclops to keep the priests vision intact. Far fetched, but amazing and those priests are scary too! Ulysses soon find the children and destroys the Cyclops and in typical fashion, Ulysses has to deal with that time old issue, Karma. This act angers the gods and now Ulysses has to find his own way back to Earth, via the Kingdom of Hades. That and all his companions, plus Numinor, fall into a sleep state and will awaken once he gets beyond the Kingdom of Hades. This leaves Ulysses to work with his son Telemachus, Yumi, Nono and the Odyssey’s onboard computer, Shirka. So begins the ‘Odyssey!’ Homer would be so proud.

U31_4A strength of this show is the fact that you can casually watch any episode in any order, except episodes one and 26 as these are the bookends for the series. Hooray this show has a solid openner and a satisfying closing episode! …No loose ends here… Take Ulysses 31 in any order you like, kind of like the old Choose Your Own Adventure book series. If you are aware of many of the tales of Ancient Greek myth you will be pleased to see the variety that have been chosen. We see interpretations of Oedipus’ trial with the Sphynix, the punishment of Sisyphus, Thesseus and the Minotaur, the enchantment of Circe and many more. The most surprising episode has our heroes going back to Ancient Greece itself where they meet their legendary counterparts.

In case you are a fan of The Mysterious Cities of Gold, both dubs feature the same cast. I have never seen the original Japanese dub, but if you have give me an update; same with the French dub as well. The show looks very much the era it was made, 1981. You might say it looks very Star Wars, but I want to think it looks more like the era’s Flash Gordon since this had a European influence, though it is not campy. Sci-fi had a certain flavor from the late 70s/early 80s that cannot be recreated. The technology may not have been up to far of today and the costuming at times can be a little goofy. Yet you get a lot of heart, which is what makes the era’s sci-fi and mecha so desirable (at least for me). Ulysses 31 is a solid show where heart and soul reigns supreme. May your journey to find the Kingdom of Hades be immortal and full of discovery.

#100 : Super Dimension Fortress Macross

Macross_1It’s #100 and I saved this one for this occasion. 🙂 In the far future of the year 1999… oh wait it’s 2018 now… don’t you hate it when the once thought of far future becomes a past memory? Well let pretend it’s 1982 once again, when a little show created by a bunch of anime and sci-fi fans hit the airwaves. Their story as stated before began in the year 1999 when suddenly a warp gate opens, bringing a behemoth of a spaceship into our local area of interstellar space. And much like a wild meteor with a mission, this ship came down like a speeding bullet onto a little island in the South Pacific. Ladies and gentlemen we humans are most definitely not alone anymore and this lone fictitious event in the sky is the beginning to THE most important anime in my whole fandom and life.

Macross_2Love is something you can’t describe with simple language and if you can, it really is not the passionate love you should feel from the bottom of your heart. In 1985, as an impressionable six year old, via an adaptation named Robotech, I fell in love with the most beautiful of space operas. NO, one of the greatest mecha anime ever. NO, the greatest love story that I have ever encountered. Well… maybe all three combined. I had experienced a story, characters and emotions that resonated with me on a level one cannot define. This was and still is a title many of us hold in the highest regards as something beyond special. It was one of my gateway anime and remains to this day the yardstick that I measure anything else I watch up to it… Super Dimension Fortress Macross.

Coming from my perspective and fandom and with all the variety of opinions already stating what happens in the show, the only thing I can give is what Macross has given to me on a personal level. Macross is not a television show, or even an anime. It is a part of my family, pure and simple; close knit family to be exact. These are my adopted brothers and sisters, aunts and uncles and best friends. Even though the cast are not with me in the physical plane, they have been instrumental in keeping me alive, healthy and happy. Macross for me is the Beatles’ In My Life, “there are places I remember… some have gone and some remain… all these places have there moments… In my life, I love you more.” I don’t see this posting as another entry, this is a soliloquy in the form of a love letter.

Macross_3Much credit to Macross is given to Shojo Kawamori (way too much!) almost as if it was “his” project alone, which of course is NOT true! But again where did Macross come from… a manga, toyline, yada yada… nope? It was it’s own creation, completely original and influenced by a group of young creative fans. An almost proverbial otaku’s dream come true, the purest form of fan service. Not the emphasis on the usual definition of fan service, but the wanting to add reference upon reference making the story grand and sentimental. You can give credit to others like Noburo Ishiguru or Ichiro Itano, but one individual makes Macross very special (my opinion)… the greatest character designer ever (again my opinion), Haruhiko Mikimoto!

Macross_4Mikimoto’s eye designs are always what win me over. Beautiful eyes with a romantic quality, they glisten like stars in the night (Mikimoto insists it was a shojo influence). Therefore this is the best looking cast ever (my opinion yet again), particularly our main cast… the perfect trio, handsome Hikaru, elegent Misa and adorable Minmei. Beyond the ‘main’ cast you have a huge subsidiary group and all of them get a couple minutes to show their individuality, but I have only been speaking of those of us who are all Earth born. Macross, after all, is an epic space opera and humanity meets another race from a far off area of the universe. Remember that spaceship I mentioned earlier that crashed onto the Earth… it is of interest of giant alien race, the Zentradi.

Macross_5Thus the plot begins… a spaceship gets refurbished, an alien invasion leads humanity into outer space, a war ensues, a young girl’s dream of becoming a pop star comes true, a love triangle becomes difficult and the questioning of the origins of both humanity and the warlike Zentradi are tied to the mysterious Protoculture (not exactly the same thing as in Robotech folks)… and stretches over 36 episodes in total. Wow! Busy show indeed and never boring. No wonder Macross reached the tops of popularity since there is something for everyone to enjoy. But then again like I said before, this was a show made by fans of anime, manga and sci-fi. They knew which buttons to push to get the reactions which we all can identify with.

Macross_6Wait a minute… I forgot to go into detail about one important piece of Macross that I love. One word… MUSIC! Music plays a major role in the plot and the soundtrack is oh so good. I love music, I play music and great music in an anime is a thumbs up from my end. Kentaro Haneda’s orchestral work is inspiring and certain tracks, in particular Dog Fighter, are anthemic. The character of Minmei and her pop idol status was one of the first iterations of this character archetype. Love it or hate it, Macross would not be the same without Minmei as the cheerleader so to speak. She was the true star of Macross, yet not the major protagonist who was Hikaru. Her simple pop songs, a blast of culture more precisely, changes the course of events in this show. Love conquers all, literally.

The closing titles features a song called Runner, a sentimental ballad. And I will end this entry by saying that Macross and I have run together a long, long time (hard to admit you are getting older, but wisdom is worth the age!). Hand in hand, Macross and I will run forever. …with 100 postings down, it’s time to write another 100! 🙂

 

Thank you everyone!

To all of you who have been following my work here for a while, or if you are fairly new to the Classic Anime Museum, I want say a simple and appreciative thank you. Last month was a milestone on many levels and this whole year of 2018 has been an awesome year of growth. Yet there is still much work to do as I have only just started with the 99 entries that are online. #100 will be a special one for me and hopefully for you all as well.

As I mentioned last month, I will be at my hometown con, Anime St. Louis, and will be presenting two panels: Capturing the Wind: Miyazaki and Takahata before Studio Ghibli and The Shonen Jump Revolution of 1986. My friend Katie will be recording video and my goal is to get these videos online to share with you all in case you can’t be a part of the live audience.

Arigatou gozaimasu,

Josh

#99 : The Guyver: Out of Control

GOoC_1Do you know The Guyver? Sure you may be aware of the epic 12-episode OVA that was released from 1989, or that more recent version of 2005, or the manga, or even those very interesting (often characterized as bad) live acton B-movies. But there is another Guyver, a simpler Guyver, a one and done OVA kind of Guyver. It dates from 1986 and it is so rad and tubular (sorry I am going back to my 80s slang days), so ‘out of control’ (it’s in the name of the title after all) and kind of forgotten as well that I wonder if this is a legitimate entry for all that is The Guyver? Of course it is! This may be a dust gathering artifact from the golden age of the genesis of 80s OVAs, but it still counts! This was and is and always shall be The Guyver: Out of Control.

GOoC_2To date, this is the only Guyver that I have seen. I want to change this, not that I was impressed beyond belief with Guyver, but I feel it is worthy to see a more flushed out version of this story. The Guyver: Out of Control is just under an hour and it works very well as a one stop shop for an all out action extravaganza. Similar to Baoh, except our hero was not a test subject run amuck. Sho Fukamachi, our hero, after seeing an explosion from a battle in the distance comes into contact with an odd circular metallic object that he has to pick up and hold. After all being an average high school student, this is different and kind of cool… you got to pick it up… and then you pay the price.

This disc like object ends up turning Sho into one of the most streamlined, and perhaps very dangerous looking, superhero/fighter by having all these coils wrap around him. Ewww… just like tentacles, what the…? This is not weird fetish porn! This is proper action anime here! … At least Sho was not stripped of his clothes. Oh and look, now those guys from the previous battle from afar become the focus of Sho and steal his girlfriend. Bad idea! Now Sho has to fight up against the so called Chronos Corporation and yet another Guyver unit, who started out life as a beautiful redhead and in the process rescue his beloved lady. It’s so cheesy, but you got to love it anyway.

GOoC_3The irony of The Guyver: Out of Control is due to the fact that ‘don’t let the cover determine how you read the book.’ Case in point, the character designs of Toyoo Ashida with their large round eyes (isn’t that what everyone says about anime anyway?) don’t really show just how… violent… this OVA is. But then again, Ashida directed the Fist of the North Star and Vampire Hunter D movies (Hiroshi Watanabe directed this one), so perhaps these designs were a good choice? But seeing the promo materials makes me think initially of Minky Momo or Vifam (both in Ashida’s portfolio) and that this will be kind of a cute production. No Luck Chuck! This is like Fist of the North Star, Vampire Hunter D, or even… M.D. Geist (Eee!) type of violence. Wait a minute… I just mentioned Fist of the North Star and Vampire Hunter D twice (actually three!) … ok, then these character designs are fitting. Maybe? I like them anyway! Next paragraph…

GOoC_4Do you remember a time when anime was promoted as violent, mature and all that jazz? Yeah, those VHS days of the 90s only pigeonholed anime as a singular focused medium, kind of like Seattle music and Grunge. Of course we know much better now as to the variety of what there is in anime. And thank goodness, except The Guyver: Out of Control is actually a decent story, has a plot and some moral sense. It’s not mindless action and violence without a purpose.

… by the way, and this is a quote from the story, Guyver means out of control. … so then this title is simply doubling itself? Maybe it should have been called Guyver-squared?

#98 : Urusei Yatsura 2: Beautiful Dreamer

UY2_1Imagine living in your own dream world; anything goes! This is your ultimate utopia and if you apply any boundaries, they are of your own choosing. Who would be in this dream world with you? What would you do together? Once upon a time there was a property by the name of Urusei Yatsura that during the 1980s was one of the hottest tickets around. This show (and the manga) put Rumiko Takahashi on the map and brought a young director by the name of Mamoru Oshii into the spotlight. Before Ghost in the Shell, Patlabor and even Angel’s Egg, Oshii would showcase his signature style for the first time in Urusei Yatsura 2: Beautiful Dreamer. 

UY2_2The year was 1984 and going to the cinema was the thing to do for an otaku. I consider 1984, the anime Summer of Love. The Macross crew would release Macross: Do You Remember Love and Hayao Miyazaki wowed audiences with Nausicaa of the Valley of the Wind. Mamoru Oshii, who at the time was the director of all that was Urusei Yatsura, followed the script so to speak… and then a second film with Ataru, Lum and crew allowed Oshii’s individual style that we know so well to blossom for the first time. With both writing and directing duties, Oshii would bring his contribution of Beautiful Dreamer into the class of 1984. Oshii’s dreamworlds began to be a part of our worlds.

UY2_3I will be the first to admit that I may not be the best reference for Urusei Yatsura. I have seen the first handful of episodes and have a general idea of the plot and all the hijinks  including the lecherous main character, Ataru, and his jealous love interest/who happens to be an alien Lum. You know Lum (I hope)? The bikini clad girl with the horns on her head… a timeless design. Now, what I am familiar with is Mamoru Oshii’s artistry which he uses tastefully in Beautiful Dreamer. He adds elements of surreal imagery and circumstances and completely bends the rules to what you consider a particular property to be. Think Patlabor 2 in regards to Patlabor as a whole, or perhaps the Ghost in the Shell film in regards to the original manga. He puts his philosophical and symbolic spin into action that only Oshii does so well. Like a skilled painter, his style is his own. And where Patlabor 2 and Ghost in the Shell can get very heavy into drama, being that this is a film is in the Urusei Yatsura universewe still retain the comedy and dynamism. Mamoru Oshii brilliant with fun and comedy? Oh definitely YES! 🙂

The plot begins with a school festival where everyone is pitching in with their own contributions, decorations and such. Many of the usual cast are putting together a cafe of sorts, which includes a tank in the middle of their particular classroom. Wait, a tank?! How did they get that upstairs? Anyway… events seem as if things are repeating themselves as various characters start to see that the reality of their surroundings keeps moving in a loop. If you travel, you end up back at the same spot and occasionally you lose contact with others. Just what is happening here? Eventually the entire world turns into a ghost town… on the back of a… turtle (it ties in with traditional Japanese mythology)? The only normality is the Moroboshi house, which becomes the safe haven for our cast since there is a constant supply of food, water and electricity for some reason. I’ll say it again, just what is going on here?

UY2_4Not being completely up to par with the Urusei Yatsura universe, I will be the first to say that I did not have much trouble following the film. Watching Beautiful Dreamer purely as an Oshii film worked well enough for me! There has been a Blu Ray release recently here in North America, but my viewing of this film came from a recent VHS find.  … Oh whatever has happened to you, oh great Urusei Yatsura? Rumiko Takahashi’s other work, Maison Ikkoku, Ranma and Inuyasha have all eclipsed this once behemoth property. Yet Urusei Yatsura you still live on be it YV series or movie adaptation in our memories… and even perhaps, our dreams…