Dr. Jekyll and Mr. Hyde in the form of a four episode mecha anime… never thought I would say that statement. Here we have an OVA that begins a little weak and then evolves very quickly after the initial introduction into one of the darkest tales of the piloted giant robot genre. In the end who is the hero and who is the villain? Maybe it could be played from either side, or maybe neither side is truly on the side of justice, which brings up another topic, the aspect of self identity. Am I really who I think I am, or am I only the programming of someone else’s will? Wow this sounds deep, so this must have been well loved? By some yes, by others not so much… this was Hades Project Zeorymer.
Let’s now dive into this interesting stew. Mix part Izcer-1 and Dangaioh from director Toshiro Hirano; 80s mecha OVA experience check. Now add in some Silent Möbius from character designer Michitaka Kikuchi (a.k.a. Kia Asamiya); gritty cyberpunk attitude check. Now add this to a previously released mecha manga that was featured in a lolita hentai magazine and was created by the mind responsible for the Guyver (Yoshiki Takaya). What the?! Now how did this all work out as a mainstream OVA release? Easy… no hentai, or lolicon stuff… oh good that was creeping me out. The final product became a possible prototype for what became of mecha anime in the late 1990s. Angst filled, psychological, darker in tone… perhaps Evangelion was not as revolutionary as we are led to believe? After all Evangelion paid homage to the many things from creator Hideaki Anno’s past, including his mental journey states. Now let us return to Zeorymer.
How is it that I am so mixed about Zeorymer? The first episode was a bit of a let down and I was thinking that things were pointing to a plot direction of a mecha of the episode fighting against a wimpy hero. Then things change over the remaining three episodes moving into an extremely darker tone that shapes not only the characters, but the plot as well. We begin with our protagonist who plays the victim card and is taken by strangers to pilot a giant robot that was stolen from a large organization bent on conquering the world. With this renegade machine we find our protagonist change from scared and mild mannered into inhumane and cold. This is like shifting from Gundam’s Amuro Ray, or Evangelion’s Shinji Ikari into the archetype of M.D. Geist at the drop of a pin. Our hero is not a hero, or a victim, but perhaps a villain? Or is he? Several characters in this OVA, including our main character, end up looking inside themselves to realize what they thought they were was nothing more than a manufactured hoax.
Very heavy themes surround Zeorymer, but the shorter episode count format could have been longer in my opinion. The subject matter could have worked very well for a TV series, or at least a longer OVA run to develop the plot even more. We have to accept what is given even though for me this anime had a lot of potential. I am always a sucker for a deep intense story so when it gets good in terms ot being ‘serious’ I want to dive even deeper down and down and down. Even if darker themes are not your cup of tea what cannot be denied is the quality of Zeorymer in terms of presentation. Like many of Hirano’s directorial projects the detail and fluidity are very high in terms of quality. Spare no expenses here, this is a nice looking OVA.
1988 brought many mecha reinventions and presentations in the OVA market. Gunbuster, Patlabor and Dragon’s Heaven all brought a hope of light to the future of mecha anime. But what of the former dramatic titles from the past that filled either epic space opera, or deep sacrificial tones to the story that were on television? This all seemed to be a memory until the appearance of a lone dark figure, Zeorymer, who would appear against the previously mentioned titles as a both a call from the past and a harbinger of the future. Zeorymer may not be too everyone’s taste palette, but it cannot be ignored.