Romance and Rumiko Takahashi, a beautiful combination that always equals success. Even though the popular long epics of Takahashi are usually at the tips of our tongues in regards to personal favorites (Urusei Yatsura, Maison Ikkoku, Ranma 1/2, Inuyasha), it is the shorter productions, some of them one-offs, that at least for me top lists of my favorite work by the ‘Queen of Manga’. All the great laughs and stories without any added filler that make a nice neat package. There is one example that is a true one-two punch, no pun intended… or is it intended? Boxing, faith and a bad case of the munchies… may I present One Pound Gospel.
Kosaku Hatanaka is a hungry young up and coming boxing talent that has promise, but a major flaw. His punch delivery is brilliant, but he desires for something else. Becoming a boxing champion is not so much it, though he wants to perform well. Kosaku is obsessed with eating food almost all the time, which presents problems for keeping him at his class weight maximum. Can you blame him though? Being half starved, he often gorges a meal in secret, which either keeps his weight too high, or worse, throws up in the ring… gross. A recent binge meal came from a chance encounter with a young nun who felt sorry for the young man’s condition of monitored starvation. She feels guilty and from this chance encounter blossoms a relationship that I would have never thought could have existed… a boxer and a nun… now that’s different.
Owing up to his ‘sins’, Kosaku begins to train harder. He even takes to the streets where he runs and shadow boxes, often times with comedic outcomes… watch out for that right jab! Soon a rival comes forth to challenge this hopeful talent. Can Kosaku stay the course and commit to his talents? Nope… temptation is always around the corner and much like any addict he begs one of his gym mates for ¥500, or even ¥1,500 just to satisfy his cravings for ramen, or kabobs. His coach is aghast and offers a barbeque meal and suggests he should retire so he can pig out when ever he wants. All the while Sister Angela, the ever faithful nun, still believes in him, but is angered that he can’t see his flaws are hurting himself and those around him.
Though the roles of boxer and nun are a unique combination, the underlying character archetypes are ever present in a romantic comedy. Kosaku is not stupid, but naive and a little immature, while Angela is strong willed, yet tender. She is faithful to what is good inside Kosaku, though it does push her buttons from time to time. Such is true in any relationship, it is the learning for accepting flaws both inside us and with a significant other that allows us to grow and prosper as human beings. After all to learn more about yourself don’t look in a mirror, just see how the dynamics in your relationships play out, be it love or friendship. Often times where we screw up is where we learn our biggest lessons. … Kosaku, put down those snacks! Will the boy ever learn?
Another point to remember with One Pound Gospel is to look at the director, Osamu Dezaki. Known for his creative use of still shots and lighting, he let’s most of his signature skills take a back seat to support Rumiko Takahashi’s original look… though he does from time to time fit in the Dezaki magic! Boxing is nothing new for Dezaki as he directed the influential Ashita no Joe, a true classic. That being said, Dezaki and Takahashi make a great combination that delivers action, comedy and sincerity. One Pound Gospel is more than a knockout of a great romantic comedy, it’s a real winner.