1980… the height of the space opera boom of the late 1970s and early 1980s would enter a new decade. Yamato, Gundam and Galaxy Express 999 would come before and now a familiar name would throw his hat into the ring. Enter the ‘God of Manga’, Osamu Tezuka, and his first presentation of his grand myth, The Phoenix, in a full animated production. A live action film with animated segments would tell a historical account from one of the chapters of The Phoenix in 1978, but this film would be an alternate retelling of the space related chapters and 100% pure anime. Tezuka’s Phoenix anime re-workings are some of the most special anime ever made (personal opinion), but how does Phoenix 2772: Love’s Cosmozone fare?
In the far future, the Earth is in dire trouble. Over polluted, lacking resources and at the point of social collapse we find our beautiful planet at both a major crisis and a crossroads. We begin our filmic journey by following our hero, Godo, as a a test tube baby and witness his process of growing up in isolation. Eventually he is joined by a robot companion, Olga, who helps to raise him. These beginning sequences remind me of silent films, or perhaps the opening of 2001: A Space Odyssey, with dialogue being nonexistent and fluid motion being the only storyteller… as well as the background music. Once Godo reaches full maturity, his place is to become a pilot, but this is short lived since he shows a trait of humanity by not wanting to kill innocent life. Also he has eyes on a girl who is set to wed one of the powerful elite… another no-no. This gets him into serious trouble, which leads to a prison sentence where he meets a stock in trade Tezuka archetype, the large nosed man older man and a fellow who happens to be none other than Blackjack.
Godo still believes in his mission despite the setbacks, which I have yet to devulge. That is to capture the Phoenix from which the blood can be used to give life back to the dying Earth. Eventually with the help of friends Godo escapes and sets off to find this mysterious bird. When Godo eventually comes into contact with the mythic bird of fire the true essence of the story begins to speak as Godo learns what all protagonists in any of The Phoenix stories, that life is more precious than anything else and the love between souls is far stronger than any want or need in the name of ignorance, or power. Sacrifice and karma must be weighed in order to achieve a true sense of enlightenment and fulfillment.
The space opera sci-fi of Phoenix 2772 is well animated, as expected from the likes of Tezuka, who was Chief Director of the project… The BIG Boss! He incorporated techniques seen in his more experimental projects, which makes Phoenix 2772 unique looking amongst the other films of the time, Toward the Terra as an example. Also Tezuka’s character designs harken back to a previous era, though with updated fashion and hairstyles. All in all, a true blockbuster of a film, yet, I have to scratch my head on this portion of the Phoenix mythology. Phoenix 2772 is kind of awkward. A few of the animation sequences take on an almost comedic or fluid quality and a couple of the animal/alien characters seem to be added in for comic relief and juvenile appeal. Mixed with the epic story of finding the Phoenix and understanding true love, Phoenix 2772 can feel a little schizophrenic.
Phoenix 2772 may be the weakest entry in all of the Phoenix anime I have seen, but it is far from bad, or even average. It has it’s quirks and for some of you it may not be much of a problem, but I hold The Phoenix name very high. The trilogy from later in the decade (Karma, Yamato and Space) is some of the best anime from the 1980s (again my opinion) and I would recommend these first. Even so, at the heart of Phoenix 2772 is a tale of sacrifice, redemption and emotional drama, all qualities that make Tezuka’s Phoenix entries special. This in it’s self makes Phoenix 2772 qualify as a close second to the trilogy and a unique entry into the beginning of the decade of the 1980s.