Oh, Oh, Ohh, Oh Deen!!! Odin: Photon Sailer Starlight, or is it Odin: Starlight Mutiny? May I call you Odin for short? Ever wondered how a laser powered sailing vessel would fair in the vastness of outer space? We all know that old battleships (Space Battleship Yamato) and trains (Galaxy Express 999 and Night on the Galactic Railroad) can tackle the great void of the cosmos, but a ship with sails… is it possible? In anime anything is possible… ANYTHING! Anime and the imagine can be ever expansive, yet it has to finally materialize into some substance to achieve true satisfaction. With Odin, we spend a long time traveling around, but do we ever get anywhere? Not really, but we get to head bang to heavy metal along the way.
Many will say from the word go that Odin is a bad anime, a bad movie period. I am not here to judge one way or another, but I will say as a fact that it took me three attempts to get through this movie to finish it the first time eons ago. Why three times? I fell asleep the first two times. Odin, the alternative to melatonin. From past watchings I was under the spell from others who painted this as one of the greatest monstrosities ever created by Japan’s animation history. In many ways there is merit to this hypothesis, yet a recent rewatch has changed my tune slightly. One thing that I kept in mind this time round was to treat Odin as a large scale blockbuster action film with lots of action on a huge scale, but limited in terms of being a blockbuster. Also everything has it’s flaws… focus on what is working.
My main issue with Odin is that it is the embodiment of excess gone wrong… ego and arrogance to the Nth degree. A true poster child of 1980s overabundance in one extreme direction. This is a big budget movie with lots of ideas and yet not enough follow through at the end product stage. What may have worked before in another guise and time may not always catch hold with the public at that current moment. Yoshinobu Nishizaki, the producer and anime exec responsible for Space Battleship Yamato, thought otherwise. If resurrecting the sunken battleship Yamato and turning it into a space epic with heroes and glory could yield success, then maybe Nishizaki could do something similar again. By the time of Yamato’s retirement in 1983 with the release of Final Yamato, perhaps the concept of epic space opera romanticism had runs it’s course?
The story as a whole makes sense, but it gets scattered easily from the bombast and spectacle. A group of young men board the Starlight to become the main crew and run in abundant enthusiasm accompanied with heavy metal. GO!! Once on the bridge they meet their more mature superiors who want to follow everything by the books because they are after all in charge. A clash of generations? While on their maiden flight they answer an S.O.S., rescue a mysterious girl and discover alien artifacts. They learn of the civilization Odin and somehow the girl has memories of this civilization, even being able to read the language. The old men want to go home, but the boys want to go discover this new find. Enter mutiny and locking up the old men. Now we set sail for Odin, whatever it is. Could they be a mechanical civilization? Why is the Odin race very warlike? The Starlight crew find an Odin outlying base and subsequently attack it. Then the old men die leaving the ship in the boy’s hands. So should the boys go home? No way, they have to go to Odin! The End… or should I say to be continued, yet there is no more story to tell.
If Odin had life as a TV series maybe the story could have worked out. All the possibilities were there: the budget, the voice cast, the art and designs, but sadly they could not fully come to fruition as a whole. You could watch the abridged version at 90 minutes as a substitute, but the longer cut, well over two hours, has the full story; just pace yourself. The greatest reward if you finish the longer cut is a metal ballad music video that runs over the credits… “Searching for Odin my love…” … Arguably the best part of the movie?