This is one of nine entries that take an in depth look into each of the segments of the 1987 anime compilation Robot Carnival. For the original entry, click here.
“Ah… look at all the lonely people”… The Beatles’ Eleanor Rigby. A sad song that feels quite lonely, a little despondent, saturnine and yet poignantly beautiful wrapped up in sophistication. The same can be said of Yasuomi Umetsu’s Robot Carnival contribution, Presence. This too is a story of loneliness, despondency and regrets that may also be the most gorgeous of all the Robot Carnival films. The level of detail, the colors and the music define this as perhaps the signature segment of Robot Carnival. Mostly in regards to the doll like robot, who could be the mascot for the entire production.
Yet with so much beauty there is also pain. Set in a technologically advanced era that is reminiscent of the early 20th century we find a married man to a very successful business woman and also mourns over the fact that his mother never gave him the love he wanted so badly. Much is missing from the feminine in his life and in desperation, and in secret, creates a female robot as a companion in an isolated shed in the country. To some this may be an odd hobby, or fetish, but it is a cry out for loneliness, a desperation to connect to something… perfect. Still no human, or robot, or relationship is perfect. The robot develops her own personality and questions who she is to the amazement of the man. In fear he retaliates destroying something he loves and wanted to love him so dearly. The only thing left are the ghostlike memories that remain. What could have been and what shall I do now and is there a way to return to try again? Common questions that we all have, though we don’t share the same path as this man.
Robot Carnival entry index: