This is one of nine entries that take an in depth look into each of the segments of the 1987 anime compilation Robot Carnival. For the original entry, click here.
Much of the segments of Robot Carnival don’t feature any perceivable dialogue. The 1980s was the era of the music video and many of Robot Carnival films could fit this description, but in regards to Franken’s Gears, let’s go back to the beginning of cinema itself. The Silent Era to be precise when motion, setting and even background music were key elements to tell the story instead of the spoken word. Franken’s Gears feel’s like one of those ‘old time’ movies with both the exaggerated gestures and the more sepia toned color palette. And also lets add in some German Expressionism too with exaggerated lighting as well for good measure.
The primary influence had to have been the classic Shelley story of Frankenstein… it’s all in the title, Franken’s Gears. Our mad scientist, who looks like Doc Brown from Back of the Future, is making a mechanical creation that he wishes to bring to life. Same story for the most part as the Shelley story except this time round we get the visual genius Koji Morimoto to tell an alternate version. Amidst a nasty thunderstorm and within a laboratory of wild electricity flashing all around the big robot that lies horizontal begins to move. The mad scientist is all in glee. IT’S ALIVE! IT’S ALIVE! It’s a miracle and even though the mechanical hodge podge is not much to look at, it rises and begins to take in it’s surroundings including our scientist. All seems to be in perfect harmony except Mr. Scientist, did you check to make sure that this robot is stable and it’s weight is evenly distributed? Uh oh…
Robot Carnival entry index: