1980s OVAs… everyone and anyone had an opportunity to create one so long as you had an idea. Similar to the burgeoning Alternative Rock scene that was starting to take hold in the west, Japan’s animation market gave opportunities for designers and animators to take up the directors chair. As an example, if M.D. Geist is one expression of a mecha designer given free reign to create a little project where that individual has total control, then Dragon’s Heaven is the alternative. For the case of M.D. Geist, Koichi Ohata created what is perhaps the greatest worst schlock-fest anime with an anti-hero villian as our protagonist. And as for Dragon’s Heaven, Makoto Kobayashi would create something a little more tender and… special.
Special?… so Dragon’s Heaven, what makes you so appealing? The first five or so minutes begin with live action footage of a stop motion model of a mech, which details the back story of a post war world before coming into full cel animation to show we are now in the present. How odd to begin our ‘cartoon’ this way, but it works; almost like a low budget Jim Henson styled intro from say the Dark Crystal. The main animated section continues afterward for a half hour and details how a sentient robot, Shaian, wakes up after a long slumber to become reunited with a new pilot. This pilot is a young girl, Ikuru, who happens to stumble upon this dinosaur, or perhaps dragon?, of a robot. Together they save the world from Shaian’s former adversary and live happily ever after. Afterwards there is about ten more minutes of live action which documents the creation of the beginning of the OVA.
Dragon’s Heaven is cute and cliche, but its one of those heart warming stories that needs to be in mecha more often. You know the type of show where your best friend is a giant robot and the both of you do everything together and watch out for each other. Not unlike a sweeter Gigantor/Tetsujin 28, Giant Robo or Giant Gorg. Dragon’s Heaven reminds me of the thesis project I would have killed to have made when I was in school. Not that I studied animation, but just the fact of the simplicity of the piece and how it was presented is very attractive. Flat bright colors and a sparse esthetic to the backgrounds add to the lo-fi atmosphere. Somehow this kind of feels a little familiar? It was only looking through Makoto Kobayashi’s resume online that it hit me. Of course, face palming myself… Birth. Oh how I love that OVA as well! So that was Kobayashi’s mecha designs on Birth… you learn something everyday. That being said, Dragon’s Heaven is a close distant cousin to Birth by way of Kobayashi? I approve.
Many anime often end up being called buried treasure, but Dragon’s Heaven is the truest definition. Made by AIC, this one gets lost in between the bigger and more epic Gall Force and Bubblegum Crisis series. Released in 1988, Dragon’s Heaven had competition from high budget giant OVA productions like Gunbuster and Patlabor. This little one had to come up against many a giant back in the day and yet Dragon’s Heaven still lives on because of word of mouth. I am proud to be one of the few to continue this legacy. Dragon’s Heaven… it’s that little old anime from 1988 that you can’t help but love.